"Actor: Glyndebourne Chorus"

  • Janacek: Jenufa -- Glyndebourne [1989]Janacek: Jenufa -- Glyndebourne | DVD | (22/06/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £24.99

    Janacek's masterpiece Jenufa, captured in this 1989 Glyndebourne Festival Opera production, is among the most revived modernist works. Compared with much grand opera, the story of one woman's struggle to rise free from social constraints at a terrible cost is remarkably poignant, credible and accessible. Scenes are short and intense. The music shimmers with Janacek's characteristic blend of sweetness and sharp dissonance. His men are damaged and angry; his women kick against the expectations of convention. Tragedy is inevitable, but here, unusually, hope triumphs. In the title role, Roberta Alexander is utterly convincing as the stepdaughter of the Kostelnicka Buryja, placing her love and trust in the wrong man with dire consequences. As the Kostelnicka, Anja Silja turns in an equally towering performance, unravelling with the awful consequences of her pragmatism. Alexander's fluid soprano reveals the extraordinary beauty of some of Janacek's finest arias: the moment when she becomes supernaturally aware of her baby's fate--it's "as if death was peering into the house!"--and is actually singing prayers for its soul is quite overwhelming. This Jenufa is sung splendidly; a revelation of the essential humanity which lurks at the heart of the greatest operas. On the DVD: This production was filmed for Channel 4 and has all the hallmarks of a 1980s television broadcast: standard 4:3 picture format which limits the impact of Tobias Hoheisel's magnificent expressionistic set; PCM stereo which somewhat dulls Andrew Davis' sterling, powerful work at the helm of the London Philharmonic Orchestra (although the principal singers shine through); poor subtitles; and static freeze-frame links between scenes. As a record of an important production, though, it suffices. --Piers Ford

  • Wagner: Die Meistersinger von Nürnberg [Blu-ray] [2012] [Region Free]Wagner: Die Meistersinger von Nürnberg | Blu Ray | (02/09/2012) from £28.55   |  Saving you £N/A (N/A%)   |  RRP £N/A

  • Monteverdi: L'Incoronazione di Poppea -- Glyndebourne [1984]Monteverdi: L'Incoronazione di Poppea -- Glyndebourne | DVD | (26/04/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

    Peter Hall's lavishly staged L'Incoronazione di Poppea celebrated the 50th Anniversary of Glyndebourne in 1984 with a performance of Monteverdi's most celebrated and also most controversial opera. The score is conductor Raymond Leppard's "enhanced" edition, which he had premiered at Glyndebourne back in 1962, fully scored for a large orchestra. Much debate circles around the forces appropriate for performing Monteverdi's decidedly minimalist work, but one thing at least is certain: it didn't sound anything like this in the 17th century! Never mind, however inauthentic it may be, Leppard's big and beefy orchestral updating--including a fulsome continuo group with pairs of harpsichords, organs and cellos, as well as lute, guitar and harp--supports the weighty melodrama nicely. The singers, too, are full-bodied, led by a fruity Maria Ewing as Poppea (in various revealing outfits) sounding suitably seductive, and Dennis Bailey, oddly lovely of voice as Nero (one of the opera's controversial aspects is the heroic central role accorded to these two thoroughly wicked characters). Perhaps best of all is Robert Lloyd as Seneca, who not only boasts a profound, reverberant bass, but also looks the part under beard and toga. With an onstage chorus to lament him, Seneca's death scene is the most moving in the opera. Peter Hall's clever staging keeps the Olympians--Love, Fortune and Virtue--permanently watching from above as the venal humans below act out this tragedy of poisoned love. The no-frills DVD has subtitles in English, French, German and Spanish. --Mark Walker

  • R. Strauss: Arabella -- Glyndebourne/Haitink [1984]R. Strauss: Arabella -- Glyndebourne/Haitink | DVD | (22/09/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

    Richard Strauss's elegantly playful opera Arabella (sometimes close to operetta in style) gets a polished, light-hearted, but also serious production at the Glyndebourne Festival. Ashley Putnam gives a glowing performance in the title role and she has a strong supporting cast. John Cox's stage direction and Julia Trevelyan Oman's design create a convincing atmosphere of 19th-century Vienna (not without a dark side to provoke dramatic interest) and Bernard Haitink's conducting of the London Philharmonic is splendidly idiomatic, in the dramatic music as well as the waltz and folk dance melodies that brighten the score. Arabella is the last libretto written for Strauss by Hugo von Hofmannsthal before his untimely death, and it has the high literary value found in all his work, although he did not live to revise Acts II and III. The story focuses on a Viennese family--Count Waldemar, his wife Adelaide and two daughters, Arabella and Zdenka. They are living in genteel poverty and hoping that Arabella, who has several suitors, will marry well and recoup their fortune. They are so poor that Zdenka has been raised as a boy because the family cannot afford to bring out two daughters in Viennese society. A properly rich suitor, Mandryka, shows up and it is love at first sight, until Zdenka confuses the situation. She is in love with one of Arabella's suitors, Matteo, sends him love letters under Arabella's name and seduces him in a darkened bedroom under the pretence that she is Arabella. Mandrkya learns of the seduction but not of Zdenka's deception, and breaks off his engagement to Arabella. There is, of course, a happy ending. Putnam is sweet and troubled in stage presence, silvery in tone and totally charming. John Brocheler is an ardent, impetuous Mandryka and Gianna Rolandi is convincing in the rather difficult role of Zdenka. Gwendolyn Bradley makes an impressive appearance as Fiakermilli, the belle of the coachmen's ball in Act II, one of the opera's favourite features with Viennese audiences. --Joe McLellan

  • Falstaff - Giuseppe Verdi [1976]Falstaff - Giuseppe Verdi | DVD | (12/01/2005) from £3.78   |  Saving you £11.21 (296.56%)   |  RRP £14.99

    Verdi's opera based on Shakespeare's character Falstaff who attempts to woo two wealthy married women in an attempt to avoid bankruptcy....

  • Janacek: Kat'a Kabanova -- Glyndebourne [1988]Janacek: Kat'a Kabanova -- Glyndebourne | DVD | (26/01/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £24.99

    Kát'a Kabanová, Janácek's 1921 tragedy, is proof if any were needed that tales of personal oppression and turmoil will always make fine raw material for opera composers. Janácek took Ostrovsky's tumultuous drama of infidelity , The Storm, and created a compelling piece in which his music heightens the relationship between the troubled landscape of Kát'a's inner mind and the elements doing battle outside. In 1988, this Glyndebourne Festival production successfully distilled the heroine's wretched journey from put-upon wife and daughter-in-law to suicide via the ecstasy of a forbidden love affair into 100 minutes of intensely emotional operatic drama. At its heart, Janácek's unique tonal score underlines a powerful, almost naturalistic dialogue and exposes the impact of Kát'a's experiences on her escalating self-destruction. Felicity Palmer's Kabanicha--the mother-in-law from hell and the real instrument of Kát'a's downfall--is curiously remote and muted rather than the domineering figure of fear that we might expect. But the singing, particularly by Nancy Gustafson (tremendously affecting and emotionally convincing in the title role) and Ryland Davies as Kát'a's weak husband Tichon, is outstanding. Gustafson's performance alone makes this essential viewing for anybody with a passion for the great modern soprano roles. On the DVD: Sadly the only additional features are trailers for Seven Gates of Jersualem and The Damnation of Faust. The sound quality (PCM stereo) is more than fair, but inevitably the film of the production is constrained by the design: the stylised set is either very light or very dark and we don't get as close as we'd like to the characters in what is, after all, a disturbingly intimate piece. Arthaus Musik's booklet meets the expected high standards of information and background. --Piers Ford

  • Mozart: Don Giovanni (Kate Royal, Gerald Finley, Luca Pisaroni,  Anna Samuil , Vladimir Jurowski, Jonathan Kent, The Orchestra of the Age of Enlightenment, Glyndebourne Chorus) [DVD]Mozart: Don Giovanni (Kate Royal, Gerald Finley, Luca Pisaroni, Anna Samuil , Vladimir Jurowski, Jonathan Kent, The Orchestra of the Age of Enlightenment, Glyndebourne Chorus) | DVD | (11/04/2011) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

    Tracklist: Disc 1: 1. Don Giovanni - Overture 2. Don Giovanni - Act I No.1 Notte E Giorno Faticar 3. Don Giovanni - No.2 M Qual Mai S'offre - Fuggi Crudele Fuggi! 4. Don Giovanni - No.3 Ah! Chi Mi Dice Mai? 5. Don Giovanni - No.4 Madamina! Il Catalogo Questo 6. Don Giovanni - No.5 Giovinette Che Fate All'amore 7. Don Giovanni - No.6 Ho Capito 8. Don Giovanni - No.7 L Ci Darem La Mano 9. Don Giovanni - No.8 Ah Fuggi Il Traditor! 10. Don Giovanni - No.9 Non Ti Fidar O Misera 11. Don Giovanni - No.10 Don Ottavio Son Morta! 12. Don Giovanni - No.10b Dalla Sua Pace 13. Don Giovanni - No.11 Finch' Han Dal Vino 14. Don Giovanni - No.12 Batti Batti O Bel Masetto 15. Don Giovanni - No.13 Finale. Presto Presto! Pria Ch'ei Vengo! 16. Don Giovanni - S Svegliatevi 17. Don Giovanni - Bisogna Aver Coraggio 18. Don Giovanni - Signor Guardate Un Poco 19. Don Giovanni - Protegga Il Giusto Cielo 20. Don Giovanni - Riposate Vezzose Ragazze! 21. Don Giovanni - Venite Pur Avanti 22. Don Giovanni - L'iniquo Da Se Stesso 23. Don Giovanni - Ecco Il Birbo Disc 2: 1. Don Giovanni - Act II. No.1 Eh Via Buffone 2. Don Giovanni - No.2 Ah Taci Ingiusto Core! 3. Don Giovanni - No.3 Deh Vieni Alla Finestra! 4. Don Giovanni - No.4 Met Di Voi Qua Vadano 5. Don Giovanni - No.5 Vedrai Carino 6. Don Giovanni - No.6 Sola Sola In Bujo Loco 7. Don Giovanni - No.7 Ah Piet Signori Miei! 8. Don Giovanni - No.8 Il Mio Tesoro Intanto 9. Don Giovanni - No.8c In Quali Ecessi O Numi! - Mi Trad Quall' Alma Intrata 10. Don Giovanni - Rez. Ah Ah Ah! Non Mi Dir Bell' Idol Mio 11. Don Giovanni - No.9 O Statua Gentilissima 12. Don Giovanni - No.10 Crudele! Non Mi Dir Bell' Idol Mio 13. Don Giovanni - No.11 Finale Gi La Mensa Preparata 14. Don Giovanni - L'ultima Prova 15. Don Giovanni - Don Giovanni! 16. Don Giovanni - Scena Ultima. Ah Dov' Il Perfido 17. Don Giovanni - Curtain Calls

  • Mozart: The Mozart Glyndebourne Collection [1973]Mozart: The Mozart Glyndebourne Collection | DVD | (28/11/2005) from £51.39   |  Saving you £8.60 (16.73%)   |  RRP £59.99

    Six Mozart features: 'Cosi Fan Tutte (1975)' 'Don Giovani (1977)' 'Die Entfuhrung Aus Dem Serail (1980)' 'Idomeneo (1974)' 'Le Nozze Di Figaro (1973)' and 'Die Zauberflote (1978)'.

  • La Cenerentola [2005]La Cenerentola | DVD | (30/01/2006) from £15.96   |  Saving you £14.03 (87.91%)   |  RRP £29.99

    Vladimir Jurowski and Sir Peter Hall are re-united for a fresh and vibrant but timelessly elegant production of Rossinin's much-loved setting of the Cinderella story with a fine cast led by Ruxandra Donose in the title role. Filmed in June 2005 with high definition cameras and recorded in multi-track 5.1 surround sound

  • Fidelio [1979]Fidelio | DVD | (28/11/2005) from £16.18   |  Saving you £-1.19 (N/A%)   |  RRP £14.99

    Fidelio - Recorded At The Glyndebourne Festival Opera 1979.

  • The Rake's Progress - Stravinsky [1975]The Rake's Progress - Stravinsky | DVD | (01/08/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £14.99

    Recorded at the Glyndebourne Festival Opera 1975

  • Rossini: Il Barbiere di Siviglia (The Barber of Seville) -- Glyndebourne [1982]Rossini: Il Barbiere di Siviglia (The Barber of Seville) -- Glyndebourne | DVD | (26/04/2004) from £6.59   |  Saving you £12.66 (237.52%)   |  RRP £17.99

    Funny fast and furious Rossini's masterpiece Il Barbiere di Siviglia is one of the most popular of comic operas with its sparkling and stylish score. John Cox's innovative production for Glyndebourne Festival Opera with good looking authentic designs by William Dudley put plenty of fizz into this old favourite and was a real hit with the critics. The usual Glyndebourne hallmarks of team work and extended rehersal paid handsome dividends in this production filmed in 1982.

  • Tchaikovsky: Pique Dame (The Queen of Spades) [1992]Tchaikovsky: Pique Dame (The Queen of Spades) | DVD | (21/01/2002) from £20.02   |  Saving you £6.23 (33.21%)   |  RRP £24.99

    This Glyndebourne production of Pique Dame ("The Queen of Spades") received rave reviews when it appeared in 1992 due to its claustrophobic intensity and powerful acting, and these qualities help it to transfer to DVD with great success. Graham Vick's direction ensures that the story is told clearly and simply but includes a wealth of telling details: the pastoral scene from Act 2, for example, uses the boys from the opening chorus as comical sheep and the effect is enchanting. But there are much darker undertones too: Richard Hudson's slanting, angular designs produce a disorientating atmosphere which mirrors Herman's increasing mental deterioration with uncanny precision. There is a brilliant stroke of visual assonance when the Countess returns to haunt Herman and all the furniture from her death scene appears on the roof. The singing is generally good, though Yuri Marusin's voice may not be to everyone's taste; sometimes he sounds like he's shouting, and his frequent lack of vibrato produces a piercing, uncomfortable effect. Nancy Gustafson is a fine Lisa, however, and Dimitri Kharitonov (Yeletsky) is heartbreaking in the famous "Ya vas lyublyu" ("I love you") aria. For overall better singing but a more plodding production, try the 1992 Kirov recording, but for spine-tingling drama this is the one to go for. On the DVD: Pique Dame on disc has subtitles in English, German, French and Spanish. The camerawork captures the odd angularity of the designs and gives an excellent account of a fast-paced, powerful production.--Warwick Thomson

  • Wagner - Tristan Und Isolde [2007]Wagner - Tristan Und Isolde | DVD | (18/01/2008) from £31.05   |  Saving you £3.94 (12.69%)   |  RRP £34.99

    Richard Wagner - Tristan Und Isolde.

  • Le Nozze Di Figaro [1973]Le Nozze Di Figaro | DVD | (23/07/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £14.99

    Recorded at the Glyndebourne Festival Opera 1973.

  • Essential Opera Collection [Various, Various] [Opus Arte: OAMO6000D] [DVD] [2013]Essential Opera Collection | DVD | (11/10/2013) from £84.29   |  Saving you £N/A (N/A%)   |  RRP £N/A

  • Mozart: La Clemenza di Tito -- GlyndebourneMozart: La Clemenza di Tito -- Glyndebourne | DVD | (29/04/2002) from £11.74   |  Saving you £14.51 (138.45%)   |  RRP £24.99

    Mozart's Clemenza di Tito ("The Clemency of Titus") makes for riveting viewing in this Glyndebourne performance directed by Nicholas Hytner and conducted by Andrew Davis staged in the composer's bicentenary in 1991. Mozart's last opera, Clemenza was for some time considered below par by his own exalted standards. He composed it in a rush, the recitatives are by a pupil and it had to be on an appropriate theme to please the new Hapsburg monarch, for whose enthronement it was designed. There's little character development and the musical style harks back to operatic conventions Mozart had done so much to overthrow. Watching this production one would scarcely credit that such reservations once held sway. Hytner and his team have put a contemporary angle on a story set in Rome AD 78 in which sets, props and the stage itself are constructed to different dimensions offering alternate perspectives on a static tale. A slanting pillar and a sloping corridor allude to the unhinged mind of the scheming Vitellia, the central character, who puts her confidant Sesto on an emotional roller coaster ride as she ensnares him to plot the downfall of Titus. The principals use their eyes to communicate to one another as well as the audience and in the imaginatively staged entrances and exits of the ensembles one senses Hytner's choreographic instincts coming to the fore. The superb cast sing magnificently and look stunning. Philip Langridge is an eloquent Titus, Diana Monatgue a sincere Sesto and Ashley Putnam brings a touch of Alexis Colby to her portrayal of Vitellia. The London Philharmonic are all fired up under conductor Andrew Davis' fervent direction. The performance (the "Overture" accompanied by a visual montage of artefacts of Ancient Rome) is played on modern instruments yet articulated and reproduced with the clarity and definition associated with period ones. On the DVD: La Clemenza di Tito has no special features save for the obligatory subtitles. The picture quality is outstanding with the imaginative and colourful production design caught, like the music, with exceptional fidelity. The high drama at the conclusion of Act 1 justifies running on without a break into Act 2. This is a must for all lovers of opera. --Adrian Edwards

  • Die Entfuhrung Aus Dem Serail - Mozart [1980]Die Entfuhrung Aus Dem Serail - Mozart | DVD | (01/08/2005) from £16.18   |  Saving you £-1.19 (N/A%)   |  RRP £14.99

    Recorded at the Glyndebourne Festival Opera 1980

  • Macbeth - Verdi [1972]Macbeth - Verdi | DVD | (18/02/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £14.99

    Giuseppe VerdiMacbethFrom the Glyndebourne Festival Opera 1972Opera in Four Acts

  • Idomeneo - Mozart [1974]Idomeneo - Mozart | DVD | (29/10/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £14.99

    Although Idomeneo is one of Mozart's lesser known operas it sparkles with the composer's usual brilliant melodies. Glyndebourne became the main advocate of the opera in the 50s and 60s and yet despite this Idomeneo was still considered by 1974 something of a rarity.During a ferocious storm Idomeneo the King of Crete makes a vow to Neptune offering a sacrifice (the first human being Idomeneo sees) in return for the god's help in bringing his ship safely to shore. As it turns out this is his own son Idamante. This dilemma can only be solved by the unselfish love of Ilia who is willing to give her life in his stead.Richard Lewis once again confirms his position as the world's leading exponent of this opera in the title role of Idomeneo with Josephine Barstow equally mesmerising in her portrayal of Elettra's agony. This significantly shortened version begins with Idomeneo alone on the beach after having survived the fierce storm. John Cox uses strikingly dark staging echoing the drama of the action and according to Mozart's original directions includes drowning sailors and the infamous Act II sea monster.

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