After a first season made controversial by the mere presence of openly gay characters, Will & Grace returned triumphantly with renewed confidence and vigour. In their second season, sidekicks Jack and Karen (the very, very funny Sean Hayes and Megan Mullally) are more snide and gleefully obnoxious than ever; Will (Eric McCormack) has perfected his prickly panache; and in particular Grace (Debra Messing) has entered a whole new plane of sexy goofiness, diving even more headlong into physical comedy--such as the episode when, in order to woo a high school crush, she gets a water-padded bra that springs a leak. The writing has also become tighter, grown more deft in its gay and pop culture references (which were often self-conscious in the first season) and at juggling sustained storylines, such as the Immigration department investigating Jack's marriage to Karen's Salvadorian maid Rosario (Shelley Morrison), Grace and Will struggling to become less emotionally incestuous, and Jack seeking his biological father. The show excels at tackling emotional subjects (like Will discovering that his father, who has accepted and even embraced his homosexuality at home, has told his co-workers that Will is married to Grace) with a sharp comic eye. Guest stars start to accumulate: Molly Shannon returns, Sydney Pollack and Debbie Reynolds play Will's dad and Grace's mom, Joan Collins appears as a rival designer, Neil Patrick Harris (Doogie Howser, MD) plays the leader of a going-straight support group, and Gregory Hines takes on a recurring role as Will's new boss, a high-powered lawyer who seduces Grace. Will & Grace mixes superb sitcom farce with sly sociopolitical commentary; the fusion is smart and consistently entertaining. --Bret Fetzer
Wagonmaster
Bathed in lurid Technicolor melodrama maestro Douglas Sirk's 'Written On The Wind' is the stylishly debauched tale of a Texas oil magnate brought down by the excesses of his spoiled offspring. Features an all-star quartet that includes Robert Stack as a pistol-packin' alcoholic playboy; Lauren Bacall as his long-suffering wife; Rock Hudson as his earthy best friend; and Dorothy Malone (who won a Best Supporting Actress Oscar for her performance) as his nymphomaniac sister.
David O. Selznick's production of Margaret Mitchell's Pulitzer Prize winner Gone With The Wind features Clark Gable and Vivien Leigh in their iconic roles as Rhett Butler and Scarlett O'Hara! This sweeping Civil War-era romance won an impressive 10 Academy Awards (including Best Picture) and has thrilled audiences for more than a half century with its eternal love affair between handsome Rhett Butler (Gable) and his sassy headstrong heroine Scarlett O'Hara (Leigh).
In Nome Alaska miner Roy Glennister and his partner Dextry financed by saloon entertainer Cherry Malotte fight to save their gold claim from crooked commissioner Alexander McNamara.
Comedy icon Harry H. Corbett stars opposite Diane Cilento in Charles Dyer's daring early-sixties drama of faltering romance between a shy northern football fan and a worldly London prostitute. Presented here in a brand-new transfer from the original film elements, Rattle of a Simple Man is both a touching romantic comedy and a finely observed study of human relationships directed by Oscar winner Muriel Box. Percy Winthram is a naive young man who still lives at home with his mum. In L...
A pulpy, action monster movie, inspired by Cinemaware's cult 1980s video game It Came from the Desert . A nostalgic tribute to creature features from the 1950's, It Came From The Desert features rival motocross heroes and heroines, kegger parties in the desert, secret underground military bases, romantic insecurities...and of course giant ants.
Kind Hearts and Coronets (Dir. Robert Hamer 1949): Sir Alec Guinness became an international star with his extraordinary performance as eight different characters in this 1949 Ealing Studios classic. Dennis Price (I'm All Right Jack Private Progress) co-stars as Edwardian gentleman Louis Mazzini who plots to avenge his mother's death by seizing the dukedom of the aristocratic d'Ascoyne family. But to gain this inheritance Mazzini must first murder the line of eccentric relatives who stand between him and the title including General d'Ascoyne Admiral d'Ascoyne The Duke of Chalfont Lady Agatha d'Ascoyne and four more all brillantly portrayed by Guinness and leading to one of the most delicious final twists in comedy history. Passport To Pimlico (Dir. Henry Cornelius 1949): An ancient document reveals that London's Pimlico district really belongs to France. And the Pimlico community eager to abandon post-War constraints quickly establish their independence as a ration-free state with hilarious results. Nicholas Nickleby (Dir. Alberto Cavalcanti 1947): The classic Charles Dicken's tale of 'Nicholas Nickleby ' a man who is deprived of his inheritance and travels to seek his fortune with a group of gypsies. Went The Day Well? (Dir. Alberto Cavalcanti 1942): The residents of a British village during WWII welcome a platoon of soldiers only to discover that they're actually Germans!
The Will Hay Collection is a nine-disc box containing the following films: Ask a Policeman / Boys Will Be Boys Oh, Mr Porter! / Convict 99 Old Bones of the River / Where There's a Will Good Morning Boys / Hey! Hey! USA! Windbag the Sailor (exclusive to this box set): dating from 1936 this is the first film to unite Will Hay, Moore Marriott and Graham Moffatt. The hapless trio find themselves as the crew of a decrepit ship.
What it lacks in grandeur, this 1978 TV version of The Four Feathers makes up for in fidelity to AEW Mason's classic novel. By cannibalising the superior 1939 production for epic shots and sequences, this modest adaptation draws attention to its meagre production values, relying heavily on casting and chemistry to compensate. That it succeeds, more or less, in capturing the essence of Mason's grand adventure is largely due to the appeal of Beau Bridges and Jane Seymour in the prime of their early careers. (Bridges' film career was gaining momentum; Seymour would rise from here to the similarly romantic Somewhere in Time.) Bridges is the shamed soldier Harry Faversham, transcending cowardice by rescuing his closest friends during Britain's bloody campaign in 1870s Sudan; Seymour is his beloved back home, torn between Harry and the seemingly braver Jack (Robert Powell). TV veteran Don Sharp provides tepid direction, while screenwriter Gerald DiPego would continue his prolific career for decades to come. --Jeff Shannon
This time Professor Branestawm (Harry Hill) has a rival. He's not the only inventor in town. Can he beat the rascally Professor Algebrain (Steve Pemberton) in an inventing competition? When Lady Pagwell (Diana Rigg) dies, leaving a substantial sum to fund local inventing, it could mean the end of Professor Branestawm's money troubles. But scheming local councillor, Harold Haggerstone, (David Mitchell) will stop at nothing to thwart Branestawm and insists that Pagwell holds an inventing competition to decide who gets the money. So Haggerstone tries to hire his own, rival inventor. Professor Mary Oxford, from Cambridge (Rosie Cavaliero) fails to impress with a nuclear powered paperweight. The ˜Invisibaliser' presented by Professor Awfulshirt (Matt Berry) causes havoc (and much invisibleness). But when Professor Alegbrain (Steve Pemberton), from an unspecified European country, turns up, Haggerstone thinks he's on to a winner. Branestawm, meanwhile, is having problems of his own. Not only is he struggling to come up with an invention that will really knocks the judges socks off, he's upset his faithful young assistant, Connie (Madeline Holliday). He's so wrapped up in his work that he's been neglecting her and she's torn between helping him and working with the seemingly charming and attentive Professor Algebrain. But Algebrain is a huge disappointment to Haggerstone. He seems unable to invent anything that isn't absolutely lethal. He has a masterplan up his sleeve, though he will simply steal one of Professor Branestawm's inventions. And Branestawm has plenty: A tongue-twister, a machine for shrinking bills and making cheques bigger, a universal skeleton key made out of a real skeleton, and electric glasses that can see into the future (not to mention a machine that actually does knock peoples' socks off!) Algebrain steals the glasses & locks up Connie, Colonel Dedshott (Simon Day) and the Professor in Branestawm's inventory. However, they escape using Branestawm's skeleton key and there's a chase to the town hall for a final show down, with Algebrain on his single-wheeled monovelo and Branestawm in hot pursuit on his penny-farthing. Along the way, there's an attack by an unruly mob of wild waste paper. The professor gives a typically chaotic talk on inventing at the BBC. And Algebrain demonstrates his combined bath and guillotine. As well as the new guest stars, all the brilliant cast from last Christmas's Professor Branestawm film return to Pagwell, including Sophie Thompson as Connie's mum, Vicki Pepperdine as the professor's housekeeper (Mrs Flittersnoop), Adrian Scarborough as the vicar (trying to raise funds to protect the Lithuanian tiny stupid owl) and Charlie Higson as the irascible local mayor.
This light-hearted, marvellously enjoyable family drama stars Harry Secombe as a Welsh schoolteacher and choirmaster who emigrates to Australia to teach in the sun but finds reality falls somewhat short of the blissful image on the recruiting poster. Filmed in central New South Wales, directed by TV comedy stalwart James Gilbert and co-starring multi-award-winning Australian actor John Meillon and veteran British character player Derek Nimmo, among others, Sunstruck is presented in a brand-ne.
Snow White and the Seven Dwarfs was nicknamed "Disney's Folly" by contemporary observers; they doubted that the short cartoons shown before the main film could ever successfully make the transition from filler to feature presentation. Surely, no one would sit still for over an hour to watch an animated film, their eyes smarting from the bright colours on screen? Fortunately, Walt Disney and his army of artists persisted and the world's first full-length animated feature was finally released in 1937 to widespread acclaim.Adapted from the Grimm fairytale, Snow White and the Seven Dwarfs is chillingly dark in places, reflecting its roots in European folklore, but the deft Disney touch ensures that the overall tone remains light and the story develops apace, swept along on the perfect musical score. Any lingering gloom is quickly dispelled by the superbly characterised dwarfs and by the humorous antics of the various irresistible fauna that threaten to steal the show in several scenes. The pioneering animation is breathtaking and songs such as "Heigh Ho, Heigh Ho" and "Whistle While You Work", now firmly embedded in popular culture, are seamlessly interwoven with the action.Snow White and the Seven Dwarfs happens to be an interesting technological milestone in cinema history--it is also an enduring masterpiece of family entertainment. To the millions who have fallen under its spell over the years, this magical fairy tale remains one of Disney's most enchanting and best-loved films. Only Grumpy could resist. --Helen Baker On the DVD: the video quality on this DVD is stunningly clear. Though it is noticeable that the film is nearly 65 years old, Disney has done a great job in the cleaning process: the bright colours shine clearly, the blacks are deep and the whites clear. There is little to no visible wearing on the film and the digital transfer has done wonders in restoring Snow White and her seven little pals. The sound is very clear and you get a real sense, in places, of the newly mastered 5.1 Dolby Sound enhancements that have been added, making for enjoyable listening to the well-loved songs. The extras on disk one are plentiful and give a real insight into the making of Snow White. Little was done in 1937 for the filming of behind-the-scenes documentaries, but what could have been included has been. The audio commentary is strung together from interviews with Walt Disney himself, all of which are fascinating, and to keep the kids happy there is a familiar Disney sing-along and a Dopey game to play. The disk two extras are packed with information on the movie and Disney, from the 3-D virtual tour of the Snow White kingdom, that also has some documentary information, to an outtakes section showing abandoned footage and ideas that were never included in the final movie. There is also an informative timeline of the creation of the Walt Disney Studios that includes some deleted scenes from the movie. Altogether, great additions to a classic film. --Robert Hyde
Three side-splittingly funny comedies including Anger Management Groundhog Day and So I Married An Axe Murderer. Anger Management: Dave Buznik (Adam Sandler) is usually a mild-mannered non-confrontational guy. But after an altercation aboard an airplane he is remanded to the care of anger management therapist Dr. Buddy Rydell (Jack Nicholson) who could probably use some anger management himself. Now Dave is really mad! Groundhog Day: Bill Murray is at his wisecracking best in this riotous romantic comedy about a weatherman caught in a personal time warp on the worst day of his life! Teamed with a relentlessly cheery producer (Andie MacDowell) and a smart aleck cameraman TV weatherman Phil Connors (Bill Murray) is sent to Punxsutawney Pennsylvania to cover the annual Groundhog Day festivities. On his way out of town Phil is caught in a giant blizzard - which he himself actually failed to predict - and finds himself stuck in a small town hell. Just when things couldn't get worse they do! Phil wakes the next morning to find that it's Groundhog Day all over again. And again. And again. During the recurring 24 hour nightmare Phil starts to realise that he can also use it to his advantage; to re-write the events of his day and to generally have a whale of a time. But manipulating his day to capture the one woman he really wants is not quite so easy... So I Married An Axe Murderer: Charlie Mackenzie (Mike Myers) is a love-shy poet living in San Francisco who frequents neighborhood coffee houses reciting his tortured odes to unrequited love. Burned by a string of failed relationships Mackenzie's fear of commitment has intensified into outrageous extremes of paranoia. When he finds himself falling for the sweet-faced butcher (Nancy Travis) at his local meat shop he sees it as a final chance for love to overcome his painful cynicism. Feeling he has squelched his nagging fears Mackenzie marries the woman. But his anxiety quickly manifests itself in the conviction that his wife is actually an infamous axe murderer whose antics are described in juicy detail in each week's issue of the Weekly World News...
Contains the following episodes: Reality Bites: Marge gets a real estate licence and working under Lionel Hutz (Phil Hartman) tries to sell homes. When he says she must succeed in the first week or be fired Marge sells a house to the Flanders family but neglects to tell them several former owners were murdered inside! Homer The Smithers: Smithers decides to take a vacation (at an exculsive all-male resort) and names Homer as his replacement in order that he wi
Young newlyweds Paul (Treadaway) and Bea (Rose Leslie) travel to remote lake country for their honeymoon where the promise of private romance awaits them. Shortly after arriving Paul finds Bea wandering and disoriented in the middle of the night. As she becomes more distant and her behaviour increasingly peculiar Paul begins to suspect something more sinister than sleepwalking took place in the woods. Treadaway and Leslie give captivating leading performances as a couple that takes new love to disturbing depths. With romance slowly giving way to terror writer/ director Leigh Janiak puts her unique stamp on this intimate chilling thriller.
Will & Grace debuted with a controversial splash because one of its two lead characters is gay--but smart writing and topnotch performances, not politics, have made the show a hit. Two neurotic and sharp-tongued urbanites--gay lawyer Will (Eric McCormack) and straight interior designer Grace (Debra Messing)--delight in their volatile but enduring friendship as they share a sumptuous New York apartment. Sweeping into the mix are Will's unapologetically queeny friend Jack (Sean Hayes) and Grace's wildly eccentric assistant Karen (Megan Mullally). Much like Seinfeld, the humour on Will & Grace springs from self-obsession, petty jealousy, and compulsive interfering in each other's lives--basically, the building blocks of human nature. The show's writers apparently feel compelled to keep the lead characters warm and likeable in the usual sitcom mode (which hardly seems necessary, as McCormack and Messing are naturally engaging). As a result, it's Jack and Karen who get free reign to be truly obnoxious and ridiculous--which, of course, makes them incredibly funny and charismatic. Hayes and Mullally rise to the occasion, ripping through absurd situations and arias of narcissistic wit with dazzling panache. Will & Grace's plots routinely center around scenarios that could feature a married couple or two same-sex roommates: Will and Grace bicker over buying a dog, find their relationship tested by apartment renovations, or discover they're both pursuing the same guy--standard sitcom material that the gay factor gives a clever spin. Though their relationship gets in the way of their sex lives, the two take so much pleasure in each other's company that they can't help but stick together--a surprisingly chaste theme for such a culturally groundbreaking show, but one that Will & Grace's addicted audience undoubtedly appreciates. --Bret Fetzer
Episodes comprise: Treehouse of Horror IX: A hell-raising hair-transplant turns harmless Homer into a homicidal hatchetman in Hell Toupee! A radioactive remote zaps Bart & Lisa into Itchy & Scratchy's cartoon universe where the stakes are not only life and death they're sharp and pointy! In The Terror of Tiny Town! Jerry Springer presides as Kang a drooling alien from Rigel 7 dukes it out with Homer over Maggie's paternity in Starship Poopers. The Cartridge Family:
In Gone to the Dogs Alison Steadman, Warren Clarke, Jim Broadbent, Sheila Hancock, Martin Clunes and in his TV drama debut Harry Enfield star in this six-part comedy drama set in the lucrative world of greyhound racing.Self-made millionaire Larry Patterson is powerful and charismatic, with the best dogs in the greyhound racing world. Jim Morley is one of life's losers, always 'just one business away' from making his fortune; his only link to the world of greyhound racing is a three-legged dog called Highland Fling. On the financial scale, they're as far removed as it's possible to be. But they have one thing in common: they both love the same woman... Gone to Seed re-unites the principal cast in entirely new roles: Alison Steadman, Jim Broadbent and Warren Clarke are Hilda, Monty and Winston Plant triplets who are anything but identical with Sheila Hancock as domineering matriarch Mag; comedy legend Peter Cook stars as Mag's old flame, conman Welsey Willis. An-thony Newley, Ron Davies and Stephen Marcus guest-star. The Plant family has run a garden centre in Rotherhithe since Dickens' time, surviving both war and redevel-opment. But now, family rivalry threatens to poison their unlikely paradise. The frumpy Hilda has only one pas-sion in life: Milwall FC. Country and Western singer Monty dreams of turning the run-down nursery into a floral oasis in the heart of Docklands and jobless builder and part-time wrestler Winston doesn't know a begonia from a buttercup!
Experience the high-spirited adventures of Oliver Twist in this Oscar-winning musical adaptation of Charles Dickens classic tale! Young Oliver Twist (Mark Lester) is an orphan who escapes the cheerless life of the workhouse and takes to the streets of 19th-Century London. Hes immediately taken in by a band of street urchins headed by the lovable villain Fagin (Ron Moody) his fiendish henchman Bill Sikes (Oliver Reed) and his loyal apprentice The Artful Dodger (Jack Wild). Through his education in the fine points of pick-pocketing Oliver makes away with an unexpected treasure... a home and a family of his own. Set to a heartfelt score that includes such favorites as ""Consider Yourself "" ""Where Is Love?"" and ""As Long As He Needs Me "" OLIVER! leads us on a journey in search of love belonging and honour among thieves. Winner of six Academy Awards including Best Picture and Best Score OLIVER! will steal your heart!
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