Set in the picture-postcard small town of Lumberton, Kyle Maclachlan plays the clean cut Jeffrey Beaumont, who, whilst returning from a visit to his hospitalised father, makes the shocking discovery of a severed human ear. After reporting his discovery to a local police detective, Jeffrey decides to pursue his own line of enquiry, aided by the detective's daughter, Sandy (Laura Dern). This sets Jeffrey on a voyage of discovery that takes him to the very heart of Lumberton's seedy and sinister underworld where he encounters a collection of misfits whose various chronic compulsions threaten to engulf him in their twisted and nightmarish world.
Gus Van Sant presents a powerful and emotional coming of age story, a remarkable film told with honesty and originality that will leave audiences moved.
Let's be honest: this 1995 epic isn't nearly as bad as its negative publicity led us to expect. At the time, Waterworld was the most expensive Hollywood production in history (it had a Titanic-sized 200 million US dollars budget), and the film arrived in cinemas with so much controversy and negative gossip that it was an easy target for ridicule. The movie itself, a flawed but enjoyable post-apocalypse thriller, deserves better. Waterworld stars Kevin Costner as the Mariner, a lone maverick with gills and webbed feet who navigates the endless seas of Earth after the complete melting of the polar ice caps. The Mariner has been caged like a criminal when he's freed by Helen (Jeanne Tripplehorn) and enlisted to help her and a young girl (Tina Majorino) escape from the Smokers, a group of renegade terrorists led by Dennis Hopper in yet another memorably villainous role. It is too bad the predictable script isn't more intelligent, but as a companion piece to The Road Warrior, this seafaring stunt-fest is adequately impressive. --Jeff Shannon
In THE AMERICAN FRIEND, Wim Wenders transforms Patricia Highsmith s Ripley s Game into a gripping European noir. Professional frame maker Jonathan (Bruno Ganz) has been diagnosed with a terminal blood disease. A chance encounter with the enigmatic Tom Ripley (Dennis Hopper) offers him a way to ensure a stable future for his family. But as Jonathan embarks on his new and dangerous role, Tom questions his motives for involving his new friend. Superbly shot by Robbie Müller, Wim Wenders draws on his love of American cinema, paying homage to the B-movie and film noir traditions and casting fellow directors Dennis Hopper, Sam Fuller, Nicholas Ray, Ge rard Blain, Peter Lilienthal, Daniel Schmid and Jean Eustache. The result is one of his finest films. OFFICIAL SELECTION IN COMPETITION Cannes Film Festival 1977 SPECIAL FEATURES: NEW RESTORED 4K DIGITAL TRANSFER commissioned by the Wim Wenders Foundation and supervised by director Wim Wenders; Introduction by Wim Wenders; Restoring Time documentary; Exclusive limited edition booklet
Francis Ford Coppola's 1979 classic tale of the Viet Nam war, re-released with almost an hour of additional footage. Captain Willard (Martin Sheen) is given the task of sailing upriver to find and execute renegade military officer Colonel Kurtz (Marlon Br
Francis Ford Coppola's iconic, hallucinatory masterpiece Apocalypse Now has been painstakingly restored by his own Zoetrope studios under his close supervision. Martin Sheen (TV's The West Wing) stars as Army Captain Willard, a troubled man sent on a dangerous top-secret mission into Cambodia to assassinate a rogue Green Beret, Col. Kurtz (Marlon Brando, The Godfather, On the Waterfront, Last Tango in Paris), who has barricaded himself in a remote outpost. As Willard ventures deeper and deeper into the wilderness of the jungle, he embarks on a strange journey that leads him to Kurtz - but also forces him to come face to face with the terrifying vision of the heart of darkness in us all.
Gene Hackman attempts to exorcise some ghosts from his past by coaching a poor local basketball team into top league condition. Dennis Hopper turns in a fine performance as the town drunk with a wide knowledge of basketball whom Hackman rehabilitates into his assistant.
Product Features Based on the true story of Dan Morgan the infamous Australian outlaw once described as the most bloodthirsty ruffian that ever took to the bush' Mad Dog Morgan provides the perfect showcase for the unique star quality of Dennis Hopper (Night Tide, The Last Movie). After witnessing a bloody massacre of Chinese workers on Australia's goldfields, Morgan turns to a life of crime, becoming a bushranger and the scourge of the vicious authorities and, ultimately, a local legend leaving a bloody legacy in his wake. Nominated for two Australian Film Institute Awards, including one for director Philippe Mora (The Beast Within), Mad Dog Morgan is a brutal and uncompromising slice of Ozploitation. Product Features New restoration from a 4K scan of the interpositive by Powerhouse Films Two presentations of the film: Mad Dog Morgan, the 103-minute director's cut; and Mad Dog, the 95-minute UK/US theatrical cut Original mono audio Audio commentary with writer-director Philippe Mora and film critic Jake Wilson (2019) Audio commentary with writer-director Philippe Mora (2009) To Shoot a Mad Dog (1976, 25 mins): behind-the-scenes documentary featuring interview footage with actor Dennis Hopper, produced and directed by David Elfick Hopping Mad (2019, 34 mins): Mora reflects on the film's production and working with Hopper That's Our Mad Dog: A Conversation with Dennis Hopper & Philippe Mora (2008, 29 mins): the legendary actor looks back at his experience of making the film Not Quite Hollywood' Interview Excerpts (2008, 67 mins): extensive selection of outtakes from Mark Hartley's acclaimed documentary on Australian cinema, featuring Mora, producer Jeremy Thomas, camera operator John Seale, and actors Jack Thompson, Roger Ward and Graeme Blundell Interview with Mike Molloy (2009, 8 mins): the director of photography in discussion with Mora Interview with Richard Brennan (2009, 6 mins): the associate producer in conversation with Mora Radio Interview with Philippe Mora (1976, 15 mins) Mad Country: Shooting Locations Revisited (2019) with optional audio commentary by Mora Archival Intro/Outro with Philippe Mora (2009, 8 mins) Original theatrical trailer Image gallery: promotional and publicity material Production diary gallery New and improved English subtitles for the deaf and hard of hearing
Possibly the most influential American film of the 1980's Lynch's bizarre erotic mystery spawned a whole raft of imitations with its portrayal of the dark underside of American small-town life. Critics and audiences responded to Lynch's original and startling images of sex and violence and made the film a box-office smash. Blue Velvet is renowned for creating in Dennis Hopper's Frank one of the greatest screen villains of all time.
The second of Francis Ford Coppola's films based on the popular juvenile novels of S.E. Hinton (the first being The Outsiders), Rumble Fish split critics into opposite camps: those who admired the film for its heavily stylised indulgence, and those who hated it for the very same reason. Whatever the response, it's clearly the work of a maverick director who isn't afraid to push the limits of his innovative talent. Filmed almost entirely in black and white with an occasional dash of color for symbolic effect, this tale of alienated youth centers on gang leader Rusty James (Matt Dillon) and his band of punk pals. Rusty's got a girlfriend (Diane Lane), an older brother named Motorcycle Boy (Mickey Rourke), and a drunken father (Dennis Hopper) who've all given up trying to straighten him out. He's best at making trouble, and he pursues that skill with an enthusiastic flair that eventually catches up with him. But it's not the whacked-out story here that matters--it's the uninhibited verve of Coppola's visual approach, which includes everything from time-lapse clouds to the kind of smoky streets and alleyways that could only exist in the movies. The supporting cast includes a host of fresh faces who went on to thriving careers, including Nicolas Cage, Christopher Penn, Vincent Spano, Laurence Fishburne, and musician Tom Waits. --Jeff Shannon
The Timeless Epic from Francis Ford Coppola In a pristine new transfer supervised by Francis Ford Coppola Presented in the original (2.35:1) theatrical aspect ratio In 1979 renowned director Francis Ford Coppola changed cinema history with his mesmerising epic Apocalypse Now, one of the most unforgettable, authentic and harrowing depictions of the Vietnam War. In 2001 he re-approached his hallucinatory masterpiece to create a definitive version, reinstating 49 minutes of previously unseen material. The result is Apocalypse Now Redux. Tormented army captain Benjamin L. Willard is sent on a secret mission into warring Cambodia to eliminate the mysterious and psychotic renegade Colonel Kurtz. But its a hazardous journey that will take him into the heart of savage conflict and to the edge of sanity.
In a small rural town the local clique of layabout teens is pulled apart when Samson kills his girlfriend on the banks of the river and then callously shows off the dead body to his friends. The teens are so numb and ambivalent to the reality of their situation that they remain relatively unphased by the murder of one of their own...
Nine Strangers. One House. Only One Will Get Out... Alive. Nine strangers wake up in a house with no recollection of how they got there and no way out. A voice on the PA introduces them to the grisly game they've been chosen to play - Last man standing wins $5 million in cash and their life back. When all attempts to break out together fail tension turns to violence and violence to death and suddenly it's every man for himself as they fight for their lives - Why are they here? Who will survive? And what will it cost them in the end?
Titles Comprise: 20 Million Miles To Earth (1957): A US army rocket ship returning from an exploratory flight to Venus crashes into the sea of Sicily freeing a small native Venusian creature called the Ymir. Eventually growing to enormous size it threatens the city of Rome. Earth Vs. The Flying Saucers (1956): Aliens travel to Earth to seek help for their dying planet. However when they arrive at a U.S Army base the Army mistakenly greet them with gunfire... It Came From Beneath The Sea (1955): Submarine commander Pete Mathews (Kenneth Tobey) and scientists Lesley Joyce (Faith Domergue) and John Carter (Donald Curtis) battle an angry sea monster driven from the depths of the ocean by an H-bomb explosion. In search of non-contaminated food this tentacled tyrant counts among its victims a fishing trawler and its passengers a family sunning at the beach several San Francisco skyscrapers and even the Golden Gate Bridge!
Raymond Burr stars as the defense attorney who never lost a case in the landmark series Perry Mason. In every episode Mason matches wits with his courtroom adversary D.A. Hamilton Burger (William Talman). Every time Mason - aided by devoted secretary Della Street (Barbara Hale) and loyal private eye Paul Drake (William Hopper) - uncovers evidence that clears his client of murder.
Even a fine cast can't do much to breathe life into Boiling Point, a thin gangster piece starring Dennis Hopper as a pathetic small-timer trying to get ahead with one final score. The bad guys don't take him seriously, a cop (Wesley Snipes) is content to mow him down if necessary and a woman (Lolita Davidovich) who cares about him just wants him to settle down. Director James B Harris has the raw elements of a middling film noir in front of him, but he can't even link up the pieces enough to make Snipes and Hopper appear to be in the same movie. --Tom Keogh
Previous UK releases of Catchfire have listed the pseudonymous Allan Smithee as director, but this version proudly opens with "a Dennis Hopper film". Also known as Backtrack, it offers a plot that advances by illogical leaps and bounds while whole scenes seem to go astray. With prominently billed actors getting almost nothing to do while major players go un-credited, a bland music score that might have been laid in from another film entirely and an ending that makes a lot of noise without actually resolving much, the film certainly has its bad points. However, it's also one of Hopper's more eccentric films, and more fun than Colors or The Hot Spot (which he had no trouble owning up to), partly because the director also takes a quirky lead role and his own personal interests are stirred by the modern art frills of the chase plot. The film opens with LA-based conceptual artist Jodie Foster, looking chunkily terrific just before her adult career took off, suffering a minor breakdown on the freeway and happening on a gangland execution. Pint-sized mob boss Joe Pesci sets his killers on her but the crooks ineptly murder Foster's boyfriend (Charlie Sheen, taking a very early bath). Pesci calls in Hopper, a professional hitman who immerses himself in Foster's life and art in order to track her down only to develop an obsessive crush on the woman. When he finds her, he gives her the choice between getting rubbed out or becoming his property. Hopper retains the knack for finding odd-looking byways of rural America, but is uncomfortable with helicopter chases and shoot-outs. The leads, despite great chunks of missing story, are both interesting--Foster sexily vulnerable and Hopper doing a wry New York drawl as the sax-playing hit man. Catchfire also offers an amazing supporting cast of the director's friends, including Dean Stockwell, Vincent Price, Catherine Keener (Being John Malkovich), Tony Sirico (The Sopranos), Bob Dylan (with a chainsaw), Helena Kallianotes (Five Easy Pieces), Julia Adams (The Creature from the Black Lagoon), and John Turturro.On the DVD: the film itself comes in a good-looking widescreen transfer, but the lack of special features let the disc down, with only feeble notes for three cast members (and no Smithee filmography). --Kim Newman
Notable neither for its director nor its stars, 20 Million Miles to Earth has been given the widescreen spit 'n' polish treatment because of its special-effects man, the legendary Ray Harryhausen. And it's his work here that makes this daft slice of hokum so watchable. When a group of Italian boat fishermen investigate a crash-landed space rocket returned from a trip to Venus, they find one surviving all-American hero and an alien in aspic: the Emere, a tiny homunculus hungry for sulphur and growing faster than a teenager on steroids. Cue man-vs-alien mayhem, screenfuls of avuncular patriarchs and the gratuitous destruction of Rome. A by-numbers B-movie, Harryhausen's sixth feature isn't a patch on his later Technicolor masterpieces, but the unusual Italian setting ("I wanted a trip to Europe") adds an exotic quality and his effects are as solid and convincing as ever. The film only really begins to crackle when his stop-motion creation is onscreen. Like a scaly King Kong, he's as likely to engender sympathy as fear: surely anyone who's been bombed, blasted, burnt, electrocuted, shot at by trigger-happy squaddies and involved in a punch-up with a pachyderm is entitled to lose their rag a little. And fans will enjoy spotting in the Emere the flowerings of Harryhausen's later and greater creations, Sinbad's Cyclops and The Titans' Calibos and Kraken. The denouement, with the creature atop the Colosseum, is as effective as that of Kong's. It wasn't beauty who killed the beast here, however, it was bombs. On the DVD: 20 Million Miles to Earth's black and white picture is clean and crisp in this anamorphic 1.85:1 widescreen transfer, and the Dolby digital mono soundtrack is clear enough. The theatrical trailer will please fans of kitsch, as will the featurette "This Is Dynamation" produced at the same time as the first Sinbad movie. The real corker here, though, is the generously lengthed documentary "The Harryhausen Chronicles". Narrated by Leonard Nimoy, this features a stellar cast of devotees (George Lucas among them) waxing lyrical about the influence of Harryhausen's films, and allows the man himself to ramble fascinatingly over clips of his filmic canon. The claw-slash menu marker is a nice touch, too. If you're a fan, this disc is Harryhausen heaven. --Paul Eisinger
Lady's man Jack Jericho goes through life without a care in the world seducing one woman after another. Then he meets indifferent museum guide Randy Jensen who consents to a one-night stand but won't give him her phone number. Intrigued Jack continues to pursue Randy in the process helping free her alcoholic father from the huge gambling debt he owes the mob.
How the sex drugs and rock 'n' roll generation saved Hollywood. This searing documentary traces the highs and lows the scandals and celebrations the tragedies and the triumphs that shaped this phenomenal period in cinema history. Adapted from Peter Biskind's literary phenomenon the book that blew the lid off both Hollywood and the lives of the infamous celebrated movie makers who came to be known as the 'movie brats'. Contains never before seen fotage shot by the legendary film makers themselves from parties premieres and film sets. Packed with clips from such seminal movies as 'Bonnie And Clyde' 'Jaws' 'The Deer Hunter' 'Star Wars' 'Easy Rider' 'Taxi Driver' 'Shampoo' and 'Chinatown' and featuring all-new interviews with Dennis Hopper Roger Corman Cybil Shepherd Richard Dreyfuss and Peter Fonda.
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