Two-time Academy Award winner Renée Zellweger returns to the role that established a romantic-comedy heroine for the ages, a woman whose inimitable approach to life and love redefined an entire film genre
Two young missionaries (Sophie Thatcher and Chloe East) are forced to prove their faith when they knock on the wrong door and are greeted by a diabolical Mr. Reed (Hugh Grant). Made to choose between belief and disbelief, they find themselves plunged into the darkest labyrinths of Reed's mind and a deadly game of cat-and-mouse in this twisted horror from writer-directors Scott Beck and Bryan Woods (A Quiet Place)
Two young missionaries (Sophie Thatcher and Chloe East) are forced to prove their faith when they knock on the wrong door and are greeted by a diabolical Mr. Reed (Hugh Grant). Made to choose between belief and disbelief, they find themselves plunged into the darkest labyrinths of Reed's mind and a deadly game of cat-and-mouse in this twisted horror from writer-directors Scott Beck and Bryan Woods (A Quiet Place)
An American expat tries to sell off his highly profitable marijuana empire in London, triggering plots, schemes, bribery and blackmail in an attempt to steal his domain out from under him.
Guy Ritchie directs this action comedy starring Matthew McConaughey, Charlie Hunnam, Hugh Grant and Colin Farrell. When American businessman Mickey Pearson (McConaughey) decides to sell his booming marijuana business in London to fund his retirement, he sparks a deadly battle for control of his empire. His preferred buyer is Oklahoma billionaire Matthew Berger (Jeremy Strong) but East End gangsters, Chinese rival Dry Eye (Henry Golding) and scheming private investigator Fletcher (Grant) want their own cut of the deal.
Anna Scott (Julia Roberts) is the world's most famous movie star. Her picture has been plastered on the cover of every magazine, and every time she makes a move, the entire world knows about it.
In the near future, a weary Logan cares for an ailing Professor X in a hide out on the Mexican border. But Logan's attempts to hide from the world and his legacy are up-ended when a young mutant arrives, being pursued by dark forces.
Two-time Academy Award winner Renée Zellweger returns to the role that established a romantic-comedy heroine for the ages, a woman whose inimitable approach to life and love redefined an entire film genre
In the near future, a weary Logan cares for an ailing Professor X in a hide out on the Mexican border. But Logan's attempts to hide from the world and his legacy are up-ended when a young mutant arrives, being pursued by dark forces.
An ensemble comedy from the makers of "Notting Hill" following a whole host of separate but intertwining stories of love in London.
The repressed and bourgeois Maurice Hall (James Wilby) tackles the prejudices of Edwardian society as he comes to terms with his sexuality, in this landmark drama from the team behind A Room with a View (1985) and Howard's End (1992). From the halls of Cambridge University to the cricket fields of the English gentry, this profound tale of emotional and sexual awakening features star-making performances from Wilby, Hugh Grant and Rupert Graves, and perfectly captures the fears and joys of submitting to a forbidden desire. Described by The Guardian as undervalued and underseen and a pre-cursor to the James Ivory-scripted Call Me By Your Name (2017), Maurice is a landmark film as important as any in the history of gay cinema and one that presents a positive and enriching portrait of first love. Special Features: Interview with James Ivory and Pierre Lhomme on the making of Maurice (16 mins) On-stage Q&A with James Ivory and Pierre Lhomme, moderated by Nicholas Elliott (23 mins) A Director's Perspective (40 mins): a conversation between James Ivory and Tom McCarthy, the director of Spotlight Short interview with stars Hugh Grant and James Wilby (2017, 5 mins) Deleted scenes (39 mins) Original theatrical trailer 2018 re-release trailer Other extras TBC Fully illustrated booklet featuring an interview with James Wilby, new writing on the film, and full film credits
Bridget Jones's Diary - A British woman is determined to improve herself while she looks for love in a year in which she keeps a personal diary. Bridget Jones: The Edge of Reason - After finding love, Bridget Jones questions if she really has everything she's dreamed of having. Bridget Jones's Baby - After breaking up with Mark Darcy, Bridget Jones's happily ever after hasn't quite gone according to plan. Fortysomething and single again, she decides to focus on her job as top news producer and surround herself with old friends and new. For once, Bridget has everything completely under control. What could possibly go wrong? Then her love life takes a turn and Bridget meets a dashing American named Jack (Dempsey), the suitor who is everything Mr. Darcy is not. In an unlikely twist she finds herself pregnant, but with one hitch she can only be fifty percent sure of the identity of her baby's father.
Emma Thompson scores a double bull's-eye with Sense and Sensibility, a marvellous adaptation of Jane Austen's novel. Not only does Thompson turn in a strong (and gently humorous) performance as Elinor Dashwood--the one with "sense"--she also wrote the witty, wise screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister, Marianne (the one with "sensibility"). Winslet attracts the wooing of shy Alan Rickman (a nice change of pace from his bad-guy roles) and dashing Greg Wise, while Thompson must endure an incredibly roundabout courtship with Hugh Grant, here in fine and funny form. All of this is doled out with the usual eye-filling English countryside and handsome costumes, yet the film always seems to be about the careful interior lives of its characters. The director, an inspired choice, is Taiwan-born Ang Lee, here making his first English-language film. He brings the same exquisite taste and discreet touch he displayed in his previous Asian films (such as Eat Drink Man Woman). Thompson's script won an Oscar. --Robert Horton
Charles (Grant) is witty and charming but at the age of 32 is looking like a serial monogamist. His life has been full of girlfriends but he just can't commit to any of them. The more weddings he and his close circle of friends attend the less they want to get married themselves. Until one particular Saturday at one particular wedding Charles meets Carrie (MacDowell)... Instantly smitten Charles begins to pursue her only to learn that she is ready to take the plunge with som
Guy Ritchie directs this action comedy starring Matthew McConaughey, Charlie Hunnam, Hugh Grant and Colin Farrell. When American businessman Mickey Pearson (McConaughey) decides to sell his booming marijuana business in London to fund his retirement, he sparks a deadly battle for control of his empire. His preferred buyer is Oklahoma billionaire Matthew Berger (Jeremy Strong) but East End gangsters, Chinese rival Dry Eye (Henry Golding) and scheming private investigator Fletcher (Grant) want their own cut of the deal.
Emma Thompson scores a double bull's-eye with this marvellous adaptation of Jane Austen's novel . Not only does Thompson turn in a strong (and gently humorous) performance as Elinor Dashwood--the one with "sense"--she also wrote the witty, wise screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister, Marianne (the one with "sensibility"). Winslet attracts the wooing of shy Alan Rickman (a nice change of pace from his bad-guy roles) and dashing Greg Wise, while Thompson must endure an incredibly roundabout courtship with Hugh Grant, here in fine and funny form. All of this is doled out with the usual eye-filling English countryside and handsome costumes, yet the film always seems to be about the careful interior lives of its characters. The director, an inspired choice, is Taiwan-born Ang Lee, who brings the same exquisite taste and discreet touch he displayed in his previous Asian films (such as Eat Drink Man Woman). Thompson's script won an Oscar. --Robert Horton, Amazon.com
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