In this remake of the classic 50s SF tale, a boy tries to stop an invasion of his town by aliens who take over the the minds of his parents, his least-liked schoolteacher and other townspeople. With the aid of the school nurse the boy enlists the aid of the U.S. Marines.
The sequel to Sidney Sheldon's best-seller Rage Of Angels which follows Jennifer who now heads her own law firm. Returning to America she meets up with an ex-lover and it seems their love may be re-kindled...
Comedy about a suburban mother turned marijuana dealer. After her husband's unexpected death and subsequent financial woes suburban mom Nancy Botwin (Parker) embraces a new profession: the neighborhood pot dealer. As it seems like everyone secretly wants what she's selling - even city councilman Doug Wilson (Nealon) - Nancy is faced with keeping her family life in check and her enterprise a secret from her best friend/PTA president Celia Hodes (Perkins).
Al Pacino stars as the titular character A.J. Manglehorn in this drama directed by David Gordon Green. Unable to recover from losing the love of his life, Clara Massey (Natalie Wilemon), 20 years previously, small-town Texas locksmith Manglehorn still writes her daily letters. Living a reclusive life alone with his cat Fanny, Manglehorn takes refuge in his job while only occasionally meeting his grown-up son Jacob (Chris Messina) and granddaughter Kylie (Skylar Gasper), and shunning the advances of friendly bank teller Dawn (Holly Hunter). Will he ever be able to escape his solitary existence and learn to love something other than his cat?
Transferred from Southampton Row to the Soho Vice Squad D.C.I. Tennison's first priority in the new job is 'Operation Contract' - a large-scale clean-up of prostitutes in the area. However the charred body of 17 year old rent boy Colin Jenkins is discovered in the burnt-out flat of transexual cabaret artiste Vera (Peter Capaldi) and once again Tennison finds herself embroiled in the politics of the latest homicide case as she tackles homophobia and perceptions of gender and sex both within and outside the police force.
All eight films in the science-fiction franchise thus far. In 'Planet of the Apes' (1968) a group of astronauts, led by George Taylor (Charlton Heston), crash lands on a strange planet where mute humans are treated as slaves by intelligent apes. Taylor is hunted down and captured by horse-riding gorillas, and then taken for experimentation by chimpanzee Dr Zira (Kim Hunter). When Zira discovers Taylor's intelligence, she and her fiancé, Cornelius (Roddy McDowall), appeal to the governing council on his behalf, but the appeal fails, leaving the astronaut no choice but to go on the run. Fleeing for his freedom, Taylor soon makes a shocking discovery about the provenance of this strange planet. In 'Beneath the Planet of the Apes' (1970) astronaut Brent (James Franciscus) is on a special mission to rescue George Taylor (Heston). After travelling to the ape village where he was imprisoned, he meets Dr Zira (Hunter) and learns that Taylor was last seen in the Forbidden Zone. Setting off in pursuit he soon discovers that his colleague has been taken prisoner by an underground society of telepathic mutant humans who worship an atomic warhead. In 'Escape from the Planet of the Apes' (1971) Dr Zira (Hunter), Cornelius (McDowall) and Dr Milo (Sal Mineo) escape the nuclear devastation of Earth by travelling back in time in Taylor's spaceship, arriving in Los Angeles in the year 1973. They are initially held in captivity in a zoo, where Milo is attacked and killed by a savage gorilla. When Zira and Cornelius prove their intelligence they are released and hailed as celebrities, but some resent the apes' arrival, seeing them as a threat to human supremacy. In 'Conquest of the Planet of the Apes' (1972) the year is now 1991. Caesar (McDowall), the son of Zira and Cornelius, has been sheltered for 18 years by circus owner Armando (Ricardo Montalban). Following a plague which wiped out all cats and dogs, apes have been adopted as pets by humans, but when Caesar sees them being treated as slaves, he leads his fellow simians in rebellion against their overlords. 'Battle for the Planet of the Apes' (1973) opens in the year 2670 with the ape Lawgiver (John Huston) relating how, following the 1991 simian rebellion, mankind embarked on a terrible nuclear war. In the devastation which followed, Caesar (McDowall) and the apes seized control, ruling benevolently over the human survivors, and working to rebuild society. However, civil war was being fomented by ambitious gorilla general Aldo (Claude Akins), and when Caesar ventured into the devastated city to seek out recordings of his late parents, Cornelius and Zira, he incurred the wrath of a group of mutant human survivors. In 'Planet of the Apes' (2001), Tim Burton's 're-imagining' of the 1968 original, the year is 2029, and Capt. Leo Davidson (Mark Wahlberg) is aboard a spaceship trying to teach apes how to become space pilots. During a routine reconnaissance mission outside the mothership, Leo is sucked into a space-time hole and minutes later makes a crash landing on a strange planet where humans are subjugated by talking apes. Just as a quick death at the hands of the violent ape leader General Thade (Tim Roth) seems inevitable, Leo is rescued by the ape scientist Ari (Helena Bonham Carter). In 'Rise of the Planet of the Apes' (2011) James Franco stars as Will Rodman, a genetic engineer working in present-day San Francisco who is performing scientific tests on apes in his attempt to find a cure for Alzheimer's disease. His first test subject is Caesar (Andy Serkis), the prototype of a new breed of ape with human-like intelligence. But when Caesar breaks free, a revolution is triggered and an epic war for supremacy breaks out between humankind and the primates of the world. Finally, in 'Dawn of the Planet of the Apes' (2014), Caesar, the hyper-intelligent ape produced by human experimentation, is now the leader of a growing band of cognisant simians as a fragile truce prevails between the apes and humans. Many consider the outbreak of war to only be a matter of time, however, since the human population has been vastly reduced by a devastating virus and their role as the dominant species on Earth is in question. As tensions rise, it may only take a single spark to trigger an explosive war that will pit the humans against the apes in an all-out battle for survival...
The Abyss A civilian oil-rig crew is recruited to conduct a search-and-rescue effort when a nuclear submarine mysteriously sinks. One diver (Ed Harris) soon finds himself on a spectacular odyssey over 25 000 feet below the ocean's surface where he confronts a mysterious force that has the power to change the world or destroy it... Aliens In this action-packed sequel to Alien Sigourney Weaver returns as Ripley the only survivor from mankind's first encounter with the
D.C. 'Steve' Stephenson is visiting Indiana and mounting a campaign to increase the membership of the Ku Klux Klan. There he meets schoolteacher Madge Oberholtzer and tries to seduce her but having no luck he abducts her rapes and tortures her and eventually kills her. The trial that follows marks the end of the Klan's popularity as Stephenson implicates them in the murder. Based on a true story.
Lilli, (Lisa Daniely) the french girl whose song Lilli Marlene is loved by the Germans and allies, is captured by the Nazis and rescued by the British after being forced to broadcast the song for the Germans. Lilli, (Lisa Daniely) the french girl whose song Lilli Marlene is loved by the Germans and allies, is captured by the Nazis and rescued by the British after being forced to broadcast the song for the Germans.
Al Pacino stars as the titular character A.J. Manglehorn in this drama directed by David Gordon Green. Unable to recover from losing the love of his life, Clara Massey (Natalie Wilemon), 20 years previously, small-town Texas locksmith Manglehorn still writes her daily letters. Living a reclusive life alone with his cat Fanny, Manglehorn takes refuge in his job while only occasionally meeting his grown-up son Jacob (Chris Messina) and granddaughter Kylie (Skylar Gasper), and shunning the advances of friendly bank teller Dawn (Holly Hunter). Will he ever be able to escape his solitary existence and learn to love something other than his cat?
Originally broadcast on ITV in 1980 The Spoils of War follows the fortunes of two north country families the Haywards and the Warringtons in post war Britain starring Alan Hunter (Dangerfield) James Bate (Auf Wiedersehen Pet) Ian Hastings (Prime Suspect) Malcolm Tierney (Dalziel and Pascoe) and Madeleine Newton (When the Boat Comes In)
In 'Rage Of Angels' Jaclyn Smith plays determined young lawyer Jennifer Parker who fights against the odds to triumph as a top trial attorney in New York's tough world of power glamour and crime. Based on the best-selling novel by Sidney Sheldon this compelling drama switches from New York Acapulco and Paris as Jennifer finds herself in a highly-charged love triangle romantically pursued by two powerful men on opposite sides of the law. With the passion and tension in her life reaching boiling point Jennifer faces a terrifying confrontation that could destroy them all. As she moves from the law of the land to the law of the jungle the only case Jennifer can't seem to win is the trial for her heart.
It is the early years of World War II and the Royal Navy must fight a desperate battle to stop Germany's best battleship, the Admiral Graf Spee, from sailing to the South Atlantic.
From the writer of Juno comes the hilarious new comedy Paradise. Lamb Mannerheim's (Julianne Hough) faith is shaken after a plane crash burns two-thirds of her body and she shocks her small-town congregation when she publicly renounces God. As she sets out to experience the worldly pleasures of Las Vegas she meets a bartender William (Russell Brand) and a cynical lounge singer (Octavia Spencer) who help her check off as many dirty deeds as possible from her Napkin of Sin bucket list.
In Rage Of Angels Jaclyn Smith plays determined young lawyer Jennifer Parker who fights against the odds to triumph as a top trial attorney in New York's tough world of power glamour and crime. Based on the best-selling novel by Sidney Sheldon this compelling drama switches from New York Acapulco and Paris as Jennifer finds herself in a highly-charged love triangle romantically pursued by two powerful men on opposite sides of the law. With the passion and tension in her l
The hook of The Simple Life is irresistible: two wealthy, pampered young women go from upper-crust Los Angeles to an Arkansas farm to prove that they can survive without their mobile phones and credit cards. As hotel heiress Paris Hilton and Nicole Richie (daughter of pop star Lionel) blithely move in with a farm family, the Ledings, the culture clash immediately becomes a train wreck; when asked to pluck chickens, Richie declares, "I'm not plucking anything but my eyebrows." They try to work a series of jobs (at a dairy farm, a fast-food joint and a livestock auction), but they possess not a jot of work ethic, nor any sense of the consequences of failure. Like the girls themselves, this 2003 reality show becomes fascinating and repellent, comic and horrifying. It's like watching alien beings trying to masquerade as people. --Bret Fetzer
Two American mafiosi take refuge in the Glasgow cafe owned by their cousin but find their relative isn't the tough guy they'd expected.
The evil Leprechaun is now in Da Hood!! When a gold medallion is stolen from an ugly statue the statue transforms into the Leprechaun who then goes on a killing spree looking for his gold.
Two masterpieces of British cinema are paired here--Powell and Pressburger's first Technicolor triumph, The Life and Death of Colonel Blimp (1943) and their even more ambitious A Matter of Life and Death (1946). Both pictures are transcendent examples of the filmmakers' craft, and remain models of great cinema long after their original wartime propaganda brief has expired. Based on a famously satirical cartoon strip that mocked outmoded attitudes of fair play at a time of "total war", Blimp subsequently became notorious as the film Churchill tried to have banned. Because the War Office objected to the screenplay, they refused to allow P&P's first choice for the role, Laurence Olivier, and the duo cast unknown stage actor Roger Livesey in his place. It is Livesey's sympathetic performance that transforms Clive "Sugar" Candy from an object of satire to one of warm affection, effectively reversing the film's intended message about old-fashioned decency versus wartime pragmatism. Anton Walbrook is a profound presence in a role that mirrored the actor's own plight as a German in Britain, while Deborah Kerr is a living leitmotif in the film, playing no fewer than three distinct but deliberately related roles. Briefed by the Ministry of Information to make a film that would foster Anglo-American relations in the post-war period, the duo, known as "the Archers", came up with A Matter of Life and Death, an extravagant and extraordinary fantasy in which David Niven's downed pilot must justify his continuing existence to a heavenly panel because he has made the mistake of falling in love with an American girl (Kim Hunter) when he really should have been dead. National stereotypes are lampooned as the angelic judges squabble over his fate. In a neat reversal of expectations, the heaven sequences are black and white, while earth is seen in Technicolor. Daring cinematography mixes monochrome and colour, incorporates time-lapse images, and even toys with background "time freezes" 50 years before The Matrix. Roger Livesey and Raymond Massey lead the fine supporting cast. On the DVD: The Life and Death of Colonel Blimp and A Matter of Life and Death are presented in reasonably sharp 4:3 ratio with good mono sound. Blimp comes with a 25-minute documentary feature that tells us nothing revelatory about making the film, but has good new interviews with cinematographer Jack Cardiff (then an apprentice) and eloquent admirer Stephen Fry. Text biographies and stills are also included. Life and Death has no extras. --Mark Walker
A 2002 Mike Leigh drama, All or Nothing is at times almost unbearably bleak and poignant, yet funny, truthful and richly rewarding. The film's revolves around Timothy Spall's mini-cab driver, his family and the various characters and acquaintances on the South-east London estate where he lives. It's perhaps even better than Secrets and Lies, in which Spall also starred, which was marred a little by some of the tearful excesses of Brenda Blethyn's bravura performance. It's evidence that Leigh has matured and improved with age, rather than mellowed and softened. He's developed into a highly distinctive but rounded and humane filmmaker. Spall's cabbie is too gentle and thoughtful to be described as a slob, but his lack of even the most basic ambition and stoic non-resistance to life has created an unspoken rift between him and wife Penny (Lesley Manville). Working on a supermarket checkout, she must cook dinner and fend off insults from her fat, frustrated, obnoxious 18-year-old son Rory. She receives only passive sympathy from her older daughter Rachel. Only when Rory is taken ill is Phil snapped out of his torpor as the family pull together. A host of minor characters also feature; fatuous cabbie Ron (Paul Jesson) his alcoholic wife and sluttish daughter, as well as the wonderfully good-humoured and resilient Maureen, Penny's best friend, concerned at her daughter's relationship with a violent boyfriend. Once accused of caricaturing his "lower class" characters, here Leigh (with the collaborative assistance of his actors) exhibits them in all their authentic complexity, neither idealising nor sentimentalising them. On the DVD: All or Nothing's extras include the original trailer, as well as interviews with several members of the cast. Timothy Spall is interesting on the unnerving process of collaboration favoured by Leigh, whereby characters are "built from zero" by the actors. The smart and rather posh Lesley Manville strikes quite a contrast in real life with her mousey, put-upon character. There's also a meticulous and absorbing commentary from Mike Leigh, who talks about filming in Greenwich and how he has moved away from some of the more dogmatic ideas about filmmaking of his earlier, avant-garde days. --David Stubbs
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