Roger Vadim's directorial debut And God Created Woman is more titillation than continental cool, but it broke box-office records and censorship taboos in its teasing display of sex and eroticism in the sunny vacation playground of the Saint-Tropez seashore. Vadim ushered in the era of continental attitudes toward sex and christened the voluptuous Brigitte Bardot (his wife) the world's original sex kitten: earthy, innocent, and all fleshy curves. Bardot is Juliette, a pouty child-woman orphan prone to nude sunbathing and playful flirting. Though pursued by a rich widower (Curt Jurgens) and attracted to the brawny fisherman Antoine (Christian Marquand), she marries Antoine's shy younger brother Michel (Jean-Louis Trintignant), an earnest, innocent kid hardly older than she but far less worldly. Despite her sincere efforts to "be good," Juliette gives in to Michel's advances, setting off a chain of events that ends in fraternal conflict. Vadim keeps the display of skin this side of an R rating, but only barely, teasing the male audience with skimpy outfits, barely concealing sheets, and often conveniently arranged scenery. Bohemian Bardot frolics through the film with nary a self-conscious moment, culminating in a passionate mambo, her pent-up frustration and sexual confusion exploding in a mad dance as bongos pound away on the soundtrack. Who needed Viagra in the '50s when Bardot was around? --Sean Axmaker
Once a renowned criminal Bob the Gambler now contents himself with gambling frequenting casinos in the shady districts of Paris. He is convinced his gangster days are over - until he meets up with an old accomplice who has news which interests him. The casino at Deauville has a safe which is loaded with several hundred million francs. Short of cash Bob decides to plan one last great robbery. He recruits a number of former fellow criminals and plans the theft to the greatest detail. Unfortunately on the day of the robbery things rapidly begin to go wrong. Bob's luck appears to have taken an unexpected turn - for the better.
A double bill of Jean-Pierre Melville classics including 'Bob Le Flambeur' and the hardboiled thriller 'Un Flic'. Bob Le Flambeur (1955): Once a renowned criminal Bob the Gambler now contents himself with gambling frequenting casinos in the shady districts of Paris. He is convinced his gangster days are over - until he meets up with an old accomplice who has news which interests him. The casino at Deauville has a safe which is loaded with several hundred million francs. Short of cash Bob decides to plan one last great robbery. He recruits a number of former fellow criminals and plans the theft to the greatest detail. Unfortunately on the day of the robbery things rapidly begin to go wrong. Bob's luck appears to have taken an unexpected turn - for the better. Un Flic: Melville's last film returns to the genre in which he made the classic Le Samourai. A band of crooks carry out a bank robbery and then an incredible hold-up on a train. When he investigates the crimes Parisian detective Commissaire Coleman discovers that they were masterminded by his friend - the night club owner Simon abetted by his seductive girlfriend Cathy...
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