This is the story of convent-educated Vanessa Ratcliffe the rebellious seventeen-year-old daughter of a wealthy middle-class family and Angus Cotton an ambitious charge-hand at her father's engineering works in Newcastle. A sequence of unexpected and dramatic events draws the unlikely couple close together but not before Vanessa destroys the tranquillity of the Ratcliffe family by becoming pregnant...
Bad Girls is about a closed world governed by petty rules and harsh punishments. Where women prisoners and officers are thrown together in intense physical and emotional relationships. Left outside their homes their partners and their children. And inside they must negiotiate their position in the prisoners' hierarchy and.... make new sexual choices.... Features all 16 episodes from Series 5.
Twisting The Knife: Four Films By Claude Chabrol For five decades Claude Chabrol navigated the unpredictable waters of Cinema, leaving in his wake more than fifty feature films that remain among the most quietly devastating genre movies ever made. Sardonic, provocative, unsettling, Chabrol's films cut to the quick with a clarity and honesty honed to razor sharpness. The Swindle (Rien Ne Va Plus) sees Chabrol at perhaps his most playful as a pair of scam artists, Isabelle Huppert and Michel Serrault, get in over their heads. But who is scamming who and who do you trust in a life built on so many lies? The murder of a 10 year old girl sparks rumours and gossip in The Color of Lies (Au Coeur Du Mensonge), as suspicion falls on René (Jacques Gamblin) the dour once famous painter, now art teacher, who was the last person to see her alive. Enigmatic, perverse, seductive, Isabelle Huppert encapsulates everything that makes Nightcap (Merci Pour Le Chocolat) a film John Waters calls Cinematic Perfection in this tale of suppressed family secrets. Finally, in The Flower of Evil (La Fleur Du Mal), incest, old money and intergenerational guilt come under the scalpel as an outwardly perfect bourgeois family begins to unravel when the wife involves herself in politics. Though influenced by Fritz Lang, Alfred Hitchcock and Jean Renoir, Chabrol's voice was entirely and assuredly his own, influencing in turn filmmakers like Bong Joon-ho, James Gray and Dominik Moll. His amused, unblinkered view of life and refusal to judge his characters makes his films timelessly relevant and accessible to all. Arrow Video is proud to present this second collection of films by Claude Chabrol with a wealth of new and archival extras. Limited Edition Contents: High definition Blu-ray (1080p) presentations of all four films New 4K restorations of The Swindle (Rien Ne Va Plus), Nightcap (Merci Pour Le Chocolat) and The Flower of Evil (La Fleur Du Mal) Original lossless PCM French stereo audio on all films plus DTS-HD 5.1 on Nightcap (Merci Pour Le Chocolat) and The Flower of Evil (La Fleur Du Mal) Optional English subtitles 80-page collector's booklet of new writing by Sean Hogan, Brad Stevens, Catherine Dousteyessier-Khoze, Alexandra Heller-Nicholas, and Pamela Hutchinson Limited edition packaging featuring newly commissioned artwork by Tony Stella Disc One - The Swindle (Rien Ne Va Plus): Brand new audio commentary by film critic Barry Forshaw and author Sean Hogan Chabrol's Soap Bubble, a brand new visual essay by Catherine Dousteyssier-Khoze, author of Claude Chabrol: The Aesthetics of Opacity exploring the games Chabrol plays with his characters and audience Film as a Family Affair, Cécile Maistre-Chabrol, the stepdaughter of Claude Chabrol and his assistant director on fourteen features discusses his life, work and wisdom in this exclusive new hour plus interview Behind the scenes featurette Archive interview with Isabelle Huppert Archive introduction by film scholar Joël Magny Select scene commentaries by director Claude Chabrol Theatrical trailer Image gallery Disc Two: - The Color Of Lies (Au Coeur Du Mensonge): Brand new audio commentary by critic Barry Forshaw and author Sean Hogan Nothing is Sacred, a brand new visual essay by film critic Scout Tafoya examining the ideas of art and legacy in Chabrol's The Color of Lies (Au Coeur Du Mensonge) What's Eating Claude Chabrol? a brand new appreciation by film critic David Kalat examining the ways in which Chabrol's films relate, reflect and refract each other Behind the scenes featurette Archive introduction by film scholar Joël Magny Select scene commentaries by director Claude Chabrol Theatrical trailer Image gallery Disc Three - Nightcap (Merci Pour Le Chocolat): Brand new audio commentary by film critic Justine Smith When I pervert good , a brand new visual essay by film critic Scout Tafoya which takes a closer look at late period Chabrol through the lens of his masterful thriller Nightcap (Merci Pour Le Chocolat) Archive interview with Isabelle Huppert Archive interview with Jacques Dutronc Behind the scenes featurette Screen test for Anna Mouglalis Archive introduction by film scholar Joël Magny Select scene commentaries by director Claude Chabrol Theatrical trailer Image gallery Disc Four - The Flower Of Evil (La Fleur Du Mal): Brand new audio commentary by film critic Farran Smith Nehme Behind the Masks: Remembering Claude Chabrol, a brand new appreciation by Agnès C. Poirier, author of Left Bank: Arts, Passion and the Rebirth of Paris 1940-1950 in which she shares her personal reminiscence of Claude Chabrol and considers his unique position in French culture and cinema Behind the scenes featurette Archive interview with co-writer Catherine Eliacheff Archive introduction by film scholar Joël Magny Select scene commentaries by director Claude Chabrol Theatrical trailer Image gallery **Extras Subject to Change**
She Will Kill To Be Part Of A Family. Esther's terrifying saga continues in this thrilling prequel to the original and shocking horror hit Orphan. Esther's (Isabelle Fuhrman, Orphan) secret may be out but this time around there's more to this psychotic young girl than meets the eye. Escaping from the psychiatric facility that housed her, Esther hides in plain sight by assuming the identity of a missing American child whose mother (Julia Stiles, Dexter) is matriarch to one of the wealthiest families in the United States. Will Esther's thirst for blood destroy the strong family ties or will she discover that even a mother will cross the line to protect her family? Produced by eOne and Dark Castle Entertainment, the prequel stars Isabelle Fuhrman, Rossif Sutherland (Possessor) and Julia Stiles.
Hidden (aka. Cache) (2005): Writer/director Michael Haneke delivers a masterpiece of unsettlement with Hidden (Cache). Life seems perfect for Georges (Daniel Auteuil) and Anne (Juliette Binoche) a bourgeois Parisian couple who live in a comfortable home with their adolescent son Pierrot (Lester Makedonsky). But when an anonymous videotape turns up on their doorstep showing their house under surveillance from across the street their calm life begins to spiral out of control. Subsequent videotapes arrive accompanied by mysterious drawings and gradually Georges becomes convinced that he's being tormented by a figure from his past. But when he confronts him the man assures Georges he is innocent. A growing sense of guilt begins to rise in Georges as he recalls his less-than-angelic childhood yet for some reason he's unable to be completely honest with Anne. Soon their happy home is an emotional battleground leading to a climax that is breathtaking in its ferocity and ambiguousness. The Time Of The Wolf (2003): Michael Haneke directs this nightmarish vision of a post-apocalyptic world in which society has completely broken down. Isabelle Huppert plays Anne who flees the city with her husband Georges and their two children in the hope of finding safe refuge at the family's country home. But soon after arriving they learn they have made a terrible mistake and must embark on a gruelling odyssey through a country totally devastated by disaster without even the most basic of utilities such as water and electricity. Demonstrating yet again his unique and uncompromising cinematic vision Haneke assembles an all star cast for this typically challenging tense and gripping drama. The Piano Teacher (2001): The Piano Teacher is a powerful and controversial drama from award-winning Austrian film-maker Michael Haneke (Funny Games Code Unknown). Isabelle Huppert gives a performance of astounding emotional intensity as Erika Kohut a repressed woman in her late thirties who teaches piano at the Vienna Conservatory and lives with her tyrannical mother (Annie Girardot) with whom she has a volatile love-hate relationship. But when one of Erika's students the handsome and assured Walter Klemmer (Benoit Magimel) attempts to seduce her the barriers that she has carefully erected around her claustrophobic world are shattered unleashing a previously inhibited extreme and uncontrollable desire. Code Unknown (2000): Paris. A very busy boulevard. Someone throws a crumpled piece of paper into the outstretched hands of a beggar-woman. This is the bond which for an instant links the trajectories of several very different characters : Anne a young actress is on the threshold of making it in the cinema. Her boyfriend Georges is a war photographer he is rarely in France. His father is a farmer. Georges' younger brother Jean has no interest in taking over the farm. Amadou is a music teacher in an institute for deaf-mute children. His father a taxi driver originates from Africa. His little sister is deaf and it's because of her that Amadou has chosen his profession. Maria comes from Romania and sends home the money she gets from begging. Having been deported she goes back home to spend some time with her family before embarking on another humiliating journey to France. What do they have in common these characters and those whose path they cross?
A Turtle's Tale: Sammy's Adventures is an epic global adventure story an animated family feature made spectacularly real by eye-popping 3D. A young sea-turtle's romantic quest for his first lost love a fellow hatchling born on the same Californian beach takes him on a marathon voyage across the seven seas to the furthest corners of the earth. In a world under increasing threat from environmental pollution where the oceans are a battleground between the forces of nature and mankind can Sammy the sea-turtle complete his dangerous 50-year mission and find his soul mate Shelly and the happiness they deserve? The thrills and comical spills are brought to the screen by director Ben Stassen (Fly Me To The Moon) with the help of a top-class British voice cast starring Dominic Cooper (Mamma Mia) Gemma Arterton (St Trinian's Clash of The Titans) John Hurt (Harry Potter and the Deathly Hallows) Kayvan Novak (Four Lions Fonejacker) and Robert Sheehan (Misfits).
1978 American neo-noir, directed by Walter Hill (Warriors) and starring Ryan O'Neal, Bruce Dern and Isabelle Adjani. The Driver (Ryan O'Neal) is the best wheel man for hire. His work in driving getaway cars are exhibitions in excellence, works of art.The Detective (Bruce Dern) is the top cop of the force. Nobody he tracks down ever eludes him. Except the Driver. As the Driver pulls off another job, the Detective lays in wait for him. But the Driver has already planted his alibi and is one step ahead of him.Product FeaturesMasterclass: Walter Hill Interview with Walter Hill Alternate opening sequence Trailer Teasers
With its use of special effects to express the main character's internal emotions, Jean-Pierre Jeunet's Amelie could have been mistaken for a French version of Ally McBeal; however, unlike Ally--"woe is me for I cannot find a man"--McBeal, Amelie is not distressed by the lack of men in her life, in fact the whole idea of sex seems to amuse her no end. Basic pleasures such as cracking the top of a Crème Brule offer her all the sensual satisfaction she needs and her existence in the "Paris of Dreams" is the stuff of fairy tales. Indeed, this cinematic treat must have worked wonders for the Paris tourist board: Jeunet's beautiful interpretation of Parisian life is depicted in all the vibrant colours you would expect from the director of Delicatessen. On the DVD: Amelie has received an additional disc for this special edition release. Disc 1 is the same as the original single-disc release, with a choice of DTS or Dolby 5.1 sound and an 16.9 anamorphic widescreen picture with optional director's commentary. The second disc contains the new special features and, just like original disc, a lot of thought has gone into the access menu with its lavish graphics offering the choice of entering the Café, the Canal or the Station. Yet the most exciting extra in name--"Audrey Tautou's funny face"--is simply a series of out-takes which does little more than allow you to warm to Tautou as a person. The home movie includes the transformation of Tautou into Amelie and the creation of the "photo-booth album". There are also interesting interviews with Jeunet and the cast and crew, and a nice little section themed around the gnome and his travels. Along with this is a storyboard-to-screen exposition, behind-the-scenes pictures, scene tests, teasers and trailers. All in all a decent enough package, but hardly warranting the special edition label. It's hard not to wonder why Momentum didn't offer this set two months earlier. --Nikki Disney
ROMAN POLANSKI directs and stars as Trelkovsky an expatriate Pole in Paris who takes over the lease of a gloomy apartment and comes to believe that the other tenants in the block are conspiring to drive him to kill himself. The real or imagined conspiracy is supported by the suicide of the previous tenant. Trelkovsky finds himself assuming the identity of his predecessor but the twist that sets this film above the competition is that this previous occupant was a girl. Polanski
A stunning TV weathergirl (played by Ludivine Sagnier) finds herself torn between two suitors whose intentions remain very unclear
Brigitte is an addict. After mixing blood with her late sister Ginger in an attempt to learn more about the condition she has been infected with 'the curse'. Each day the curse in her grows stronger and she must increase her dosage of injections. When she is found laying face down in the snow after a near-escape from another beast she is thrown in drug rehabilitation: locked behind doors without her life-saving antidote...
The original award-winning medieval mystery (later remade in the U.S. as 'Sommersby' starring Jodie Foster and Richard Gere) about a young man who unexpectedly returns home 8 years after abandoning his wife to fight in the war and attempts to resurrect his marriage. However where he was previously distant he is now attentive and loving to his wife leading her relatives to question his true identity and so the couple are taken to court in order to uncover the truth...
What begins as a simple visit to a grave site soon escalates into a night of sheer terror! In this dark, animated retelling of the 1968 cult classic Night of the Living Dead, bloodthirsty zombies suddenly begin amassing everywhere. As Barbara, Ben and an odd group of strangers hide in a remote farmhouse, their struggle to ward off the flesh-eaters outside creates fierce tension inside. Containing terrifying new content not found in the original, Night of the Animated Dead will convince you to lock your doors. Bonus Features Making of: Animating the Dead-Join Director Jason Axinn, Producer Michael J. Luisi and the well-rounded cast as they explore the efforts required to honorably remake the legendary classic, The Night of the Living Dead, in animated form.
While attending a fundraising gala Sarah Jordan (Jolie) a naive married American socialite living in England witnesses a fiery plea delivered by an intruder renegade humanitarian Dr. Nick Callahan (Clive Owen). His plea made on behalf of impoverished African children under his care turns Sarah's life upside down. Attracted to Nick and his cause she impulsively abandons her sheltered life in England to work along side him in his effort to aid the helpless and anguished victims.
Few television dramas of recent years have managed to combine quality and popularity as successfully as Bad Girls. Series two of the women's-prison drama offers essentially more of the same, but the formula is so well honed that it would be churlish to complain. The main characters and storylines are still there, with the relationship that began between Nikki and Helen (Mandana Jones and Simone Lahbib) at the end of the first series brought eloquently and stylishly to centre stage--a result of both superb writing and performance. The show is given fresh impetus by the constant introduction of new characters. The resulting plot lines see the growing influence of the superb Yyvonne, the unhinged prison officer Di and a new wing governor Karen Betts added to the equation, all with explosive results. The mixture of humour and drama is, as ever, played to perfection.On the DVD: Having set an impressive standard with the DVD release of series one, Bad Girls continues to lead the field for television drama releases. Again the packaging of the four-disc set is handy but extremely stylish and comes with a whole series of extras. The documentary this time follows the cast on a promotional trip to South Africa and there are two galleries of photographs, deleted scenes, production and cast notes and a mass of outtakes that beg the question how they ever actually managed to make one programme, let alone the 13 included here, without the whole cast convulsing with laughter. --Phil Udell
Once a renowned criminal Bob the Gambler now contents himself with gambling frequenting casinos in the shady districts of Paris. He is convinced his gangster days are over - until he meets up with an old accomplice who has news which interests him. The casino at Deauville has a safe which is loaded with several hundred million francs. Short of cash Bob decides to plan one last great robbery. He recruits a number of former fellow criminals and plans the theft to the greatest detail. Unfortunately on the day of the robbery things rapidly begin to go wrong. Bob's luck appears to have taken an unexpected turn - for the better.
Les Visiteurs is the smash hit time-travelling romp that everyone's talking about. When knights were bold in days of old there could never have been anything quite like the wild and wacky adventures of Count Godefroy and his grotesque vassal Jacquoville who are accidentally zapped from the 12th century to the present day with hilarious consequences. Toilets telephones cars and clingfilm are just some of the new fangled inventions that baffle our olde-world heroes - not to mention pe
This paranoia-fuelled thriller, more intelligent and imaginative than you would have reason to believe, owes a huge debt to The Stepford Wives with its premise of a goody-good high school clique programmed by an evil doctor to be wholesome, academically driven and shining examples of clean living. Unlike its predecessor, though, David Nutter's film opts to open up its premise for everyone to see, diluting the scares but amplifying the creepy atmosphere. There's never any question of what's happening to the students of Cradle Bay High, who go from being druggies and sex fiends to the academically excellent Blue Ribbons, but it's a lot of fun to see these programmed teens run amok--and start killing people--when their hormones kick in. And considering they're all horny teenagers, this happens, oh, at least a few times a day. Model-perfect James Marsden, with stunning cheekbones and piercing blue eyes, is the new kid in town who stumbles on the plot with a little help from metalhead Nick Stahl. Moody Marsden stirs up trouble when he refuses to join up with the Blue Ribbons, prompting his concerned parents to consider signing him up for the program, especially after it turns Stahl into a vest-wearing, pep-rallying brainiac. The satire isn't entirely fulfilled (the evil kids hang out at the yoghurt shop and spout inspirational platitudes), but once the action kicks in it's quite an enjoyable ride, thanks primarily to Bruce Greenwood (The Sweet Hereafter) as the mad scientist behind it all and Katie Holmes (Go) as Marsden's love interest. Refusing the advances of the star football player and fighting gamely alongside Marsden, Holmes manages to deck a few bad guys with a fervour that squarely puts her in Linda Hamilton and Jamie Lee Curtis territory. Steve Railsback stars as the colluding chief of police and Dan Zudovic as a janitor with a penchant for getting rid of "rats," rodent and otherwise. --Mark Englehart, Amazon.com
Acclaimed actors Isabelle Huppert and Gerard Depardieu play thinly disguised versions of themselves as a separated couple who journey to Death Valley after receiving a mysterious letter from their dead son.
Michael Haneke directs this nightmarish vision of a post-apocalyptic world in which society has completely broken down. Isabelle Huppert plays Anne who flees the city with her husband Georges and their two children in the hope of finding safe refuge at the family's country home. But soon after arriving they learn they have made a terrible mistake and must embark on a gruelling odyssey through a country totally devastated by disaster without even the most basic of utilities such as
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