This is classic British comedy at it's best! This DVD box set contains all 30 hilarious Carry On movies plus a host of DVD extras! Starring: Kenneth Williams Charles Hawtrey Jim Dale Joan Sims Barbara Windsor Hattie Jacques Windsor Davies Valerie Leon Peter Butterworth Bernard Bresslaw Terry Scott Bill Maynard Phil Silvers Patsy Rowlands and Frankie Howerd. Episodes Comprise: Carry On Sergeant Carry On Nurse Carry On Teacher Carry On Constable Carry On Regardless Carry On Cruising Carry On Cabby Carry On Jack Carry On Spying Carry On Cleo Carry On Cowboy Carry On Screaming! Carry On Don't Lose Your Head Carry On Follow That Camel Carry On Doctor Carry On Up the Khyber Carry On Camping Carry On Again Doctor Carry On Up the Jungle Carry On Loving Carry On Henry Carry On at Your Convenience Carry On Matron Carry On Abroad Carry On Girls Carry On Dick Carry On Behind Carry On England That's Carry On!' and 'Carry On Emmanuelle Special Features: 30 feature-length audio commentaries Trailers All 13 Episodes of the ATV situation comedy series: 'Carry On Laughing' Archive interviews with Sid James Terry Scott and Phil Silvers On location featurette hosted by June Whitfield The official 40th anniversary documentary: 'What's A Carry On?' Textless footage from 'Carry On Jack' and 'Carry On Spying' An alternative Director's cut presentation of 'Carry On England' Extensive production notes for all 30 films Stills Gallery
Aida (Claudia Cardinale, Once Upon a Time in the West, The Day of the Owl) has fallen for a rich playboy and arrives at his door to find it firmly shut and herself ignored. His younger, more sensitive brother, Lorenzo (Jacques Perrin, Cinema Paradiso) helps her and finds himself quickly besotted. Cardinale gives one of her most tender and vulnerable performances in Girl with a Suitcase, an unsentimental coming-of-age story that deals as much with adolescence as class. A vital director of Italy's post-war cinema, Valerio Zurlini's small but remarkable body of work deserves to be discussed among the greats.
Returning home with her travelling theatre troupe, actress Camille (Jeanne Balibar, Les misérables) finds the affections of her director lover Ugo (Sergio Castellitto, Conclave) have waned after he takes an interest in Dominique (Hélène de Fougerolles, Innocence), a vivacious student helping him search for an infamous missing play. In a bid to make him jealous, Camille reunites with her former lover Pierre (Jacques Bonnaffé, Prénom Carmen), now happily married to Sonia (Marianne Basler, Midnight in Paris), and a farce-like series of love triangles ensue. Theatrically exploring attraction, jealousy, and every emotion in between, Jacques Rivette's quick-witted and zesty romantic drama turns a satirical lens on the city's intelligentsia - for whom Paris will always be their home - to ask whether even they know what love is all about.
In a career-defining performance, Alain Delon (Purple Noon) plays Jef Costello, a contract killer with samurai instincts. After carrying out a flawlessly planned hit, Jef finds himself caught between a persistent police investigator and a ruthless employer, and not even his armour of fedora and trench coat can protect him. An elegantly stylized masterpiece of cool by maverick director Jean-Pierre Melville (Army of Shadows), Le samouraï is a razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture with a liberal dose of Japanese lonewarrior mythology.
Giuseppe Tornatore's beautiful 1988 film about a little boy's love affair with the movies deservedly won an Oscar for Best Foreign Film and a Special Jury Prize at Cannes. Philippe Noiret plays a grizzled old projectionist who takes pride in his presentation of screen dreams for a town still recovering from World War II. When a child (Jacques Perrin) demonstrates fascination not only for movies but also for the process of showing them to an audience, a lifelong friendship is struck. This isn't just one of those films for people who are already in love with the cinema. But if you are one of those folks, the emotional resonance between the action in Tornatore's world and the images on Noiret's screen will seem all the greater--and the finale all the more powerful. --Tom Keogh
Comedy genius Eric Sykes stars alongside Hattie Jacques, Richard Wattis and Derryck Guyler in the complete run of this classic comedy series. Showcasing Eric's whimsical, slightly anarchic sense of humour, Sykes saw Eric basically playing himself just one step removed from normality! Sharing a house with his twin sister, Hat, Eric has to suffer the slings and arrows of everyday life something he invariably does with bad grace and obstinacy. With snobbish next door neighbour Mr Brown and nosey local PC Corky Turnbull always on hand to help turn a drama into a crisis, it's no wonder Eric spends half his time fantasising and the other half coping with catastrophe! This set contains all seven series 68 episodes of this classic BBC comedy.
When Harlem P.I John Shaft first appeared on the movie scene, he was a 'shut your mouth' detective to reckon with, a fact underscored by Isaac Hayes' Oscar - winning Best Original Song (1971). Richard Roundtree plays the hard-hitting, street- smart title role, hunting for a kidnap victim in Shaft (1971) and seeking a friend's murderer in Shaft's Big Score! - mixing it up with mob thugs each time. Finally, there's Shaft in Africa, with our hero bringing down a slavery cartel. Shaft's the name. Excitement's the game! Special Features: Behind The Scenes Documentary Soul In Cinema: Filming Shaft On Location Shaft: The Killing (1973 TV Episode) Theatrical Trailers
Unseen for many years these four made-for-TV Christmas Carry On spectaculars feature favourite stories and timely traditions including Treasure Island A Christmas Carol pantomime and much more in the only way the Carry On team know how... pure slapstick comedy and scripts full of trademark innuendo! This is Carry On at its Christmas best! Carry On Christmas 1969: sees Sid James Barbara Windsor et al in a re-working of literary classic 'A Christmas Carol' - obviously thou
With its high-intensity plot about an attempt to assassinate French President Charles de Gaulle, the bestselling novel by Frederick Forsyth was a prime candidate for screen adaptation. Director Fred Zinnemann brought his veteran skills to bear on what has become a timeless classic of screen suspense. Not to be confused with the later remake The Jackal starring Bruce Willis (which shamelessly embraced all the bombast that Zinnemann so wisely avoided), this 1973 thriller opts for lethal elegance and low-key tenacity in the form of the Jackal, the suave assassin played with consummate British coolness by Edward Fox. He's a killer of the highest order, a master of disguise and international elusiveness, and this riveting film follows his path to de Gaulle with an intense, straightforward documentary style. Perhaps one of the last great films from a bygone age of pure, down-to-basics suspense (and a kind of debonair European alternative to the American grittiness of The French Connection), The Day of the Jackal is a cat-and-mouse thriller that keeps you on the edge of your seat until its brilliantly executed final scene (pardon the pun), by which time Fox has achieved cinematic immortality as one of the screen's most memorable killers. --Jeff Shannon
Prepare for an onslaught of robust breezy humour when the Carry On team take to the great Outdoors.
Written and directed by Eric Sykes this is a classic silent comedy about two workmen and a plank of wood with chaos not far round the corner...
Dean Corso is highly skilled at his work, a position which requires dexterity, cultural expertise, nerves of steel...and few scruples.
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French director Luc Besson broke the commercial taboo against female-driven action movies with Nikita, his seminal, seductively slick film about a violent street punk (Anne Parillaud) trained to become a smooth, stylish assassin. Though it amounts, in the end, to little more than disposable pop, the film has a cohesiveness in style and tone--akin to the early James Bond films--that gives it a sense of integrity. Parillaud is compelling both as a wild child and chic-but-lethal pro (trained in good manners by none other than Jeanne Moreau). Tchéky Karyo is also good as the cop mentor who develops feelings for her. --Tom Keogh
Created by Norman Hudis, who scripted the earliest Carry On films, this popular sitcom reunited him with some of the films' most charismatic and best-loved stars, including Hattie Jacques, Charles Hawtrey, Joan Sims, and Norman Rossington.Enjoying a highly popular run in the early 1960s, Our House centres on the comic interactions between the contrasting characters who share a large house together. They include a librarian who transforms into a foghorn outside the hushed confines of her workplace (Hattie Jacques); an easy-going oddball employed by the local rates office (Charles Hawtrey); a woman with a slightly alarming employment record (Joan Sims); and a law student (Norman Rossington) in thrall to his overbearing father. Deryck Guyler (Please Sir!) and Roy Hudd guest-star.Of the 39 original episodes, only three survive in the archive. Unseen for over fifty years, what remains of Our House are essential viewing for all Carry On aficionados and lovers of vintage British comedy.
The Flashing Blade is a tale of high adventure set in 1630 as the dashing Chevalier de Recci (Robert Etcheverry) undertakes a dangerous mission across occupied territory to avert war between France and Spain. This 13-episode serial was made for French television in 1967, and in dubbed form regularly shown on the BBC during school holidays from 1969 through the 1970s (usually when 1965's Adventures of Robinson Crusoe was having a rest). This release is aimed at that generation who, from the spine-tingling theme song onward, remember the show with tremendous affection. Like the classic Hollywood movie serials, each 23-minute episode packs in a couple of action sequences; some plot twists, a little comic relief and very variable acting and costumes. For a children's programme the story is remarkably complex, and takes a while to gather pace. The colours have faded, the use of classical music is clumsy, but the dubbing is surprisingly accomplished. The swashbuckling action is at odds with the more serious historical drama, but viewed with nostalgia The Flashing Blade is thoroughly entertaining vintage TV. --Gary S Dalkin
A movie about those who appreciate the finer things in life.... for free! Director William Wyler went to Paris to shoot this frothy caper comedy. Nicole Bonnet (Audrey Hepburn) lives with her father Charles (Hugh Griffith). He keeps them in luxury by selling an occasional painting--maybe a Renoir maybe a van Gogh. A well-known art connoisseur he has an endless supply of paintings; he paints them himself--like his father before him he is an expert forger. Persuaded to loan
French director JACQUES DEMY didn't just make movieshe created an entire cinematic world. Demy launched his glorious feature filmmaking career in the sixties, a decade of astonishing invention in his national cinema. He stood out from the crowd of his fellow New Wavers, however, by filtering his self-conscious formalism through deeply emotional storytelling. Fate and coincidence, doomed love, and storybook romance surface throughout his films, many of which are further united by the intersecting lives of characters who either appear or are referenced across titles. Demy's filmswhich range from musical to melodrama to fantasiaare triumphs of visual and sound design, camera work, and music, and they are galvanized by the great stars of French cinema at their centres, including ANOUK AIMÃE, CATHERINE DENEUVE, and JEANNE MOREAU. The works collected here, made from the sixties to the eighties, touch the heart and mind in equal measure. LOLA JACQUES DEMY's crystalline debut gave birth to the fictional universe in which so many of his characters would live, play, and love. It's among his most profoundly felt films, a tale of crisscrossing lives in Nantes (Demy's hometown) that floats on waves of longing and desire. Heading the film's ensemble is the enchanting ANOUK AIMÃE (8 1/2) as the title character, a cabaret chanteuse; she's awaiting the return of a long-lost lover and unwilling to entertain the adoration of another love-struck soul, the wanderer Roland (Le trou's MARC MICHEL). Humane, wistful, and witty, Lola is a testament to the resilience of the heartbroken. BAY OF ANGELS This precisely wrought, emotionally penetrating romantic drama from JACQUES DEMY, set largely in the casinos of Nice, is a visually lovely but darkly pragmatic investigation into love and obsession. A bottle-blonde JEANNE MOREAU (Jules and Jim) is at her blithe best as a gorgeous gambling addict, and CLAUDE MANN (Army of Shadows) is the bank clerk drawn into her risky world. Featuring a glittering score by MICHEL LEGRAND, Bay of Angels is among Demy's most somber works. THE UMBRELLAS OF CHERBOURG An angelically beautiful CATHERINE DENEUVE (Belle de jour) was launched into stardom by this glorious musical heart tugger from JACQUES DEMY. She plays an umbrella-shop owner's delicate daughter, glowing with first love for a handsome garage mechanic, played by NINO CASTELNUOVO (The English Patient). When the boy is shipped off to fight in Algeria, the two lovers must grow up quickly. Exquisitely designed in a kaleidoscope of colors, and told entirely through the lilting songs of the great composer MICHEL LEGRAND, The Umbrellas of Cherbourg is one of the most revered and unorthodox movie musicals of all time. THE YOUNG GIRLS OF ROCHEFORT JACQUES DEMY followed up The Umbrellas of Cherbourg with another musical about missed connections and second chances, this one a more effervescent confection. Twins Delphine and Solange, a dance instructor and a music teacher (played by real-life sisters CATHERINE DENEUVE and FRANÃOISE DORLÃAC), dream of big-city life; when a fair comes through their quiet port town, so does the possibility of escape. With its jazzy MICHEL LEGRAND score, pastel paradise of costumes, and divine supporting cast (GEORGE CHAKIRIS, GROVER DALE, DANIELLE DARRIEUX, MICHEL PICCOLI, and GENE KELLY), The Young Girls of Rochefort is a tribute to Hollywood optimism from sixties French cinema's preeminent dreamer. DONKEY SKIN In this lovingly crafted, wildly quirky adaptation of a classic French fairy tale, JACQUES DEMY casts CATHERINE DENEUVE as a princess who must go into hiding as a scullery maid in order to fend off an unwanted marriage proposal from her own father, the king (Orpheus's JEAN MARAIS)! A topsy-turvy riches-to-rags fable featuring songs by MICHEL LEGRAND, Donkey Skin creates a tactile fantasy world that's perched on the border between the earnest and the satiric, and features DELPHINE SEYRIG (Last Year at Marienbad) in a delicious supporting role as a fashionable fairy godmother. UNE CHAMBRE EN VILLE In this musical melodrama set against the backdrop of a workers' strike in Nantes, DOMINIQUE SANDA (The Conformist) plays a young woman who wishes to leave her brutish fiancé (Contempt's MICHEL PICCOLI) for an earthy steelworker (The Valet's RICHARD BERRY), though he is engaged to another. Unbeknownst to the girl, the object of her affection boards with her no-nonsense baroness mother (The Earrings of Madame de . . .'s DANIELLE DARRIEUX). A late-career triumph from JACQUES DEMY, Une chambre en ville received nine César Award nominations and features a rich, operatic score by MICHEL COLOMBIER (Purple Rain). Features New 2K digital restorations of all six films, with uncompressed monaural soundtracks on the Blu-rays of Lola and Bay of Angels and DTS-HD Master Audio 5.1 and 2.0 surround soundtracks on the Blu-rays of The Umbrellas of Cherbourg, The Young Girls of Rochefort, Donkey Skin, and Une chambre en ville Two documentaries by filmmaker Agnès Varda: The World of Jacques Demy (1995) and The Young Girls Turn 25 (1993) Four short films by director Jacques Demy: Les horizons morts (1951), Le sabotier du Val de Loire (1956), Ars (1959), and La luxure (1962) Jacques Demy A to Z, a new visual essay by film critic James Quandt Two archival interviews from French television with Demy and composer Michel Legrand, one on The Umbrellas of Cherbourg and the other on The Young Girls of Rochefort French television interview from 1962 with actor Jeanne Moreau on the set of Bay of Angels Once Upon a Time . . . The Umbrellas of Cherbourg, a 2008 documentary French television program about the making of Donkey Skin Donkey Skin Illustrated, a video program on the many versions of Charles Perrault's fairy tale Donkey Skin and the Thinkers, a video program on the themes of the film, featuring critic Camille Tabouley New video conversation with Demy biographer Jean-Pierre Berthomé and costume designer Jacqueline Moreau New interviews with author Marie Colmant and film scholar Rodney Hill Q&A with Demy from the 1987 Midnight Sun Film Festival, as well as an audio Q&A with him from the American Film Institute in 1971 Archival audio recordings of interviews with Demy, Legrand, and actor Catherine Deneuve at the National Film Theatre in London Interview with actor Anouk Aimée conducted by Varda in 2012 Interview from 2012 with Varda on the origin of Lola's song Video programs on the restorations of Lola, Bay of Angels, The Umbrellas of Cherbourg, and Une chambre en ville Trailers New English subtitle translations Six Blu-rays PLUS: A booklet featuring essays by critics Ginette Vincendeau, Terrence Rafferty, Jim Ridley, Jonathan Rosenbaum, Anne Duggan, and Geoff Andrew, and a postscript by Berthomé
Jean-Pierre Melville's second film, made in 1950, became a significant influence among French film-makers and earned Melville renown as a maverick who could do wonderful things outside his country's studio system. (Melville's independence was a forerunner of that enjoyed later in the decade by New Wave figures such as François Truffaut and Jean-Luc Godard.) Les Enfants Terribles is based on a 1929 novel by poet and film-maker Jean Cocteau, who also wrote the script with Melville and according to some people interfered in everything from the casting (the rather stiff male lead was a Cocteau protégé) to the photography. Nevertheless, the story of a sister (an outstanding performance by Nicole Stephane) and brother (Edouard Dhermite) who withdraw into their own, insulated world to play out suggestively erotic dramas, has a fluid, lyrical movement that is part of a visionary whole. In some ways a harbinger of the coming pop narcissism of youth culture, Les Enfants Terribles is also a timeless tale of mythic exploration of existence and purpose. --Tom Keogh, Amazon.com
Days before a general election a young girl is raped and murdered. Bizanti (Gian Maria Volonté, The Working Class Goes to Heaven), the editor of a right-wing newspaper uses the story to help the conservative candidate his paper supports. The tumultuous time of Italy's Years of Lead' are captured in Marco Bellocchio's powerful political drama which directly addressed topics of its day and even prefigured the creation of the right-wing paper Il giornale, which came into being two years after this film. In an age of media manipulation Slap the Monster on Page One has never been more relevant and stands proudly alongside such Italian activist classics as We Still Kill the Old Way and The Mattei Affair. LIMITED EDITION BLU-RAY SPECIAL FEATURES 4K restoration of the film from the original negative by Cineteca di Bologna in collaboration with Surf Film and Kavac Film, under the supervision of director Marco Bellocchio Uncompressed mono PCM audio Archival interview with Marco Bellocchio (21 mins) Newly filmed interview with critic and author Mario Sesti (2024, 25 mins) Appreciation by filmmaker Alex Cox (2024, 10 mins) Newly improved English subtitle translation Reversible sleeve featuring designs based on original posters Limited edition booklet featuring new writing by Wesley Sharer
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