When young Alan Parrish discovers a mysterious board game, he doesn't realize its unimaginable powers, until he is magically transported before the eyes of his friend, Sarah, into the untamed jungles of JUMANJI! 26 years later Alan (Robin Williams) reunites with Sarah (Bonnie Hunt) and together with Judy (Kirsten Dunst) and Peter (Bradley Pierce,) tries to outwit the game's powerful forces! Features: ALL NEW SPECIAL FEATURES Deleted Scenes Gag Reel ALSO INCLUDES Special Effects Crew Commentary Bringing Down The House Featurette Making Jumanji: The Realm of Imagination Featurette Lions, Monkeys and Pods Oh My! Featurette JUMANJI Motion Storybook as Read by Author Chris Van Allsburg Photo Galleries & Storyboards
Come aboard for more military justice and non-stop action a all 24 episodes of JAG's fifth season arrive on DVD for the very first time! Their search for the truth takes the JAG team of lawyers around the world but what happens at home this season rivals any investigation. Harm Robb (David James Elliot) considers leaving Mac (Catherine Bell) behind when his dream of becoming a pilot is realized just as Admiral Chegwidden (John M. Jackson) welcomes a new attorney to the JAG team. But it's Bud (Patrick Labyorteaux) and Harriet (Karri Turner) with the biggest news of all - the birth of their son! JAG is back and ready for action!
8 MM (1998): Nicholas Cage is Tom Welles a surveillance specialist with a modest home-based business. Respected but still waiting for the big break that will improve his professional status Welles spends most of his time on routine cases. Nothing too dangerous nor too threatening - until a case involving a small innocuous-looking plastic reel of film turns Welles' life upside down sending him down a sordid and terrifying path into society's deepest corners. Drifting away
Will Smith stars in the third adaptation of Richard Mathesons classic science-fiction novel about a lone human survivor in a post-apocalyptic world dominated by vampires. This new version somewhat alters Mathesons central hook, i.e., the startling idea that an ordinary man, Robert Neville, spends his days roaming a desolated city and his nights in a house sealed off from longtime neighbours who have become bloodsucking fiends. In the new film, Smiths Neville is a military scientist charged with finding a cure for a virus that turns people into crazed, hairless, flesh-eating zombies. Failing to complete his work in time, and after enduring a personal tragedy, Neville finds himself alone in Manhattan, his natural immunity to the virus keeping him alive. With an expressive German shepherd, his only companion, Neville is a hunter-gatherer in sunlight, hiding from the mutants at night in his Washington Square town house and methodically conducting experiments in his ceaseless quest to conquer the disease. The films first half almost suggests that I Am Legend could be one of the finest movies of 2007. Director Francis Lawrences extraordinary, computer-generated images of a decaying New York City reveal weeds growing through the cracks of familiar streets that are also overrun by deer and prowled by lions. Its impossible not to be fascinated by such a realistically altered cityscape, reverting to a natural environment, through which Smith moves with a weirdly enviable freedom, offset by his wariness over whatever is lurking in the dark of bank vaults and parking garages. Lawrence and screenwriters Mark Protosevich and Akiva Goldsman wisely build suspense by withholding images of the monsters until a peak scene of horror well into the story. It must be said, however, that the computer-enhanced creatures dont look half as interesting as they might have had the filmmakers adhered more to Mathesons vampire-nightmare vision. I Am Legend is ultimately noteworthy for Smiths remarkable performance as a man so lonely he talks to mannequins in the shops he frequents. The films latter half goes too far in portraying Smiths Neville as a pitiable man with a messianic mission, but this lapse into pathos does nothing to take away from the visual and dramatic accomplishments of its first hour. --Tom Keogh
Inspired by the "Space Seed" episode of the original series, the classic swashbuckling scenario of Star Trek II: The Wrath of Khan was much more of a success with fans than the somewhat turgid drama of Star Trek: The Motion Picture. The film reunites newly promoted Admiral Kirk with his nemesis from the earlier episode--the genetically superior Khan (Ricardo Montalban)--who is now seeking revenge upon Kirk for having been imprisoned on a desolated planet. Their battle ensues over control of the Genesis device, a top-secret Starfleet project enabling entire planets to be transformed into life-supporting worlds, pioneered by the mother (Bibi Besch) of Kirk's estranged and now-adult son. While Mr. Spock mentors the young Vulcan Lt. Saavik (then-newcomer Kirstie Alley), Kirk must battle Khan to the bitter end, through a climactic starship chase and an unexpected crisis that will cost the life of Kirk's closest friend. This was the kind of character-based Trek that fans were waiting for, boosted by spectacular special effects, a great villain (thanks to Montalban's splendidly melodramatic performance), and a deft combination of humour, excitement, and wondrous imagination. Director Nicholas Meyer (who would play a substantial role in the success of future Trek features) treats the film as "Horatio Hornblower in space", and then adds lots of spicy seafaring Moby Dick references, plus a sprinkle of Shakespearean tragedy and World War II submarine thriller, all driven along by one of composer James Horner's finest scores. Wrath of Khan set the successful tone for the films that followed. --Jeff Shannon, Amazon.com
The Smashing Pumpkins: 1991-2000 Greatest Hits Video Collection visually charts the progress of the band from grunge rockers to AOR stars. Shot on Super 8, the grainy early videos ("Siva" and "Rhinoceros") depict the progressive psychedelia of their early sound. Despite the continuation of an alternative music style on Siamese Dream (the group's first album with Virgin), the videos from this era become more mainstream in a blatant attempt to get MTV airplay. Matching the commercial and accessible style of the album, the Mellon Collie and the Infinite Sadness videos are big-budget numbers. Drawing on their long-standing fascination with 70s youth culture, the "1979" video provides another romanticised depiction of that period, while the awarding-winning "Tonight, Tonight" is a clever remake of Méliès Trip to the Moon. The epic style continues on later videos, with "Perfect" being a sequel to "1979". Also included is the harrowing short film by Jonas Akerlund, "Try" (a 15-minute extended version of the "Try, Try, Try" video), which follows the last days of a homeless, pregnant young woman. Also included are live performances from their final concert. This is a fitting anthology of both the Pumpkins' restraint and excess. On the DVD: Due to the extensive number of bonus features available with each video (including commentaries, outtakes and behind the scenes footage), the initial selection process is far from straightforward, which is why the title menu includes a Help option to guide the viewer through the complex procedure. DVD-ROM users can also access exclusive Smashing Pumpkin art.--John Galilee
Starring comedy legend John Belushi, National Lampoon's ® Animal House is the ultimate college movie filled with food fights, fraternities and toga parties! Follow the uproarious escapades of the Delta House fraternity as they take on Dean Wormer (John Vernon), the sanctimonious Omegas, and the entire female student body. Directed by John Landis (The Blues Brothers), the most popular college comedy of all-time also stars Tim Matheson, Donald Sutherland, Karen Allen, Kevin Bacon, Tom Hulce and Stephen Furst along with Otis Day and the Knights performing their show-stopping rendition of Shout.' Special Features THE YEARBOOK: AN ANIMAL HOUSE REUNION WHERE ARE THEY NOW? A DELTA ALUMNI UPDATE SCENE IT? ANIMAL HOUSE GAMES and more!
A mysterious villain puppeteering Gotham's most dangerous forces leads the Dark Knight into uncharted waters in Batman: Hush, the next entry in the popular series of DC Universe Movies. An adaptation of the seminal DC classic tale, Batman: Hush centres on a shadowy new villain known only as Hush, who uses Gotham's Rogues Gallery to destroy Batman's crime-fighting career, as well as Bruce Wayne's personal lifewhich has already been complicated by a relationship with Selina Kyle, aka Catwoman. Includes Mini Figure
How CAN Santa deliver billions of presents to the whole world in just one night? With an army of one million combat-style Field Elves and a vast, state-of-the-art control center under the ice of the North Pole!
An explosive cocktail of humour love sex and action. Perdita Durango (Rosie Perez) is an unscrupulous woman who loves taking people for a ride and living life to the limit. Romeo Dolorosa (Javier Bedem) her demonic lover is dark sensual and highly daring. One fine day the destinies of Perdita and Romeo become one and no one or nothing can put a stop to it. Determined to become the most powerful outlaws in the country Perdita and Romeo are hired by the Mafia to transport an illegal cargo of human ingredients form Mexico to Las Vegas. Together the wanton spitfire and her psychic drug-dealer set the Tex-Mex border alight with their torrid passions bizarre kidnapping crimes and black magic rituals. An exciting different road movie spiked with quirky action mordant humour and twisted terror from Alex de la Iglesia the acclaimed director of Accion Mutante and Day of the Beast.
When Ridley Scott's cut of Blade Runner was finally released in 1993, one had to wonder why the studio hadn't done it right the first time--11 years earlier. This version is so much better, mostly because of what's been eliminated (the ludicrous and redundant voice-over narration and the phoney happy ending) rather than what's been added (a bit more character development and a brief unicorn dream). Star Harrison Ford originally recorded the narration under duress at the insistence of Warner Bros. executives who thought the story needed further "explanation"; he later confessed that he thought if he did it badly they wouldn't use it. (Moral: never overestimate the taste of movie executives.) The movie's spectacular futuristic vision of Los Angeles--a perpetually dark and rainy metropolis that's the nightmare antithesis of "Sunny Southern California"--is still its most seductive feature, another worldly atmosphere in which you can immerse yourself. The movie's shadowy visual style, along with its classic private-detective/murder-mystery plot line (with Ford on the trail of a murderous android, or "replicant"), makes Blade Runner one of the few science fiction pictures to legitimately claim a place in the film noir tradition. And, as in the best noir, the sleuth discovers a whole lot more (about himself and the people he encounters) than he anticipates. The cast also includes Sean Young, Edward James Olmos, Daryl Hannah Rutger Hauer and M Emmet Walsh. --Jim Emerson
Three years after Lawrence of Arabia, the largely impressive Lord Jim (1965) finds Peter O'Toole again essaying a self-doubting but remarkable, white Englishman who leads a foreign people against their oppressor. Based on the Joseph Conrad novel, Lord Jim is the story of a British maritime officer, Jim (O'Toole), who takes a brief post on a tramp steamer and flees in terror during a storm at sea. Dogged by a reputation for cowardice, Jim attempts to reinvent himself in his own eyes, commanding an attack against a feudal warlord (Eli Wallach) in a distant, Southeast Asian village and basking in god-like glory afterward. A sinister plot by a gentleman pirate (James Mason) sets the stage for Jim's confrontation with his true destiny. Simplified and adapted by writer-director Richard Brooks (In Cold Blood), Lord Jim sometimes feels rushed and obvious, but O'Toole's golden performance and legendary cinematographer Freddie Young's 70mm footage are outstanding. --Tom Keogh
A hard-hitting psychological thriller, Assault stars Frank Finlay as a career policeman willing to employ unorthodox methods to catch a sleazy murderer and Suzy Kendall as a plucky teacher willing to put her life in jeopardy to help him do so. Tautly directed by Sidney Hayers, this controversial drama is remastered from original film elements and presented here as a brand-new High Definition transfer in its original theatrical aspect ratio. When a schoolgirl rapist escalates to murder, Det. Chief Supt. Velyan faces an agonising choice when the girl's teacher - who saw the maniac in pursuit of his second victim - offers to put herself in harm's way in an effort to catch the killer! Special Features: Theatrical Trailer Image Gallery
In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped a maximum security stockade to the Los Angeles underground. Today still wanted by the government they survive as soldiers of fortune. If you have a problem if no one else can help and if you can find them maybe you can hire the A-Team. Enjoy all the very best episodes from the much-loved action TV series! Episodes include: Mexican Slayride Parts O
STEALING. CHEATING. KILLING. WHO SAYS ROMANCE IS DEAD? In 1993, action movie supremo Tony Scott teamed up with a hot new screenwriter named Quentin Tarantino to bring True Romance to the screen, one of the most beloved and widely-quoted films of the decade. Elvis-worshipping comic book store employee Clarence Worley (Christian Slater) is minding his own business at a Sonny Chiba triple bill when Alabama Whitman (Patricia Arquette) walks into his life and from then on, the two are inseparable. Within 24 hours, they're married and on the run after Clarence is forced to kill Alabama's possessive, psychopathic pimp. Driving a Cadillac across the country from Detroit to Hollywood, the newlyweds plan to sell off a suitcase full of stolen drugs to fund a new life for themselves... but little do they suspect that the cops and the Mafia are closing in on them. Will they escape and make their dream of a happy ending come true? Breathtaking action set pieces and unforgettably snappy dialogue combine with a murderers' row of sensational performances from a stunning ensemble cast in Scott and Tarantino's blood-soaked, bullet-riddled valentine, finally restored in dazzling 4K with hours of brilliant bonus features. Special Features: New 4K restorations of both the Theatrical Cut and the Director's Cut from the original camera negatives by Arrow Films Limited Edition packaging with reversible sleeve featuring newly commissioned artwork by Sara Deck 60-page perfect-bound collectors' booklet featuring new writing on the film by Kim Morgan and Nicholas Clement, a 2008 Maxim oral history featuring interviews with cast and crew, and Edgar Wright's 2012 eulogy for Tony Scott Double-sided poster featuring original and newly commissioned artwork by Sara Deck Six double-sided, postcard-sized lobby card reproductions High Definition (1080p) Blu-ray presentation of both cuts Original uncompressed stereo audio and DTS-HD MA 5.1 surround audio Optional English subtitles for the deaf and hard-of-hearing Audio commentary by director Tony Scott Audio commentary by writer Quentin Tarantino Audio commentary by stars Christian Slater & Patricia Arquette Audio commentary by critic Tim Lucas Select scene commentaries by stars Dennis Hopper, Val Kilmer, Brad Pitt and Michael Rapaport Brand new select scene commentary by star Saul Rubinek New interview with costume designer Susan Becker New interview with co-editor Michael Tronick New interview with co-composers Mark Mancina and John Van Tongeren New interview with Larry Taylor, author of Tony Scott: A Filmmaker on Fire New interview with Daniel Storm, co-founder of the annual True Romance Fest and owner of the original Cadillac Deleted scenes with optional commentary by Tony Scott Alternate ending with optional commentaries by Tony Scott and Quentin Tarantino Electronic press kit featurettes, behind-the-scenes footage and interviews with Tony Scott, Christian Slater, Patricia Arquette, Dennis Hopper and Gary Oldman Trailers and TV spots Image galleries *** EXTRAS STILL IN PRODUCTION AND SUBJECT TO CHANGE ***
The men and women of the Navy's Judge Advocate General (JAG) Corps are back for 24 more action-packed episodes in the third season of the long-running hit series JAG. Commander Harm Rabb (David James Elliot) and Major Mac MacKenzie (Catherine Bell) both find romance this season but also suffer heartache. And while they might take on Cuban terrorists they still manage to make it to the wedding between Bud (Patrick Labyorteaux) and Harriet (Karri Turner)! Co-starring John M. Jackson as Admiral A.J. Chegwidden JAG digs deep to portray the human side of the military experience and show the bravery of those who give all for their country!
A groundbreaking screwball caper, 1978's National Lampoon's Animal House was in its own way a rite of passage for Hollywood. Set in 1962 at Faber College, it follows the riotous carryings-on of the Delta Fraternity, into which are initiated freshmen Tom Hulce and Stephen Furst. Among the established house members are Tim Matheson, Peter Riegert and the late John Belushi as Bluto, a belching, lecherous, Jack Daniels guzzling maniac. A debauched house of pranksters (culminating in the famous Deathmobile sequence), Delta stands as a fun alternative to the more strait-laced, crew-cut, unpleasantly repressive norm personified by Omega House. As cowriter the late Doug Kenney puts it, "better to be an animal than a vegetable". Animal House is deliberately set in the pre-JFK assassination, pre-Vietnam era, something not made much of here, but which would have been implicitly understood by its American audience. The film was an enormous success, a rude, liberating catharsis for the latter-day frathousers who watched it. However, decades on, a lot of the humour seems broad, predictable, boorish, oafishly sexist and less witty than Airplane!, made two years later in the same anarchic spirit. Indeed, although it launched the Hollywood careers of several of its players and makers, including Kevin Bacon, director John Landis, Harold Ramis and Tom Hulce, who went on to do fine things, it might well have been inadvertently responsible for the infantilisation of much subsequent Hollywood comedy. Still, there's an undeniable energy that gusts throughout the film and Belushi, whether eating garbage or trying to reinvoke the spirit of America "After the Germans bombed Pearl Harbour" is a joy. On the DVD: Animal House comes to disc in a good transfer, presented in 1.85:1. The main extra is a featurette in which director John Landis, writer Chris Miller and some of the actors talk about the making of the movie. Interestingly, 23 years on, most of those interviewed look better than they did back in 1978, especially Stephen "Flounder" Furst. --David Stubbs
When Chicago police officer Sharon Pogue (Jennifer Lopez) is saved from a bullet by a mysterious stranger, it proves a life-changing experience.
Can we talk? Everybody is pretty well agreed that Great Britain's Ken Loach is one of our most important filmmakers. On the basis of his work with actors alone--often actors who are unknown until showcased in his films--he commands a place in the modern Pantheon. The problem is that he sounds terminally "worthy"; his films invariably reflect a commitment to framing harsh sociopolitical realities and steeping us in the fight for justice, a square deal or a square meal. They sound, in short, as if they're "good for you"--whereas the fact is that they are almost always damned good, period.My Name Is Joe makes for an excellent introduction to Loach country--partly because it's just a tad more immediate in its basic viewer appeal. Joe Kavanagh (Peter Mullan), out-of-work Glasgow housepainter, is a terrifically attractive fellow, and though he is also a recovering alcoholic, he seems eminently pulled-together and ready for yeoman service as a movie leading man. The main story line concerns his encounter with and growing attraction to a smart social worker (Louise Goodall). There is nothing star-crossed about their potential love, but each is tough enough to set limits till they've travelled over a distance of mutual ground. Meanwhile, Joe's status as role model among his more emotionally and economically precarious neighbours--an extended family of man--is good for a surprising number of lusty laughs and one fatal, criminal complication that could jeopardise his future. Peter Mullan won a well-deserved Best Actor award at Cannes in 1998, and subsequently directed a family comedy-drama of his own, Orphans. --Richard T. Jameson, Amazon.com
Stephen Fry's directorial debut about the young, wild, party-loving creatures of the 1930s. Sex, scandal, celebrity... Some things never change...
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