Buddy (Will Ferrell) is different from all of Santa's other elves. For one thing, he's a cotton-headed ninny muggins when it comes to making toys. For another, he's 6'3 . And the real clincher: he's human! So one special December, Buddy sets off on a holiday adventure to New York City in quest of his real dad. how Buddy finds his father (James Caan) and the meaning of Christmas is a joyous, jaunty, sweet-as-a-candy-cane gift for everyone who loves bright contemporary comedy - and timeless all-family classics. Extra Content: Focus Points! Fast Track Frivolity Makes Elf Even More Festive As Glimpses of the Movie's Magical Making Pop Up While You Watch the Movie. Special Features: Commentaries by Will Ferrell and Director Jon Favreau, deleted/alternate scenes, behind the scenes: Tag Along with Will Ferrell; Film School for Kids; How they made the North Pole; Lights, Camera, Puffin!; That's a wrap; Kids on Christmas; Deck the Halls; Santa Mania; Christmas in Tinseltown. Music from Elf, Elf Kareoke, Theatrical Trailer. Includes Funko Pocket Pop! Keychain of Buddy the Elf
A tenth series of investigations featuring gruff detective Frost (David Jason). Includes Hidden Truth Close Encounters and Held In Trust.
James Nesbitt plays Detective Sergeant Tommy Murphy a maverick cop with a dark past. After failing a psychiatric assessment he is given one last chance by his boss and given a dangerous undercover assignment. Murphy is a loner with little to lose and deals with everything on his own terms... Episodes Comprise: 1. Murphy's Law (pilot episode) 2. Electric Bill 3. Manic Munday 4. Reunion 5. Kiss And Tell
Holiday Inn is the perennial Christmas-season favourite from 1942 that teams Bing Crosby and Fred Astaire as entertainers (and rival suitors of Marjorie Reynolds) running an inn that is only open on holidays. It's a great excuse for lots of singing and dancing, seamlessly wrapped in a catchy story, and Astaire's frequent director Mark Sandrich (Top Hat, Shall We Dance) doesn't let us down. The Irving Berlin numbers (each one connected to a different holiday) are winners, with Crosby's warm performance of "White Christmas" a movie touchstone. --Tom Keogh
The Match is a contemporary romantic comedy, set in the idyllic Highland village of Inverdoune.
Like giant monuments to good old-fashioned star quality, Funny Girl (1968) and Funny Lady (1975) hark back to the golden days of American vaudeville, while essentially celebrating one of the great, egotistical show-business talents of all time. Viewed end to end, these two films, which tell the story of Ziegfeld comedienne Fanny Brice, run for almost five hours. That's a lot of biopic. But with the greatest of respect to Brice, undoubtedly a formidable star of her time, the talent really in the spotlight here belongs to Barbra Streisand. Streisand created the role of Fanny Brice in the 1964 Broadway stage musical and her performance for the big screen is a tour de force, fully deserving the Best Actress Oscar which she received. As a biopic, Funny Girl is superior fare, full of sumptuous production numbers. Brice's glory days are explored against the background of her turbulent private life with her flawed playboy husband Nicky Arnstein (a sympathetic performance from Omar Sharif) with considerable attention to the details of her inner turmoil. More rambling and less cohesive, Funny Lady finds Fanny divorced but still in love with Arnstein (Sharif also revisiting his role), drifting into marriage number two with uncouth songwriter and impresario Billy Rose (the excellent James Caan), her successful career again juxtaposed with a less than happy personal life. Combined, both films measure Streisand's rise to greatness. In Funny Girl, the bravura of the performance as a whole masks occasional gaucheness, while if Funny Lady is the less impressive picture overall, it still marks how far she has developed as a screen actress. The rough edges are gone, replaced by a sophisticated poise and the sense of a talent that has come to terms with itself. And of course throughout she is superb in the musical numbers, which include her theme song "People" and the classic belter "Don't Rain on my Parade", as well as Brice's classic torch song, "My Man". On the DVD: this package of tremendous, old-fashioned entertainment takes the viewer back to pre-multiplex days when going to the cinema was an event you might dress up for. Funny Lady's soundtrack includes a pre-picture "Overture" to give you time to unwrap the chocolates. You really need some plush velvet curtains to swing back across the television screen. Then, guaranteeing a twinge of nostalgia, there's an intermission break. Both films are presented in their original widescreen 2.35:1 aspect ratio. Dolby Digital 5.0 (Funny Girl) and LCR (Funny Lady) soundtracks do justice to Streisand's lung power. The first disc offers the most interesting extras, including a couple of featurettes about Streisand. Both discs provide standard filmographies and song highlights so Streisand addicts can skip between numbers to their hearts' content.--Piers Ford
The cops. The cars. The clothes. The music. From executive producer Michael Mann (Heat Collateral) comes the first season of the explosive groundbreaking detective show that redefined the word cool. Set against the seamy and steamy Miami underworld ride shotgun with suave Vice cops Sonny Crockett (Golden Globe winner Don Johnson) and Rico Tubbs (Phillip Michael Thomas) as they battle a never-ending gallery of criminals drug dealers and lowlifes. Episodes comprise: 1. Brother's Keeper (Parts 1 & 2) 2. Heart of Darkness 3. Cool Runnin' 4. The Hit List 5. Calderone's Demise 6. One-Eyed Jack 7. No Exit (a.k.a. Three-Eyed Turtle) 8. The Great McCarthy 9. Glades 10. Give a Little Take a Little 11. Little Prince 12. The Milk Run 13. Golden Triangle (Part 1) (a.k.a. Score) 14. Golden Triangle (Part 2) 15. Smuggler's Blues 16. Rites of Passage 17. The Maze 18. Made for Each Other 19. The Home Invaders 20. Nobody Lives Forever 21. Evan 22. Lombard
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Teen super spy Cody Banks (Frankie Muniz) has to go undercover at an elite London boarding school to track down a missing mind control device.
Get ready for action adventure and suspense in Season One of TV's longest-running military drama JAG. The first season of its 10-year reign introduces former flying ace Harmon ""Harm"" Rabb of the Navy's Judge Advocate General. Now an attorney Harm investigates prosecutes and defends military criminals in cases that often take him behind enemy lines...both in Washington and overseas. Catch the action from the beginning with all 22 episodes including the rarely seen ""Skeleton Crew."" Starring David James Elliott this Emmy Award-winning series is one of television's best. Episodes Comprise: 1. Pilot: Part 1 2. Pilot: Part 2 3. Shadow 4. Desert Son 5. Deja Vu 6. Pilot Error 7. War Cries 8. Brig Break 9. Scimitar 10. Boot 11. Sightings 12. The Brotherhood 13. Defensive Action 14. Smoked 15. Hemlock 16. High Ground 17. Black Ops 18. Survivors 19. Recovery 20. The Prisoner 21. Ares 22. Skeleton Crew
Restless gambler and wayward rascal James Coburn can't resist a pretty lady or the chance at gold. This is a rootin' tootin' tongue-in- cheek comedy western that packs a passel of laughs. There's brothel action waterhole skirmishes and sheriff's shootouts!
This is product is in the English Language but part of the cover may have Nordic Languages it (Finnish, Norwegian, Danish & Swedish )
The Cotton Club is routinely eclipsed by the controversies that surrounded its tumultuous production, but the film itself offers abundant pleasures that should not be overlooked. If Apocalypse Now represents the triumph of director Francis Coppola's perilous ambition, then The Cotton Club represents the ungainly glory of uncontrolled genius, as brilliant as it is out of its depth. As an upscale homage to classic gangster films it's frequently astonishing, cramming a thick novel's worth of plot and characters into 129 minutes, gloriously serviced by impeccable production design, elegant cinematography, and stylistic flourishes that show Coppola at the top of his game. What The Cotton Club lacks is cohesion. Written by Coppola and novelist William Kennedy (then enjoying the peak of his critical acclaim), the film struggles to exceed the narrative scope of The Godfather, but its multiple early-'30s plotlines fail to form any strong connective tissue. It's three (or four) movies in one, with cornet player Dixie Dwyer (Richard Gere, playing his own jazzy solos) drifting from one story to the next--loving a young, ambitious vamp (Diane Lane, with whom Gere shares precious little chemistry), enjoying the success of a hot-shot hoofer (Gregory Hines), and protecting his brazen brother (Coppola's then-newcomer nephew, Nicolas Cage) from the deadly temper of mob boss "Dutch" Schultz (James Remar). Bob Hoskins and Fred Gwynne also score big in grand supporting roles, but The Cotton Club is perhaps best appreciated for its meticulous recreation of Harlem's Cotton Club heyday, and the brilliant music (Ellington, Calloway, etc.) that brought rhythm to gangland's rat-a-tat-tat. --Jeff Shannon, Amazon.com
Stevens is the perfect English butler. Now employed by Mr Lewis, the new American owner of Darlington Hall, Stevens has spent the best part of his working life serving Lord Darlington, the host of many prestigious international conferences in the 1930s. It was only when war broke out in 1939, that Lord Darlington's involvement with the Nazi party was uncovered. Now, twenty years later, Stevens realizes that his unquestioning faith and dedication to duty were misplaced, and cost him dearly in his own personal life. Over several years, he carried on an intense relationship with the Estate's attractive young housekeeper, Miss Kenton. But his unwavering sense of duty led Stevens to deny his emotions and eventually drive away the one woman he loved. Now he wants to make amends...An extraordinary story of blind emotion and repressed love, The Remains Of The Day achieved an astounding 8 Academy Award nominations, including Best Picture, Best Actor and Best Actress. Anthony Hopkins received the BAFTA Award for the Best Performance by an actor in a leading role.
The first ever feature length Minder escapade. Terry and Arthur race through Europe on the Orient Express and become involved in a tale of gangland revenge murder and mayhem. Terry has been given tickets for the Orient Express by a mysterious young woman but Arthur needs Terry for protection and Terry need Arthur like a hole in the head. By devious means Arthur boards the train only to find Chisholm is aboard working with Interpol...
Paula Wilcox Shaun Dingwall Phil Daniels Kellie Bright and James Buckley star in Rock & Chips It's Christmas 1960 and the Trotters are settling into their new flat in Sir Walter Raleigh House Peckham. Rodney is a babe in arms Reg is still drawing the dole and hard-working Joan is struggling to keep the family afloat after losing her jobs at the town hall and the cinema. A 16-year-old Del has left school and is exploring employment opportunities around the docks - including a nice line in selling 45s straight off the back of a boat from America - and Freddie Robdal has been temporarily detained in Wormwood Scrubs at Her Majesty's pleasure. Meanwhile Del who has been advised that slipping an engagement ring on a girl's finger can open up a whole new world of lustful opportunity has managed to get himself engaged to half of Peckham. But will any of his engagements lead to a trip up the aisle?
Lowlife cable TV operator Max Renn discovers a ""snuff TV"" broadcast called Videodrome which is much more than it seems. It's an experiment that causes brain damage. Max is caught in the middle of the forces that created and the forces that want to control Videodrome his body itself turning into the ultimate weapon to fight them. Directed by David Cronenberg.
Pop diva Mariah Carey plays a young young singer who is eager to become a big star who dates a DJ who helps her get into the music business.
The Halo universe will expand on February 15th 2010, with the arrival of seven brand new animated stories.
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