A COP TELLS HIS STORY. WITH THE STING OF REALISM AND EXCITEMENT THAT MADE IT A TOP BESTSELLER. Richard Fleischer's gritty and fateful portrait of LA cops adapted from Joseph Wambaugh's autobiographical bestseller, is anchored by superb performances from George C. Scott as a world-weary older cop who quietly fears becoming obsolete, and Stacy Keach as the young rookie he takes under his wing. INDICATOR LIMITED EDITION SPECIAL FEATURES: Cop Stories: The Making of Richard Fleischer's The New Centurions' (2016, 44 mins) featuring interviews with actor Stacy Keach, writer Joseph Wambaugh, technical advisor Richard E. Kalk and assistant cameraman Ronald Vidor. Original theatrical trailer New and improved English subtitles for the deaf and hard-of-hearing ¢ Limited edition exclusive booklet with a new essay by Nick Pinkerton ¢ Limited Dual Format Edition of 3,000 copies UK Blu-ray premiere
For Josh, the phrase nice guys finish last' doesn't quite cover it. He's the kind of guy who doesn't realise the race has started, hits every hurdle on the way and then gets strangled by the finishing tape. This series follows his successes (not many) and his failures (many) as he tries to navigate the race of life. Whether it's being dumped while dangling on a zip-line, tolerating an egomaniacal fellow comedian on tour or being blackmailed by a septuagenarian next-door neighbour, Josh always tries to do the right thing and always comes off the loser.
Three classic princess stories involving the characters Cinderella Sleeping Beauty and Snow White.
Comedy duo James Corden and Mathew Horne ("Gavin & Stacey") go toe-to-toe with a bunch of over-amorous and curious vampires in the madcap horror comedy "Lesbian Vampire Killers"
This is a double-feature of two British crime classics, The Blue Lamp (1949) and The Nanny (1965). The Blue Lamp is the film that introduced PC George Dixon, played by Jack Warner, later immortalised in the BBC's long-running Dixon of Dock Green (1955-76). Here Dixon's murder is the catalyst for an exciting London manhunt, shot largely on location in a fast-moving, starkly efficient style showing the influence of The Naked City (1948). The war-damaged East End and the car chases through almost vehicle-free streets offer a documentary-like vision of a London now long gone, and a young Dirk Bogarde makes a serious impact in an early starring role. In contrast, The Nanny has a superstar, the imported Hollywood legend Bette Davis, in the declining years of her career. Just one of three psychological thrillers Hammer produced in 1965 (the others were Frantic and Hysteria), the film capitalises on the popularity of Davis's Whatever Happened to Baby Jane? (1962) with a comparable mix of hateful insanity and paranoia. The screenplay skilfully juggles the audience's sympathies between a superb Davis and the dysfunctional family of which she becomes a part, developing a powerful sense of dread which shows such clichéd later fare as The Hand That Rocks the Cradle (1992) how to do this sort of thing with real class. On the DVD: The Blue Lamp and The Nanny are presented in black and white with adequate mono sound. The Blue Lamp is in its original 4:3 ratio; The Nanny is cropped from its theatrical 1.85:1 to 4:3, though it's only in a few shots that it becomes obvious that information is missing at the sides of the screen. The print of The Blue Lamp is soft and grainy, while The Nanny is grainy with a considerable amount of flicker. There are no extras. --Gary S. Dalkin
Last Action Hero (Dir. John McTiernan 1993): Danny Madigan (Austin O'Brien) a young cinema fan is crazy about his all-time great movie hero L.A. cop Jack Slater (Arnold Schwarzenneger). Having received a magic golden cinema ticket Danny is blasted through the big screen and into the action alongside his celluloid hero who is more than a little puzzled by his presence. Fasten your seatbelt as the dare-devil duo dodge bullets bombs and bad guys in a whirlwind world where anything is possible! But. ..disaster strikes when the baddies grab half the magic ticket and make their escape into the real world where they find life a doddle for two rogues intent on madness and mayhem.With Jack and Danny in hot pursuit hold your breath as the action addicts discover that real life can be even more exciting than the movies Twins (Dir. Ivan Reitman 1998): An ambitious genetic experiment takes the wrong turn when two twins (Danny De Vito and Arnold Schwarzenegger) - who look nothing alike - are born and then separated. Years later the unlikely siblings meet: Julius a highly educated but sheltered giant with a big heart and Vincent a pint-sized hustler with an insatiable lust for women and money. With girl friends in tow and a hitman on their tail the new-found brothers set off on a wild cross-country misadventure to find their mother but end up finding out more about themselves and each other... Kindergarten Cop (Dir. Ivan Reitman 1990): Arnold Schwarzenegger stars as an undercover cop posing as a kindergarten teacher in order to catch a dangerous criminal. Once he wrangles his young charges as well as the affections of a beautiful teacher (Penelope Ann Miller) he prepares for a final showdown with his intended prey in this 'Totally Enjoyable' (People Magazine) action-comedy from Director Ivan Reitman.
This incredible epic follows the tragic yet inspirational life of Ariana Von Gotthard (Nastassja Kinski) a woman who gains strength and courage as a young girl coming of age in pre-war Germany. As the daughter of an upper-class Berlin family Ariana watches her family and her country torn apart at the hands of impending war. Aware of the dangerous political climate her father helps Ariana's brother to escape to Switzerland. He returns to rescue Ariana but he is killed as a traitor. Unsure of her father and brothers fate Ariana is now truly alone. She seeks comfort in the arms of a German soldier but the harsh war claims him as yet another victim. Pregnant with his child Ariana realizes she has nothing left from her past but her late mother's signet ring. She decides to flee to America to start her life again...
Marlon Brando's famous "I coulda been a contenda" speech in On the Water Front is such a war horse by now that a lot of people probably feel they've seen the film already, even if they haven't. And many of those who have seen it may have forgotten how flat-out thrilling it is. For all its great dramatic and cinematic qualities, and its fiery social criticism, Elia Kazan's has created one of the most gripping melodramas of political corruption and individual heroism ever made in the United States, a five-star gut-grabber. Shot on location around the docks of Hoboken, New Jersey, in the mid-1950s, it tells the fact-based story of a longshoreman (Brando's Terry Malloy) who is blackballed and savagely beaten for informing against the mobsters who have taken over his union and sold it out to the bosses. (Karl Malden has a more conventional stalwart-hero role, as an idealistic priest who nurtures Terry's pangs of conscience.) Lee J Cobb, who created the role of Willy Loman in Death of Salesman under Kazan's direction on Broadway, makes a formidable foe as a greedy union leader. --David Chute, Amazon.com
Based on stories from the bestselling book "The Girls' Guide To Hunting And Fishing". Sarah Michelle Gellar stars in this funny and disarmingly wise romantic comedy set against the exhilarating backdrop of New York City.
"The Last Station" is a love story set during the last year of the life and turbulent marriage of the great Russian writer Leo Tolstoy and his wife the Countess Sofya.
First there was an opportunity......then there was a betrayal.Twenty years have gone by. Much has changed but just as much remains the same.Mark Renton (Ewan McGregor) returns to the only place he can ever call home. They are waiting for him: Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle). Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance.Click Images to Enlarge
John Flynn has directed some good, tough, pacy thrillers and Best Seller, along with the 1973 The Outfit, can claim to be the best of them. It kicks off with not one but two slam-bang action sequences and then, having grabbed our attention, pitches us straight into its twisty plot premise. Brian Dennehy, reliably watchable as ever, plays an ageing cop-turned-novelist who has hit a writer's block since his wife died. James Woods at his most suavely sinister is a hitman with dirt to dish on the head of a big corporation. Woods proposes a Faustian pact. He provides Dennehy with the full crooked story on the mobster-turned-corporate boss and the cop writes it up. Dennehy gets a best seller; Woods gets his revenge and comes out looking like a hero. The dialogue, courtesy of screenwriter and horror-movie director Larry Cohen (It's Alive; Q--The Winged Serpent), is satisfyingly hard-boiled and slips in plenty of subversive sideswipes at rampant capitalism. ("It's the American Way, Dennis," says Woods, detailing how he helped his boss rise via robbery and murder. "I'm a businessman, an executive.") This certainly isn't the only movie to get mileage out of the symbiotic relationship between cop and crook (see Michael Mann's Heat), but it works several neat variations on the theme, with Dennehy and Woods both at the top of their respective forms. If the film never quite lives up to its potential--the required final confrontation between the two principals doesn't materialise and Victoria Tennant is thrown away as Dennehy's love-interest--it remains a way better than average thriller with its roots deep in the best B-movie traditions. On the DVD: Best Seller on disc has no extras apart from the theatrical trailer. The transfer is good and clean, and preserves the original's full-width framing. --Philip Kemp
Jackie Chan is Bei a less-than-successful exercise equipment salesman who yearns for excitement in his life. One day Bei follows his instincts and trails two suspicious men into action and foils their plans. The resulting publicity from Bei's heroism brings him to the attention of a private investigator who informs him that he is actually the long-lost son of a wealthy businessman!
Like most of the male population at Gilmore High Ryan (Shane West) has a serious crush on the beautiful and popular Ashley Grant (Jodi Lyn O'Keefe) and he is willing to do whatever it takes to win her over. Ryan's best friend Maggie (Marlo Sokoloff) meanwhile has attracted the attention of Ashley's cousin Chris (James Franco) a babe magnet unused to rejection. Although they have never mixed in the same social circles before the guys join forces and weave an hilarious web of fake e-mails plotted phone calls and contrived double dates in order to get the girls of their dreams in time for the prom. A great teen remake of 'Roxanne' 'Whatever It Takes' shows how mistaken identities can be all part of the fun of falling in love.
A performance of Mozart's 'Cosi Fan Tutte' performed by the Monteverdi Choir and the English Baroque Soloists. Conducted by John Eliot Gardiner.
The action-adventure series JAG travels the globe for its Ninth Season - on DVD for the first time! This season it's a mix of war stories and personal dilemmas as Harm Rabb (David James Elliott) resigns his post and flies missions for the CIA. Meanwhile beautiful Mac MacKenzie (Catherine Bell) dates a familiar face then faces off with a notorious terrorist. Plus Bud Roberts (Patrick Labyorteaux) gets promoted wife Harriet (Karri Turner) resigns to raise their kids and Sturgis Turner (Scott Lawrence) finds love with a jazz singer! But it's Admiral Chegwidden (John M. Jackson) who drops the biggest bombshell - a personal revelation that affects all their lives. Get ready for the adventure of a lifetime with all 23 episodes from the penultimate season of JAG!
Meet Maindrian Pace insurance investigator by day unstoppable car thief by night. When a South American drug lord employs Pace to steal 48 cars for him all but one a 1973 Ford Mustang have been successfully stolen. As Pace prepares to finish the job little does he know his boss has tipped off the police. There's only one way out: start driving and don't stop!
All hands on deck for Titanic seaside laughs with the saucy Carry On crew! When an accident-prone sailor damages a secret blueprint his only hope is to get another from London. But then the Admiral arrives and he's forced to pose as a scientist - a female scientist!
The subtext of Gardens of Stone, a grim, snail-paced Francis Ford Coppola film, is the death of Coppola's son Giancarlo in a boating accident. Coppola came back with this Vietnam-era military drama about the men assigned to patrol and serve at the funerals at Arlington National Cemetery. James Caan is the world-weary patrol leader with a fatherly interest in a gung-ho cadet (DB Sweeney). Caan tries to show Sweeney the potentially fatal future that awaits him if he volunteers for combat, but he can't break through his young charge's zealousness. The subplot involves crusty Caan's attempts at romance with Anjelica Huston, who can't quite fathom his contradictions. The story is all glum and lumbering, despite a warm, full-bodied performance by James Earl Jones as one of Caan's buddies.--Marshall Fine
The early 1980s experienced a wave of technology fever, and it seemed like every machine wanted to be bionic. There was K.I.T.T. the car, Street Hawk the motorbike, Airwolf the helicopter, and Blue Thunder--which looked like the Mechano version of Airwolf. In what seems a moment of Austin Powers humour, it's explained that this super chopper cost "five million dollars"! Its supposed reason for being is aerial crowd control, but as Murphy (Roy Scheider) discovers--when not suffering 'Nam flashbacks--there's a government plot to silence a Senator who's disgruntled with urban pacification standards. Director John Badham obviously loved fiddling about with technology--he directed Wargames after all--and here there are lingering shots of buttons and switches, multiple takes of turns in the air, and any excuse used for a bit of primitive computer imagery. The secondary characters quickly begin to seem like wallpaper: Daniel Stern's spunky co-pilot has but one plot device to execute, and Malcolm McDowell plays the same tired old Brit baddie he's played for years. Ultimately it's the protracted aerial battle finale (which played havoc with LA air traffic control) that stays with you. Oh, and a gratuitous cameo from a nude contortionist! On the DVD: There are no special features here, except a trailer and filmographies. --Paul Tonks
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