Set in the 48 hours leading up to the catastrophic battle of the Somme this is the intense story of young men at war as seen through the eyes of 17-year old Billy Macfarlane (Nicholls). As the boys wait for the attack alternately excited and terrified this group of nave soldiers is forced to confront the reality of the enemy as the suspense reaches breaking point. When Billy's platoon is ordered to go with the first wave of attackers the awful truth of what they're about to un
"Wanted" tells the tale of one apathetic nobody's transformation into an unparalleled enforcer of justice. In 2008, the world will be introduced to a hero for a new generation: Wesley Gibson (James McAvoy).
The Deuce chronicles the rise of the porn industry that began in New York City in 1971-72, driven by the gradual legalization of porn and a politically motivated effort to clean up Times Square. Seizing the chance to cash in on the nascent porn business (and sometimes being consumed by it) are a vivid assortment of characters, including: Vincent Martino (James Franco), a bartender with vision and connections; Frankie Martino, Vincent's identical twin, a dangerously freewheeling counterpart to his entrepreneurial brother; Candy (Maggie Gyllenhaal), a self-made, on-the-street sex worker eying a new career in porn filmmaking; pimps C.C. (Gary Carr) and Larry Brown (Gbenga Akinnagbe); young prostitutes Darlene (Dominique Fishback) and Lori (Emily Meade); midtown cop Chris Alston (Lawrence Gilliard, Jr.); newspaper reporter Sandra Washington (Natalie Paul); mob capo Rudy Pipilo (Michael Rispoli); disillusioned college student Abby Parker (Margarita Levieva); and others. Over the course of eight S1 episodes, viewers will get an up-close look at a gritty world of sex, crime, high times and sudden violence, as the porn business begins its climb to legitimacy, cultural permanence and billion-dollar profitability.
All the episodes from all ten series complete in one box set.
A space ship stops at an intergalactic fuel station. While the captain's refueling one of his idiotic companions plays with the controls and accidently starts the ship and crashes into the earth. This causes a sensation: the media celebrates the extraterrestrials the military interrogates them for eternal wisdom. However soon they recognize that the fellows are dumb as bricks - although some generals believe it's just a mask.
Dark Passions explode in this steamy sinister love story starring Rachel Ward and Jeff Bridges. Terry Brogan (Bridges) a cynical ex-football star is hired to find Jessie Wyler (Ward) the runaway mistress of a ruthless LA nightclub owner Jake Wise (James Woods). According to Jake Jessie had stabbed him and vanishes with $50 000. But Terry's mission is soon forgotten when he tracks down and falls in love with the beautiful Jessie on a Mexican Island. Trouble brews however when Jake dispatches his henchman Hank Sully (Alex Karras) to bring the lovers back. Driven by passion for the mysterious young woman. Terry quickly finds himself trapped in a complex web of corruption betrayal and murder. Packed with riveting excitement and vivid sensuality. Against All Odds grabs you and never lets go.
The NHS bad girls are back! Every day the girls face life death and lunacy on the wards of St. Margaret's; every night they let off steam with a dangerous appetite for uncomplicated sex and unruly misbehaviour... The complete third series of No Angels!
The fifth series of the hit American legal drama-comedy.
The Night of the Hunterincredibly, the only film the great actor CHARLES LAUGHTON ever directed is truly a standalone masterwork. A horror movie with qualities of a Grimm fairy tale, it stars a sublimely sinister ROBERT MITCHUM (Cape Fear, The Friends of Eddie Coyle) as a traveling preacher named Harry Powell (he of the tattooed knuckles), whose nefarious motives for marrying a fragile widow, played by SHELLEY WINTERS (A Place in the Sun, The Diary of Anne Frank) are uncovered by her terrified young children. Graced by images of eerie beauty and a sneaky sense of humour, this ethereal, expressionistic American classicalso featuring the contributions of actress LILLIAN GISH (Intolerance, Duel in the Sun) and writer JAMES AGEEis cinema's quirkiest rendering of the battle between good and evil. Special Features: New, restored high-definition digital transfer, with uncompressed monaural soundtrack Audio commentary featuring assistant director Terry Sanders, film critic F. X. Feeney, archivist Robert Gitt, and author Preston Neal Jones Charles Laughton Directs The Night of the Hunter, a two-and-a-half-hour archival treasure trove of outtakes from the film New documentary featuring interviews with producer Paul Gregory, Sanders, Jones, and author Jeffrey Couchman New video interview with Simon Callow, author of Charles Laughton: A Difficult Actor Clip from The Ed Sullivan Show, in which cast members perform live a scene that was deleted from the film Fifteen-minute episode of the BBC show Moving Pictures about the film Archival interview with cinematographer Stanley Cortez Gallery of sketches by author Davis Grubb New video conversation between Gitt and film critic Leonard Maltin about Charles Laughton Directs The Night of the Hunter Original theatrical trailer PLUS: A booklet featuring essays by critics Terrence Rafferty and Michael Sragow
When a bus breaks down in the desert the passengers decide to stage a production of Shakespeare's 'King Lear' to pass the time until they are rescued. However jealousies and divisions between members of the group threaten the security of all... Intellectual and offbeat horror film from acclaimed Danish director Kristian Levring adhering to the 'Dogme95' principles of film making.
The very first film in the ever popular Doctor series. Here we are first introduced to Simon Sparrow (Dirk Bogarde) and follow his hilarious adventures as a student doctor in St. Swithins Hospital - from naive bumbling trainee to his first day as a fully qualified doctor. In these early formative years he learns how to cope with the occupational hazards of being a medical student such as fiery ward sisters frightening surgeons over-knowledgeable patients the eccentricities o
Michael Caine was robbed of an Oscar. He gives his finest performance in a decade as big-talking small-time agent Ray Say, a paunchy, pale life of the party hiding his desperation under gold chains and cool bravura. When he hears the almost magical voice of Jane Horrocks's meek little LV (short for Little Voice) fill her bedroom with the rich voice of Judy Garland, he sees his ticket to the big time. Little Voice is ostensibly LV's story, and in fact the original play was written for Horrocks, whose amazing vocal impressions of Garland, Shirley Bassey and Marilyn Monroe (among others) form the centrepiece performance of the film. But as directed by Mark Herman (Brassed Off), the story of this mousy girl who shuts herself in from a bellowing world is just as overwhelmed by the bombastic characters as LV herself. Brenda Blethyn babbles a blue streak as LV's overbearing mother, Mari, an ageing widow who escapes her unhappiness in carousing and becomes almost pathologically jealous when Ray's attentions turn from her to LV. As Ray puts his dreams on the line for LV's showcase, he reveals his true self: a venal man who spits and barks out his bottled-up anger in an astoundingly bile-filled delivery of Roy Orbison's "It's Over." The showstopping moment once again overwhelms LV's tale, but Caine's performance is so astounding it seems a fair trade. --Sean Axmaker
Details TBC
Denzel Washington and John Travolta go head-to-head in this thrilling remake of "The Taking of Pelham 1 2 3" - one of cinema's greatest ever riddles!
A compelling look at one of the most restlessly brilliant men of all time, Leonardo da Vinci, Leonardo gets inside the mind of the genius, showing the drama behind his art and exploring a tantalizing murder-mystery.
Writer/Director Cameron Crowe's affable twentysomething romantic comedy is less a tale of tortured love than a prescient portrait of a culture on the cusp of Generation X--that is Seattle, circa 1991. One-time Rolling Stone journalist Crowe, ever aware of pop trends, lovingly details a society newly beguiled by slackers, answerphones, self-analysis, the coffee-house fetish, post-AIDS safe sex and, most importantly, grunge music--Smashing Pumpkins, Mudhoney and Jane's Addiction pepper the soundtrack, while various Pearl Jam players cameo as members of the film's fictional grunge wannabes Citizen Dick. In the midst of all this sits a cosy residential apartment block, a perfect setting for the emotional crises of on-again, off-again, on-again couples Steve and Linda (Campbell Scott and Kyra Sedgwick) and Cliff and Janet (Matt Dillon and Bridget Fonda). Steve is a sensitive transport engineer whose game-playing backfires when he meets Linda, an environmental activist with a fear of rejection. Cliff is a feckless rock musician, and front man for Citizen Dick, whose inability to commit to Janet is forcing her to take desperate measures. Will the couples split? Will they reunite? And will they learn a little something about life, maturity and commitment along the way? As you'd expect from the man behind the cutesy teen classic Say Anything (his directorial debut), Crowe's relationship resolutions are often simplistic and sentimental ("You rock my world!" and "You belong to me!" are two such vocal denouements). And this, combined with a rambling narrative often makes the movie feel longer than its 95 minutes (an inter-title announcing "The Theory of Eternal Dating" sums it up). Nonetheless, there's enough wit, comic digression and tap-along gaiety elsewhere to make Singles an enjoyably slight romantic placebo. --Kevin Maher
In 13th century a determined group of Knights Templar defends Rochester Castle against the tyrannical King John.
When an old and fading St. Dominic's church gets a young new priest (Crosby) things are bound to change. For starters young Father O'Malley meets the crusty old Father Fitzgibbons (Barry Fitzgerald) who doesn't think much of him or his ideas. The two have their differences but O'Malley is able to inspire some neighbourhood roughnecks to open their hearts and minds in a way the old priest simply could not do. Once the change has begun the church starts to find its way back into the
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