The Cylons began as humanity's robot servants. They rebelled and evolved and now they look like us. Their plan is simple: destroy the race that enslaved them. But when their devastating attack leaves human survivors the Cylons have to improvise. Battlestar Galactica: The Plan tells the story of two powerful Cylon leaders working separately and their determination to finish the task. Are you a huge fracking fan of Battlestar Galactica? Check out some of these Caprican classics! Caprica: The Feature Length Pilot: Set 50 years prior to BSG Caprica reveals how the seeds were sown for the destruction of mankind. Battlestar Galactica: The Complete Series: Featuring every episode of the stunning sci-fi series - epic intelligent and out of this world. Battlestar Galactica: Razor: Telling the untold story of Battleship Pegasus Razor provides chilling clues to the fate of humanity. Battlestar Galactica: The Final Season - Part 2: The series receives a fittingly awesome end in this incredibly powerful concluding chapter.
Originally made for TV in 1977, this in-depth version of Jesus' life is so thorough that the first hour is devoted solely to the story of his birth. The film doesn't skimp on some of the other landmark events of this famous story either. Director Franco Zeffirelli gives ample screen time each to the Last Supper and the Crucifixion. Passages of the Bible are quoted verbatim, the locations have a Palestine-like authenticity, and, aside from some of the principals (Robert Powell as Jesus, Olivia Hussey as Mary, and Stacy Keach as Barabbas), many of the non-Roman characters are actually played by Semitic-looking actors. Zeffirelli diligently provides the socio-political background that gave rise to Jesus' following and the crisis in belief it caused for the people of Israel (and one or two Romans). --Kimberly Heinrichs, Amazon.com
Will Smith stars in the third adaptation of Richard Mathesons classic science-fiction novel about a lone human survivor in a post-apocalyptic world dominated by vampires. This new version somewhat alters Mathesons central hook, i.e., the startling idea that an ordinary man, Robert Neville, spends his days roaming a desolated city and his nights in a house sealed off from longtime neighbours who have become bloodsucking fiends. In the new film, Smiths Neville is a military scientist charged with finding a cure for a virus that turns people into crazed, hairless, flesh-eating zombies. Failing to complete his work in time, and after enduring a personal tragedy, Neville finds himself alone in Manhattan, his natural immunity to the virus keeping him alive. With an expressive German shepherd, his only companion, Neville is a hunter-gatherer in sunlight, hiding from the mutants at night in his Washington Square town house and methodically conducting experiments in his ceaseless quest to conquer the disease. The films first half almost suggests that I Am Legend could be one of the finest movies of 2007. Director Francis Lawrences extraordinary, computer-generated images of a decaying New York City reveal weeds growing through the cracks of familiar streets that are also overrun by deer and prowled by lions. Its impossible not to be fascinated by such a realistically altered cityscape, reverting to a natural environment, through which Smith moves with a weirdly enviable freedom, offset by his wariness over whatever is lurking in the dark of bank vaults and parking garages. Lawrence and screenwriters Mark Protosevich and Akiva Goldsman wisely build suspense by withholding images of the monsters until a peak scene of horror well into the story. It must be said, however, that the computer-enhanced creatures dont look half as interesting as they might have had the filmmakers adhered more to Mathesons vampire-nightmare vision. I Am Legend is ultimately noteworthy for Smiths remarkable performance as a man so lonely he talks to mannequins in the shops he frequents. The films latter half goes too far in portraying Smiths Neville as a pitiable man with a messianic mission, but this lapse into pathos does nothing to take away from the visual and dramatic accomplishments of its first hour. --Tom Keogh
Bring home the lovable talking pig who waddled off the farm and into our hearts - and the movie everyone's gone hog wild over! It's Gordy! When Gordy's family is trucked 'up North' to a place where no pig has ever returned from Gordy faithfully sets off to find them. Along the way he saves the life of a little boy and becomes the nation's most famous hero - leading him one hoof step closer to finding his family!
This classic movie directed by John Guillerman has been beautifully restored as part of the Vintage Classics Collection. It is based on the true story of one of the best intelligence operations of World War II. An actor, trained by Major Harvey (John Mills), is seconded to impersonate General Montgomery on a tour of North Africa. The plan is to divert the Germans' attentions away from the real Monty and his plans for D-Day. Starring the real life actor and lookalike M.E. Clifton James and a formidable supporting cast including Cecil Parker, Leslie Phillips, Bryan Forbes and John Le Mesurier, this is a gripping retelling of those fateful few weeks before the Normandy campaign. The Vintage Classics collection from Studiocanal celebrate the most iconic and beloved films in British cinematic history by giving these masterpieces of yesteryear stunning restorations fit for the 21st Century. Extras: New interview with author/historian Terry Crowdy John Mills Home Movie footage Monty's Double (1947) Behind the Scenes stills gallery
Three short playlets are presented in this omnibus feature. ""The Verger"" focuses on a church verger who loses his position when it is discovered that he can neither read nor write. With the help of his sympathetic wife he becomes a successful tobacconist. In ""Mister Know-All "" an obnoxious garrulous passenger goes on a luxury cruise and becomes a hero simply by knowing when to shut up. The final story ""Sanitorium "" details a romance between two tuberculosis victims.
When Bryan Singer brought Marvel's X-Men to the big screen, Magneto and Professor X were elder statesmen, but Matthew Vaughn (Kick-Ass) travels back in time to present an origin story--and an alternate version of history. While Charles Xavier (Laurence Belcher) grows up privileged in New York, Erik Lehnsherr (Bill Milner) grows up underprivileged in Poland. As children, the mind-reading Charles finds a friend in the shape-shifting Raven (Jennifer Lawrence) and Erik finds an enemy in Sebastian Shaw (Kevin Bacon), an energy-absorbing Nazi scientist who treats the metal-bending lad like a lab rat. By 1962, Charles (James McAvoy) has become a swaggering genetics professor and Erik (Michael Fassbender, McAvoy's Band of Brothers costar) has become a brooding agent of revenge. CIA agent Moira (Rose Byrne) brings the two together to work for Division X. With the help of MIB (Oliver Platt) and Hank (A Single Man's Nicholas Hoult), they seek out other mutants, while fending off Shaw and Emma Frost (Mad Men's January Jones), who try to recruit them for more nefarious ends, leading to a showdown in Cuba between the United States and the Soviet Union, the good and bad mutants, and Charles and Erik, whose goals have begun to diverge. Throughout, Vaughn crisscrosses the globe, piles on the visual effects, and juices the action with a rousing score, but it's the actors who make the biggest impression as McAvoy and Fassbender prove themselves worthy successors to Patrick Stewart and Ian McKellen. The movie comes alive whenever they take centre stage, and dies a little when they don't. For the most part, though, Vaughn does right by playing up the James Bond parallels and acknowledging the debt to producer Bryan Singer through a couple of clever cameos. --Kathleen C. Fennessy
The exciting story of the hijack of an oil rig supply vessel and the subsequent holding to ransom of a drilling rig a production platform and the 700 men aboard.
STEALING. CHEATING. KILLING. WHO SAYS ROMANCE IS DEAD? In 1993, action movie supremo Tony Scott teamed up with a hot new screenwriter named Quentin Tarantino to bring True Romance to the screen, one of the most beloved and widely-quoted films of the decade. Elvis-worshipping comic book store employee Clarence Worley (Christian Slater) is minding his own business at a Sonny Chiba triple bill when Alabama Whitman (Patricia Arquette) walks into his life and from then on, the two are inseparable. Within 24 hours, they're married and on the run after Clarence is forced to kill Alabama's possessive, psychopathic pimp. Driving a Cadillac across the country from Detroit to Hollywood, the newlyweds plan to sell off a suitcase full of stolen drugs to fund a new life for themselves... but little do they suspect that the cops and the Mafia are closing in on them. Will they escape and make their dream of a happy ending come true? Breathtaking action set pieces and unforgettably snappy dialogue combine with a murderers' row of sensational performances from a stunning ensemble cast in Scott and Tarantino's blood-soaked, bullet-riddled valentine, finally restored in dazzling 4K with hours of brilliant bonus features. Special Features: New 4K restorations of both the Theatrical Cut and the Director's Cut from the original camera negatives by Arrow Films Limited Edition packaging with reversible sleeve featuring newly commissioned artwork by Sara Deck 60-page perfect-bound collectors' booklet featuring new writing on the film by Kim Morgan and Nicholas Clement, a 2008 Maxim oral history featuring interviews with cast and crew, and Edgar Wright's 2012 eulogy for Tony Scott Double-sided poster featuring original and newly commissioned artwork by Sara Deck Six double-sided, postcard-sized lobby card reproductions High Definition (1080p) Blu-ray presentation of both cuts Original uncompressed stereo audio and DTS-HD MA 5.1 surround audio Optional English subtitles for the deaf and hard-of-hearing Audio commentary by director Tony Scott Audio commentary by writer Quentin Tarantino Audio commentary by stars Christian Slater & Patricia Arquette Audio commentary by critic Tim Lucas Select scene commentaries by stars Dennis Hopper, Val Kilmer, Brad Pitt and Michael Rapaport Brand new select scene commentary by star Saul Rubinek New interview with costume designer Susan Becker New interview with co-editor Michael Tronick New interview with co-composers Mark Mancina and John Van Tongeren New interview with Larry Taylor, author of Tony Scott: A Filmmaker on Fire New interview with Daniel Storm, co-founder of the annual True Romance Fest and owner of the original Cadillac Deleted scenes with optional commentary by Tony Scott Alternate ending with optional commentaries by Tony Scott and Quentin Tarantino Electronic press kit featurettes, behind-the-scenes footage and interviews with Tony Scott, Christian Slater, Patricia Arquette, Dennis Hopper and Gary Oldman Trailers and TV spots Image galleries *** EXTRAS STILL IN PRODUCTION AND SUBJECT TO CHANGE ***
The Venture brothers are two all-American teens who spend most of their time hopping from one adventure to the next. Along with their caustic and self-centered father Dr. Venture the brothers have super-spy Brock Samson to protect them. Beset on all sides the Venture brothers do all they can just to make it out alive.
When Chicago police officer Sharon Pogue (Jennifer Lopez) is saved from a bullet by a mysterious stranger, it proves a life-changing experience.
Stephen Fry's directorial debut about the young, wild, party-loving creatures of the 1930s. Sex, scandal, celebrity... Some things never change...
Set on Death Row in a Southern prison in 1935, The Green Mile is the remarkable story of the cell block's head guard, who develops a poignant, unusual relationship with one inmate who possesses a magical gift that is both mysterious and miraculous.
When Joe Dolan (Michael Biehn) accidentally kills his father in a scam gone bad his dying words lead Joe to his Uncle Lou (James Coburn). Lou is working on a con worth more than million in diamonds. Eddie (Nicholas Cage) Lou's right hand man sees Joe as a serious threat and a rival for his girlfriend - the sexy Diane (Sarah Trigger). Diane seduces Joe into a love triangle that leads him to murder and desire. With millions in the balance Joe gets deeper and deeper into the diamond sting. Double cons lead to triple cons as Deadfall hurtles toward the most twisted scam of all and it's surprising conclusion. Joining the first rate cast of characters are stunning cameo appearances by Charlie Sheen Peter Fonda and Talia Shire.
The second season of Miami Vice arrives on DVD. Featuring a stunning roster of young directors up-and-coming character actors and stars from the music industry Miami Vice was one of the most innovative TV shows of the 80s. The brainchild of Michael Mann (Heat) and Anthony Yerkovich (Hill Street Blues) the series combined hard-hitting subject matter with slick production values and the best pop music of the era - not to forget
The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
The Last Detail nearly didn't get a release. Columbia, for whom it was made, was alarmed by the movie's barrage of profanity and resented the unorthodox working style of its director, Hal Ashby, who loathed producers and made no secret of it. Only when the film picked up a Best Actor Award for Jack Nicholson at Cannes did the studio reluctantly grant it a release--with minimal promotion--to widespread critical acclaim. Nicholson, in one of his best roles, plays "Bad-ass" Buddusky, a naval petty officer detailed, along with his black colleague "Mule" Mulhall (Otis Young), to escort an offender from Virginia to the harsh naval prison at Portsmouth, NH. The miscreant is a naïve youngster, Meadows (Randy Quaid), who's been given eight years for stealing $40 from his CO's wife's favourite charity. The escorts, at first cynically detached, soon start feeling sorry for Meadows and decide to show him a good time in his last few days of freedom. Ashby, a true son of 60s counterculture, avidly abets the anti-authoritarian tone of Robert Towne's script. Meadows is a sad victim of the system--but so too are Buddusky and Mulhall, as they gradually come to realise. A lot of the film is very funny. Nicholson gets to do one of his classic psychotic outbursts--"I am the fucking shore patrol!"--and there are some pungent scenes of male bonding pushed to the verge of desperation. But the overall tone is melancholy, pointed up by the jaunty military marches on the soundtrack. Shot amid bleak, wintry landscapes, in buses and trains and grey urban streets, The Last Detail is a film of constant, compulsive movement going nowhere--a powerful, finely acted study of institutional claustrophobia. On the DVD: The Last Detail disc doesn't have much in the way of extras. There are abbreviated filmographies for Ashby, Nicholson and Quaid (though not for Young) and a trailer for A Few Good Men (1992). The mono sound comes up well in Dolby Digital, and the transfer preserves DoP Michael Chapman's subtle, subfusc palette and the 1.85:1 ratio of the original. --Philip Kemp
With the return of director Nicholas Meyer, Star Trek VI: The Undiscovered Country restored the movie series to its classic blend of space opera, intelligent plotting and engaging interaction of stalwart heroes and menacing villains. Borrowing its subtitle (and several lines of dialogue) from Shakespeare, the movie finds Admiral Kirk (William Shatner) and his fellow Enterprise crew members on a diplomatic mission to negotiate peace with the revered Klingon Chancellor Gorkon (David Warner). When the high-ranking Klingon and several officers are ruthlessly murdered, blame is placed on Kirk and crew. The subsequent investigation, which sees Spock taking on the mantle of Sherlock Holmes (and even quoting some of the great detective's lines), uncovers an assassination plot masterminded by the nefarious Klingon General Chang (Christopher Plummer) in an effort to disrupt a historic peace summit. As this political plot unfolds Star Trek VI takes on a sharp-edged tone with Kirk and Spock confronting their opposing views of diplomacy and testing their bonds of loyalty when a Vulcan officer (Kim Cattrall) is revealed to be a traitor. With a dramatic depth befitting what was to be the final movie mission of the original Enterprise crew, this film took the veteran cast out in respectably high style, with the torch being passed to the crew of Star Trek: The Next Generation in the following movie, Star Trek: Generations. --Jeff Shannon On the DVD: Star Trek VI: The Undiscovered Country is a two-disc set with the main feature presented in anamorphic widescreen at the fascinating (as Mr Spock would say) ratio of 2.00:1. Sound is strong Dolby Digital 5.1. Director Nicholas Meyer and screenwriter Denny Martin Flinn provide an audio commentary and Trek-trivia gurus Michael and Denise Okuda give another of their fact-packed text commentaries. The second disc has several lengthy and interesting documentaries: The Perils of Peacemaking delves into the many deliberate parallels with the Cold War; Stories from Star Trek VI consists of eight separate chapters about the making of the film (where it's revealed that "Gene Roddenberry hated the script", and that "The studio was not ready to relinquish the original actors possibly because they were still ambulatory"!); The Star Trek Universe has various nuggets of information, including the creation and evolution of the Klingons. Finally, in Farewell there are interviews with the principal cast from the set, plus a tribute to DeForest Kelley. Nicholas Meyer, Leonard Nimoy and William Shatner all provide up-to-date contributions throughout. --Mark Walker
1943. The world is at war. Charlotte Gray, a young Scottish woman, is parachuted behind enemy lines into Southern France. Only she knows she has a dual mission. Officially she has been recruited by the British Government on a special operation to liaise with the local Resistance group, who are using guerrilla tactics against the occupying German Army. Unofficially, she is searching for her lover, Peter, an English airman missing after his plane is shot down. As Charlotte becomes more deeply involved with the Resistance fighters she realises that her love of France and its people will change her life forever. Based on the best selling novel by Sebastian Faulks, Charlotte Gray stars Cate Blanchett (Elizabeth), Billy Cudrup (Almost Famous), Michael Gambon and Rupert Penry-Jones.
Directed by Basil Dearden, 1951 Ealing classic Pool of London has been stunningly restored. Filmed on location in the City of London itself, on the River Thames and its wharves, on London Bridge and in the blitzed streets around St. Paul's, this is an authentic and unmissable slice of film history. Everything changes for two sailors on shore leave when they inadvertently become caught up in a crime as murky as the great river itself. For one of them, Johnny, life is further complicated when he falls in love with Pat, a local ticket seller, forming one of the first inter-racial relationships in British film. EXTRAS: Locations Featurette With Richard Dacre New Interview With Earl Cameron Stills Gallery
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