Sculptor Paul meets a former great love again after a long time - but is much more impressed by her 15 years old daughter Laura who looks now like her mother when Paul was in love with her. Laura likes him very much too but her jealous mother prevents any further contact. She allows him to make a sculpture of Laura but only from photos...
Near the end of World War II American Major Falconer (Lancaster) leads his weary eight-man squadron to a perfectly preserved medieval castle in the Ardennes Forest. Castle Keep's owner the aging Count of Maldorais (Jean-Pierre Aumont) shelters the servicemen in hopes they will defend his fortress and his priceless collection of art masterpieces from the advancing German troops. But the servicemen have plans of their own. Major Falconer begins an illicit affair with the count's beau
How does bitter convict Robert Stroud cope with a lifetime of solitary confinement? The answer in a sense comes from above in the form of a feeble sparrow he finds in the isolation yard. Stroud brings this newfound companion to his cell nurses it to health and from that point on there's no turning back. Despite having only a third grade education and no hope of parole Stroud becomes a renowned ornithologist and achieves a greater sense of freedom and purpose behind prison walls
Power Rangers: Dino Super Charge Part 2 contains episodes 11-20 from the season. The Power Rangers must battle an evil intergalactic villain in this action-filled franchise that remains one of the top-rated and longest-running children's live-action series in TV history. The Dino Charge Rangers disband after defeating Sledge, but their job isn't done. One of Sledge's most dangerous criminals, Heckyl, and his alter ego Snide, are determined to pick up where Sledge left off and harness the power of the Energems to rule the universe. With new weapons, new allies, new zords (mechanical devices piloted by the Rangers), and the new T-Rex Super Charge mode, the Rangers are ready to settle the score against one of their most dangerous enemies. Episodes include Love at First Fight, Catching Some Rays, Recipe for Disaster, Silver Secret, Wings of Danger, Freaky Fightday, Worgworld, The Rangers Rock, Edge of Extinction and End of Extinction.
THE SCREEN STRETCHES TO NEW HORIZONS TO TELL THE EPIC STORY OF THE SOUTHWEST! After making his first bonafide classic in Ride the High Country, director Sam Peckinpah took a step towards the epic with Major Dundee. The film would, in many ways, define the rest of his career both on screen and off, as the drama behind the camera matched the action in front of it. Charlton Heston stars as Major Amos Dundee, a vainglorious Union Cavalry officer, who mounts an expedition to hunt down Apache war chief Sierra Charriba. Building his own army of criminals, ex-slaves and Confederate POWs - among them one Captain Ben Tyreen (Richard Harris), whose intense former friendship with Dundee is tainted with a sense of betrayal on both sides - Dundee heads into Mexico, his eye fixed firmly on a last shot at greatness. Legendarily acerbic, Major Dundee would be the first time that Peckinpah had a movie taken away from him. While a director's cut may be lost to us, this Limited Edition shows us the thrilling, morally complex epic that Peckinpah was aiming for. Beautifully shot and with a stellar supporting cast including James Coburn, Warren Oates, and L.Q. Jones, it remains a stunning achievement and an essential experience for anyone interested in the life and cinema of Bloody Sam. Special Features The 136-minute Extended Version of the film from a 4K scan, as well as the original 122-minute Theatrical Version 60-page perfect bound booklet featuring new writing by Farran Nehme, Roderick Heath and Jeremy Carr plus select archive material Limited edition packaging featuring newly commissioned artwork by Tony Stella Fold out poster featuring original and newly commissioned artwork by Tony Stella DISC ONE - EXTENDED VERSION High Definition Blu-ray (1080p) presentation from a 4K scan by Sony Pictures DTS-HD MA 5.1 surround audio with new score by Christopher Caliendo Lossless original mono audio with original score by Daniele Amfitheatrof Optional English subtitles for the deaf and hard of hearing Audio commentary with Nick Redman, David Weddle, Garner Simmons, Paul Seydor Audio commentary by historian and critics Glenn Erickson & Alan K. Strode Audio commentary by historian and critic Glenn Erickson Moby Dick on Horseback, a brand new visual essay by David Cairns Passion & Poetry: The Dundee Odyssey, a feature length documentary about the making of Major Dundee by Mike Siegel, featuring James Coburn, Senta Berger, Mario Adorf, L.Q. Jones, R.G. Armstrong, Gordon Dawson Passion & Poetry: Peckinpah Anecdotes, nine actors talk about working with legendary director Sam Peckinpah, featuring Kris Kristofferson, Ernest Borgnine, James Coburn, David Warner, Ali MacGraw, L.Q. Jones, Bo Hopkins, R.G. Armstrong, Isela Vega Mike Siegel: About the Passion & Poetry Project, in which filmmaker Mike Siegel talks about his beginnings and his ongoing historical project about director Sam Peckinpah Extensive stills galleries, featuring rare on set, behind the scenes, and marketing materials 2005 re-release trailer DISC TWO - THEATRICAL VERSION (LIMITED EDITION EXCLUSIVE) High Definition Blu-ray (1080p) presentation from a 2K scan Lossless original mono audio Optional English subtitles for the deaf and hard of hearing Riding for a Fall, a vintage behind the scenes featurette Extended/deleted scenes Silent Outtakes Select extended/deleted scenes and outtakes with commentary by historian and critic Glenn Erickson giving context on how they were intended to appear in Peckinpah's vision of the film Original US, UK and German theatrical trailers Stills gallery
The third thrilling season of TV uberproducer Steven Bochco's NYPD Blue. Episodes Comprise: 1. E.R. 2. Torah! Torah! Torah! 3. One Big Happy Family 4. Heavin' Can Wait 5. Dirty Laundry 6. Curt Russell 7. Aging Bull 8. Cold Heaters 9. Sorry Wrong Suspect 10. The Blackboard Jungle 11. Burnin' Love 12. These Old Bones 13. A Tushful Of Dollars 14. The Nutty Confessor 15. Head Case 16. Girl Talk 17. Hollie And The Blowfish 18. We Was Robbed 19. Auntie Maimed 20. A Death I
Carry On Don't Lose Your Head parodies the adventures of the Scarlet Pimpernel, with crinkly cackling Sid James as master of disguise the Black Fingernail and Jim Dale as his assistant Lord Darcy. He must rescue preposterously effete aristocrat Charles Hawtrey from the clutches of Kenneth Williams' fiendish Citizen Camembert and his sidekick Citizen Bidet (Peter Butterworth). The Black Fingernail is assisted in his efforts to thwart the birth of the burgeoning republic by the almost supernatural stupidity of his opponents, who fail to recognise the frankly undisguisable Sid James even when dressed as a flirty young woman. What with an executioner who is tricked into beheading himself in order to prove the efficacy of his own guillotine, it's all a little too easy. As usual, no groan-worthy pun is left unturned, or unheralded by the soundtrack strains of a long whistle or wah-wah trumpet. This is pretty silly stuff even by Carry On standards, with most of the cast barely required to come out of first gear and an overlong climactic swordfight sequence hardly raising the dramatic stakes. Most of the humour here resides neither in the script nor the characterisation but in the endlessly watchable Williams' whooping, nasal delivery (occasionally lapsing into broad Cockney) and the jowl movements of the always-underrated Butterworth. --David Stubbs
The Long Island colonial house on the rivers edge seemed perfect. Quaint spacious and affordable it was just what George and Kathy Lutz had been looking for. But looks can be deceiving...and their new dream home soon becomes a hellish nightmare as the walls begin to drip blood and satanic forces haunt them with sheer unbridled evil. Now with their lives - and their souls - in danger the Lutz's must run as fast as they can from the home they once lived...or fall prey to its terri
There's really been only one rival to James Bond: Derek Flint in the swinging-60s action-comedies Our Man Flint (1966) and In Like Flint (1967). That's because of James Coburn's special brand of American cool. He's so cool, in fact, that he doesn't care to save the world. That is, until he's personally threatened. He's a true libertarian, with more gadgets and girls than Bond, but with none of his stress or responsibility. Our Man Flint finds our unflappable hero thwarting mad scientists who control the weather--and an island of pleasure drones. Lee J Cobb costars as Flint's flustered superior, and Edward Mulhare plays a British nemesis with snob appeal. For fans of Austin Powers, incidentally, the funny-sounding phone comes from the Flint films. However, Our Man Flint's best gadget remains the watch that enables Flint to feign death. There's a great Jerry Goldsmith score, too. There was bound to be a sequel, and In Like Flint delivers the same kind of zany fun as its predecessor. Flint is recruited once again by Lee J Cobb to be the government's top secret agent, this time to solve a mishap involving the President. It turns out, the Chief Executive has been replaced by an evil duplicate. The new plan for world domination involves feminine aggression, and Flint, with his overpowering charisma, is just the man to turn the hostile forces around. In Like Flint is still over the top, but some of the novelty has worn off, and it doesn't have quite the same edge as the original. Even Jerry Goldsmith's score is a bit more subdued. But the film still has James Coburn and that funny phone. --Bill Desowitz
Antony Sher stars in The History Man, the BBC's critically acclaimed four-part drama series based on Malcolm Bradbury's savagely satirical novel of seventies campus life. Sher plays the moustachio'd Howard Kirk, left-wing Marxist, promiscuous womaniser and bully. An ambitious sociology lecturer, he delights in stirring up revolutionary feelings at the University of Watermouth, manipulating students, colleagues and lovers alike to further his career. The supporting cast features Geraldine Jame.
Arthur Penn's chronicle of hippie life during the late 1960s garnered the acclaimed director his second Oscar nomination. Based on the song by folk music troubadour Arlo Guthrie son of legendary ""Dust Bowl"" balladeer Woody Guthrie this tribute film to ""the last generation"" features memorable scenes with other folk artists like Pete Seeger who join Arlo in song to make a profound statement about war protest and change. In the late '60s a changing social and political climate inspi
From yet another derivative science fiction novel by Michael Crichton comes Sphere, an equally derivative and flaccid movie, in which three top Hollywood stars struggle to squeeze tension and excitement out of material that doesn't match their talents. You're supposed to find awe and mystery in Crichton's story about a team of scientists and scholars who discover a 300-year-old alien spacecraft deep on the ocean floor, but mostly you feel that this is all much ado about nothing. The exploration team consists of a psychologist (Dustin Hoffman), mathematician (Samuel L Jackson), biochemist (Sharon Stone), and an astrophysicist (Live Schreiber), and when they enter the alien ship they discover a mysterious sphere inside. What they don't know is that the sphere has the power to manipulate their thoughts and perceptions, and before long the scientists' undersea habitat is a veritable haunted house of frightening visions and creeping paranoia. Who can be trusted? What is the sphere's purpose, and why is it on the ocean floor? Sphere makes some attempt to answer these questions, but the film is a mess, and it leads to one of the most anticlimactic endings of any science fiction film ever made. There are moments of high intensity and psychological suspense, and the stellar cast works hard to boost the talky screenplay. But it's clear that this was a hurried production (Hoffman and director Barry Levinson made Wag the Dog during an extended production delay), and as a result Sphere looks and feels like a film that wasn't quite ready for the cameras. Though it's by no means a waste of time, it's undeniably disappointing. --Jeff Shannon, Amazon.com
Released for the first time in the UK on Blu-Ray! When tenacious thief, Doc McCoy, is thrown in prison after a robbery gone wrong, slick businessman Jack Benyon steps in to bail Doc out, in return for help with his next big 'hit' in Arizona. With the well-worn promise that this will be his last job, Doc successfully nabs the cash then flees for the Mexican border with his sharp-shooting wife. But Benyon and Doc's double-crossing partner is soon to follow, guns a-blazing, across the desert. A Hollywood crime saga packed with suspense, a deliciously nasty narrative and all-out action, this high-octane remake of the 1972 Steve McQueen and Ali McGraw hit stars Academy Award® Nominee Alec Baldwin (The Departed, It's Complicated), Academy Award® Winner Kim Basinger (L.A. Confidential, Batman), Michael Madsen (Reservoir Dogs, Kill Bill: Vol.1), Academy Award® Nominee James Woods (John Carpenter's Vampires), David Morse (The Green Mile, The Hurt Locker) and Academy Award® Nominee Jennifer Tilly (Bride of Chucky).
Further investigations with garrulous detective Frost (David Jason)... Includes: Line Of Fire Benefit Of The Doubt and Mistaken Identity.
Set in Nazi-occupied France at the height of World War Two the story centres on a young Scottish woman (Cate Blanchett) working with the French Resistance in the hope of rescuing her lover, a missing RAF pilot shot down behind enemy lines.
Unlike the previous three, this fourth series of The Sopranos largely eschews an overriding story arc in favour of developing several interrelated plot strands, most of which are then left dangling tantalisingly at the end. This year Tony's many extra-marital affairs finally come home to roost, even as he faces challenges to his leadership from within and without. Paulie Walnuts simmers with resentment over his perceived neglect, a resentment only exacerbated by Christopher's promotion; while Christopher's growing drug habit undermines Tony's trust in him. Paulie makes overtures to Johnny Sack and the New York family; Sack himself bears a deadly grudge against Ralph Cifaretto, and also embroils Tony in a dispute between the two families. Ralph and Tony clash over a shared interest in both a race horse and a goomar--you just know it's going to end in something much worse than tears. The women have as many problems, though: Adriana has reluctantly turned FBI informer, a drug-addled Christopher squashes her dog, and she has to confess that she can't have children; Carmela falls maddeningly, frustratingly in love with one of Tony's closest companions; Janice inveigles herself into Bobby's affections in a display of breathtaking emotional manipulation; while Meadow can no longer conceal the disgust she feels about her father's business, and Dr Melfi is increasingly sidelined, since Tony's behavioural issues have become, to all practical purposes, untreatable. The whole ends on a downbeat note as personal disillusionment overshadows the mob politics. With the imminent arrival of Steve Buscemi to the cast, the fifth series is primed to be an explosive one. --Mark Walker
Academy Award-winner Barry Jenkins (Moonlight) brings us his highly anticipated next feature, an adaptation of James Baldwin's stunning novel, If Beale Street Could Talk. In early 1970's Harlem, Tish, a nineteen-year old girl, is in love with a young sculptor, Fonny, the father of her unborn child. When Fonny is falsely accused of rape and imprisoned, Tish and their families race to clear his name before the baby is born. A story about love persisting in the face of racial oppression and injustice, Jenkins brings together a talented young cast which includes Stephan James (Selma, Race) as Fonny and newcomer Kiki Layne as Tish.
When Bryan Singer brought Marvel's X-Men to the big screen, Magneto and Professor X were elder statesmen, but Matthew Vaughn (Kick-Ass) travels back in time to present an origin story--and an alternate version of history. While Charles Xavier (Laurence Belcher) grows up privileged in New York, Erik Lehnsherr (Bill Milner) grows up underprivileged in Poland. As children, the mind-reading Charles finds a friend in the shape-shifting Raven (Jennifer Lawrence) and Erik finds an enemy in Sebastian Shaw (Kevin Bacon), an energy-absorbing Nazi scientist who treats the metal-bending lad like a lab rat. By 1962, Charles (James McAvoy) has become a swaggering genetics professor and Erik (Michael Fassbender, McAvoy's Band of Brothers costar) has become a brooding agent of revenge. CIA agent Moira (Rose Byrne) brings the two together to work for Division X. With the help of MIB (Oliver Platt) and Hank (A Single Man's Nicholas Hoult), they seek out other mutants, while fending off Shaw and Emma Frost (Mad Men's January Jones), who try to recruit them for more nefarious ends, leading to a showdown in Cuba between the United States and the Soviet Union, the good and bad mutants, and Charles and Erik, whose goals have begun to diverge. Throughout, Vaughn crisscrosses the globe, piles on the visual effects, and juices the action with a rousing score, but it's the actors who make the biggest impression as McAvoy and Fassbender prove themselves worthy successors to Patrick Stewart and Ian McKellen. The movie comes alive whenever they take centre stage, and dies a little when they don't. For the most part, though, Vaughn does right by playing up the James Bond parallels and acknowledging the debt to producer Bryan Singer through a couple of clever cameos. --Kathleen C. Fennessy
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