John Travolta is the standout in this somewhat cartoonish adaptation of Elmore Leonard's novel about a smalltime Miami enforcer (Travolta) who decides to get into the movie business in LA. The cast sparkles--Gene Hackman as a failing cut-rate-movie producer, Rene Russo as a failed actress, Danny DeVito as a vain thespian, Delroy Lindo as a mobster who wants a cut of Travolta's film action--and the script is clever. But not clever enough: this isn't Robert Altman's The Player, as far as satires about Hollywood go. But director Barry Sonnenfeld (Men in Black) keeps Get Shorty cute and brisk and that makes for an enjoyable experience. Travolta is great as a vaguely dangerous, supremely self-confident man whose love of movies makes him almost cuddly. --Tom Keogh
Because Hamburger Hill was released less than a year after Oliver Stone's Platoon and within months of Stanley Kubrick's Full Metal Jacket, this exceptionally well-made film about one of the bloodiest battles of the Vietnam War was largely overshadowed and overlooked. It's a pity, because in some respects this is the best of the Vietnam films of the late 1980s, at least in terms of the everyday authenticity it depicts. Stripped clean of dramatically extraneous narrative, the movie opts instead for a straightforward approach to its day-by-day account of one of the war's costliest victories--a deadly siege on Hill 937 in the Ashau Valley, where soldiers from the 101st Airborne Division engaged the enemy over the course of 11 brutal assaults between May 10 and May 20, 1969. The film specifically follows the 3rd Squad, 1st Platoon, a mixture of "new guys" and battle-weary "short-timers" who fought against terrifying odds and suffered a 70 per cent casualty rate. From first scene to last, Hamburger Hill traces the rise and fall of their battle experience, from the horror of fire-fights to the camaraderie of men who've faced death and survived. Racial tensions flare and subside, trusts are established and courage emerges from unexpected places. Through it all, writer Jim Carabatsos and director John Irvin maintain a purity of focus that pays tribute to the soldier's life without promoting false patriotism or gung-ho theatrics. In addition, the film features a cast full of talented and well-known actors in the early stages of their careers, including Dylan McDermott and Don Cheadle (Devil in a Blue Dress, Boogie Nights). Colour accuracy, image clarity and the explosive soundtrack have been remarkably preserved in a flawless DVD transfer, lending even greater immediacy to this underrated film. --Jeff Shannon, Amazon.com
Will Smith plays a date doctor who is about to be unmasked by a glam gossip reporter in this charming romantic comedy.
Mortal Kombat 2 – Annihilation begins in every way where the blockbuster adventure mortal Kombat left off. This time though with more spectacular fight sequences more astonishing special effects and the whole world as an arena for battle. A band of fearless fighters have defeated the evil warlords of the Out-world. But Shao – Kahn the feared Emperor of Out-world breaks the sacred rules of Mortal Kombat and arrives on earth with his extermination squads to conquer
Hard-living Hollywood starlet Barbara Payton stars as a woman duplicated through technology in this cautionary tale that mixes Home Counties horror with prescient science fiction (Hammer's first). Co-starring Stephen Murray as the unbalanced scientist and directed by Hammer legend Terence Fisher, Four Sided Triangle is featured here as a brand-new 4K restoration from original film elements in its original theatrical aspect ratio.Lena returns to her home after many years to discover that her two childhood friends Bill and Robin are now scientists and have created a machine that can perfectly duplicate objects. Bill's heart is broken when he realises that Lena loves Robin until he hits on the mad idea to duplicate Lena in his machine.Extras:Commentary by Melanie Williams and Thirza Wakefieldwith commentary by Kevin Lyons and Jonathan RigbyTrailerIn the Sticks Sci-Fi!Terence Fisher featurette TITLE TBCI Am Not AshamedImage Gallery
Despite making many other distinguished films in his long, wandering career, Francis Ford Coppola will always be known as the man who directed The Godfather trilogy, a series that has dominated and defined their creator in a way perhaps no other director can understand. Coppola has never been able to leave them alone, whether returning after 15 years to make a trilogy of the diptych, or re-editing the first two films into chronological order for a separate video release as The Godfather Saga. The films are an Italian-American Shakespearian cycle: they tell a tale of a vicious mobster and his extended personal and professional families (once the stuff of righteous moral comeuppance), and they dared to present themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, was a serious business. The first film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone into the family business, the transition of power from his father, the ruthless dispatch of his enemies--all this is told with an assurance that is breathtaking to behold. And it turned out to be merely prologue; two years later The Godfather, Part II balanced Michael's ever-greater acquisition of power and influence during the fall of Cuba with the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate and the isolated despair at the end wholly earned. (Has there ever been a cinematic performance greater than Al Pacino's Michael, so smart and ambitious, marching through the years into what he knows is his own doom with eyes open and hungry?) The Godfather, Part III was mostly written off as an attempted cash-in but it is a wholly worthy conclusion, less slow than autumnally patient and almost merciless in the way it brings Michael's past sins crashing down around him even as he tries to redeem himself. --Bruce Reid, Amazon.com On the DVD: Contained in a tasteful slipcase, the three movies come individually packaged, with the second instalment spread across two discs. The anamorphic transfers are acceptable without being spectacular, with Part 3 looking best of all. Francis Ford Coppola--obviously a DVD fan--provides an exhaustive and enthusiastic commentary for all three movies, although awkwardly these have to be accessed from the Set Up menu. The fifth bonus disc is a real goldmine: the major feature is a 70-minute documentary covering all three productions, which includes fascinating early screen-test footage. There's also a 1971 making-of featurette about the first instalment, plus several shorter pieces with Coppola, Mario Puzo and others talking about specific aspects of the series, including a treasurable recording of composer Nino Rota performing the famous theme. Another section contains all the Oscar-acceptance speeches and Coppola's introduction to the TV edit, plus a whole raft of additional scenes that were inserted in the 1977 re-edited version. Text pieces include a chronology, a Corleone family tree and biographies of cast and crew. Overall, this is a handsome and valuable package that does justice to these wonderful movies. --Mark Walker
The Remains of the Day is one of Merchant-Ivory's most thought-provoking films. Anthony Hopkins is a model of restraint and propriety as Stevens, the butler who "knows his place"; Emma Thompson is the animated and sympathetic Miss Kenton, the housekeeper whose attraction to Stevens is doomed to disappointment. As Nazi appeaser Lord Darlington, James Fox clings to the notion of a gentleman's agreement in the ruthless political climate before World War Two. Hugh Grant is his journalist nephew all too aware of reality, while Christopher Reeves gives a spirited portrayal of an American senator, whose purchase of Darlington Hall 20 years on sends Stevens on a journey to right the mistake he made out of loyalty. As a period drama with an ever-relevant message, this 1993 film is absorbing viewing all the way. On the DVD: the letterbox widescreen format reproduces the 2.35:1 aspect ratio with absolute clarity. Subtitles are in French and German, with audio subtitles also in English, Italian and Spanish, and with 28 separate chapter selections. The "making-of" featurette and retrospective documentary complement each other with their "during and after" perspectives, while "Blind Loyalty, Hollow Honour" is an interesting short on the question of appeasement and war. The running commentary from Thompson, Merchant and Ivory is more of a once-only diversion. --Richard Whitehouse
Danny Boyle directs this story about saints, miracles and the way a child's imagination can help sort out the mysteries of life.
Omar Sharif plays the Mongolian chieftain Genghis Khan in this spectacular re-telling of the warlord's life. Born into royalty, raised in slavery, led by prophecy, the young warlord Temujin flees the war-ravaged plains of Mongolia for the decadence and splendour of Imperial China. Held there in pampered captivity, he gains the title Genghis Khan - Prince of Conquerors - before seizing the throne of the Emperor and turning his attentions West to the empires of India, Persia and the Russian Steppes... Packed with breathtaking battle scenes and boasting a truly distinguished cast which includes James Mason, Eli Wallach, Telly Savalas, Robert Morley, Francoise Dorleac and Michael Hordern, Genghis Khan ranks with the great historical screen epics.
Gimme Gimme Gimme Series 2 is quite simply the ongoing chaotic adventures of one over the top tart (Kathy Burke) and one perennially lonely gay guy (James Dreyfus) who happen to share both a flat in London and a yearning lust for whatever luckless man happens to cross their paths! This release includes all the episodes from Series 2 plus the Millennium Special. Episode titles: Teacher's Pet Stiff Prison Visitor Dirty Thirty Glad To Be Gay? Sofa Man. Also includes the fabulously funny millennium special!
Generally acknowledged as a bona fide classic, this Francis Ford Coppola film is one of those rare experiences that feels perfectly right from beginning to end--almost as if everyone involved had been born to participate in it. Based on Mario Puzo's bestselling novel about a Mafia dynasty, Coppola's Godfather extracted and enhanced the most universal themes of immigrant experience in America: the plotting-out of hopes and dreams for one's successors, the raising of children to carry on the good work, etc. In the midst of generational strife during the Vietnam years, the film somehow struck a chord with a nation fascinated by the metamorphosis of a rebellious son (Al Pacino) into the keeper of his father's dream. Marlon Brando played against Puzo's own conception of patriarch Vito Corleone, and time has certainly proven the actor correct. The rest of the cast, particularly James Caan, John Cazale, and Robert Duvall as the rest of Vito's male brood--all coping with how to take the mantle of responsibility from their father--is seamless and wonderful. --Tom Keogh
A dark odyssey about the fate of sentient life on earth, the Emmy® winning series WESTWORLD returns for its eight-episode fourth season with new worlds, conflicts, and complex characters fans will love. Evan Rachel Wood, Emmy® winner Thandiwe Newton, Ed Harris, Jeffrey Wright, Tessa Thompson, Luke Hemsworth, Aaron Paul, and Angela Sarafyan return to the cast.
Rod Steiger and James Coburn will blow you apart in ""A Fistful of Dynamite"" (""Duck You Sucker"") by the master of adventure Sergio Leone! On the run from the British government in Mexico Sean Mallory (Coburn) an IRA explosives expert is befriended by Juan Miranda (Steiger) the leader of a bandit family. Upon witnessing Mallory's skills with explosives Juan asks Sean to join his gang to raid the bank of Mesa Verde but before long he's caught up in the Mexican revolution!
Join Hugh ""Bulldog"" Drummond in two of his groovy sixties adventures! Deadlier Than The Male (Dir. Ralph Thomas 1966): For Hire: Deadly Weapons! - Blonde Brunette Redhead A rarely seen 1966 tongue-in-cheek spy thriller starring Richard Johnson as Hugh Bulldog Drummond investigating the attempted sabotage of oil deals and assassination of a Persian King. Elke Sommer co-stars. Some Girls Do (Dir. Ralph Thomas 1969): Hugh ""Bulldog"" Drummond returns! Drummond'
Tobey Maguire returns as mild-mannered Peter Parker whose double life as college student and superhuman crime fighter gets even more complicated when the maniacal and multi-tentacled "Doc Ock" turns up on the scene.
Las Vegas is back with Season 5! This fast-paced sexy drama follows the elite Las Vegas surveillance team charged with maintaining the security of one of 'Sin City's' largest resorts and casinos.
Joe Kidd which concerns a land war in New Mexico at the turn of the century marks Clint Eastwood at the top of his form as a western hero. Filmed in 1971 Kidd brings together a veteran western Director John Sturges the classic backdrop of the High Sierras the top notch acting skills of Robert Duvall and the rugged Eastwood as a ""hired gun"" who takes action based on his own particular sense of justice. And like a very classic western it has gunfights conflicts and a slam-bang f
Unlike the previous three, this fourth series of The Sopranos largely eschews an overriding story arc in favour of developing several interrelated plot strands, most of which are then left dangling tantalisingly at the end. This year Tony's many extra-marital affairs finally come home to roost, even as he faces challenges to his leadership from within and without. Paulie Walnuts simmers with resentment over his perceived neglect, a resentment only exacerbated by Christopher's promotion; while Christopher's growing drug habit undermines Tony's trust in him. Paulie makes overtures to Johnny Sack and the New York family; Sack himself bears a deadly grudge against Ralph Cifaretto, and also embroils Tony in a dispute between the two families. Ralph and Tony clash over a shared interest in both a race horse and a goomar--you just know it's going to end in something much worse than tears. The women have as many problems, though: Adriana has reluctantly turned FBI informer, a drug-addled Christopher squashes her dog, and she has to confess that she can't have children; Carmela falls maddeningly, frustratingly in love with one of Tony's closest companions; Janice inveigles herself into Bobby's affections in a display of breathtaking emotional manipulation; while Meadow can no longer conceal the disgust she feels about her father's business, and Dr Melfi is increasingly sidelined, since Tony's behavioural issues have become, to all practical purposes, untreatable. The whole ends on a downbeat note as personal disillusionment overshadows the mob politics. With the imminent arrival of Steve Buscemi to the cast, the fifth series is primed to be an explosive one. --Mark Walker
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