A freak storm unleashes a species of blood-thirsty creatures on a small town, where a small band of citizens hole-up in a supermarket and fight for their lives.
A visually sumptuous and quintessentially British production, Death on the Nile won an Oscar® for Anthony Powell's costume design and introduced Peter Ustinov in his first portrayal as the Belgian detective Poirot. Abroad a luxury Nile steamer a mystery assassin takes the life of an heiress. EXTRAS Making Of Interview with costume designer Anthony Powell Interview with Dame Angela Lansbury Interview with producer Richard Goodwin Behind the scenes stills gallery Costume designs stills gallery
A visually sumptuous and quintessentially British production, Death on the Nile won an Oscar® for Anthony Powell's costume design and introduced Peter Ustinov in his first portrayal as the Belgian detective Poirot. Abroad a luxury Nile steamer a mystery assassin takes the life of an heiress. EXTRAS Making Of Interview with costume designer Anthony Powell Interview with Dame Angela Lansbury Interview with producer Richard Goodwin Behind the scenes stills gallery Costume designs stills gallery
A freak storm unleashes a species of blood-thirsty creatures on a small town, where a small band of citizens hole-up in a supermarket and fight for their lives.
*Artwork subject to change
A freak storm unleashes a species of blood-thirsty creatures on a small town, where a small band of citizens hole-up in a supermarket and fight for their lives.
Celebrate the 80th anniversary of Marilyn Monroe with the delightful 4 disc boxed set featuring: 1. Gentlemen Prefer Blondes 2. The Seven Year itch 3. How To Marry A Millionaire 4. Marilyn Monroe - The Final Days For individual synopses' please refer to the individual products.
How To Marry A Millionaire: Three screen goddesses - Betty Grable Lauren Bacall and Marilyn Monroe - star as golddigging models blessed with fabulous looks but limited brain power. The three blondes pool their resources and conspire to nab millionaire husbands renting an expensive penthouse to lure in their likely prey. But with Rory Calhoun Cameron Mitchell David Wayne Fred Clark Alex D'Arcy and William Powell playing the desired millionaires the ladies are pushed to
Separation concerns the inner life of a woman during a period of breakdown - marital and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative in which dreams and desires are as real as the 'swinging' London (complete with Procul Harum music and Mark Boyle light show) of the film's setting.
They Shoot Horses Don't They? is set in the dark years of the l930s, when dance marathons became popular as a way for desperate people to compete for prize money. Sometimes the events would drag on for weeks as contestants pushed themselves far beyond the point of physical, mental and emotional exhaustion, the dancers shambling around the floor in a half-dead stupor. People would then pay to sit in the bleachers, watch the event and cheer on their favourites. Taken from hard-boiled pulp writer Horace McCoy's novel of the same name, Jane Fonda plays a bitter young woman paired up with Michael Sarrazin for the ordeal. Gig Young portrays the unctuous MC of the event, bringing equal parts compassion and sleaze to his role. Many of the film's images are unforgettable, such as "the derby", a heel-and-toe race around the dance floor with bouncy, light-hearted music to accompany the miserable spectacle. It's a powerful, tragic period piece that reminds us of the privations of the Great Depression. In the largest sense, the film has existential overtones that go far beyond the story of enervated dancers staying on their feet for a month or more. This film brought home a string of Academy Award nominations for the cast and director Sydney Pollack and a win for Young. --Jerry Renshaw, Amazon.com On the DVD: The disc offers film trivia and notes on the main cast and director, along with a short slide show and original publicity notes in an attempt to furnish valuable information about the film. However the layout is visually unimpressive and the information is merely standard film trivia offering little insight into the film itself--the quotes from Jane Fonda are surely aimed at hardcore fans of the actress only. It all feels like a selection put together in a bit of a rush. --Nikki Disney
The terrible truth which women know...and men too often do not!
Separation concerns the inner life of a woman during a period of breakdown - marital and possibly mental. Her past and possible future are revealed through a fragmented but brilliantly achieved and often humorous narrative in which dreams and desires are as real as the 'swinging' London (complete with Procul Harum music and Mark Boyle light show) of the film's setting.
How To Marry A Millionaire: Three screen goddesses - Betty Grable Lauren Bacall and Marilyn Monroe - star as golddigging models blessed with fabulous looks but limited brain power. The three blondes pool their resources and conspire to nab millionaire husbands renting an expensive penthouse to lure in their likely prey. But with Rory Calhoun Cameron Mitchell David Wayne Fred Clark Alex D'Arcy and William Powell playing the desired millionaires the ladies are pushed to the end of their wits as they try to decide whom to wed.... 'How To Marry A Millionaire' was the first movie to be filmed in CinemaScope but 'The Robe' (1953 directed by Henry Koster) beat it to the cinemas. The Seven Year Itch: Marilyn Monroe proves that no man can resist her - especially a married man - in this sexy romp directed by Billy Wilder and heralded as one of the quintessential comedies of all time! When a seductive starlet (Monroe) moves in upstairs a married man (Tom Ewell) has his fidelity put to the test. Keeping his marriage vows in the face of her flirtations proves hilariously tough when challenged by the notorious ""Seven Year Itch."" Gentlemen Prefer Blondes: Lorelei Lee (Marilyn Monroe) and her friend Dorothy Shaw (Jane Russell) are a pair of showgirls Dorothy the sassy one looking for true love Lorelei the blonde hoping to marry a millionaire with her sights set on Gus Esmond a wealthy nerd stuck under his father's thumb. When Lorelei and Dorothy take a transatlantic cruise to Paris an undercover detective follows to find out if Lorelei is really a gold-digging schemer. Unfortunately the irrepressible Lorelei is a born flirt and soon finds herself in a compromising position with Sir Francis Beekman (Charles Coburn) owner of a diamond mine. The girls have to use all their wits to get out of trouble and still find love and marriage. Thanks to the talents of the luminous stars and director Howard Hawks plus stunning technicolor cinematography 'Gentlemen Prefer Blondes' emerges as one of the most charming entertaining musicals of the 1950s. Marilyn Monroe never more luminous sings her legendary musical number ""Diamonds Are a Girl's Best Friend"" (which later inspired Madonna's 'Material Girl' video). 'Gentlemen Prefer Blondes' is based on the hit Broadway musical which was adapted from the book by Anita Loos.
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