Stolen Kisses reunites François Truffaut and Jean-Pierre Léaud to catch up with Truffaut's cinematic alter ego, Antoine Doinel, the troubled adolescent of The 400 Blows. Stolen Kisses opens with the now-grown Doinel sprung from military prison with a dishonourable discharge, drawn directly from Truffaut's own history of delinquency, but the parallels end there. Lovesick Doinel woos the perky but unresponsive object of his affections, Christine (Claude Jade) while he engages in a series of professions--hotel night-watchman, private investigator, TV repairman--with mixed success and comic entanglements. But when he falls in love with the elegant wife of his client (Delphine Seyrig at her most beautiful and charming), Christine realises she misses Antoine's persistence and clumsy passes, so she embarks on a seductive plan of her own. Truffaut's comic confection is full of deadpan gags and screwball chaos, a world away from the heavy seriousness of The 400 Blows, and Léaud is endearingly naive as the determined Doinel, forging ahead with more pluck and passion than aptitude. It may be Truffaut's most sweetly romantic film, a knowing man's embrace of eager innocence and storybook sentiment. Doinel returned two years later in Bed and Board. --Sean Axmaker
François Truffaut's second adaptation of a Henri-Pierre Roche novel (the other being 'Jules et Jim') is also about a menage-à-trois although this time set in nineteenth century Wales. Claude (Jean-Pierre Léaud) an aspiring young French writer spends a holiday on the Welsh coast with an English family and falls in love with the two daughters Ann (Kika Markham) and Muriel (Stacey Tendeter).
In January of 1966, the police discover the body of a man named George Figon in a Parisian apartment.
Francois Truffaut's filmic alter ego Antoine Doinel (first seen in 'Les Quatre Cents Coups') is once again the subject in this fourth of a series of five films. Antoine experiences the early years of marriage and faces fatherhood and adultery with a beautiful Japanese girl.
Antoine Doinel is back in civilian life after being discharged from the army. He is reunited with Christine Darbon the girl he was in love with before he joined the army. He needs a job and tries his hand as a night porter in a hotel but loses the job he also tries private investigation. Here he meets Fabienne who he becomes infatuated with meanwhile carrying on his relationship with the prim and proper Christine who he later proposes to.
The final film in François Truffaut's autobiographical 'Antoine Doinel' series which follows the director's screen alter ego from adolescence (in 'Les Quatre Cents Coups') to the complications of married life here. Separated from his wife novelist Antoine is having an affair with Sabine (Dorothee). When seeing off his son at a train station he spots his first love Colette (Marie-France Pisier) and jumps into her carriage. Colette is now seeing Sabine's brother Xavier (Daniel Mesguich) and soon all four protagonists are back in Paris attempting to reconcile their lives.
THREE COLOURS BLUE - The first instalment of the late Polish director Krzysztof Kieslowski's trilogy on Liberty, Equality and Fraternity, the three colours of the French flag. Blue is the most sombre of the three, a movie dominated by feelings of grief. As the film begins, a car accident claims the life of a well-known composer. His wife, played by Juliette Binoche, does not so much put the pieces of her life back together as start an entirely new existence. BABETTES FEAST - Babette's Feast is a film which depicts so little, yet says so much. Set in a rural Danish community, it centres around the twin sisters of the village pastor and the French women who serves them after fleeing the 1871 revolution. On winning the lottery she plans a feast to mark the centenary of the sisters' father, bringing a dimension of fine living into the lives of the God-fearing Lutherans and healing festering personal animosities in the process. THE 400 BLOWS - Francois Truffaut's semi-autobiographical first feature stars Jean-Pierre Léaud as Antoine Doinel, an unruly young Parisian whose unhappiness leads him into trouble. Frequently running away from school and home, Antoine spends much of his time playing with his friends on the steets of the city; but events take a more serious turn when an accusation of plagiarism leads him to quit school and the theft of a typewriter lands him in trouble with the police. SAWDUST AND TINSEL - While traveling in caravan through the country of Sweden, one member of the decadent Alberti Circus tells the owner and ringmaster Albert Johansson a sad story about the clown Frost: seven years ago, his wife Alma was surprised by him bathing naked in a lake with a regiment.
Antoine Doinel has married Christine Darbon. He's working for a florist tinting flowers in the courtyard of the building where they live. Their neighbours are an eccentric bunch including an opera singer and his wife a man in voluntary confinement a waitress in love and a mysterious man nicknamed ""the strangler"". Antoine begins working for an American company and shortly afterwards finds that Christine is to have a baby. But here Antoine and Christine's happiness ceases as Antoine become obsessed with Kyoko a beautiful exciting Japanese girl he meets at work and becomes more and more distant from Christine.
The final film in François Truffaut's autobiographical 'Antoine Doinel' series which follows the director's screen alter ego from adolescence (in 'Les Quatre Cents Coups') to the complications of married life here. Separated from his wife novelist Antoine is having an affair with Sabine (Dorothee). When seeing off his son at a train station he spots his first love Colette (Marie-France Pisier) and jumps into her carriage. Colette is now seeing Sabine's brother Xavier (Daniel Mesguich) and soon all four protagonists are back in Paris attempting to reconcile their lives.
François Truffaut's second adaptation of a Henri-Pierre Roche novel (the other being 'Jules et Jim') is also about a menage-à-trois although this time set in nineteenth century Wales. Claude (Jean-Pierre Léaud) an aspiring young French writer spends a holiday on the Welsh coast with an English family and falls in love with the two daughters Ann (Kika Markham) and Muriel (Stacey Tendeter).
Vivre Sa Vie (1962): This award winning film plots a Parisian woman's descent into prostitution against a backdrop of change and disruption brilliantly chronicling the social conditions and mores of the time and culminating in a shocking finale. Masculin Feminin (1966): Reaping multi awards at the 1966 Berlin Film Festival Goddard's seventh feature is set against a background of an edgy France gripped by Political upheaval the Vietnam war and an election in wich de Gaulle retained power much to the disgust of the disgruntled Left. Two or Three Things I Know About Her (1967): The film centers around Juliette (Marina Vlady) a housewife who spends one day a week selling her body on the streets in an attempt to escape her drab suburban existence.
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