The most personal film by the underworld poet Jean-Pierre Melville, who had participated in the French Resistance himself, this tragic masterpiece, based on a novel by Joseph Kessel, recounts the struggles and sacrifices of those who fought in the Resistance. Lino Ventura, Paul Meurisse, Jean-Pierre Cassel, and the incomparable Simone Signoret star as intrepid underground fighters who must grapple with their conception of honor in their battle against Hitler's regime. The atmospheric and gripping thriller Army of Shadows is now widely recognized as the summit of Melville's career, channeling the exquisite minimalism of his gangster films to create an unsparing tale of defiance in the face of seemingly insurmountable odds.ARMY OF SHADOWS... THE HIDDEN SIDE OF THE STORY
Born in Spain, Luis Bunuel is widely credited as the founder of surrealist cinema. This essential collection includes some of his best known work: Diary of a Chambermaid (1964), Belle de Jour (1967), Tristana (1970), The Discreet Charm of the Bourgeoisie (1972) and That Obscure Object of Desire (1977) - as well as equally brilliant but lesser-known films such as The Phantom of Liberty (1974) and The Milky Way (1969). Although he drew memorable performances from iconic actresses of the period such as Catherine Deneuve and Jeanne Moreau, Bunuel generally worked with a favourite group of actors including Michel Piccoli, Pierre Clémenti, Muni and his faithful alter ego Fernando Rey. Enter the surreal world of Bunuel, where an entire dinner party suddenly finds themselves inexplicably unable to leave the room and where the devil, if unable to tempt a saint with a pretty girl, will fly him to a disco. 7 Disc Set That Obscure Object of Desire New Jean-Claude Carriere interview New Aesthetics of the Irrational: ICA Q&A with Jean-Claude Carriere and Diego Bunuel hosted by Tim Robey Interview with Carlos Saura The arbitrariness of desire by Jean-Claude Carriere Lady Doubles - interview with Carole Bouquet and Angela Molina Portrait of an impatient filmmaker, Luis Bunuel - Interview with Pierre Lady and Edmond Richard Belle De Jour - New 50th Anniversary Restoration New Jean-Claude Carriere interview New Masterclass with Diego Bunuel and Jean-Claude Carriere (1 hour+) New Trailer Commentary by professor Peter W. Evans The Last Script (1:34:33) A Story of Perversion or Emancipation? - Interview with Dr Sylvain Mimoun (29:39 in PAL) Diary of a Chambermaid An Angel in the Marshes doc (26 minutes) Phantom of Liberty New Jean-Claude Carriere interview New Critical Analysis by professor Peter W. Evans New Bunuel, la transgression des reves -A new documentary by Pierre-Henri Gibert Photo Gallery The Milky Way New Jean-Claude Carriere interview New Critical Analysis by professor Peter W. Evans Bunuel, athiest thanks to God doc (32 minutes) Trailer Discreet Charm of the Bourgeoisie New Jean-Claude Carriere interview A Walk Amongst the Shadows doc (28 minutes) Critical analysis by professor Peter W.Evans Trailer Tristana New Interview with Franco Nero Rituals documentary doc (20 minutes) Trailer
Burt Lancaster Tony Curtis and Gina Lollobrigida star as a triangle of lovers in this powerful drama set against the magnificent background of a European circus. Filmed on location in Paris Carol Reed's Trapeze is one of the most spectacular and authentic circus movies ever made.
As she cuts across the fields to take her father his lunch, Patricia meets Jacques. She is eighteen, he is twenty-six. She is pretty, with the fine manners of a young lady; he is a fighter pilot and a handsome young man. A full moon will do the rest on their second meeting. There won't be a third rendezvous: Jacques is sent to the front. Patricia finds herself pregnant. The boy's rich parents accuse her of blackmail. Patricia and her father, the well-digger, will alone have the joy of welcoming her child. A joy that the Mazels will soon envy and seek to share when Jacques goes missing in action...
Features SHOOT THE PIANIST, JULES ET JIM, THE SOFT SKIN, ANNE & MURIEL, A GORGEOUS GIRL LIKE ME, THE LAST METRO, THE WOMAN NEXT DOOR, FINALLY SUNDAY.
One of the most acclaimed films of all time, and a powerful anti-war statement, Jean Renoir's profoundly humanist La Grande Illusion remains as vibrant, exciting, and wise today as it was when it was released in 1937. Set in the German prison camps of WWI, the film stars Jean Gabin as Maréchal, and Marcel Dalio as Rosenthal. Like the charming aristocrat Captain de Boeldieu (Pierre Fresnay), these two French aviators were shot down and now spend most of their time escaping from German prison camps before inevitably being recaptured. Between escapes, they do what they can to amuse themselves, but after a tunnel they've dug is discovered, the three are sent to Wintersborn, a forbidding fortress of a prison commanded by former ace pilot Von Rauffenstein (Erich Von Stroheim). Von Rauffenstein cannot help but strike up a friendship with Captain de Boeldieu, a kindred spirit from the doomed nobility. Extras: Introduction by Jean Renoir The original negative of La Grande Illusion : An exceptional story Introduction by Professor Ginette Vincendeau Success and Controversy by Olivier Curchod John Truby talks about La Grande Illusion Trailer (1937) Trailer (1958)
Based on the childhood memoirs of Marcel Pagnol, author of Jean de Florette and Manon des Sources, Yves Robert's La Gloire de Mon Pre and its sequel Le Chteau de Ma Mre are two of the most loved and successful French films ever made.An adult Marcel nostalgically recalls idyllic retreats with his family to the hills of Provence. A love affair with the country began and during those perfect days he found new respect for his school-teacher father as he adapted to life away from the city, while the long journey there would soon bring its own adventures.Together these timeless classics stand as one of cinema's greatest celebrations of childhood, filled with warmth, love and a poignant nostalgia for bygone days they continue to captivate audiences.
Misunderstood and mistreated by his neglectful parents and repressive schoolteachers, 12-year-old Antoine Doinel (Jean-Pierre Léaud) seeks refuge in truancy, petty crime and the cinema. A true landmark of world cinema that heralded the start of the French New Wave, The 400 Blows is universally regarded as one of the all-time great coming-of-age movies. The directorial debut of François Truffaut and the most autobiographical of his films this rebellious, award-winning milestone is presented in a new 4K restoration.
The final section of the late Krzysztof Kieslowski's acclaimed Three Colours trilogy (preceded by Blue and White) is the least likely of the three to stand alone, and indeed benefits from a little familiarity with the first two parts. Nevertheless, it's a strong, unique piece that reflects upon the ubiquity of images in the modern world and the parallel subjugation of meaningful communication. Irène Jacob plays a fashion model whose lovely face is hugely enlarged on a red banner no one in Geneva, Switzerland, can possibly miss seeing. Striking up a relationship with an embittered former judge (Jean-Louis Trintignant), who secretly scans his neighbours' conversations through electronic surveillance, Jacob's character becomes an aural witness to the secret lives of those we think we know. Kieslowski cleverly wraps up the trilogy with a device that brings together the principals of all three films. --Tom Keogh
All ten episodes from the first season of the French political drama starring Mathieu Kassovitz and Sara Giraudeau. After returning to Paris following an extended undercover mission in Syria, French intelligence officer Guillaume Debailly (Kassovitz) must face up to the challenge of reconnecting with his estranged daughter and ex-wife as he attempts to adjust to life back at home. Now tasked with training new recruit Marina Loiseau (Giraudeau), Guillaume's situation is further complicated by the arrival in Paris of Nadia (Zineb Triki), his love interest from his time in Syria, and the case of a fellow agent who mysteriously goes missing while undercover in Algeria.
In life he was impoverished his work largely ignored; yet today paintings by Vincent Van Gogh fetch millions of dollars at auction. This supreme irony is laid bare in the passionate story of an obsessive artist driven by inexorable demons and his alternately devoted and despairing younger brother who seems unable to live with him.....or without him.
Jean-Pierre Mocky was a prolific icon in French cinema. Actor, director, novelist, and in-demand raconteur, Mocky made mainstream films with an independent spirit, even owning a cinema to help the distribution of his films. Yet those films had a specific style, unmistakably his, often with controversial and outlandish themes, and he came to be known as a wild and untameable force, acting as an uncompromising agitator within the French film industry for over six decades. Three of his wild cinematic adventures from the 1980s are collected in this new boxset. Cult horror sensation Litan, hooligan horror Kill the Referee and Hitchcockian mystery Agent Trouble are presented from new 4K restorations on Blu-ray for the first time outside of France. Worried by a disturbing dream, Nora wakes to find her husband missing during a trip to Litan. She goes out to find him but encounters one bizarre event after another taking place at the village festival, including uncanny acts and a masked marching band. As Nora and Jock attempt to escape the village, a series of strange murders take place against the backdrop of a mad doctor performing experiments on the recently deceased. Jean-Pierre Mocky's Litan is a classic cult Euro-horror and a Kafkaesque fever dream of surrealist imagery, arrestingly shot by Edmond Richard (The Trial, The Discreet Charm of the Bourgeoisie). When a referee calls a penalty that causes a French football team to crash out of the championship, their ultra-dedicated hooligan fans vow to track him down and murder him by the end of the evening, as Inspector Granowski (played by director Jean-Pierre Mocky) attempts to stem the carnage. With an unrelenting one-night narrative recalling After Hours and Green Room, Kill the Referee mixes black humour with horror as its escalating sense of dread builds toward a shattering climax. A bus of fifty French tourists lay dead. While the driver makes a call, a wanderer, Victorien (Tom Novembre, Denti), boards the bus and robs all the passengers. Returning home he visits his aunt Amanda (Catherine Deneuve, The Hunger), and lets her in on his secret, unwittingly bringing her to the attention of icy hitman Alex (Richard Bohringer, The Cook, the Thief, His Wife & Her Lover). A conspiracy thriller reminiscent of Hitchcock, Jean-Pierre Mocky's wonderfully eccentric mystery has a light comic touch that carefully balances its grotesque flourishes. Featuring a wonderful cast including Cesar-nominated Dominique Lavant, Pierre Arditi and Kristin Scott Thomas in only her second screen appearance.LIMITED EDITION BOX SET SPECIAL FEATURES: New 4K restorations of each film presented on three discs, made available on Blu-ray (1080p) for the first time outside of France Uncompressed mono PCM audio Archival interview with Jean-Pierre Mocky about his relationship to the fantastic (1982, 12 mins) Archival Making of Litan' documentary from French television (1982, 26 mins) Newly filmed interview with journalist and broadcaster Philippe Auclair on Kill the Referee (2024) Interview with Mocky's assistant Eric Leroy on Kill the Referee (2022, 13 mins) Television reportage from the set of Kill the Referee (1983, 5 mins) Archival French TV interview with Jean-Pierre Mocky (1987, 18 mins) Archival interview with Catherine Deneuve on Agent Trouble (1987, 5 mins) Archival interview with Richard Bohringer on Agent Trouble (1987, 5 mins) Interview with Eric Leroy on Agent Trouble (2022, 13 mins) Interview with Olivia Mokiejewski on Agent Trouble (2022, 4 mins) New and improved optional English subtitles Reversible sleeves featuring original and newly commissioned artwork by Time Tomorrow Limited edition 80-page book featuring new writing by Roberto Curti, Nathaniel Thompson and Alexandra Heller-Nicholas, and newly translated archival interviews including Serge Toubiana on Jean-Pierre Mocky, and Oliver Assayas on Michel Serrault, as well as an on-set report of Kill the Referee Limited Edition of 3000 copies, presented in a rigid box with full-height Scanavo cases and removable OBI strip leaving packaging free of certificates and markings
Agent 007 (Roger Moore) blasts into orbit in this action-packed adventure that takes him to Venice Rio de Janeiro and outer space. When Bond investigates the hijacking of an American space shuttle he and beautiful CIA agent Holly Goodhead (Lois Chiles) are soon locked in a life-or-death struggle against Hugo Drax (Michael Lonsdale) a power-mad industrialist whose horrific scheme may destroy all human life on earth!
Sebastian (Jean-Pierre Kalfon, Weekend) is staging an adaptation of Racine's tragedy, Andromaque while a film crew captures their rehearsals on handheld 16mm. The production's star and Sebastian's girlfriend, Claire (Bulle Ogier, Out 1), cannot take the pressure and removes herself. Life imitates art, creating a tragedy for the couple when Sebastian recasts the role with his ex. L'amour fou is a hypnotic study of tempestuous love, told with director Jacques Rivette's signature reflexivity and containing striking examinations of performance, art, theatre and life. A classic of the French New Wave and one of Rivette's most radical works, L'amour fou was unavailable for years, with the original elements tragically burned in a fire. Now meticulously restored, Radiance Films is proud to present this masterpiece from a new 4K restoration.'In my opinion - and I think it will be shared by many - this is one of the five or six best films of the New Wave.' - François Truffaut'L'amour fou is still my favourite film.' - Bulle Ogier'The work of a rebel, of an artist seeking to smash the codes and clichés of the 'normal' productions of the time.' - Jean-Pierre Kalfon'L'amour fou, is cinema without formal precedent. As with all great films, it feels like watching the birth of cinema, seeing the first ever film, and also the last.' - André S. Labarthe'A filmmaker sets up his camera and, above all, watches the actors, with no concern for characters or respect for a preestablished scenario. I'd like to draw inspiration from this. I'd like to grasp the personality of my actors and make cinéma vérité - Bernardo Bertolucci'L'amour Fou speaks to those who are madly in love with cinema.' - Jean De Baroncelli, Le Monde, 1969'One of Rivette's best films.' - Serge Daney, Libération 1991Product FeaturesLIMITED EDITION BLU-RAY SPECIAL FEATURES:4K restoration from materials kept at Les Archives du Film and in Ãclair-Preservation, under the supervision of Caroline ChampetierUncompressed mono PCM audioA newly filmed feature-length documentary featuring new interviews with star Jean-Pierre Kalfon; writer/director and Rivette collaborator Pascal Bonitzer; Rivette biographer Antoine de Baecque; critic/historian Sylvie Pierre; and archival footage of Jacques Rivette (Robert Fischer, 2024, 95 mins)New interview with Caroline Champetier, renowned cinematographer and restoration supervisor (2024)The Third Eye - A video essay by film critics Cristina Ãlvarez López and Adrian Martin (2024)Newly translated English subtitles Reversible sleeve featuring original and newly commissioned artwork Limited edition booklet featuring new writing by Jessica Felrice and archival writings by Véronique Manniez-Rivette, an archival interview with Jacques Rivette and images of the director's notesLimited edition of 3000 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings
Masculine/Feminine was Jean-Luc Godard's first (but not the last) foray into the burgeoning Children of the Sixties generationor, as Godard described it, the children of Marx and Coca-Cola . Impressionable teenager Jean-Pierre Leaud tries to make sense of the world by working as an interviewer for a research firm. Meanwhile, Leaud cohabits with aspiring singer Chantal Goya, with two additional young ladies joining the nocturnal festivities. Leaud jumps or is pushed from a window, leaving a pregnant Goya to move on to the next aimless youth she meets. While the nominal hero has failed to find fulfillment in personal relations, another male protagonist (Micheal Deborb), a political activist, is luckier an indication that the director favored revolutionary politics over simple emotionalism at this point in his career. Though Godard's free-form style is usually opposed to linear storytelling, Masculine Feminine has solid literary roots, having been inspired by two Guy de Maupassant.
This loving farce from FRANÃOIS TRUFFAUT (Jules and Jim) about the joys and turbulence of moviemaking is one of his most beloved films. Truffaut himself appears as the harried director of a frivolous melodrama, the shooting of which is plagued by the whims of a neurotic actor (The 400 Blows' JEAN-PIERRE LÃAUD); an aging but still forceful Italian diva (Juliet of the Spirits' VALENTINA CORTESE); and a British ingénue haunted by personal scandal (Bullitt's JACQUELINE BISSET). An irreverent paean to the prosaic craft of cinema as well as a delightful human comedy about the pitfalls of love and sex, Day for Night is buoyed by robust performances and a sparkling score by the legendary GEORGES DELERUE (Contempt). Bonus Features: New 2K digital restoration, with uncompressed monaural soundtrack New visual essay by filmmaker :: kogonada New interview with cinematographer Pierre-William Glenn New interview with film scholar Dudley Andrew Documentary on the film from 2003, featuring film scholar Annette Insdorf Archival interviews with director François Truffaut; editor Yann Dedet; and actors Jean-Pierre Aumont, Nathalie Baye, Jacqueline Bisset, Dani, and Bernard Menez Television footage of Truffaut on the film's set in 1972 Trailer New English subtitle translation PLUS: An essay by critic David Cairns Click Images to Enlarge
The young D'Artagnan (Michael York) arrives in Paris with dreams of becoming a king's musketeer. He meets and quarrels with three men Athos (Oliver Reed) Porthos (Frank Finlay) and Aramis (Richard Chamberlain) each of whom challenges him to a duel. D'Artagnan finds out that they are musketeers and is invited to join them in their efforts to oppose Cardinal Richelieu (Charlton Heston) who wishes to increase his already considerable power over the king. D'Artagnan must also juggle
Francois Truffaut's semi-autobiographical first feature stars Jean-Pierre Léaud as Antoine Doinel an unruly young Parisian whose unhappiness leads him into trouble. Frequently running away from school and home Antoine spends much of his time playing with his friends on the streets of the city; but events take a more serious turn when an accusation of plagiarism leads him to quit school and the theft of a typewriter lands him in trouble with the police.
Out 1 is one of the crowning achievements of Jacques Rivette s remarkable career. Conceived as a television mini-series, this near-thirteen-hour monolith consists of eight feature-length episodes revolving around two theatre troupes, blackmail and conspiracy. Multiple characters introduce multiple plotlines, weaving a rich tapestry across an epic runtime. Rivette, in many ways the most radical of the French New Wave founders, here presents a film unlike any other, which eschews a script, includes references to Honoré de Balzac and Lewis Carroll, features cameos from Eric Rohmer and Barbet Schroeder, and stars icons from the New Wave including Jean-Pierre Leaud, Juliet Berto, Bulle Ogier, Michael Lonsdale and Bernadette Lafont. Leaud plays a deaf-mute who receives a clue which connects him to a group who may or may not be conspirators in a plot, stories intertwine and identities blur, as Rivette guides us through one of his most hypnotic and dazzling works. The holy grail of French cinema, Jacques Rivette's magnum opus had been nigh on impossible to see until the new restoration presented here. Screened just once in 1971 as Out 1: Noli me tangere, before being re-edited as as Out 1: Spectre, to acknowledge it's shadow-like nature, both versions are presented in this boxed-set, fully restored and with English subtitles. Special Features: High Definition Blu-ray (1080p) presentation from 2K restorations of both versions, supervised by cinematographer Pierre-William Glenn Original uncompressed mono PCM audio Optional English subtitles The Mysteries of Paris: Jacques Rivette s Out 1 Revisited a feature length documentary by Robert Fischer and Wilfried Reichart containing interviews with actors Bulle Ogier, Michael Lonsdale and Hermine Karagheuz, cinematographer Pierre-William Glenn, assistant director Jean-François Stévenin and producer Stéphane Tchalgadjieff, as well as rare archival interviews with actors Jacques Doniol-Valcroze and Michel Delahaye, and director Jacques Rivette
A surreal, virtually plotless series of dreams centered around six middle-class people and their consistently interrupted attempts to have a meal together.
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