The much-anticipated sequel ï¬nds Paddington happily settled with the Brown family in Windsor Gardens. While searching for the perfect present for his beloved Aunt Lucy's 100th birthday, Paddington spots a unique pop-up book in Mr. Gruber's antique shop, and embarks upon a series of odd jobs to buy it. But when the book is stolen, it's up to Paddington and the Browns to unmask the thief. Paddington's biggest adventure yet sees Hugh Grant and Brendan Gleeson joining the all-star returning cast of Hugh Bonneville, Sally Hawkins, Julie Walters, Jim Broadbent, Peter Capaldi and Ben Whishaw as the voice of the beloved bear.
Michael Caine was robbed of an Oscar. He gives his finest performance in a decade as big-talking small-time agent Ray Say, a paunchy, pale life of the party hiding his desperation under gold chains and cool bravura. When he hears the almost magical voice of Jane Horrocks's meek little LV (short for Little Voice) fill her bedroom with the rich voice of Judy Garland, he sees his ticket to the big time. Little Voice is ostensibly LV's story, and in fact the original play was written for Horrocks, whose amazing vocal impressions of Garland, Shirley Bassey and Marilyn Monroe (among others) form the centrepiece performance of the film. But as directed by Mark Herman (Brassed Off), the story of this mousy girl who shuts herself in from a bellowing world is just as overwhelmed by the bombastic characters as LV herself. Brenda Blethyn babbles a blue streak as LV's overbearing mother, Mari, an ageing widow who escapes her unhappiness in carousing and becomes almost pathologically jealous when Ray's attentions turn from her to LV. As Ray puts his dreams on the line for LV's showcase, he reveals his true self: a venal man who spits and barks out his bottled-up anger in an astoundingly bile-filled delivery of Roy Orbison's "It's Over." The showstopping moment once again overwhelms LV's tale, but Caine's performance is so astounding it seems a fair trade. --Sean Axmaker
Defying the moral constraints of Victorian England and her parents a young woman engages in unbridled promiscuity with two partners before setting out to capture the full sensuality of life itself. Based on the novel by D.H. Lawrence.
Writer/Director Cameron Crowe's affable twentysomething romantic comedy is less a tale of tortured love than a prescient portrait of a culture on the cusp of Generation X--that is Seattle, circa 1991. One-time Rolling Stone journalist Crowe, ever aware of pop trends, lovingly details a society newly beguiled by slackers, answerphones, self-analysis, the coffee-house fetish, post-AIDS safe sex and, most importantly, grunge music--Smashing Pumpkins, Mudhoney and Jane's Addiction pepper the soundtrack, while various Pearl Jam players cameo as members of the film's fictional grunge wannabes Citizen Dick. In the midst of all this sits a cosy residential apartment block, a perfect setting for the emotional crises of on-again, off-again, on-again couples Steve and Linda (Campbell Scott and Kyra Sedgwick) and Cliff and Janet (Matt Dillon and Bridget Fonda). Steve is a sensitive transport engineer whose game-playing backfires when he meets Linda, an environmental activist with a fear of rejection. Cliff is a feckless rock musician, and front man for Citizen Dick, whose inability to commit to Janet is forcing her to take desperate measures. Will the couples split? Will they reunite? And will they learn a little something about life, maturity and commitment along the way? As you'd expect from the man behind the cutesy teen classic Say Anything (his directorial debut), Crowe's relationship resolutions are often simplistic and sentimental ("You rock my world!" and "You belong to me!" are two such vocal denouements). And this, combined with a rambling narrative often makes the movie feel longer than its 95 minutes (an inter-title announcing "The Theory of Eternal Dating" sums it up). Nonetheless, there's enough wit, comic digression and tap-along gaiety elsewhere to make Singles an enjoyably slight romantic placebo. --Kevin Maher
2002 marked Jim Davidson's 25th triumphant year in showbiz. Filmed in Edinburgh during his 2002 sell out tour this hilarious live show offers up Jim's views on everything from Tony Blair and the Pope to his advice on foreplay! This really is Jim Davidson at his absolute best and a show to treasure...
Based on the Neil Brand's critically acclaimed radio play of the same name, this BBC drama tells the story of the world's greatest comedy double act, Laurel and Hardy - how they met, worked together and remained close friends. Jim Norton (Father Ted) stars as the Stan Laurel, who somewhat reluctantly goes to visit his friend and long-time collaborator Oliver Hardy (Mike Goodenough) on his death bed in 1957. The story reflects the lives and work of Stan and Ollie in a series of flashbacks, and portrays the conversation between the two men as they bid their final farewells after a lifetime of sharing the world's spotlight. Making over 100 films together Laurel - Hardy remain one of the most popular and critically acclaimed comedy double acts of all time. This fascinating drama from the BBC is a must for all their fans.
Self-made superhero Kick-Ass (Aaron Taylor-Johnson) and sweet-faced, foul-mouthed assassin Hit Girl (Chloë Grace Moretz) try to return to life as normal teenagers, but soon they are faced with their deadliest challenge yet. To seek revenge for his father's death, Red Mist (Christopher Mintz-Plasse) has re-invented himself as the leader of an evil league of super-villains. To defeat their new nemesis, Kick-Ass and Hit Girl must team up with a new wave of masked crusaders, led by the badass Colonel Stars and Stripes (Jim Carrey), in this battle of real-life villains and heroes. Product Features Alternate Opening Big Daddy Returns: The Unshot Scene An Ass-Kicking Cast Street Rules: Showdown at the Evil Lair Hit Girl Attacks: Creating the Van Sequence Extended Scenes The Making of Kick-Ass 2 The B**** is Back: Chloë Grace Moretz is Hit Girl Mother Russia Mayhem Making the Cut: Adventures in Post-Production The Saga Continues...Kick-Ass in the Comics And More
Donnie Yen reprises his role as the legendary Wing Chun master in the grand finale of the revolutionary martial arts series. Following the death of his wife, Ip Man travels to San Francisco to ease tensions between the local kung fu masters and his star student, Bruce Lee, while searching for a better future for his son. From the action visionary behind Kill Bill and The Matrix, witness the heroic sendoff to the saga that inspired a new wave of martial arts movie fans. Bonus Features The 10 Year Legend The Making of Ip Man 4 The Finale
BROOKLYN is the story of a young woman, Eilis (Saoirse Ronan; Atonement) who moves from a small town in Ireland to Brooklyn, where, unlike home, she has the opportunity for work, a future - and love, in the form of Italian-American Tony (Emory Cohen; The Place Beyond The Pines). However, when Eilis returns temporarily to Ireland she finds herself absorbed into her old community, but now with eligible Jim (Domhnall Gleeson; About Time) courting her. As she repeatedly postpones her departure back to America, Eilis finds herself confronting a terrible dilemma - a heart-breaking choice between two countries and two futures.
"Lawless Heart" takes a journey through the comedy of love, with three friends facing life, death, sex and misadventure when, shocked by the death of a friend, they decide to take their lives in hand.
The road to Purgatory is paved with good intentions, and Count Mardulak (David Carradine) wouldn't have it any other way. He's seeking atonement for centuries of human carnage, which is why he's instructed Purgatory's vampire residents to slather on SPF 100 sunblock, pursue daytime activities and drink only synthetic blood. But some vampires don't agree with Mardulak they want the real thing and if that means wooden bullets flying in a vampire civil war, so be it! This wild horror-comedy also stars Bruce Campbell, Maxwell Caulfield, M. Emmet Walsh, and John Ireland. Special Features Audio Commentary with Director Anthony Hickox and Director of Photography Levie Isaacks Isolated Score Selections and Audio Interviews with Music Historian Randall Larson and Producer Jefferson Richard Wild Weird West An Interview with Director Anthony Hickox Bloodsuckers from Purgatory - An Interview with Special Make-up Effects Creator Tony Gardner Memories of Moab An Interview with Actor Bruce Campbell A Vampire Reformed An Interview with Actor David Carradine A True Character An Interview with Actor M. Emmet Walsh Theatrical Trailer Still Gallery
Look who grew up: in Our Lips Are Sealed Mary-Kate and Ashley Olsen, once the sleepy-eyed preschoolers in the hit TV sitcom Full House, wake to find themselves ready for their first day of high school. But the day doesn't shape up as ultra-fantastically as in their dreams. A series of bizarre circumstances force them into a life-threatening situation in which only the FBI Witness Protection Program can help. It turns out that Mary-Kate and Ashley are their own worst enemies; the girls continually blow their cover until finally they're booted down under to the warm and sparkling recreation mecca of Sydney, Australia. Here the challenge to keep a secret takes second fiddle to the bigger challenges of fitting in with the popular group, learning Aussie lingo, and (apparently) changing into a new set of adorable clothes and accessories in almost every scene. Fans from the ages of 6 to 13 will probably enjoy the daft antics of the Olsens, their adventures with cute boyfriends, and their ability to thwart the goofy bad guys. Also, their acting ability--although crippled by yet another bubblehead script--continues to improve. To the parental crowd, the film plays somewhat like a New Age beach-blanket movie with plenty of surfer parties, flower-power fun, overblown story points, mild potty humour, and lots of belly buttons (LOTS of belly buttons). The movie also has some inexplicable references (to such grown-up phenomena as The Blair Witch Project and The Sopranos) that are bound to go way over the target audience's heads but it's absolutely clean fun that fans will eat up. --Liane Thomas, Amazon.com
Wrestlemania VII Bouts: Shawn Michaels & Marty Jannetty Vs The Barbarian & Haku (with Booby Heenan) Texas Tornado Vs Dino Bravo (with Jimmy Hart) The British Bulldog Vs The Warlord (with Slick) World Tag Team Championship: Jerry Saggs & Brian Knobbs Vs Bret Hart & Jim Neidhart Blindfold Match: Jake 'The Snake' Roberts Vs Rick 'The Model' Martel The Undertaker Vs Jimmy Snuka Ultimate Warrior Vs Randy Savaage (with Queen Shem) Genichiro Tenryu & Koji Kitao Vs Crush & Smash (with
Made in the "classic" period of the series, 1966's Carry On Cowboy is a spoof Western set in Stodge City, about to suffer the arrival of black-hatted outlaw The Rumpo Kid, played by the less-than-youthful Sid James. Kenneth Williams is the aptly named Judge Burke, who appeals to Washington for help to combat this gunslinger and his henchmen. Assistance arrives in the form of Jim Dale's Marshall P Knutt, a drainage, sanitation and garbage expert from England, with a reference from Lady Pushing for doing a "good job on her main sludge channel", whose Christian name provokes a predictable misunderstanding. Fortunately, he's accompanied by Annie Oakley. As ever, much fun is to be had cheering/groaning along to double-entendres about "big ones", but never mind the script, feel the characters. Joan Sims does a good Mae West impression; Syd James "Ha hwa-ha-ha!"s his way through his part with his usual aplomb; the underrated Peter Butterworth is excellent as an inept Doctor; while Bernard Bresslaw adds to his impressively multi-ethnic CV, playing a Native American, with Charles Hawtrey as his incorrigible firewater-loving Chief. On the DVD: No extras, sadly, other than scene selection but Alan Hume's splendidly authentic colour lensing is suitably refurbished here. --David Stubbs
A life-affirming and heartwarming story about how the relationship between Michael and Kit transforms over 11months, when one of them is diagnosed with terminal cancer. Interwoven in the narrative are glimpses of the roller-coaster ride that was the couple's 14-year romance.
How CAN Santa deliver billions of presents to the whole world in just one night? With an army of one million combat-style Field Elves and a vast, state-of-the-art control center under the ice of the North Pole!
Based on the global blockbuster videogame franchise from Sega, SONIC THE HEDGEHOG tells the story of the world's speediest hedgehog as he embraces his new home on Earth. In this live-action adventure comedy, Sonic and his new best friend Tom (James Marsden) team up to defend the planet from the evil genius Dr. Robotnik (Jim Carrey) and his plans for world domination. The family-friendly film also stars Tika Sumpter and Ben Schwartz as the voice of Sonic.
Katie Morag follows the adventures of a feisty independent red-hairded young girl who lives with her family on the fictional Scottish Island of Struay. Although she lives in a fairly unique and remote setting her adventures are full of experiences and feelings that all children can recognize and identify with. Her stories are full of jealousy bravery and rivalry surrounded by an annoying little brother busy shopkeeper parents and a couple of grandmothers who between them know everything about everything. Katie Morag is a girl who has been known to get herself into scrapes but who generally emerges from them in a funny and endearing way. Broadcast on CBeebies Katie Morag is the first adaptation of the much-loved books and stories created written and illustrated by Mairi Hedderwick. The TV series stars Cherry Campbell as Katie Morag. The DVD Katie Morag: Delivers the Mail features 7 episodes from the series including Delivers the Mail The Two Grandmothers The Old Teacher Granny Island's Ceilidh and The New Boy.
It's Christmas Eve, and Arnold needs to find a Turbo Man action figure, the craze of the season. Only they're sold out, of course. So the race is on, and the Austrian Oak must do fierce battle with other shoppers and merchants alike, all for the prize toy with which to purchase his son's affections. All of which is unwittingly very sad, on the content level. But the film supposes itself to be amiable enough, on its own shabby terms, even when it climbs out of the screen and starts gnawing at your furniture. If the humour were to get broader it would make HDTV obsolete. The tone can only be termed good-naturedly mean-spirited. Goofy carnival music runs continuously in the background so we never forget that what we're seeing is, er, um, funny. All the action is composed of comic violence, like an unhip Warner Bros. cartoon. Do the filmmakers actually consider this cynical foray to be indicative of the Christmas spirit? Apparently so, because the resolution has Arnold winning quite inadvertently, and offers no clear alternative to the competitive commercialism that drives the film's attempts at humour. In a key scene that's meant to be touching, Arnold and his chief rival Sinbad sit down for a heart-to-heart in which we learn that receiving much-wanted Christmas presents in our formative years is responsible for our success in adulthood. You get that Turbo Man, you'll be a billionaire; don't get it, you'll be a loser. Such is the formidable challenge of parenthood, to cater to the child's whims while it can still make a difference. This is what's wrong with America. --Jim Gay, Amazon.com
Hard Sun is a pre-apocalyptic crime series set in contemporary London. Charlie Hicks (Jim Sturgess) and Elaine Renko (Agyness Deyn) are detectives who, while investigating a murder in the inner city, stumble upon proof that the world faces certain destruction in five years. It's a terrifying reality that the British government is urgently trying to suppress. Hicks and Renko find themselves pursued by ruthless Security Service operatives, who are trying to kill them in order to keep secret the truth about the mysterious cosmic event. The pair must use every bit of their ingenuity to protect themselves and those they love.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy