Field Of Dreams (Dir. Phil Alden Robinson 1989): 'Field of Dreams' begins in an Iowa cornfield when Ray Kinsella hears a mysterious voice - ''If you build it he will come'' and sees a brief vision. With the support of his wife Annie Ray Kinsella pursues his dream and encounters several memorable characters along the way Terence Mann a legendary yet reclusive author ''Doc'' Graham and the infamous Shoeless Joe Jackson. 'Field of Dreams' is the story of a simple Iowa farmer who against all odds finds the courage to believe in his dreams. For The Love Of The Game (Dir. Sam Raimi 1999): Legendary Detroit Tigers pitcher Billy Chapel (Kevin Costner) has always been better at baseball than at love. Just ask Jane (Kelly Preston) his on-again off-again girlfriend. At the end of a disappointing season just before what may be the last professional game of his life Jane tells Billy she's leaving him. Now with his career and his love life in the balance Billy battles against his physical and emotional limits as he plays the game of his life. And now with every pitch Billy comes closer to making the most important decision of his life. The suspense doesn't end until the last ball is thrown in this heartwarming drama about love life and the perfect game.
The greatest trilogy in film history, presented in the most ambitious sets in DVD history, comes to a grand conclusion with the extended edition of The Lord of the Rings: The Return of the King. Not only is the third and final installment of Peter Jackson's adaptation of the works of J.R.R. Tolkien the longest of the three, but a full 50 minutes of new material pushes the running time to a whopping 4 hours and 10 minutes. The new scenes are welcome, and the bonus features maintain the high bar set by the first two films, The Fellowship of the Ring and The Two Towers. What's New? One of the scenes cut from the theatrical release but included here, the resolution of the Saruman storyline, generated a lot of publicity when the movie opened, as actor Christopher Lee complained in the press about losing his only appearance. It's an excellent scene, one Jackson calls "pure Tolkien," and provides better context for Pippin to find the wizard's palantir in the water, but it's not critical to the film. In fact, "valuable but not critical" might sum up the ROTK extended edition. It's evident that Jackson made the right cuts for the theatrical run, but the extra material provides depth and ties up a number of loose ends, and for those sorry to see the trilogy end (and who isn't?) it's a welcome chance to spend another hour in Middle-earth. Some choice moments are Gandalf's (Ian McKellen) confrontation with the Witch King (we find out what happened to the wizard's staff), the chilling Mouth of Sauron at the gates of Mordor, and Frodo (Elijah Wood) and Sam (Sean Astin) being mistaken for Orc soldiers. We get to see more of Éowyn (Miranda Otto), both with Aragorn and on the battlefield, even fighting the hideously deformed Orc lieutenant, Gothmog. We also see her in one of the most anticipated new scenes, the Houses of Healing after the battle of the Pelennor Fields. It doesn't present Aragorn (Viggo Mortensen) as a savior as the book did, but it shows the initial meeting between Éowyn and Faramir (David Wenham), a relationship that received only a meaningful glance in the theatrical cut. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. And for those who complained, no, there are no new endings, not even the scouring of the Shire, which many fans were hoping to see. Nor is there a scene of Denethor (John Noble) with the palantir, which would have better explained both his foresight and his madness. As Jackson notes, when cuts are made, the secondary characters are the first to go, so there is a new scene of Aragorn finding the palantir in Denethor's robes. Another big difference is Aragorn's confrontation with the King of the Dead. In the theatrical version, we didn't know whether the King had accepted Aragorn's offer when the pirate ships pulled into the harbor; here Jackson assumes that viewers have already experienced that tension, and instead has the army of the dead join the battle in an earlier scene (an extended cameo for Jackson). One can debate which is more effective, but that's why the film is available in both versions. If you feel like watching the relatively shorter version you saw in the theaters, you can. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. How Are the Bonus Features? To complete the experience, The Return of the King provides the same sprawling set of features as the previous extended editions: four commentary tracks, sharp picture and thrilling sound, and two discs of excellent documentary material far superior to the recycled material in the theatrical edition. Those who have listened to the seven hours of commentary for the first two extended editions may wonder if they need to hear more, but there was no commentary for the earlier ROTK DVD, so it's still entertaining to hear him break down the film (he says the beacon scene is one of his favorites), discuss differences from the book, point out cameos, and poke fun at himself and the extended-edition concept ("So this is the complete full strangulation, never seen before, here exclusively on DVD!"). The documentaries (some lasting 30 minutes or longer) are of their usual outstanding quality, and there's a riveting storyboard/animatic sequence of the climactic scene, which includes a one-on-one battle between Aragorn and Sauron. One DVD Set to Rule Them All Peter Jackson's trilogy has set the standard for fantasy films by adapting the Holy Grail of fantasy stories with a combination of fidelity to the original source and his own vision, supplemented by outstanding writing, near-perfect casting, glorious special effects, and evocative New Zealand locales. The extended editions without exception have set the standard for the DVD medium by providing a richer film experience that pulls the three films together and further embraces Tolkien's world, a reference-quality home theater experience, and generous, intelligent, and engrossing bonus features. --David Horiuchi
Steve Coogan and John C. Reilly star as Laurel & Hardy in the untold story of the world's greatest comedy act. Stan & Ollie wonderfully portrays the unique and precious partnership of the legendary duo as they set out on a tour of Britain in the twilight of their career. Whilst they face an uncertain future the charm and beauty of their performances shine through, making each other and their audiences laugh, re-connecting them with legions of adoring fans, old and new. With stunning performances from Coogan and Reilly, critics are calling Stan & Ollie absolute perfection' (IGN), incredibly funny' (The Telegraph), an absolute delight' (Radio Times) and a film which reaches genuinely sublime heights' (The Times).
Winner of 6 Oscars, including Best Picture, and based on the hit Broadway musical, CHICAGO is a dazzling spectacle cheered by audiences and critics alike. At a time when crimes of passion result in celebrity headlines, nightclub sensation Velma Kelly (Catherine Zeta-Jones) and spotlight seeking Roxie Hart (Renee Zellweger) both find themselves sharing space on Chicago's famed Murderess Row. They also share Billy Flynn (Richard Gere), the town's slickest lawyer with a talent for turning notorious defendants into local legends. But in Chicago, there's only room for one legend!
The story of how the novel 'Mrs. Dalloway' affects three generations of women, all of whom, in one way or another, have had to deal with suicide in their lives. Extras: COMMENTARY BY NICOLE KIDMAN, MERYL STREEP AND JULIANNE MOORE COMMENTARY BY DIRECTOR STEPHEN DALDRY AND NOVELIST MICHAEL CUNNINGHAM FILMMAKERS INTRODUCTION THREE WOMEN THE MIND AND TIMES OF VIRGINIA WOOLF THE MUSIC OF THE HOURS THE LIVES OF MRS. DALLOWAY THEATRICAL TRAILER
Fast-paced biopic documenting the life of one of the most colourful Americans of the 20th century, Howard Hughes. Leonardo DiCaprio plays Hughes, the son of a Texan inventor who dies and leaves him with a small fortune. Hughes moves to Los Angeles to become a Hollywood film producer and produces such classics as 'Hell's Angels', 'The Front Page' and 'Flying Leathernecks'. He also becomes involved in the aviation industry, designing new planes, setting air speed records and flying around the world risking his life testing aircraft. As his ideas become bolder, his approach becomes more eccentric, and he gains many powerful enemies.
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