Narrated by on-screen observer Maugham (Herbert Marshall) this intriguing tale centers on a soul-searching World War I veteran (Tyrone Power) who finds he can not settle back into the world of the upper class. Shunning his planned marriage and career he travels abroad to seek the meaning of life and career he travels abroad to seek the meaning of life and causes his distraght fiancee (Gene Tierney) to seek solace with another man (John Payne)...
Nothing is quite as it seems behind the well trimmed hedges if the picturesque cottages in the idillic English county of Midsomer. Beneath the tranquil surface of sleepy village life exist dark secrets scandals and downright evil. John Nettles stars as the humourous thoughtful and methodical Detective Chief Inspector Barnaby. David Heartley-Reade the son of a local Archaeologist has written a book which tells of a golden chalice and a ritual spear found in Midsomer Barrow. David
This DVD captures great performances from 1993 to 2003 history in the making as young British rock n' roll flexes its muscles. 1. Ash - Shining Light 2. Blur - Tender 3. British Sea Power - Remember Me 4. Catatonia - Bleed 5. Coldplay - In My Place 6. Cornershop - Brimful Of Asha 7. Doves - The Cedar Room 8. Echo And The Bunnymen - Nothing Lasts Forever 9. Elastica - Connection 10. Elbow - Fugitive Model 11. Embrace - All You Good Good People 12. Feeder - Just The Way I
Extreme Measures loses credibility near the climax when it sacrifices its hold on reality, but this entertaining, intelligent thriller effectively applies a formulaic plot to the complicated ethics of medical research. It also gives Hugh Grant an opportunity to break free from lightweight comedy by playing an emergency room surgeon who discovers that a renowned neurologist (Gene Hackman) has been conducting secret experiments on patients. When Grant fails to save a patient whose body later mysteriously disappears from the morgue, his investigation leads to an underground community of healthy homeless people, some of whom have been test subjects in Hackman's revolutionary, but criminal research toward a cure for paralysis. Co-produced by actor-model Elizabeth Hurley and capably directed by Michael Apted, this otherwise conventional thriller rises above its limitations by asking morally complex questions that give its far-fetched plot an extra kick of dramatic impact. --Jeff Shannon
Einstein once said: 'If bees ever die out mankind will have only four years left to live'. In the past five years billions of honeybees simply vanished for reasons still obscure. If the bees keep dying it will have drastic effects for humans as well: more than one third of our food production depends on pollination by honeybees and their life and death are linked to ours. Life without the bee is unthinkable. But between pesticides antibiotics and monoculture the queens and their workers are losing their power. More Than Honey a new documentary by the Swiss filmmaker Marcus Imhoof is looking into the fascinating world of bees showing small family beekeepers (including the beekeeper of Erste Foundation beehive Heidrun Singer) and industrialized honey farms. More Than Honey is a film about the relationship between mankind and honeybees about nature and about our future. Honeybees show us that stability is just as unhealthy as unlimited growth that crises and disasters are triggering evolution. Special Features: Interview with Director Markus Imhoof Deleted Scenes Making of Featurette Original Theatrical Trailer UK Theatrical Trailer Two versions of the film (one in the original language and one featuring a narration by John Hurt) Booklet (featuring an interview with Markus Imhoof and the Friends of the Earth '20 things you need to know about bees')
What do you do with a former First Lady who's unpredictable ornery and impossible to please? Anything she wants!! Shirley MacLaine and Nicolas Cage star in this comic compassionate look at life after the White House for two former Washington insiders : First Lady Tess Carlisle and Secret Service agent Doug Chesnic. As uproarious as it is uplifting Guarding Tess is ""a grand mixture of laughter and tears"" (Gary Franklin KCOP-TV).
Nanking tells the story of the rape of Nanking one of the most tragic events in history. In 1937 the invading Japanese army murdered over 200 000 and raped tens of thousands of Chinese. In the midst of the horror a small group of Western expatriates banded together to save 250 000 -- an act of extraordinary heroism. Bringing an event little-known outside of Asia to a global audience Nanking shows the tremendous impact individuals can make on the course of history. It is a gripping account of light in the darkest of times.
After the poor reception given to George Lazenby in Her Majesty's Secret Service, Sean Connery was no doubt lured back to the series with a gadget-stuffed briefcase full of cash (most of which he allegedly gave to charity) for this wry, snappily made seventh instalment in the series. Some of its secret weapons include a smart script, a Las Vegas setting providing plenty of neon reflections on windscreens for a memorable car chase through the Strip, and the comely Jill St. John as Tiffany Case, a diamond cut-above most of the preceding Bond girls. (Apart from Diana Rigg in Her Majesty's Secret Service, that is). Blofeld and his fluffy white cat are on hand to menace 007--it's the Nehru jackets and steely surface-look of this one in particular that the Austin Powers spoofs are sending up. Blofeld's initial cover as a reclusive Howard Hughes-like millionaire points to how the series was catching up with more contemporary figures and issues. Other highlights include two truly ferocious, karate-kicking female assassins and a sizzling moon-buggy chase across the dunes. --Leslie FelperinOn the DVD: The mind boggling possibility of casting Adam West (TV's Batman) as Bond was seriously mooted because the suits at United Artists wanted to Americanise the franchise, th e documentary reveals. Sean Connery was eventually persuaded to return but demanded a record fee to reprise his role, and then donated all the cash to his charitable foundation, the Scottish International Education Trust. The rags to riches story of larger-than-life producer Albert R Broccoli is told in the second documentary. The commentary is another in the series of edited selections from interviews with cast and crew, which are exhaustive in the wealth of detail offered but a little exhausting to sit through. Sundry trailers, radio and TV spots plus a few deleted scenes complete the comprehensive selection. --Mark Walker
Dylan Walsh and Julian McMahon return as the elite plastic surgery team of Sean McNamara and Christian Troy, whose skill at giving others perfect bodies contrasts with their own imperfect lives.
Adapted from Arthur Pinero's relentlessly popular stage farce The Magistrate Those Were the Days was a perfect early vehicle for the comedic brilliance of Will Hay. Hay's feature-length debut is a typically entertaining study of the upstanding but ineffectual magistrate Mr Poskett while a youthful John Mills is the 20-year-old stepson who must pretend to be 15 to preserve the secret of his mother's falsified age; Angela Baddeley and veteran character-comedians Claude Allister H.F. Maltby and George Graves are among an impressive supporting cast. Presented in a brand-new digital transfer from the original film elements this rare cinematic gem - directed by former variety star Thomas Bentley - notably includes a wonderful evocation of the atmosphere of a 1890s music hall with Lily Morris and Harry Bedford among a number of leading acts featured. Special Features: Image Gallery Original Script PDF
The ultimate small-screen representation of Loaded-era lad culture--albeit a culture constantly being undermined by its usually sharper female counterpart--there seems little argument that Men Behaving Badly was one of 1990s' definitive sitcoms. Certainly the booze-oriented, birds-obsessed antics of Martin Clunes' Gary and Neil Morrissey's Tony have become every bit as connected to Britain's collective funny bone as Basil Fawlty's inept hostelry or Ernie Wise's short, hairy legs. Yet, the series could easily have been cancelled when ITV viewers failed to respond to the original version, which featured Clunes sharing his flat with someone named Dermot, played by Harry Enfield. Indeed, it was only when the third series moved to the BBC and was then broadcast in a post-watershed slot--allowing writer Simon Nye greater freedom to explore his characters' saucier ruminations--that the show began to gain a significant audience. By then, of course, Morrissey had become firmly ensconced on the collective pizza-stained sofa, while more screen time was allocated to the boys' respective foils, Caroline Quentin and Leslie Ash. Often glibly dismissed as a lame-brained succession of gags about sex and flatulence, the later series not only featured great performances and sharp-as-nails writing but also sported a contemporary attitude that dared to go where angels, and certainly most other sitcoms, feared to tread. Or, as Gary was once moved to comment about soft-porn lesbian epic Love in a Women's Prison: "It's a serious study of repressed sexuality in a pressure-cooker environment." Series 6 includes: "Stag Night" in which Gary agrees with Dorothy's suggestion they get married ("We've tried everything else.") provoking potentially disastrous stag-night shenanigans; "Wedding" in which Gary and Dorothy's wedding day fails to run smoothly. ("I don't want to get married--I haven't slept with enough women," he complains. "Do you want to squeeze one in?"); "Jealousy" in which the quartet make the grave error of going away for a weekend in the country; "Watching TV" concerns a quiet night in with Captain Kirk & Co ("On the Starship Enterprise, when no one's looking, do you think they all swivel round in their chairs really fast?"); "Ten" in which the communal boat is rocked by the simultaneous arrival of Dorothy's nephew and Deborah's mother; and "Sofa" in which Tony buys a snake. --Clark Collis The DVD version also features a quiz.
Adapted from an acclaimed novel by John Irving "The Door in the Floor" explores the complexities of love in its brightest, most mysterious, and darkest corners.
Monty Python delivers a scathing anarchic satire of both religion and Hollywood's depiction of all things biblical with their second film. The setting is Judea 33 A.D a time of poverty and chaos with no shortage of messiahs followers willing to believe in them and exasperated Romans trying to impose some order. At the centre of it all is Brian Cohen (Graham Chapman) a reluctant would-be messiah who rises to prominence as a result of a series of absurd and truly hilarious circumstances providing ample opportunity for the entire ensemble (John Cleese Eric Idle Terry Gilliam Terry Jones Michael Palin and Chapman) to shine in multiple roles as they mock everyone and everything from ex-lepers Pontius Pilate and the art of haggling to crazy prophets Roman centurions and crucifixion.
Their fingers twinkle their topknots twitch. Fimbo Florrie and Baby Pom are getting that fimbling feeling! In this musical compilation the Fimbles have fun singing rhymes songs and finding funny noises to help them play. When Florrie finds a hooter she thinks it's a flower or a cup but the funny noise it makes is a good start for a honking song! Pom gets the Fimbling Feeling and finds a radio that plays different tunes something for everyone!
Fergus (Mark Womack) returns to his native Liverpool for the funeral of his childhood friend Frankie, a fellow private security contractor who has been killed on Route Irish, the deadly and now infamous stretch of road between Baghdad airport and the Green Zone. Route Irish is a fast-paced conspiracy thriller that delivers a fresh insight into the moral and political corruption at play in Iraq.
Day of the Dead, chapter three of George Romero's mighty zombie trilogy, has big footsteps to follow. Night of the Living Dead was a classic that revitalised a certain corner of the cinema, and Dawn of the Dead was nothing short of epic. Day of the Dead, however, has always been regarded as a comedown compared to those twin peaks--and perhaps it is. But on its own terms, this is an awfully effective horror movie, made with Romero's customary social satire and cinematic vigour--when a "retrained" zombie responds to the "Ode to Joy", the film is in genuinely haunting territory. The story is set inside a sunken military complex, where Army and medical staff, supposedly working on a solution to the zombie problem, are going crazy (strongly foreshadowing the final act of 28 Days Later). Tom Savini's make-up effects could make even hardcore gore fans tear off their own heads in amazement. --Robert Horton
The New Statesman is a multi-award winning masterpiece of political satire. Rik Mayall stars as the ruthless Alan B'Stard the egocentric MP who will stop at nothing to further his political career. Episodes comprise: Happiness Is A Warm Gun / Passport To Freedom / Sex Is Wrong / Waste Not Want Not / Friends Of St. James / Three Line Whipping / Baa Baa Black Sheep
Killjoys follows a trio of interplanetary bounty hunters sworn to remain impartial as they chase deadly warrants throughout the Quad, a distant system on the brink of a bloody, multiplanetary class war. Starring Hannah John-Kamen as Dutch, and Aaron Ashmore and Luke Macfarlane as brothers John and D'avin, Season Three features the trio struggling to find the balance between politics, family and the good of the Quad. Out of the ashes of Khylen's death, Aneela and her army are preparing for battle. With Johnny on the lamb, Dutch and D'avin are down one member as they prepare for the fight of their lives.
The award-winning detective comedy sees DI Jack Cloth (John Hannah) and DC Anne Oldman (Suranne Jones) reunited as Cloth goes undercover. The City of Town is being menaced by a vicious gang of armed robbers. After one brutal robbery in which Todd Carty (Todd Carty) is savagely murdered, Cloth assumes the identity of a hardened criminal to gain access to the gang and its twisted leader MacRatty (Stephen Dillane). Meanwhile Oldman is being wooed by Hope Goodgirl (Anna Chancellor), a charismatic.
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