The complete collection of the third series of episodes (in colour) featuring the inept Captain Mainwaring (Arthur Lowe) and his unruly Home Guard platoon... Episodes comprise: 1. The Armoured Might Of Lance Corporal Jones 2. Battle School 3. The Lion Has Phones 4. The Bullet Is Not For Firing 5. Something Nasty In The Vault 6. Room At The Bottom 7. Big Guns 8. The Day The Balloon Went Up 9. War Dance 10. Menace From The Deep 11. Branded 12. Man Hunt 13. No Spring
Irish director Jim Sheridan made The Field after scoring an art house hit and Oscar nominations for his previous film, My Left Foot. Set in Ireland during the 1930s, this ambitious and hard-hitting drama is about one man's obsession with a plot of land that his family has tended for generations. The results are decidedly mixed, and it's obvious that this kind of tragic allegory is better suited for the stage (where it originated as a play by John B Keane). What makes the film worthwhile is the Oscar-nominated performance by Richard Harris as "Bull" McCabe, the fiercely stubborn man who's nurtured a prime field of rented land for decades, only to lose it when the owner auctions the land to an unwelcome American (Tom Berenger). Rather than sacrifice his life's work to this brazen invader, McCabe wages a personal war with powerfully tragic results. It's unfortunate that this potent drama never really connects on an emotional level, but Harris is never less than fascinating in a role that virtually seems to consume him as an actor. His performance approaches greatness, even when the film falls somewhat short of its dramatic ambitions. --Jeff Shannon, Amazon.com
Cruise back to Baltimore 1963 to the time and turf of a rare American breed: The 'Tin Man' (aluminium siding salesman). Two less-than-honest rivals in the tin game (Richard Dreyfuss and Danny DeVito) meet in a fender bender but their bruised egos and quick tempers turn the minor accident into a major vendetta against each other's symbols of success - their prized Cadillacs. In what would seem to be a coup de grace Dreyfuss decides to seduce DeVito's neglected wife (Barbara Hershe
Someone to Watch Over Me is a stylish, smart film noir directed by Ridley Scott (Blade Runner). The movie stars Tom Berenger as a New York cop and family man who falls for the rich and beautiful witness (Mimi Rogers) he's assigned to protect. Scott, who always displays a distinctive eye for extraordinary art direction, does something here he should be doing a lot more often: directing contemporary noir. Berenger and Rogers rise to the occasion, seemingly aware that they're making something special. --Tom Keogh, Amazon.com
Gemma Jones stars as Louisa Trotter a cook for the upperclass at a fancy hotel. Very similar in style to 'Upstairs Downstairs' this classic British TV series first aired in 1976.
From the Arrow creative team of executive producers Greg Berlanti and Andrew Kreisberg and director David Nutter, The Flash is a fast-paced super hero drama that follows the high-speed adventures of the Fastest Man Alive. Written by Berlanti, Kreisberg and DC Entertainment's Chief Creative Officer Geoff Johns, the action drama follows Central City Police scientist Barry Allen, an everyday guy with the heart of a hero and the genuine desire to help others. Standing still emotionally since the day his mother was murdered (and his father unjustly jailed for the crime), Barry was taken in as a child by the investigating Detective West and raised in a cop's home alongside West's supersmart daughter (and Barry's dream girl) Iris. But when an unexpected and devastating accident at the S.T.A.R. Labs Particle Accelerator facility strikes Barry, he finds himself suddenly charged with the incredible power to move at super speeds. While Barry has always been a hero in his soul, his newfound powers have finally given him the ability to act like one. With the help of the research team at S.T.A.R. Labs - including billionaire visionary Harrison Wells, biogenetics expert Caitlin Snow and the eternally upbeat Cisco Ramon - Barry begins testing the limits of his evolving powers and using them to stop crime, ensuring that no one suffers a similar tragedy to his own family history. Working with his adopted father Detective West; West's conceited partner Detective Eddie Thawne and Iris West, who's earning her degree in Criminal Psychology, Barry uses his superhuman abilities to help the people of Central City and stop the rogues' gallery of villains -- many of whom have also been altered by the particle accelerator explosion. Concealing his identity behind his incredible velocity, Barry can not only accomplish feats faster than human comprehension, but also taps into an energy that allows him to access moments out of time -- both past and future. With a winning personality and a smile on his face, Barry Allen - aka The Flash - is finally moving forward in life, very, very fast.
Gladiators: TV Series
"Teeth" is a story of sexual awakening like you've never seen before.
In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped a maximum security stockade to the Los Angeles underground. Today still wanted by the government they survive as soldiers of fortune. If you have a problem if no one else can help and if you can find them maybe you can hire the A-Team! Episodes comprise: 1. Mexican Slayride (Part 1) 2. Mexican Slayride (Part 2) 3. Children Of Jamestown 4
The Trouble with Harry is a lark, the mischievous side of Hitchcock given free reign. A busman's holiday for Alfred Hitchcock, this 1955 black comedy concerns a pesky corpse that becomes a problem for a quiet, Vermont neighbourhood. Shirley MacLaine makes her film debut as one of several characters who keep burying the body and finding it unburied again. Hitchcock clearly enjoys conjuring the autumnal look and feel of the story, and he establishes an important, first-time alliance with composer Bernard Herrmann, whose music proved vital to the director's next half-dozen or so films. --Tom Keogh, Amazon.com
Collection of five classic British comedies. In 'Kind Hearts and Coronets' (1949) an embittered aristocrat sets out to murder the eight heirs that stand between him and succession to the family title. Louis Mazzini (Dennis Price) holds no love for the family he counts as relations, the D'Ascoynes. The D'Ascoynes cast his mother out when she decided to marry a commoner, Louis's father, and on her death refused to allow her to be buried in the family vault. An outraged Louis vows revenge and begins working his way into the trust of the family to provide him with the opportunity to bump off the male heirs (all played by Alec Guinness) one by one. However, complications arise when he becomes romantically entangled with one of the widows of his victims, Edith D'Ascoyne (Valerie Hobson). Will Louis be able to stay the course and murder his way to a dukedom? In 'Passport to Pimlico' (1949) an unexploded bomb goes off in Pimlico, uncovering documents which reveal that this part of London in fact belongs to Burgundy in France. An autonomous state is set up in a spirit of optimism, but the petty squabbles of everyday life soon shatter the utopian vision of a non-restrictive nation. In 'Whisky Galore!' (1949), set during the Second World War, the inhabitants of a small Hebridean island are wilting under a chronic shortage of whisky. When a ship is wrecked on the shore, it is discovered to contain 50,000 cases of malt, which are promptly appropriated by the men of the island. All is well until an English Home Guard commander - determined to see the whisky restored to its rightful owners - calls in Her Majesty's Customs, and the islanders make frantic attempts to hide their treasured alcoholic booty! In 'The Man in the White Suite' (1951) Sidney Stratton (Guinness) is a laboratory cleaner in a textile factory who invents a material that will neither wear out nor become dirty. Initially hailed as a great discovery, Sidney's astonishing invention is suffocated by the management when they realise that if it never wears out, people will only ever have to purchase one suit of clothing. Finally, in 'The Ladykillers' (1955) a group of bank robbers struggle to silence the eccentric old lady who discovers their crime. Mrs Wilberforce (Katie Johnson) lives alone in King's Cross with her parrots. She has been led to believe that the group of men renting rooms from her, Professor Marcus (Guinness), the Major (Cecil Parker), Louis (Herbert Lom), Harry (Peter Sellers) and One-Round (Danny Green), are classical musicians. However, when one of the group's cases gets caught in the door and opens to reveal, not a musical instrument, but a plethora of banknotes, the virtuous Mrs Wilberforce vows to go to the police with the identities of the men. The criminals agree that the old lady has to be killed to silence her, but will this be as straightforward as it sounds?
Taking its lead from Jonathan Demme's Oscar-winning pulse-raiser The Silence Of the Lambs, Copycat strives for intelligence over gristle and carnage. It's a terse, involving thriller that swings away from the usual cinematic notion of violence as a means to an end by forgoing brawn for brains. Young San Francisco police inspector Ruben Goetz (Dermot Mulroney) is teamed with brilliant force vet, M J Monahan (Holly Hunter), a diplomatic, no-nonsense cop who must buck the system in order to find a killer who is copying the crimes of history's most notorious serial killers. Ruben would rather shoot to kill than merely wound a suspect; Monahan labours to help him think more diplomatically. Everything changes when crank calls arrive at the station from serial-killer pin-up girl psychiatrist Helen Hudson (Sigourney Weaver). She's been housebound for 13 months, ever since murderer Daryll Lee Cullum (Harry Connick Jr.) nearly made her his next victim because she testified against him in court. Though he's in prison, he's still mentor and muse to every loose cannon walking the streets--one of whom is killing people with a vengeance and hoping to finish the job Cullum began. Cop and doc team up to solve the case in this stylish, plot-driven movie. Though Copycat loses steam in the end, it still makes a point. And it serves as a cautionary tale for people everywhere, tossing in street smart warnings against victimisation. The teaming of Hunter and Weaver works well, the short and the tall forging a terrific and friction-filled relationship that leads to grudging respect. Establishing an ominous atmosphere reminiscent of his classic British TV miniseries The Singing Detective, director Jon Amiel has an eye for the dark and the unusual and it gives this film an edge that eludes most other mainstream filmmakers. --Paula Nechak
The Disney Studio was built on innovation in animation, so it seems ironic that Atlantis is both a bold departure and highly derivative, borrowing heavily from anime, video games and graphic novels. Instead of songs and fuzzy little animals, the artists offer an action-adventure set in 1914: nerdy linguist Milo Thatch (Michael J Fox) believes he's found the location of the legendary Lost Continent. An eccentric zillionaire sends Milo out to test his hypothesis with an anachronistic crew that includes tough Puerto Rican mechanic Audrey (Jacqueline Obradors), demolition expert Vinnie (Don Novello), and butt-kicking blonde adventurer Helga (Claudia Christian). When they find Atlantis, its culture is dying because the people can no longer read the runes that explain their mysterious power source--but Milo can. Nasty Commander Rourke (James Garner) attempts to steal that power source, leading to the requisite all-out battle. Atlantis offers some nifty battle scenes, including an attack on a Jules Verne-esque submarine by a giant robotic trilobites and fishlike flying cars. But the film suffers from major story problems. If Princess Kida (Cree Summer) remembers her civilisation at its height, why can't she read the runes? Why doesn't Milo's crew notice that the Atlanteans live for centuries? The angular designs are based on the work of comic book artist Mike Mignola (Hellboy), and the artists struggle with the characters' stubby hands, skinny limbs and pointed jaws. The result is a film that will appeal more to 10-year-old boys than to family audiences. --Charles Solomon, Amazon.com
The mighty warrior Kain (David Carradine) crosses the barren wastelands of the planet Ura where two arch enemies Zeg (Luke Askew) and the evil degenerate Balcaz (William Marin) fight incessantly for control of the village's only well. Kain sees his opportunity and announces that his sword is for hire... but his eyes stay clearly on the beautiful captive sorceress Naja (Maria Socas) and his newly awakened purpose.
Too Many Crooks (1958) boasts an intricate plot in which Terry Thomas is being blackmailed for the hoards he's stashed away as a renowned tax dodger. Driving around in a Jaguar XK 150, a desirable sports car of the period, his intricate private life unravels as his put-upon wife, Brenda de Banzie, draws on her expertise as a wartime PT instructress to turn the tables on him by marshalling the support of a band of crooks (George Cole, Sidney James, Bernard Bresslaw and Joe Melia). Look out for the very funny court scene, where TT makes three appearances on separate charges before a bemused magistrate, John Le Mesurier. On the DVD: Too Many Crooks is in 4:3 ratio and has a mono soundtrack. The only extra feature is a trailer. More TT tomfoolery can be found in the three-disc Terry Thomas Collection. --Adrian Edwards
Available for the first time on DVD. New York 1935: Billy Bathgate a naive Bronx-born teenager wangles his way into the gang of his hero crime boss Dutch Schultz (Dustin Hoffman). Although the boy doesn't know it Schultz is approaching the end of his storied career and the Feds are closing in hoping to put him behind bars for income-tax evasion. The youth quickly learns about the endless violence treachery and double-crossing that characterize mob life such as Schultz's cold-
The second series in Granada's 'Mr Rose' cult crime/suspense trilogy, It's Dark Outside saw William Mervyn reprising the role of the charismatic Inspector Rose, first introduced in The Odd Man just six months previously and re-emerging in slightly mellowed form in the final series, Mr Rose. It's Dark Outside follows the sharp-witted and memorably prickly detective as he tackles a fresh batch of cases. Assisting Rose in Series One is the more amenable DS Swift (played by a youthful Keith Barron), with John Carson as solicitor Anthony Brand and June Tobin as Brand's journalist wife, Alice; Series Two sees Rose verbally sparring with newcomer DS Hunter, played by cult favorite actor Anthony Ainley. Although two series of It's Dark Outside were made, the second was thought completely lost until research for this set unearthed two episodes which still existed on film. Newly transferred, these episodes have been included here alongside all those from Series One.
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