This terrifying adaptation of Stephen King's bestselling horror novel was directed by shock maestro Brian De Palma for maximum, no-holds-barred effect. Sissy Spacek stars as Carrie White, the beleaguered daughter of a religious kook (Piper Laurie) and a social outcast tormented by her cruel, insensitive classmates. When her rage turns into telekinetic powers, however, school's out in every sense of the word. De Palma's horrific climax in a school gym lingers forever in the memory, though the film is also built upon Spacek's remarkable performance and Piper Laurie's outlandishly creepy one. John Travolta has a small part as a thug, De Palma's future wife, Nancy Allen, is his girlfriend, and Amy Irving makes her screen debut as one of the girls giving Carrie a hard time.--Tom Keogh
In the year 2018, violence and crime have been totally eliminated from society and given outlet in the brutal blood sport of rollerball, a high-velocity blend of football, hockey, and motor-cross racing sponsored by the multinational corporations that now control the world following the collapse of traditional politics. James Caan plays Jonathan ., the reigning superstar of rollerball, whose corporate controllers fear that Jonathan's popularity has endowed him with too much power. They begin to pressure him according to their own ruthless set of rules, but Jonathan has rules of his own--ones for a man determined to retain his soul in a world gone mad. As directed by Norman Jewison (who was enjoying a peak of success during the early and mid-1970s), Rollerball creates a believable society that's been rendered passive and compliant by the homogenisation of corporate dictatorships, where the control and flow of information is the only currency of any importance. It's a world in which natural human aggressions have been sublimated and vented through the religious fervour toward rollerball and its players. Rollerball now looks like one of those 1970s science fiction films (another example being Logan's Run) that seems a bit dated and quaint, but its ideas are still provocative and fascinating, and the production is visually impressive. --Jeff Shannon, Amazon.com
Vintage comedy by Jimmy Perry and David Croft. As Walmington-on-Sea trembles at the thought of a mighty Nazi invasion the indefatigable Captain Mainwaring and his eager Home Guard are ready and waiting - regardless that some of them are so old they can hardly stand up... Starring Arthur Lowe John Le Mesurier and Clive Dunn. Winner of 3 Writers Guild awards and a BAFTA. Episodes Comprise: 1. The Deadly Attachment 2. My British Buddy 3. The Royal Train 4. We Knows Our Onions
Tom Ronstadt (JOHN SIMM) is a successful London journalist who, with his career and life falling apart, returns to his hometown in Lancashire for the first time in 18 years. He finds his father Sam (JIM BROADBENT), whom Tom idolised as a child, in the grip of Alzheimer's a once formidable man now being cared for by his sister Nancy (OLIVIA COLMAN). Over the three episodes Tom unravels the mystery linked to his childhood that drove him away all those years ago. As his frustrations grow with his father's failure to remember the past, he persists unaware that he is unearthing a devastating crime that will reveal secrets he could never have imagined.
Efficiently directed by Kathryn Bigelow and featuring some diverting action scenes, 1991's Point Break can be credited with anticipating the extreme-sports fad. A rash of daring bank robberies erupt in which the bad guys all wear the masks of worse guys--former presidents (nice touch). Johnny Utah (Keanu Reeves), an impossibly named former football star who blew out his knee and became a crime-busting federal agent instead, figures out that none of the heists occur during surfing season and all of them occur when, so to speak, surf's down. So obviously, he reasons, we're dealing with some surfer-dude bank robbers. He goes undercover with just such a group, led by a very spiritual guru-type Patrick Swayze, who has some muddled philosophies when it comes to materialism. Reeves' intelligent-sounding lines don't make him seem remotely intelligent, but the plot makes him look positively brilliant. --David Kronke
Academy Award® nominee Benedict Cumberbatch (The Imitation Game, Sherlock) stars alongside Kelly Macdonald (Boardwalk Empire, Trainspotting), Stephen Campbell Moore (The History Boys, The Go-Between) and Saskia Reeves (Luther, Shetland) in Stephen Butchard's adaptation of Ian McEwan's award-winning novel, THE CHILD IN TIME. Set two years after his daughter went missing, THE CHILD IN TIME follows Stephen Lewis (Benedict Cumberbatch), a children's author, as he struggles to find purpose in his life without her. His wife Julie (Kelly Macdonald) has left him, and his best friends Charles (Stephen Campbell-Moore) and Thelma (Saskia Reeves) have retired to the countryside, battling demons of their own. With tenderness and insight, the movie explores the dark territory of a marriage devastated, the loss of childhood, the fluidity of time, grief, hope, and acceptance. THE CHILD IN TIME is a lyrical and heart-breaking exploration of love, loss, and the power of things unseen.
Two talented song-and-dance men (Bing Crosby and Danny Kaye) team up after the war to become one of the hottest acts in show business.
Earning a nomination at the Academy Awards for Best Animated Short Film in 1998 this collection of nine animated tales is cleverly and faithfully adapted from one of the most audacious and astonishing works in English literature. Via cel animation clay animation and impressionistic drawings the viewer is transported on a vivid journey to medieval times taking in chivalry love lust the Black Death rape deception and chickens. Introducing a group of men and women from various st
Nominated for the Best Picture Academy Award 1995, this boldly inventive and expertly orchestrated crime saga is now available as a two disc DVD set that includes such extras as deleted scenes, interviews and a documentary.
The definition of comfort television is this: you want to go where you know everybody's name. And you're always glad you came. Cheers is open for business once again in this set that contains all 22 episodes of the first, and best, season of the show that inherited Taxi's mantle as television's best ensemble-driven workplace comedy. It can be instructive to return to a long-running series' more humble beginnings. While Cheers got drunk on farce in its later years, it began life as a much more grounded human comedy. In these inaugural episodes, the action does not stray from the Boston bar owned by Sam Malone, a washed-up baseball player three years sober. The straws that stir the drink are the supporting players: Nick Colasanto as addled Coach; Rhea Perlman, the Thelma Ritter of her generation, as surly and fertile waitress Carla; George Wendt as quintessential barfly Norm; and John Ratzenberger as Cliff, the bar know-it-all ready with "little-known facts" (and blessedly far from the pathetic blowhard his character would evolve into). Spiking this concoction is the palpable chemistry between Ted Danson's Sam and Shelley Long's Diane Chambers, fledgling waitress and self-described "student of life". The battle lines are drawn in the episode "Sam's Women": He's the "dim ex-baseball player" and she, "the post graduate". But, as Carla so indelicately puts it, they can't "put their glands on hold". In the first blush of lust, they were primetime's most potent mismatched couple until Moonlighting's David and Maddie bantered double entendres. Here are little remembered facts: Sam was initially "an astute judge of human character"; guest stars Fred Dryer ("Sam at Eleven") and Julia Duffy ("Any Friend of Diane's") were among those considered for the roles of Sam and Diane; and a pre-"Night Court" Harry Anderson stole his scenes in his recurring role as flim-flam man Harry ("Pick a Con...Any Con"). --Donald Liebenson
Who do you think you are kidding Mr. Hitler If you think we're on the run. We are the boys who will stop your little game We are the boys who will make you think again. So who do you think you are kidding Mr. Hitler If you think old England's done. Mr. Brown goes off to town on the 8:21. But he comes home each evening and he's ready with his gun. So who do you think you are kidding Mr. Hitler If you think old England's done. The hapless homeguard of Walmington-On-Sea
Tony Britton won a BAFTA nomination for his central performance in this finely observed drama about a veteran Labour back-bencher who risks the remains of his career when he re-engages in the grass-roots politics of his northern working-class constituency. Starting life as a single ITV Playhouse drama which won the Broadcasting Press Guild's award for Best Single Play in 1975, The Nearly Man follows the events of seven months in a critical year for Christopher Collinson a public-school MP with the perfect credentials for a candidate in the forthcoming general election. The series charts his uneasy relationship with party activists, the intrigues and aggression of politics and the impact of Collinson's renewed ambition upon his marriage. This set features all seven episodes of the series along with the single play, devised and written by BAFTA winner Arthur Hopcraft.
Set early in the 22nd century Enterprise focuses on a history of the galactic upheaval that leads to the formation of The Federation. Its compelling stories of team bravery and individual heroism are sure to answer countless questions for both die-hard fans of the series and neophytes to the Star Trek universe. Starring a fresh young cast this exciting new chapter continues to push the edge of the visual envelope with the kind of state of the art special
"Harold and Kumar Escape From Guantanamo" marks the triumphant return of two hilarious, slacker anti-heroes.
A star-studded cast heads this Agatha Christie story about the efforts of Hercule Poirot (Peter Ustinov) to fathom the mysterious death of a capricious star in a Mediterranean resort hotel...
This terrifying adaptation of Stephen King's bestselling horror novel was directed by shock maestro Brian De Palma for maximum, no-holds-barred effect. Sissy Spacek stars as Carrie White, the beleaguered daughter of a religious kook (Piper Laurie) and a social outcast tormented by her cruel, insensitive classmates. When her rage turns into telekinetic powers, however, school's out in every sense of the word. De Palma's horrific climax in a school gym lingers forever in the memory, though the film is also built upon Spacek's remarkable performance and Piper Laurie's outlandishly creepy one. John Travolta has a small part as a thug, De Palma's future wife, Nancy Allen, is his girlfriend, and Amy Irving makes her screen debut as one of the girls giving Carrie a hard time.--Tom Keogh
It's a fairly typical day in Hereford, all in all. Property prices are rising, the same old celebrity talent shows are on the TV, and the wizards you got in to rewire the house made a right mess of things. Under the rule of His Royal Wondrousness King Snodd, magic is on the way out; we're on our way to there being a car in every garage and a Wonderbarn on every high street. The orphan-based economy is booming, and overseas, the Great Troll War rolls on. Meanwhile, over the forbidden Dragonlands, Maltcaisson, the last of the great dragons, awaits his final battle. It's in this world that Jennifer Strange, an orphan indentured to the great wizard Zambini, finds herself thrust into an adventure fizzing with magic, mystery, and quarkbeasts. She may not know it yet, but Jennifer Strange is The Last Dragonslayer.
Cool and sophisticated Tolen has a monopoly on womanising - with a long line of conquests to prove it - while the naive and awkward Colin desperately wants a piece of it. But when Colin falls for an innocent country girl it's not long before the self assured Tolen moves in for the kill. Is all fair in love and war or can Colin get the knack and beat Tolen at his own game?
James Stewart stars with Farley Granger and John Dall in a highly-charged thriller inspired by the real-life Leopold-Loeb murder case. Granger and Dall give riveting performances as two friends who strangle a classmate for intellectual thrills then proceed to throw a party for the victim's family and friends - with the body stuffed inside the trunk they use for a buffet table. As the killers turn the conversation to committing the 'perfect murder' their former teacher (Stewart) becomes increasingly suspicious. Before the night is over the professor will discover how brutally his students have turned his academic theories into chilling reality in Hitchcock's spellbinding excursion into the macabre. Special Features: Rope Unleashed Production Photographs Theatrical Trailer
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