Frontiersman Vern Haskell (Arthur Kennedy) wanders the West obsessed with finding the culprits responsible for murdering his fiancee. His quest leads him to Chuck-a-Luck - the film's original title - a combination horse ranch and criminal hideout overseen by saloon chanteuse Altar Keane (Marlene Dietrich). Posing as an escaped criminal Haskell falls in with murderous gunslinger Frenchy Fairmont (Mel Ferrer) and gradually becomes indistinguishable from the men he is hunting. Made in
Even under the heavy censorship of 1946 Hollywood, Lana Turner and John Garfield's libidinous desires burn up the screen in Tay Garnett's adaptation of James M. Cain's torrid crime melodrama. Platinum blond Turner is Cora, a restless sexpot stuck in a roadside diner married to mundane middle-aged fry cook Nick Smith (Cecil Kellaway) when handsome drifter Frank (Garfield) blows her way. It's lust at first sight, a rapacious desire that neither can break off, and before long they're plotting his demise--but in the wicked world of Cain nothing is that easy. Garnett's visual approach is subdued compared to the more expressionistic film noir of the period, but he's at no loss when he films the luminous Turner in her milky-white wardrobe. She radiates repressed sexuality and uncontrollable passion while Garfield's smart-talking loner Frank mixes street-smart swagger and scrappy toughness with vulnerability and sincere intensity. Co-star Hume Cronyn cuts a cold, calculating figure as their conniving lawyer, a chilly character that only increases our feelings for the murderous couple, victims of an all-consuming amour fou that drives their passions to extremes. --Sean Axmaker, Amazon.com
A hilarious comedy starring Wesley Snipes, Patrick Swayze and John Leguizamo as Noxeema, Vida and Chi-Chi en route from New York to Hollywood for a drag queen beauty pageant, they are forced to make an unwelcome detour! Stranded in the tiny Midwest town of Snydersville, the three make the best of an unfortunate situation. Their glitz and glamour shake-up the sleepy locals and the stage is set for an outrageously funny weekend of flamboyant fun and unrefined simpleness.
The Isle of Man Tourist Trophy is the greatest motorcycle road race in the world, the ultimate challenge for rider and machine. It has always called for a commitment far beyond any other racing event, and many have made the ultimate sacrifice in their quest for victory. TT: Closer To The Edge is a story about freedom of choice, the strength of human spirit and the will to win. It's also an examination of what motivates those rare few, this elite band of brothers who risk everything to win. TT: Closer To The Edge is one of the most thrilling films of the year.
The 1980s was the make-and-break decade for Sylvester Stallone's career, and Lock Up typifies the direction he took in his post-Rocky and Rambo days. It's a concept movie in the same mould as Rambo III just before it, and Tango & Cash just after. The hero (Frank Leone) is put in jeopardy (Gateway Prison), establishes a nemesis to defeat (in the shape of Donald Sutherland as Warden Drumgoole), makes a few friendships that can be sacrificed along the way (Tom Sizemore as Dallas) and does what he does in the name of love (Darlanne Flugel as Melissa). The revenge-twisted warden puts him through hell over a shared back-story. The torture ranges from being made to hold his breath in a delousing chamber to sanity-stretching periods in "The Hole". It's all about how far a man can be pushed. But being a Stallone vehicle, it's not all depressing. Composer Bill Conti reunites with the star to put the same sort of heroic fuel behind a prison-yard football game as he did for Rocky. A couple of feel-good songs pep up the love story and a montage of camaraderie in rebuilding a broken-down car. There's a healthy sense of realism achieved by having Sly doing all his own stunts and the use of a real-life prison. If the elements lead to a by-the-numbers conclusion (it's no Shawshank Redemption), remember this was some years before the actor wanted to get serious. On the DVD: A surprising amount of footage has been assembled in the two behind-the-scenes featurettes: we see Stallone directing his own fight scenes, and how use of New Jersey's Rahway Prison came with 2,500 real inmates to keep under control. Sound bite interviews reveal Stallone's worldly philosophies, then a trailer and gallery of 17 photos round out a decent overall package. --Paul Tonks
A box set of Al Pacino films from Universal featuring: Scarface Carlito's Way Sea of Love and Scent of a Woman. Scarface (Dir. Brian De Palma 1983): In the spring of 1980 the port at Mariel Harbour was opened and thousands set sail for the United States. They came in search of the American Dream. One of them found it on the sun-washed avenues of Miami... wealth power and passion beyond his wildest dreams. He was Tony Montana. The world will remember him by another name - Scarface! Al Pacino gives an unforgettable performance as Tony Montana one of the most ruthless gangsters ever depicted on film in this gripping crime epic inspired by the 1932 classic of the same title. Carlito's Way (Dir. Brian De Palma 1993): Al Pacino is an ex-druglord fighting to escape his violent treacherous past in his crime-action tour de force from acclaimed director Brian DePalma. Sprung from prison on a legal technicality by his cocaine-addled attorney (Sean Penn) former drug kingpin Carlito Brigante (Pacino) stuns the local underworld when he vows to go straight. Taking a job managing a glitzy low-life nightclub he tracks down his onetime girlfriend (Penelope Ann Miller) and rekindles their romance promising he's changed for good. But Carlito's dream of going legitimate is undermined at every turn by murderous former cronies and even deadlier young thugs out to make a name for themselves. Ultimately however his most dangerous enemy is himself. Despite good intentions Carlito's misguided loyalties and an outmoded code of ""honour"" will plunge him into a savage life-or-death battle against the relentless forces that refuse to let him go. Sea of Love (Dir. Harold Becker 1989): Two detectives one from New York the other from Long Island join forces to track down a bizarre serial killer. Convinced of a beautiful suspect's innocence the New York detective starts an affair with her despite hard evidence linking her to the murders. Scent of a Woman (Dir. Martin Brest 1992):Al Pacino won his first Best Actor Oscar for his brilliant portrayal of an overbearing blind retired Lieutenant Colonel who hires a young guardian (Chris O'Donnell) to assist him. It's a heart-wrenching and heartwarming tale of opposites attracting when they embark on a wild weekend trip that will change the lives of both men forever.
Celebrated for the macabre tour-de-force plots and sublime twist endings that would come to define the very genre of suspense Alfred Hitchcock is one of cinema's greatest auteurs his career spanning six decades and over sixty films. Based on Joseph Conrad's The Secret Agent and starring Oscar Homolka and Sylvia Sidney Sabotage is one of Hitchcock's most significant pre-war British films. Featured here in a High Definition transfer from original film elements this classic early thriller has never looked better. Karl Verloc manager of a London cinema is secretly involved with a gang of European saboteurs who are plotting a massive bomb attack in Piccadilly Circus. With the police already suspicious of Verloc they place an undercover detective on his trail – can he bring the saboteurs to justice before they perpetrate their outrage on London? Special Features: Introduction by Charles Barr On Location featurette introduced by Robert Powell Image gallery
Tony Rome: Tony Rome a tough Miami PI living on a houseboat is hired by a local millionaire to find jewelry stolen from his daughter and in the process has several encounters with local hoods as well as the Miami Beach PD. The Detective: A hard-boiled mystery starring Frank Sinatra as the tough-as-nails Detective Joe Leland 'The Detective' was based on a novel by Roderick Thorp. Called in to investigate the murder of Teddy Leikman the homosexual son of a well-conn
This wondrous fantasy comes out of the pages of ""A Thousand and One Nights."" When the nefarious Jaffar usurps the Sultan's throne the princess's beloved suitor Ahmad and the strong and handsome thief Abu use magic to help the king regain power. To defeat them Jaffar causes Ahmad to go blind and turns Abu into a dog. But the heroes overcome these adversities and conquer many other mortal dangers before reclaiming the kingdom. The Thief of Bagdad made quite an impact on the
Rich with ambiguity, this smooth adaptation of Scott Turow's bestselling mystery novel stars Harrison Ford as Rusty Sabich, the prosecuting attorney assigned to a case involving the murder of a beautiful, seductive lawyer (Greta Scacchi) with whom he'd been having a secret affair. After the investigation gets off to a slow start, damning evidence points to Rusty as the prime suspect. His career is destroyed when his superior and secondary suspect Raymond Horgan (Brian Dennehy) sets him up for the fall. Bonnie Bedelia plays Rusty's wife Barbara, who is not above suspicion herself. While Ford's performance rides a fine line between presumed innocence and possible guilt, director Alan J Pakula (All the President's Men) maintains a consistent tone of uncertainty that keeps the viewer guessing. --Jeff Shannon, Amazon.com
The zombies are back and they're still hungry in this horror from maestro George A. Romero.
2011 Christmas Edition Includes a sneak peek of Ice Age 4 - Continental Drift
Fill a bowl with alpine strawberries, break out the Château Lafite (1899, of course) and bask in Brideshead Revisited, the 1981 miniseries based on Evelyn Waugh's classic novel, adapted for the screen by John Mortimer (Rumpole of the Bailey). In his breakthrough role, Jeremy Irons stars as Charles Ryder, a disillusioned Army captain who is moved to reflect on his "languid days" in the "enchanted castle" that was Brideshead, home of the aristocratic Marchmain family, whose acquaintance Charles made in the company of an Oxford classmate, the charming wild-child Sebastian. Anthony Andrews costars as the doomed Sebastian, whose beauty is "arresting" and "whose eccentricities and behaviour seemed to know no bounds". The "entitled and enchanted" Sebastian takes Charles under his wing ("Charles, what a lot you have to learn"), but vows early on that he is "not going to let [Charles] get mixed up with [his] family." But mixed up Charles gets. He becomes a friend and confidante, not to mention a lover, to Sebastian's sister Julia (Diana Quick). Meanwhile, the self-destructive Sebastian's life spirals out of control. Brideshead Revisited boasts a distinguished ensemble cast, including Laurence Olivier in his Emmy Award-winning role as the exiled Lord Marchmain, Claire Bloom as Lady Marchmain, and the magnificent John Gielgud as Charles's estranged father. Grand locations and a haunting musical score make this a memorable revisit of an irretrievable bygone era. --Donald Liebenson
The long-defunct, Southern Californian band regrouped for an album, an expensive tour (expensive for ticket buyers, that is) and this televised special, which features the Eagles in performance. Laid-back but sharp and even stirring during a longish acoustic set, the guys quickly get past the nostalgia element and sound truly viable. They even make it look easy: the sight of Joe Walsh wearing glasses and sitting in almost perfect repose as he effortlessly colours old hits "Tequila Sunrise" and new material such as "Learn to Be Still" may make you wonder why you ever stashed that guitar in the attic. The band eventually gets off their stools and rocks out on "Hotel California" and other Eagles standards. All in all, it's an enjoyable and mellowing show. --Tom Keogh, Amazon.com
Four men and a girl blast off on mankind’s first expedition to the moon but due to a cataclysmic cosmic event are sent hurtling out of control to Mars. Once on the Red Planet the crew discovers an atomic war-ravaged world inhabited by mutants! The first space exploration film of the Atomic Age so unforgettable it's impact has spanned half a century. A landmark science fiction adventure deftly bought to the screen by famed writer-director Kurt Newmann (The Fly Kronos).
Roger Moore was nearing the end of his reign as James Bond when he made Octopussy, and he looks a little worn out. But the movie itself infuses some new blood into the old franchise, with a frisky pace and a pair of sturdy villains. Maud Adams--who'd also been in The Man with the Golden Gun--plays the improbably named Octopussy, while old smoothie Louis Jourdan is her crafty partner in crime. There's an island populated only by women, as well as a fantastic sequence with a hand-to-hand fight on a plane--and on top of a plane. The film even has an extra emotional punch, since this time 007 is not only following the orders of Her Majesty's Secret Service, but he is also exacting a personal revenge: a fellow double-0 agent has been killed. Two Bond films were actually released in 1983 within a few months of each other, as Octopussy was followed by Sean Connery's comeback in Never Say Never Again. The success of both pictures proved that there was still plenty of mileage left in the old licence to kill, though Moore had one more workout--A View to a Kill--before hanging it up. And that title? The franchise had already used up the titles to Ian Fleming's novels, so Octopussy was taken from a lesser-known Fleming short story. --Robert Horton, Amazon.com On the DVD: The high standard of these 007 discs is maintained here, with another extra-packed selection. The "Inside Octopussy" documentary details the making of the movie, which faced competition from Sean Connery's Never Say Never Again, as well as being handicapped by a potentially risible title. The initial story was developed by George Macdonald Fraser, author of the "Flashman" books, whose knowledge of Indian history and locales proved invaluable. Roger Moore prevaricated about signing on as Bond, so American James Brolin was screen-tested instead. The movie also produced the worst accident of the series while filming the train sequence and the stuntman involved was hospitalised for six months. Director John Glen provides a solo commentary that reveals a wealth of technical detail and also that this is one of his favourite Bond movies. Rita Coolidge performs "All Time High", and there are also some storyboard sequences and trailers. --Mark Walker
It has been two decades since master filmmaker George A. Romero's zombies have scared audiances around the globe. For years, fans have been eagerly awaiting his return. And now the day is here. An all-new chapter of horror has arrived. Now that zombies have taken over the world, the living have built a walled-in city to keep the dead out. But all's not well where it's most safe, as a revolution plans to overthrow the city's leadership, and the zombies are turning into more advanced creatures. George A. Romero's Land of the Dead is the acclaimed director's long awaited return to the genre he invented. BE SCARED Bonus Features Disc 1 Cholo's Reckoning: An Interview with Actor John Leguizamo Charlie's Story: An Interview with Actor Robert Joy The Pillsbury Actor: An Interview with Actor Pedro Miguel Arce Four of the Apocalypse: An Interview with Actors Eugene Clark, Jennifer Baxter, Boyd Banks and Jasmin Geljo Theatrical Trailer Dream of the Dead Documentary Dream of the Dead with Audio Commentary by Director Roy Frumkes Deleted Scenes from Dream of the Dead Disc 2 Unrated Version of the Feature Feature Commentary with Director George A. Romero, Producer Peter Grunwald and Editor Michael Doherty Feature Commentary with Zombie Performers Matt Blazi, Glena Chao, Michael Felsher and Rob Mayr When Shaun Met George Bringing the Dead to Life Scenes of Carnage Zombie Effects: From Green Screen to Finished Scene Scream Tests: Zombie Casting Call Bringing the Storyboards to Life Undead Again : The Making of Land of the Dead A Day with the Living Dead Reversible Sleeve All New Artwork by Graham Humphreys
It is one of humankind s greatest achievements. More than twelve billion miles away a tiny spaceship is leaving our Solar System and entering the void of deep space the first human-made object ever to do so. Slowly dying within its heart is a nuclear generator that will beat for perhaps another decade before the lights on Voyager finally go out. But this little craft will travel on for millions of years, carrying a Golden Record bearing recordings and images of life on Earth. In all likelihood Voyager will outlive humanity. From Crossing The Line Productions, The Farthest celebrates these magnificent machines, the men and women who built them and the vision that propelled them farther than anyone could ever have hoped.
After the lavish, effects-heavy splash of Moonraker, the twelfth Bond film and the seventh with Roger Moore concentrates more on core car-chase-and-crumpet values, evoking an almost retro feel that harks back to the first pressings of the Bond vintage in the 1960s. Starting to look a little wrinkly around the edges by this point, Roger Moore toughens his usually smarmy act up here with a gratuitous bit of killing, casually kicking a baddie and his car over a precipice, reviving memories of the ruthless streak with which Sean Connery made his name. Good old-fashioned Cold War politics lie at the heart of the plot, concerning a weapons system hijacked in the Mediterranean Bond must rescue. He's assisted by the exquisite Carole Bouquet, the only actress in history who can claim to have been both a 'Bond girl' and the star of a Luis Buñuel movie (That Obscure Object of Desire). Sadly, this is the first film to lack Bernard Lee's spymaster M, the actor having died beforehand, although British comedienne Janet Brown is on hand for an amusing Margaret Thatcher impersonation. --Leslie FelperinOn the DVD: The first audio commentary here is another one of those edited selections of interviews with sundry cast and crew members, tied together by an over-earnest host. Producer Michael G Wilson and others provide a somewhat more illuminating second commentary track. Once again the best extra feature is the "making of" documentary, which gives an almost scene-by-scene breakdown of the movie. The animated storyboard sequences will appeal to filmmaking aficionados. Avoid, if at all possible, the Sheena Easton video of arguably the most forgettable Bond song of all time (both song and score were perpetrated by series newcomer Bill Conti, not the estimable John Barry). --Mark Walker
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