From visionary filmmakers James Cameron (AVATAR) and Robert Rodriguez (SIN CITY), comes ALITA: BATTLE ANGEL, an epic adventure of hope and empowerment. When Alita (Rosa Salazar) awakens with no memory of who she is in a future world she does not recognize, she is taken in by Ido (Christoph Waltz), a compassionate doctor who realizes that somewhere in this abandoned cyborg shell is the heart and soul of a young woman with an extraordinary past. As Alita learns to navigate her new life and the treacherous streets of Iron City, Ido tries to shield her from her mysterious history while her street-smart new friend Hugo (Keean Johnson) offers instead to help trigger her memories. But it is only when the deadly and corrupt forces that run the city come after Alita that she discovers a clue to her past she has unique fighting abilities that those in power will stop at nothing to control. If she can stay out of their grasp, she could be the key to saving her friends, her family and the world she's grown to love.
From visionary filmmakers James Cameron (AVATAR) and Robert Rodriguez (SIN CITY), comes ALITA: BATTLE ANGEL, an epic adventure of hope and empowerment. When Alita (Rosa Salazar) awakens with no memory of who she is in a future world she does not recognize, she is taken in by Ido (Christoph Waltz), a compassionate doctor who realizes that somewhere in this abandoned cyborg shell is the heart and soul of a young woman with an extraordinary past. As Alita learns to navigate her new life and the treacherous streets of Iron City, Ido tries to shield her from her mysterious history while her street-smart new friend Hugo (Keean Johnson) offers instead to help trigger her memories. But it is only when the deadly and corrupt forces that run the city come after Alita that she discovers a clue to her past she has unique fighting abilities that those in power will stop at nothing to control. If she can stay out of their grasp, she could be the key to saving her friends, her family and the world she's grown to love.
From the producers of The Fault in Our Stars comes the relatable and heartfelt coming-of-age film LOVE, SIMON. Everyone deserves a great love story, but for 17-year-old Simon, it's a bit complicated. The gay teenager hasn't come out yet, and doesn't know the identity of the anonymous classmate he's fallen for online. Resolving both issues will be a hilarious, scary, life-changing adventure.
The Magnificent Seven effortlessly turn samurai into cowboys (the same trick worked more than once: Kurosawa'sYojimbo became Sergio Leone's A Fistful of Dollars) and Akira Kurosawa's rousing Seven Samuri was a natural for an American remake through this movie--after all, the codes and conventions of ancient Japan and the Wild West (at least the mythical movie West) are not so very far apart. The beleaguered denizens of a Mexican village, weary of attacks by banditos, hire seven gunslingers to repel the invaders once and for all. The gunmen are cool and capable, with most of the actors playing them just on the cusp of 60s stardom: Steve McQueen, JamesCoburn, Charles Bronson, Robert Vaughn. The man who brings these warriors together is Yul Brynner, the baddest bald man in the West. There's nothing especially stylish about the approach of veteran director John Sturges (The Great Escape), but the storytelling is clear and strong, and the charisma of the young guns fairly flies off the screen. If that isn't enough to awaken the 12-year-old kid inside anyone, the unforgettable Elmer Bernstein music will do it: bum-bum-ba-bum, bum-ba-bum-ba-bum... followed by three inferior sequels, Return of the Seven, Guns of the Magnificent Seven, and The Magnificent Seven Ride!--Robert Horton, Amazon.com
Get ready to roll out with the Autobots and their human allies as they defend the world from the evil Decepticons. This limited edition must-have collection includes six unique Steelbooks containing the blockbuster TRANSFORMERS movies on 4K Ultra HD⢠and special features on bonus Blu-ray⢠discs - housed together in a striking magnetic slipcase. Transformers From director Michael Bay and executive producer Steven Spielberg comes a thrilling battle between the AUTOBOTS⢠and the DECEPTICONSâ¢. When their epic struggle comes to Earth, all that stands between the evil DECEPTICONS⢠and ultimate power is a clue held by Sam Witwicky (Shia LaBeouf). Join the fight for mankind in the extraordinary adventure that features some of the most spectacular action and effects sequences of any movie of its kind and will appeal to the kid in all of us. Transformers: Revenge of the Fallen The battle for Earth continues in this action-packed blockbuster from director Michael Bay and executive producer Steven Spielberg. When college-bound Sam Witwicky (Shia LaBeouf) learns the truth about the ancient origins of the Transformers, he must accept his destiny and join Optimus Prime® and Bumblebee® in their epic battle against the Decepticonsâ¢, who have returned stronger than ever with a plan to destroy our world. Transformers: Dark of the Moon A mysterious event from Earth's past threatens to ignite a war so big that the Transformers alone will not be able to save the planet. Sam Witwicky (Shia LaBeouf) and the Autobots⢠must fight against the darkness to defend our world from the Decepticons'⢠all-consuming evil in the smash hit from director Michael Bay and executive producer Steven Spielberg. Transformers: Age of Extinction From director Michael Bay and executive producer Steven Spielberg comes the hugely entertaining * Transformers: Age of Extinction. With humanity facing extinction from a terrifying new threat, it's up to Optimus Prime and the Autobots to save the world. But now that our government has turned against them, they'll need a new team of allies, including inventor Cade Yeager (Mark Wahlberg) and the fearsome Dinobots! Transformers: The Last Knight From Director Michael Bay and Executive Producer Steven Spielberg comes the best 'Transformers' yet. * Our world's greatest hero becomes our fiercest enemy when Optimus Prime launches a mission to save Cybertron by destroying Earth. Now Bumblebee and Cade Yeager (Mark Wahlberg) must lead the Autobots against their former ally in the ultimate battle to save mankind from annihilation. Bumblebee Cybertron has fallen. When Optimus Prime sends Bumblebee to defend Earth, his journey to become a hero begins. Charlie Watson (HAILEE STEINFELD), a teenager trying to find her place in the world, discovers and repairs the battle-scarred robot, who's disguised as a Volkswagen Beetle. As the Decepticons hunt down the surviving Autobots with the help of a secret agency led by Agent Burns (JOHN CENA), Bumblebee and Charlie team up to protect the world in an action-packed adventure that's fun for the whole family.
Alejandro Gonzalez Inarritu's striking Amores Perros is the film Pulp Fiction might have been if Quentin Tarantino were as interested in people as movies. A car crash in Mexico City entwines three stories: in one car is Octavio, who has been entering his dog in fights to get enough money run off with his sister-in-law Susana; in the other car is Valeria, a supermodel who's just moved in with her lover Daniel, who has left his wife for her. As Valeria struggles to recover from her injuries her beloved dog is lost under the floor of the new apartment. Professor-turned-revolutionary El Chivo, who has been living as a derelict/assassin after a long prison sentence, rescues Octavio's injured dog from the crash. All three learn lessons about their lives from the dogs. Amores Perros opens with chaos, as Octavio and a friend drive away from the latest dogfight with the injured canine on the back seat and enemies in hot pursuit, then hops back, forward and sideways in time. It's a risky device, delaying crucial plot information for over an hour, but the individual stories, which weave in and out of each other with true-life untidiness, are so gripping you'll be happy to go along with them before everything becomes clear. Inarritu is a real find, a distinctive and subtle voice who upends all your expectations of Mexican filmmaking by shifting confidently from raw, on-the-streets violent emotion to cool, upper-middle-class desperation. A uniformly impressive cast create a gallery of unforgettable characters, some with only brief snippet-like scenes, others--such as Emilio Echevarria as the shaggy tramp with hidden depths--by sheer presence. On the DVD: The anamorphic presentation, augmented for 16:9 TV, is of a pristine print and shows off the imaginative cinematography (with non-removable yellow English sub-titles). The soundtrack is Dolby Digital 5.1 and there are 15-minutes' worth of additional scenes with commentary by Inarritu and writer Guillermo Arriaga (evidently the surviving trace of an entire feature commentary available on a Mexican DVD release), explaining why they were cut. With a behind-the-scenes featurette, a poster gallery, three related pop videos (two by Inarritu) and the trailer (and trailers for other Optimum releases) the special features offer a more than adequate addition to Amores Perros. --Kim Newman
The epic story of Lost twists turns and time-shifts in its outstanding fifth season. Packed with bonus material including a revealing interview with the cast and an exclusive behind-the-scenes feature Lost is better than ever on DVD. When destiny calls the Oceanic 6 find their way back to the island. Discover what forced them to return and find out the fate of all those who were left behind. The answers to some of Lost's most pressing questions are revealed in this spectacular 5-disc collection complete with deleted scenes and an incredible vault of exclusive bonus features. The show that revolutionised primetime proves once again why it is television's most
In the sequel to A Man Called Horse English nobleman Lord John Morgan (Richard Harris) returns to America to get reacquainted with his adopted Sioux tribe who are at war with the US government over their sacred land. As the situation reaches breaking point can he persuade them to take direct action against their oppressors?
From visionary filmmakers James Cameron (AVATAR) and Robert Rodriguez (SIN CITY), comes ALITA: BATTLE ANGEL, an epic adventure of hope and empowerment. When Alita (Rosa Salazar) awakens with no memory of who she is in a future world she does not recognize, she is taken in by Ido (Christoph Waltz), a compassionate doctor who realizes that somewhere in this abandoned cyborg shell is the heart and soul of a young woman with an extraordinary past. As Alita learns to navigate her new life and the treacherous streets of Iron City, Ido tries to shield her from her mysterious history while her street-smart new friend Hugo (Keean Johnson) offers instead to help trigger her memories. But it is only when the deadly and corrupt forces that run the city come after Alita that she discovers a clue to her past she has unique fighting abilities that those in power will stop at nothing to control. If she can stay out of their grasp, she could be the key to saving her friends, her family and the world she's grown to love.
Pele's meteoric rise from the slums of Sao Paulo to leading Brazil to its first World Cup victory at the age of 17 is chronicled in this biographical drama.
This is the award winning Brazilian tale of a poor black kid who, as narrator, tells of life in the dangerous 'City of God' housing project in Rio de Janeiro.
By the second half of the second series of Lost, the debates are really hotting up. Is it the most cleverly plotted, densely packed television programme of recent times, cunningly working on many levels and lacing lots of hidden clues as it moves along? Or is it pretentious, slow-moving tosh, that's desperately trying to stretch out a simple concept to fill as many seasons as possible?
Director Richard Brooks' marvellous ode to friendship, loyalty and disillusionment The Professionals may not have the stylistic bravado or fatalistic doom of Sam Peckinpah's more famous The Wild Bunch, but Brooks' storytelling is simple and steady and just as insightful. The difference is that Brooks is a lot more optimistic. Lee Marvin and Burt Lancaster are buddies who have drifted into oblivion after fighting together in the Mexican Revolution. Marvin, the principled loyalist and munitions expert, lost his wife and his heart. Lancaster, the dynamite expert and unprincipled adventurer, keeps losing his pants. They team up with wrangler Robert Ryan and archer Woody Strode to rescue the beguiling Claudia Cardinale, who has been kidnapped by their old revolutionary buddie Jack Palance. So it's back into bloody Mexico they go on a "mission of mercy" for railroad tycoon Ralph Bellamy, who's paying handsomely for the return of his wife. But nothing is what it seems in this exciting, existential adventure, which was beautifully shot by Conrad Hall. Sarcastic quips, philosophical musings and heart-rending reversals underlie Brooks' humanistic sentiments. These are tired, world-weary men who somehow find the strength and the will to pull together for the sake of love and commitment. Through it all, Brooks seems to be lamenting a decline in professionalism much deeper than his story. He's decrying Hollywood and the society at large, anticipating Peckinpah's later strategy. --Bill Desowitz
This is the award winning Brazilian tale of a poor black kid who, as narrator, tells of life in the dangerous 'City of God' housing project in Rio de Janeiro.
Steve McGarrett comes to Hawaii to avenge his father's death but when the governor offers his own task force, he accepts. He picks up team members on the way, Danny Williams, the head detective on his father's case, Chin Ho Kelly, a former HPD Detective who was fired for accused corruption and McGarrett's father's old patrol partner, Kono Kalakaua, a Cadet at the Police Academy who's 1 week from graduating, and Captain Lou Grover, a former Chicago PD Head of SWAT.
The concluding part of Lost: Season 1!. From J.J. Abrams the creator of Alias comes an action-packed adventure that will bring out the very best and the very worst in the people who are lost on a faraway desert island... Out of the blackness the first thing Jack (Matthew Fox) senses is pain. Then burning sun. A Bamboo forest. Smoke. Screams. With a rush comes the horrible awareness that the plane he was on tore apart in mid-air and crashed on a Pacific island. From
Lost: Season One Along with Desperate Housewives, Lost was one of the two breakout shows of 2004. Mixing suspense and action with a sci-fi twist, it began with a thrilling pilot episode in which a jetliner traveling from Australia to Los Angeles crashes, leaving 48 survivors on an unidentified island with no sign of civilisation or hope of imminent rescue. That may sound like Gilligan's Island meets Survivor, but Lost kept viewers tuning in every Wednesday night--and spending the rest of the week speculating on Web sites--with some irresistible hooks (not to mention the beautiful women). First, there's a huge ensemble cast of no fewer than 14 regular characters, and each episode fills in some of the back story on one of them. There's a doctor; an Iraqi soldier; a has-been rock star; a fugitive from justice; a self-absorbed young woman and her brother; a lottery winner; a father and son; a Korean couple; a pregnant woman; and others. Second, there's a host of unanswered questions: What is the mysterious beast that lurks in the jungle? Why do polar bears and wild boars live there? Why has a woman been transmitting an SOS message in French from somewhere on the island for the last 16 years? Why do impossible wishes seem to come true? Are they really on a physical island, or somewhere else? What is the significance of the recurring set of numbers? And will Kate ever give up her bad-boy fixation and hook up with Jack? Lost did have some hiccups during the first season. Some plot threads were left dangling for weeks, and the "oh, it didn't really happen" card was played too often. But the strong writing and topnotch cast kept the show a cut above most network TV. The best-known actor at the time of the show's debut was Dominic Monaghan, fresh off his stint as Merry the Hobbit in Peter Jackson's Lord of the Rings films. The rest of the cast is either unknowns or "where I have I seen that face before" supporting players, including Matthew Fox and Evangeline Lilly, who are the closest thing to leads. Other standouts include Naveen Andrews, Terry O'Quinn (who's made a nice career out of conspiracy-themed TV shows), Josh Holloway, Jorge Garcia, Yunjin Kim, Maggie Grace, and Emilie de Ravin, but there's really not a weak link in the cast. Co-created by J.J. Abrams (Alias), Lost left enough unanswered questions after its first season to keep viewers riveted for a second season. --David Horiuchi Lost: Season Two What was in the Hatch? The cliffhanger from season one of Lost was answered in its opening sequences, only to launch into more questions as the season progressed. That's right: Just when you say "Ohhhhh," there comes another "What?" Thankfully, the show's producers sprinkle answers like tasty morsels throughout the season, ending with a whopper: What caused Oceanic Air Flight 815 to crash in the first place? As the show digs into more revelations about its inhabitant's pasts, it also devotes a good chunk to new characters (Hey, it's an island; you never know who you're going to run into.) First, there are the "Tailies," passengers from the back end of the plane who crashed on the other side of the island. Among them are the wise, God-fearing ex-drug lord Mr. Eko (standout Adewale Akinnuoye-Agbaje); devoted husband Bernard (Sam Anderson); psychiatrist Libby (Cynthia Watros, whose character has more than one hidden link to the other islanders); and ex-cop Ana Lucia (Michelle Rodriguez), by far the most infuriating character on the show, despite how much the writers tried to incur sympathy with her flashback. Then there are the Others, first introduced when they kidnapped Walt (Malcolm David Kelley) at the end of season one. Brutal and calculating, their agenda only became more complex when one of them (played creepily by Michael Emerson) was held hostage in the hatch and, quite handily, plays mind games on everyone's already frayed nerves. The original cast continues to battle their own skeletons, most notably Locke (Terry O'Quinn), Sun (Yunjin Kim) and Michael (Harold Perrineau), whose obsession with finding Walt takes a dangerous turn. The love triangle between Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer (Josh Holloway), which had stalled with Sawyer's departure, heats up again in the second half. Despite the bloating cast size (knocked down by a few by season's end) Lost still does what it does best: explores the psyche of people, about whom "my life is an open book" never applies, and cracks into the social dynamics of strangers thrust into Lord of the Flies-esque situations. Is it all a science experiment? A dream? A supernatural pocket in the universe? Likely, any theory will wind up on shaky ground by the season's conclusion. But hey, that's the fun of it. This show was made for DVD, and you can pause and slow-frame to your heart's content. --Ellen Kim Lost: Season ThreeWhen it aired in 2006-07, Lost's third season was split into two, with a hefty break in between. This did nothing to help the already weirdly disparate direction the show was taking (Kate and Sawyer in zoo cages! Locke eating goop in a mud hut!), but when it finally righted its course halfway through--in particular that whopper of a finale--the drama series had left its irked fan base thrilled once again. This doesn't mean, however, that you should skip through the first half of the season to get there, because quite a few questions find answers: what the Others are up to, the impact of turning that fail-safe key, the identity of the eye-patched man from the hatch's video monitor. One of the series' biggest curiosities from the past--how Locke ended up in that wheelchair in the first place--also gets its satisfying due. (The episode, "The Man from Tallahassee," likely was a big contributor to Terry O'Quinn's surprising--but long-deserved--Emmy win that year.) Unfortunately, you do have to sit through a lot of aforementioned nuisances to get there. Season 3 kicks off with Jack (Matthew Fox), Kate (Evangeline Lilly), and Sawyer (Josh Holloway) held captive by the Others; Sayid (Naveen Andrews), Sun (Yunjin Kim), and Jin (Daniel Dae Kim) on a mission to rescue them; and Locke, Mr. Eko (Adewale Akinnuoye-Agbaje), and Desmond (Henry Ian Cusick) in the aftermath of the electromagnetic pulse that blew up the hatch. Spinning the storylines away from base camp alone wouldn't have felt so disjointed were it not for the new characters simultaneously being introduced. First there's Juliet, a mysterious member of the Others whose loyalty constantly comes into question as the season goes on. Played delicately by Elizabeth Mitchell (Gia, ER, Frequency), Juliet is in one turn a cold-blooded killer, by another turn a sympathetic friend; possibly both at once, possibly neither at all. (She's also a terrific, albeit unwitting, threat to the Kate-Sawyer-Jack love triangle, which plays out more definitively this season.) On the other hand, there's the now-infamous Nikki and Paulo (Kiele Sanchez and Rodrigo Santoro), a tagalong couple who were cleverly woven into the previous seasons' key moments but came to bear the brunt of fans' ire toward the show (Sawyer humorously echoed the sentiments by remarking, "Who the hell are you?"). By the end of the season, at least two major characters die, another is told he/she will die within months, major new threats are unveiled, and--as mentioned before--the two-part season finale restores your faith in the series. --Ellen A. Kim Lost: Season Four Season four of Lost was a fine return to form for the series, which polarized its audience the year before with its focus on The Others and not enough on our original crash victims. That season's finale introduced a new storytelling device--the flash-forward--that's employed to great effect this time around; by showing who actually got off the island (known as the Oceanic Six), the viewer is able to put to bed some longstanding loose ends. As the finale attests, we see that in the future Jack (Matthew Fox) is broken, bearded, and not sober, while Kate (Evangeline Lilly) is estranged from Jack and with another guy (the identity may surprise you). Four others do make it back to their homes, but as the flash-forwards show, it's definitely not the end of their connection to the island. Back in present day, however, the islanders are visited by the denizens of a so-called rescue ship, who have agendas of their own. While Jack works with the newcomers to try to get off the island, Locke (Terry O'Quinn), with a few followers of his own, forms an uneasy alliance with Ben (Michael Emerson) against the suspicious gang. Some episodes featuring the new characters feel like filler, but the evolution of such characters as Sun and Jin (Yunjin Kim and Daniel Dae Kim) is this season's strength; plus, the love story of Desmond (Henry Ian Cusick) and Penny (Sonya Walger) provides some of the show's emotional highlights. As is the custom with Lost, bullets fly and characters die (while others may or may not have). Moreover, the fate of Michael (Harold Perrineau), last seen traitorously sailing off to civilisation in season two, as well as the flash-forwards of the Oceanic Six, shows you never quite leave the island once you've left. There's a force that pulls them in, and it's a hook that keeps you watching. Season four was a shorter 13 episodes instead of the usual 22 due to the 2008 writers' strike. --Ellen A. Kim Lost: Season Five Since Lost made its debut as a cult phenomenon in 2004, certain things seemed inconceivable. In its fourth year, some of those things, like a rescue, came to pass. The season ended with Locke (Terry O'Quinn) attempting to persuade the Oceanic Six to return, but he dies before that can happen--or so it appears--and where Jack (Matthew Fox) used to lead, Ben (Emmy nominee Michael Emerson) now takes the reins and convinces the survivors to fulfill Locke's wish. As producers Damon Lindelof and Carlton Cuse state in their commentary on the fifth-season premiere, "We're doing time travel this year," and the pile-up of flashbacks and flash-forwards will make even the most dedicated fan dizzy. Ben, Jack, Hurley (Jorge Garcia), Sayid (Naveen Andrews), Sun (Yunjin Kim), and Kate (Evangeline Lilly) arrive to find that Sawyer (Josh Holloway) and Juliet (Elizabeth Mitchell) have been part of the Dharma Initiative for three years. The writers also clarify the roles that Richard (Nestor Carbonell) and Daniel (Jeremy Davies) play in the island's master plan, setting the stage for the prophecies of Daniel's mother, Eloise Hawking (Fionnula Flanagan), to play a bigger part in the sixth and final season. Dozens of other players flit in and out, some never to return. A few, such as Jin (Daniel Dae Kim), live again in the past. Lost could've wrapped things up in five years, as The Wire did, but the show continues to excite and surprise. As Lindelof and Cuse admit in the commentary, there's a "fine line between confusion and mystery," adding, "it makes more sense if you're drunk." --Kathleen C. FennessyLost: Season SixIts taken a long time to get here, but finally, the last season of Lost arrives, with answers to at least some of the questions that fans of the show have been demanding for the past few years. In true Lost fashion, it doesnt tie all its mysteries up with a bow, but it does at least answer some of the questions that have long being gestating. In the series opening, for instance, we finally learn the secret of the smoke monster, which is a sizeable step in the right direction.In terms of quality, the show has been on an upward curve since the end date of the programme was announced, and season six arguably finds Lost at its most confident to date. Never mind the fact that its juggling lots of proverbial balls: theres a very clear end point here, and the show benefits enormously from it. Naturally, Lost naysayers will probably find themselves more alienated than ever here. But this boxset nonetheless marks the passing of a major television show, one that has cleverly managed to reinvent itself on more than one occasion, and keep audiences across the world gripped as a result. Theres going to be nothing quite like it for a long time to come --Jon FosterSpecial Features TBC
In the days of silent film serials one of the noblest trios to grace the screen and get the bad guys was the Three Amigos: Dusty Bottoms (Chevy Chase) Lucky Day (Steve Martin) and Ned Nederlander (Martin Short). But when their Hollywood glory days wane they receive a letter from a desperate community in Mexico that thinks their heroic characters are for real: they want the Three Amigos to come to their tiny Mexican village and defeat the notorious bandit El Guapo (Alfonso Arau).
From executive producer J.J. Abrams (Fringe, Lost, Star Trek) comes Alcatraz, a chilling new drama revolving around America's most infamous prison, the one-time home to the nation's worst murderers, rapists, kidnappers, thieves and arsonists.When San Francisco Police Department detective Rebecca Madsen is assigned to a grisly homicide case, a fingerprint leads her to a shocking suspect: Jack Sylvane, an Alcatraz inmate who died over 30 years ago. Given her family history - both her grandfather and surrogate uncle, Ray Archer, were guards at the prison - Madsen's interest is immediately piqued, and once the enigmatic, knows-everything-but-tells-nothing government agent Emerson Hauser tries to impede her investigation, she's doggedly committed. Madsen turns to Alcatraz expert and comic book enthusiast Dr. Diego Doc Soto to piece together the inexplicable sequence of events. The two discover that Sylvane is not only alive, but he's loose on the streets of San Francisco, exacting decades-old revenge and leaving bodies in his wake. And, strangely, he hasn't aged a day since 1963 when Alcatraz was ruled by the iron-fisted Warden Edwin James and the sadistic Associate Warden E.B. Tiller.Madsen and Soto reluctantly team with Hauser and his technician, Lucy Banerjee, to stop Sylvane's vengeful killing spree. By delving into Alcatraz history, government cover-ups and Madsen's own heritage, the team will ultimately discover that Sylvane is only a small part of a much larger, more sinister present-day threat. For while he may be the first to reappear from Alcatraz, it quickly becomes clear that Sylvane won't be the last.Through the course of the investigation, Madsen and Soto will learn that Hauser has been awaiting the prisoners' return for nearly 50 years. Soto will witness his life's work - the history of Alcatraz - come alive. Madsen will be forced to keep her supportive San Francisco cop fianc, Jimmy Dickens, at arm's length from the highly classified assignment as she sees everything she thought she knew about her family's past shattered, all while fighting to keep the country safe from history's most dangerous criminals.
If David Mamet had been born in Buenos Aires instead of Chicago, Nine Queens is most likely the kind of movie he'd be making. An intricate, playful scam caper, where not only the characters but we the audience are constantly trying to suss out who's screwing whom--and how, and why--it's a movie very much in the Mametian mould. But at the same time the Argentinian setting gives Fabian Bielinsky's debut feature a specifically Latin pungency and the urgent sense of a society teetering over a financial abyss. Which is all the more remarkable since, even though a key plot-point turns on a bank going bust, the movie was made a few months before the Argentinean economy went belly-up. The intrigue grips from the very outset as Juan, a young con artist, overreaches himself in a grocery store. He's rescued from disaster by Marcos, an older and more experienced grifter, who then takes him on in a master-pupil relationship. When the chance of a major coup involving some rare stamps (the Queens of the title) turns up, the partnership starts coming under strain; can either one really trust the other? And is either who he pretends to be? The plot suffers from a few implausibilities and loose ends, but sustains its momentum beguilingly. Ricardo Darín, as the saturnine Marcos, and Gastón Pauls as the fresh-faced, seemingly ingenuous Juan play off each other beautifully--but the dominant character is the seething, hustling city of Buenos Aires itself, where social mores are fluid and uncertain, and everybody has his eye out for the main chance. This is a society Bielinsky (who also scripted) clearly knows intimately, and like a true con-artist he makes shrewd use of his expertise to keep us guessing right up to the final twist. -Philip Kemp
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