Holland (Charles Bronson) a professional killer is persuaded to come out of retirement when his friend a Latin American journalist is tortured to death by his country's dictator - the sadistic Dr. Clement Moloch. The journalist's widow Rhiana (Theresa Saldana) and her daughter Sarah provide cover for Holland by posing as his family. As Holland gets closer to Moloch and his coterie he begins to fear more for 'his' family's safety and insists they leave so he can get on with his deadly mission but the idealistic Rhiana is determined to witness the death of her husband's killer.
Dino De Laurentiis' remake of the original hairy monster movie features remarkable special effects by Rick Baker. Fred Wilson (Charles Grodin) head of an oil drilling expedition to the remote island of Micronesia discovers a stow-away on his ship Jack Prescott (Jeff Bridges) a zoologist in search of a prehistoric creature fabled to exist on the island. Off the coast of Micronesia they rescue Dwan (Jessica Lange) a beautiful woman shipwrecked in the treacherous seas. On the islan
Nominated* for 4 Oscars® and named one of Time Magazine's ALL-TIME 100 Best Films, CITY OF GOD tells a powerful true story of crime and redemption. The streets of the world's most notorious slum, Rio de Janeiro's City of God, are a place where combat photographers fear to tread, police rarely go and residents are lucky if they live to the age of 20. In the midst of the oppressive crime and violence, a frail and scared young boy will grow up to discover that he can view the harsh realities of his surroundings differently with the eye of an artist. In the face of impossible odds, his brave ambition to become a professional photographer becomes a window into his world and ultimately his way out. â â â â ! Chicago Sun-Times *Nominations: Directing; Writing (Adapted Screenplay); Cinematography; and Film Editing, 2003. Extras: News from a Personal War Documentary A Conversation With Fernando Meirelles
One man alone understood the savagery of the early American west from both sides and is assigned to aid the US Cavalry in tracking down the notorious Apache warrior Ulzana and his band of renegade Indians...
Groundbreaking and hugely celebrated for numerous reasons Cuba's greatest director Thomas Guiterrez Alea's (Memories Of Underdevlopment) Strawberry And Chocolate (Fresa Y Chocolate) was the first Cuban film ever to receive an Academy Award nomination thanks to its revelatory plot masterful direction and phenomenally crafted performances. Diego a cultivated apolitical sceptical young artist living in Havana initiates a friendship with fiercely communist homophobe David with the intention of seducing him. David knowing this allows the relationship to build so he can spy on a person he sees as aberrant and dangerous to the communist cause. Despite their conflicting sexualities and political ideologies the two slowly build a relationship out of their differences proving that camaraderie and friendship can overcome the most divisive superficialities. An exploration into the seduction of the mind Strawberry And Chocolate shows how politics can shape lives opinions and relationships. Hugely controversial in Cuba even now the film was the first to feature a gay man as the hero while openly criticising the Government and its widespread intolerance. It was this picture that started the dialogue that has only last year allowed Brokeback Mountain to be shown in Havana. Charming nuanced groundbreaking and thought provoking Strawberry And Chocolate is a clear-cut declaration that even in spite of politics love for your fellow man will always triumph if allowed to.
Two aging gunfighters (Nelson Kristofferson) re-form their old gang to avenge the murder of one of the former members...
Set in the early 1900s Bunuel's surprisingly mainstream and riveting romantic melodrama is the powerful tale of two escaped convicts Gerardo (Jorge Negrete) and Demetrio (Julio Villarreal) who convince and Argentinean oil magnate to let them work on his rig. When he suddenly disappears his sister (Libertad Lamarque) immediately suspects the two workers of foul play but her attraction to Gerardo soon leads her to secretly team up with him to conduct their own murder investigation.
Howard Hawks's final film once again teams him with John Wayne with a script by Leigh Brackett (who also wrote his 'El Dorado' and 'Rio Bravo'). The time is just after the end of the Civil War. Wayne is Union Colonel Cord McNally who is teamed with two Confederate soldiers he captured during the war in order to take down a thieving bootlegger. Their travels take them to a small town being held in terror by an evil Sheriff. McNally and his crew decide to help the townspeople with
Following the banning and burning of his novel 'The Rainbow' D.H. Lawrence (McKellen)and his wife Frieda travel to the United States and then to Mexico. When Lawrence contracts tuberculosis they return to England for a short time then to Italy where Lawrence is inspired to write 'Lady Chatterley's Lover'...
Jeff Bridges, Jessica Lange and Charles Grodin star in this remake of the adventure classic from director John Guillermin. Oil executive Fred Wilson (Grodin) sees the chance to make his fortune when he stumbles upon a remote island whose inhabitants worship a giant ape-god named Kong. Capturing the mighty beast, Wilson brings Kong back to New York, earmarking him as the greatest attraction to come to Broadway. The ape has other ideas, however, as he looks to escape and goes on the rampage through the streets of the Big Apple.
Season 1And so it begins. Its hard to pinpoint just when you realise how good Lost actually is. Granted, the opening episode is an astonishingly assured way to start, replete with an almighty plane crash on a seemingly deserted desert island. Yet as those who have followed the hype are well aware, theres far more on offer here, with carefully woven plotlines introducing a series of characters who are slowly and intriguingly fleshed out throughout the 25 episodes in this set.At its best, Lost is a delicately layered adventure, laced with some stand-out moments. Youll find ample instances of them here, as well as umpteen examples of the quality of writing that underpins the show. Far fetched? Yes, occasionally, and you could also argue that it takes a while to recapture the energy of those dramatic opening episodes. But this is still a lavish, compulsive show that benefits heavily from its clearly substantial production budget.Naturally as there are more episodes made and planned, there are plenty of building blocks being put in place for later on, both through the evolving life on the island and the plethora of flashbacks that back it up. Yet its at this point that the quality of Lost really hits home, thanks to lots of short term excitement with plenty still to enjoy as the show progresses. That makes Lost Series One a rewarding purchase, and one that promises even greater things ahead.--Simon Brew Season 2Season two of the television phenomenon that is Lost is where the questions, in many senses, started to be asked. Picking up directly after that first season cliffhanger, it sets off at a belting pace, continuing the adventures of a group of people stranded on a desert island following a place crash. Only, as becomes increasingly clear, the island is a mysterious place, and the survivors appear not to be alone.In true Lost fashion, the second season of the show is far better at firing out fresh questions than resolving previous ones, although again, it delights in throwing out clues that the web-inclines can research across the legion of unofficial fan websites. For the viewer of the second series of Lost though, theres plenty to like, and plenty to tear their hair out over.On the downside, after an intriguing beginning, too much of the second series settles into a comfortable rhythm, conforming too rigidly to a recipe of plenty of backstory, and not too much advancement of the main narrative. Its a device that worked first time round, but becomes tiring during the saggy middle episodes. Its a fair argument too that things move far too slowly and for little good reason.The upsides? Again, quite a few. Theres little doubt that the premise still holds intrigue, and the top and tail of season two are excellent. The last quarter, for instance, is both meaty and very entertaining, even offering clues to how the whole show may eventually end. So while even the Lost purest will surely conclude that season two is an uneven dish, theres still much to feast on, albeit with the hope that season three gets round to answering a few more question. Please. --Simon BrewSeason 3Theres a steady pattern forming to seasons of Lost, where the narrative by turns manages to enthral and frustrate with equal measure. And the shows makers are clearly wise to this, as while elements of the third season revert to type, theres a clear and genuine effort to energise a programme that continues to stretch its simple premise as far as it can.So while Lost still compromises of a group of plane crash survivors marooned on a mysterious island, theres plenty else being thrown into the pot. Season three finds new characters, greater exposition of the mysterious others, the obligatory background character work, and a pronounced fracturing of relations between many of the survivors.It too also manages to hint at some answers to the many conundrums that it continues to pose, not least a concluding episode that itself should keep fan debates fuelled until well into the next series. And, chief among its accomplishments, Lost still manages to keep us interested, and leaves plenty in the tank for the future as well.In short, theres little danger youll be short-changed by Lost season three thanks to its ideas, its nerve, and the continued clues it teasingly leaves along the way. As fascinating as it always was. --Jon FosterSeason 4Anybody whose faith in Lost was beginning to waiver will surely appreciate the fourth season of the show. For this is Lost firing on all cylinders, showing a willingness to answer a few more questions than usual, while not being afraid to deepen elements of the mystery of Ocean 815.The big new idea for Lost season four, as introduced in the cliffhanger at the end of the previous run, is flash-forwards, where we see some of the characters after they?ve left the island. This freshens the show immensely, and gives the writers some much-needed new meat to chew on. As a result, characters are more convincingly fleshed out, and more fun is had with the narrative in general.There are still a few of the ailments that have hindered Lost in the past. Whenever Matthew Fox's Jack takes centre-stage, for instance, it still tends to be an episode to forget, while one or two sub-plots are allowed to meander a little more than they should. Yet it's a transitionary season, moving the show towards its final two years by beginning to fill in some of the blanks we?ve been lacking. And with a cliffhanger at the end that, once more, has the potential to firmly pull the rug from under your feet, it?s very clear that Lost has plenty more tricks up its sleeve to come. A terrific season of an increasingly bold show. --Simon Brew
If David Mamet had been born in Buenos Aires instead of Chicago, Nine Queens is most likely the kind of movie he'd be making. An intricate, playful scam caper, where not only the characters but we the audience are constantly trying to suss out who's screwing whom--and how, and why--it's a movie very much in the Mametian mould. But at the same time the Argentinian setting gives Fabian Bielinsky's debut feature a specifically Latin pungency and the urgent sense of a society teetering over a financial abyss. Which is all the more remarkable since, even though a key plot-point turns on a bank going bust, the movie was made a few months before the Argentinean economy went belly-up. The intrigue grips from the very outset as Juan, a young con artist, overreaches himself in a grocery store. He's rescued from disaster by Marcos, an older and more experienced grifter, who then takes him on in a master-pupil relationship. When the chance of a major coup involving some rare stamps (the Queens of the title) turns up, the partnership starts coming under strain; can either one really trust the other? And is either who he pretends to be? The plot suffers from a few implausibilities and loose ends, but sustains its momentum beguilingly. Ricardo Darín, as the saturnine Marcos, and Gastón Pauls as the fresh-faced, seemingly ingenuous Juan play off each other beautifully--but the dominant character is the seething, hustling city of Buenos Aires itself, where social mores are fluid and uncertain, and everybody has his eye out for the main chance. This is a society Bielinsky (who also scripted) clearly knows intimately, and like a true con-artist he makes shrewd use of his expertise to keep us guessing right up to the final twist. -Philip Kemp
Jesus (Héctor Media), a young hairdresser working at a Havana nightclub dreams of being a performer. Encouraged by his mentor, Mama (Luis Alberto GarcÃa), Jesus finally gets his chance to take the stage. But when his estranged father Angel (Jorge PerugorrÃa) abruptly re-enters his life, his world is quickly turned upside down. Set in contemporary Cuba, Viva is a tender love story of a father and son struggling to escape from opposing expectations, duty and the burden of past sins.
The epic story of Lost twists turns and time-shifts in its outstanding fifth season. Packed with bonus material including a revealing interview with the cast and an exclusive behind-the-scenes feature Lost is better than ever on Blu-ray. When destiny calls the Oceanic 6 find their way back to the island. Discover what forced them to return and find out the fate of all those who were left behind. The answers to some of Lost's most pressing questions are revealed in this spectacular 5-disc collection complete with deleted scenes and an incredible vault of exclusive bonus features. The show that revolutionised primetime proves once again why it is television's most addictive and creative series.
The second volume of this hot boys shorts series takes us deep in to hidden psyches, revelations of long-held secrets, to a boys boarding school for the birth of a love affair, inside an explosive internet encounter, and at the centre of a teen party where infatuations quickly turn lives upside down. Featuring: Beyond Plain Sight, Like Father, Lost Years, Salt and Turn It Around
From executive producer J.J. Abrams (Fringe, Lost, Star Trek) comes Alcatraz, a chilling new drama revolving around America's most infamous prison, the one-time home to the nation's worst murderers, rapists, kidnappers, thieves and arsonists.When San Francisco Police Department detective Rebecca Madsen is assigned to a grisly homicide case, a fingerprint leads her to a shocking suspect: Jack Sylvane, an Alcatraz inmate who died over 30 years ago. Given her family history -- both her grandfather and surrogate uncle, Ray Archer, were guards at the prison -- Madsen's interest is immediately piqued, and once the enigmatic, knows-everything-but-tells-nothing government agent Emerson Hauser tries to impede her investigation, she's doggedly committed. Madsen turns to Alcatraz expert and comic book enthusiast Dr. Diego Doc Soto to piece together the inexplicable sequence of events. The two discover that Sylvane is not only alive, but he's loose on the streets of San Francisco, exacting decades-old revenge and leaving bodies in his wake. And, strangely, he hasn't aged a day since 1963 when Alcatraz was ruled by the iron-fisted Warden Edwin James and the sadistic Associate Warden E.B. Tiller.Madsen and Soto reluctantly team with Hauser and his technician, Lucy Banerjee, to stop Sylvane's vengeful killing spree. By delving into Alcatraz history, government cover-ups and Madsen's own heritage, the team will ultimately discover that Sylvane is only a small part of a much larger, more sinister present-day threat. For while he may be the first to reappear from Alcatraz, it quickly becomes clear that Sylvane won't be the last.Through the course of the investigation, Madsen and Soto will learn that Hauser has been awaiting the prisoners' return for nearly 50 years. Soto will witness his life's work -- the history of Alcatraz -- come alive. Madsen will be forced to keep her supportive San Francisco cop fianc, Jimmy Dickens, at arm's length from the highly classified assignment as she sees everything she thought she knew about her family's past shattered, all while fighting to keep the country safe from history's most dangerous criminals.
In Bolivia's Amazon basin corporate cattle ranches are replacing the rain forest. When Santos charismatic leader of the union of rubber tappers forges an alliance with Indians to protest deforestation he is assassinated. O'Brien a US photo-journalist lacking skills as an investigator wants a story when he thinks the police have framed and murdered an innocent Indian as the assassin. In his search for the truth he involves Lysa Rothman who worked for Santos and with whom he falls in love. As he becomes ever more deeply embroiled he not only needs Lysa's help but that of the Indians' leader. How many will O'Brien endanger to get his story?
The world is teetering on the brink of apocalypse. A group of survivors have found themselves isolated from the remnants of society and under siege living in a subterranean bunker. They dare not abandon the crumbling complex as it is the only security from the enemy that awaits them outside. Living in a constant state of fear, they face the fact that food supplies and ammunitions are running out, giving them no choice but to leave the secure area. Together they start their quest for survival, facing an enemy that is stronger than expected, with a power that can destroy all of mankind.
Real women take chances have flaws embrace life... Should Ana leave home go to college and experience life? Or stay home get married and keep working in her sister's struggling garment factory? It may seem like an easy decision but for 18 year-old Ana every choice she makes this summer will change her life. At home she is bound to a mother who wants her to become someone she's not. But at school she's encouraged by a teacher who sees her potential and adored by a boyfr
On the verge of achieving his dream career Tomás allows his older brother Martín Farina an inside look at his life as a professional football player. Martín never able to fulfill his own dream of playing football steps into the world of Tomás and his teammates through the lens of his camera. However the rest of the club has their own opinions – some viewing Martín as an intruder as he exposes their most vulnerable moments and their concerns for the future after the game has ended. Fulboy offers an uncensored confessional look at how the athletes behind the most popular sport in the world behave during their time off the field. At the same time Fulboy reflexively interrogates Farina’s aesthetic choices and point-of-view – as well as the viewer’s gaze at the male form.
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