When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
A box set of classic Warner Brother's musicals. Includes: 1. My Fair Lady (Dir. George Cukor 1964) 2. Singin' in the Rain (Dirs. Stanley Donen & Gene Kelly 1952) 3. High Society (Dir. Charles Walters 1956) 4. Calamity Jane (Dir. David Butler 1953) 5. Gigi (Dir. Vincente Minnelli 1958) 6. Annie Get Your Gun (Dir. George Sidney 1950) 7. Meet Me In St Louis (Dir. Vincente Minnelli 1944) 8. Seven Brides For Seven Brothers (Dir. Stanley Donen 1954) 9. The Wizard Of Oz (Dir. Victor Fleming 1939)
""Everybody Out!"" Available for the very first time on DVD - all eight hilarious episodes of the BBC's top situation comedy of the early 1960s! Life in the Fenner Fashions workshop is constantly disrupted by wildcat industrial action as firebrand shop steward Paddy (Miriam Karlin) takes on penny-pinching proprietor Harold Fenner (Peter Jones) over anything and everything! It seems like every day Paddy's blowing her whistle and yelling 'everybody out!'. Poor foreman Reg (Reg V
Woody Allen's Celebrity--a portrait of the celebrity life as seen through the eyes of a newly divorced couple--is a black-and-white, New York-style La Dolce Vita that's a chillier flip side to Allen's earlier New York valentine, Manhattan. Despite a few missteps, though, it's an admirable (if dark) and worthy addition to the Allen pantheon. Kenneth Branagh and Judy Davis (both boasting American accents) star as the ex-couple, each struggling to build new, separate lives in a media-saturated, celebrity-driven world. Branagh tries his hand at celebrity profiles (while peddling a screenplay to any star that will listen) and falls into the lap of a bosomy starlet (Melanie Griffith), the first in a long line of briefly attainable women. Davis runs into a producer (Joe Mantegna) who offers her a job as a TV personality as well as a loving relationship. This seemingly simple double plot is punctuated with twists and turns in the form of flashbacks and innumerable side trips, all ravishingly photographed in black and white by the legendary Sven Nykvist, and populated by one of Allen's largest casts ever; if you blink you'll miss countless cameos by Isaac Mizrahi, Donald Trump, Hank Azaria, Leonardo DiCaprio and a host of others. While Davis is splendid as usual (aside from the requisite nervous breakdown scene she's done one too many times), somebody should have told Branagh to put a kibosh on his Woody Allen imitation. His failure in the role, however, isn't entirely his fault, as it's another in a long line of unlikable male protagonists which Allen has created, as if daring audiences to hate his main characters after loving them in such movies as Manhattan and Annie Hall. Far more enjoyable misadventures with Branagh include Charlise Theron in the film's best performance as a libidinous supermodel with a penchant for Echinacea; a stunning Famke Janssen as a successful book editor; and Winona Ryder, acting like an adult for the first time, as an aspiring actress. But they all manage to slip through Branagh's fingers by the end of the film. --Mark Englehart, Amazon.com
The lowest point in Disney's opportunistic revisionism of source stories for its animated features in the 1990s, Pocahontas presents the title character (voiced by Irene Bedard) as a voluptuous Indian babe who falls for the British plunderer Captain John Smith (Mel Gibson). Half-baked if trendy paganism abounds in the film's depiction of nature as possessing consciousness (though talking trees certainly aren't new to cartoons). But the dubious legitimacy of the film's premise and characterisations calls everything into question. The songs by Alan Menken and Stephen Schwartz--while Oscar-winning--fall short of the standard Menken achieved in superior Disney predecessors including The Little Mermaid, Beauty and the Beast and Aladdin. --Tom Keogh
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Box set of the decades 1940s 1950s and 1960s featuring highlights and clips of musicals - Kismet Singing In The Rain Seven Brides For Seven Brothers The Sound Of Music West Side Story Mary Poppins Oliver Funny Girl and so many more with a host of stars.
Star Maidens is regarded as one of the most fascinating sc-fi series ever made; an Anglo-German production. It stars Judy Geeson Dawn Adams Lisa Harrow and Gareth Thomas. Star Maidens is the story of a planet ruled by women - The Star Maidens. This gender reversal saga captures the essence of camp European glam fashion perfectly. All 13 episodes are featured and they are sure to appeal to sc-fi fanatics and cult TV enthusiasts alike. Episode listing: 1. Escape to Paradise
Scrubs: Season 1-7 Boxset (26 Discs)
Dating from 1976, The Likely Lads belongs to an often-reviled genre--the feature-length spin-off from the 1970s sitcom. However, these were often a great deal better than TV purists make them out to be. The Dad's Army film, for example, more than measures up to the original series, the first Steptoe and Son movie is as sublime as any 1960s kitchen sink drama and much funnier, while this incarnation of The Likely Lads reaches heights of hilarity not even scaled by the splendid sitcom from which it was derived. Starring Rodney Bewes as Bob and James Bolam as Terry, this is an aimless but endlessly entertaining saga that takes in a calamitous caravan holiday in drizzly Northumbria, a farcical escapade in a seaside guest house and innumerable minor capers in between. The real business here, however, is in Dick Clement and Ian La Frenais' script and characterisation. Most of their best work involves men in confinement of some sort (Porridge, Auf Wiedersehen Pet) and here it's Bob who finds himself timidly chafing at the clutches of domestic "bliss" as personified by wife Thelma (played magnificently and underratedly by Brigit Forsyth, avoiding all the usual battleaxe clichés). He's jealous of the footloose Terry, even though the latter is clearly frustrated at his rootless existence ("I've learned nothing. Y'know what it'll say on my gravestone? "None the Bloody Wiser"!"). Beyond a mere nostalgia-fest, this is vintage, essential Brit-comedy. On the DVD: The Likely Lads is presented in widescreen 1.78:1. Unfortunately, this comedic milestone comes only with the original trailer by way of extras. --David Stubbs
The ebullient comedy films of the 1930s brought escape and laughter to millions of British cinemagoers enabling veteran stars of the music-hall and theatre to reach out to a wider audience – making household names of performers like Leslie Fuller Hal Gordon Bobby Howes Ernest Lotinga and Gene Gerrard. Although comedy would prove to be the decade's most successful film genre many of these classic early talkies have remained unseen since their original release. This ongoing collection showcases a wealth of rare features each presented uncut in a brand-new transfer from the best available elements in their as-exhibited theatrical aspect ratio. LET ME EXPLAIN DEAR (1932) A husband flirts with a pretty girl after a taxi smash but a delicate situation ensues when he has to explain the presence of her necklace in his pocket! Black and White / 73 mins / 1.33:1 / Mono / English. THE OUTCAST (1934) A music-hall star and his best mate are conned out of their earnings (twice!) and left with nothing but a beloved greyhound. Black and White / 73 mins / 1.33:1 / Mono / English.
Cliff Herlihy (Paul Kelly) has a terrible nightmare in which he sees himself killing a complete stranger. When Cliff awakens he discovers evidence that his nightmare was no dream at all. Whilst sheltering from a storm in a remote mansion Vince and Cliff discover a mirrored room - just like the one in Cliff's nightmare. When the mansion's owner reveals himself to be a hypnotist Grayson has to unravel the strange happenings before his friend is driven to suicide.
In the spy-crazed film world of the 1960s, Len Deighton's antihero Harry Palmer burst onto the scene as an antidote to the James Bond films. Here was a British spy who had a working-class accent and horn-rimmed glasses and above all really didn't want to be a spy in the first place. As portrayed by Michael Caine, Palmer was the perfect antithesis to Sean Connery's 007. Unlike that of his globetrotting spy cousin, Palmer's beat is cold, rainy, dreary London, where he spends his days and nights in unheated flats spying on subversives. He does charm one lady, but she's no Pussy Galore, just a civil servant he works with, sent to keep an eye on him. Eventually he's assigned to get to the bottom of the kidnapping and subsequent "brain draining" of a nuclear physicist, all the while being reminded by his superiors that it's this or prison. Things begin to get pretty hairy for Harry. Produced by Harry Saltzman in his spare time between Bond movies, the film also features a haunting score by another Bond veteran, composer John Barry. --Kristian St. Clair, Amazon.com
A sumptuous adaptation of the E.M. Forster novel in which a widow is sent to Italy by her in-laws to recuperate whereupon she falls in love with a young Italian dentist...
George is trying to put his life back together again after numerous set-backs, as well as falling far from grace with his ex-wife, Stacie (Jessica Biel), and young son Lewis (Noah Lomax).
Goodbye Gemini
An early creation of multi-award-winning writer and producer Russell T. Davies (Doctor Who, Queer as Folk), and producer Antony Wood (Coronation Street, Hollyoaks), this innovative late-night soap opera traces the secrets, scandals and conflicts of the wealthy family of a Church of England bishop.Exploring dramatic and controversial themes close to Davies' heart, Revelations stars Paul Shelley as the morally flawed Edward Rattigan and Judy Loe as his manipulative wife, Jessica, both of whom have to deal with their troubled son Gabriel, a methadone addict whose homosexuality is a closely guarded secret, and promiscuous daughter Charlie. Lucy Robinson plays Rachel - who enters the turbulent, secretive and collusive family via marriage to Gabriel, but finds herself out of her depths in a world in which nothing is ever quite as it seems.
Today the pond! Tomorrow the world! Jumping with action suspense revenge and Southern Gothic charm Frogs stars Ray Milland Sam Elliott and Joan Van Ark are constantly a lily away from croaking! Joan Crockett (Milland) is an aging physically disable millionaire who invites this family to his island estate for his birthday party. The old man is more than crotchetyhe's crazy! Hating nature Crockett poisons anything that crawls on his property. But on the night
Alastair Sim stars as the eccentric and irreverent Inspector Cockrill of the Kent County Police alongside Trevor Howard and Rosamund John in this truly classic and suspenseful murder mystery from the acclaimed film-making partnership of Frank Launder and Sidney Gilliat. August 1944. German flying bombs are raining down on London. Directly under their flight path is a small cottage hospital. Inside the tension is almost unbearable for the dedicated team of surgeons and nurses - and not just because of the 'doodlebugs' and near misses. Their close-knit community is torn apart by jealousy emotional turmoil the horrors of war.and terrible secrets. When the local postman is brought in delirious but trying to impart an urgent message - the murders begin. Inspector Cockrill is called in to investigate a truly baffling case where everyone has secrets - but no-one appears to have a motive. Alastair Sim is at his very best in this thrilling whodunit that will keep you guessing until the very last chilling moments of the film.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy