Feature fi lm of the BBC TV series in which Dr Del Shaw (Ian Bannen) of Doomwatch - the British government's environmental monitoring organisation - travels to the island of Balfe to investigate pollution. A year earlier, an oil tanker's cargo contaminated the local waters - but has there been any adverse long-term effects - such as the villager menfolk transforming into near-neanderthals? Judy Geeson, Percy Herbert and George Sanders co-star.
Available for the first time on DVD! Buster & Chauncey the world's greatest Mouse-icians befriend a poor little orphan girl Christina as they make their way to the annual Christmas Pageant in Oberndorf. But when they encounter two evil villains determined to wreck the Christmas Eve festivities Buster and Chauncey do everything they can to save the day and show the true meaning of Christmas...
Two episodes from the popular TV detective series. The Dead Of Jericho Morse who never quite finds romance thinks that at last things will turn out differently when he meets beautiful Anne Stavely. But it is a love destined not to be when Anne is found hanging from a beam in mysterious circumstances. Morse suspects murder and sets out to discover the truth. Joining him is Sergeant Lewis and their investigation into 'The Dead Of Jericho' is the beginning of a lasting partn
Impostor
Includes Jailhouse Rock Trouble With Girls Spinout and Double Trouble. Jailhouse Rock: Elvis stars as Vince Everett a small-time convict introduced to the music business by his cellmate a former country music singer who also teaches Vince the guitar. On his release Vince tastes success as a performer but becomes disillusioned by the record industry until he is advised to set up his own label. He is a sensation but now that he is a superstar will he forget the people who
Clive Brook and John Clements star as naval officers at odds with one other in this thrilling drama from Ealing Studios that pits duty against love during wartime. The final film from rising star Pen Tennyson, killed a year later on active service, Convoy is presented here as a brand-new transfer from original film elements in its as-exhibited theatrical aspect ratio. Returning to port after a long and tiring tour of duty, Captain Armitage receives orders to take his warship and urgently escort a fleet of merchantmen safely to Britain. Reaching the convoy, Armitage realises that one ship is missing and amongst the refugees it is carrying is his ex-wife, Lucy. SPECIAL FEATURE: Image gallery
An animated comedy following a spy agency, known as the International Secret Intelligence Service (ISIS), and the lives of its highly trained employees. Their work of espionage, reconnaissance missions and undercover surveillance prove just to be opportunities for the ISIS staff to undermine, sabotage and betray each other for their own personal gain. The series features the voices of H. Jon Benjamin as the highly-skilled but vain spy Sterling Archer; Aisha Tyler as the Agent Provocateur Lana Kane; Jessica Walter as Archer's domineering mother and CEO of ISIS Malory Archer; Chris Parnell as the easily intimidated comptroller of ISIS Cyril Figgis; and Judy Greer as Malory's gossipy secretary Cheryl. Series 3 opens with Archer in hiding since the murder of his fiance, he is tracked down by the handsome Rip Riley who has to brave the elements and all kinds of crises to get Archer back to ISIS.
There is evil hidden in every shadow... everyday things are not what they seem. One morning there is an unexpected knock on the door and Jilly opens it to a wild man who says he's 'the plumber'. So begins five days of mental torment that will change her life...
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
What Planet Are You From? stars Garry Shandling whose hilarious TV series The Larry Sanders Show offered him a great vehicle to show his comic performance abilities; you could scarcely tell the difference between his smile and his grimace--he always looked as if Hollywood was giving him a bad case of gas. However in this shockingly unfunny film, which Shandling co-wrote, one can only imagine that the other writers severely diluted Shandling's original intentions--the wince, his only expression, seems real. Worse, you'll share his dismay. Shandling stars as an alien from a sterile race of clones who is sent to Earth to procreate with an Earth woman--exactly why this is necessary is left fuzzy. Ostensibly, given the title, this should lead to a raucous satire of dating mores. Instead, our space invader quickly takes up with a recovering alcoholic played by Annette Bening, and we chart their stridently bumpy but predictable relationship. Greg Kinnear co-stars as a slimy co-worker; Linda Fiorentino plays Kinnear's man-eating wife; John Goodman portrays an FAA official who's onto Shandling's secret; and Ben Kingsley appears as the humourless leader of the alien planet. The single recurring joke involves the alien's genitalia and its propensity, when excited, to buzz loudly, which it does at least 10 or 15 times--afterit ceases to be remotely amusing. Shandling plays his character as so stunningly obtuse that whenever he manages a genuinely clever line it practically seems out of character; the rest of the talented cast flounders, similarly lost. Director Mike Nichols has staged painfully awkward scenes with Elan in the (distant) past--think The Graduate or Carnal Knowledge--but What Planet Are You From? simply sits there, flailing desperately, seemingly aware of its own crushing tedium. Large chunks of the film appear to have been left on the editing room floor; it's hard to imagine material even more comically futile than what appears onscreen. --David Kronke, Amazon.com
First broadcast in 1974, the ITV bedsitland sitcom Rising Damp was an instant and enduring success. It starred Leonard Rossiter as the miserly and lovelorn landlord Rigsby who is constantly needling young lodger Alan (Richard Beckinsale), a science student whose long hair and earrings are symptomatic to Rigsby of the parlous effeminacy of the modern age. He's also in love with Frances De La Tour's dowdy spinster Miss Jones, though his tentative advances are forever rebuffed. She in turn carries a torch for Philip (Don Warrington), the elegant son of an African chief who also resides at Rigsby Towers. Some aspects of Rising Damp have not aged well, principally Rigsby's stream of racist jibes at Philip. Although these were doubtless well-meant and supposed to illustrate Rigsby's foolish bigotry, you suspect that that was a convenient cover for audiences in the 1970s to enjoy racist humour. However, Rossiter's Rigsby--stuttering, stammering, bent perpetually over backwards--remains a great comic creation, embodying all the festering prejudices, small-mindedness and self-delusion of the lower middle class Little Englander. --David Stubbs
The ebullient comedy films of the 1930s brought escape and laughter to millions of British cinemagoers, enabling veteran stars of the music-hall and theatre to reach out to a wider audience - making household names of performers like Leslie Fuller, Hal Gordon, Bobby Howes, Ernest Lotinga and Gene Gerrard. Although comedy would prove to be the decade's most successful film genre, many of these classic early talkies have remained unseen since their original release. From boisterous knockabout humour to polished adaptations of popular stage farces, this ongoing collection showcases a wealth of rare features, each presented uncut, in a brand-new transfer from the best available elements in their as-exhibited theatrical aspect ratio. THEIR NIGHT OUT (1933) An evening of cocktails and frolicking lands a chap in hot water when he's suspected of masterminding a criminal gang! DOCTOR'S ORDERS (1934) Leslie Fuller stars as a quack whose son qualifies as a doctor in total ignorance of his father's occupation!
Released a year prior to the outbreak of World War II, this espionage thriller taps into the fears and concerns of the time and features imposing screen and stage star Geoffrey Toone as a Naval commander who alone is entrusted with secret information that might foil an enemy invasion. Also starring Clifford Evans, Judy Kelly and comedian Albert Burdon, The Luck of the Navy is featured here in a brand-new transfer from the original film elements, in its as-exhibited theatrical aspect ratio. International relations are strained; there is a strong possibility of war and, should diplomacy fail, Britain must be prepared to strike the first, and hopefully decisive, blow. The British Navy is the instrument, and Commander Clive Stanton the man chosen for a special and secret mission. He receives sealed orders as he is about to go ashore to dine with Mrs Maybridge, a local socialite and wife of a retired admiral unaware that the house has been infiltrated by fifth columnists...
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Titles Comprise: 1 Easter Parade: When his long-time dance partner abandons him for the Ziegfeld Follies Don Hewes decides to show who's who what's what by choosing any girl out of a chorus line and transforming her into a star. So he makes his choice and takes his chances. Of course since Fred Astaire portrays Don and Judy Garland plays the chorine we know we're in for an entertainment sure thing. 2. Broadway Melody Of 1940: The class of the Broadway Melody series with the burnished talents of Astaire and Murphy and the timeless tunes of Cole Porter. The plot never the point of these exercises pits two dancers in a friendly rivalry for the attentions of Powell. This was the only screen appearance together of Astaire and Powell and it makes you wish for more. 3. Finian's Rainbow: Based on a Broadway show from the late 40's. Astaire plays an Irishman who's moved to a small southern town. His plan is to bury a leprechaun's pot of gold that he's brought with him - so that it will grow faster. But his plans go awry when his daughter makes the wrong wish while Astaire stands over the magical pot... 4. The Barkleys Of Broadway: Fred Astaire and Ginger Rogers whose last joint project had been made 10 years before come together one final time for this film. The magical pair play performers Josh and Dinah Barkley whose act - and marriage - break up when Dinah decides to become a serious actress. 5. The Band Wagon: Fading movie musical star Tony Hunter down and out in Hollywood decides to try his luck on the Broadway stage. Unfortunately the simple hoofer discovers that a pretentious director has control of the project and that instead of good humor happy songs and a tapping chorus line there'll be lengthy speeches heavy drama and lots of deep soul-searching. Even worse Tony's expected to dance with a classical ballerina! Thanks to the massive egos of everyone involved the play to no one's surprise lays an egg. But now Tony takes charge and he's out to prove the show must go on - his way!
The Frankenstein legend gets stitched up by the makers of Basket Case and Brian Damage in this outrageous horror comedy. When his pretty fianc''e goes to pieces under the blades of a runaway lawnmower aspiring mad scientist Jeffrey Franken hatches an unorthodox scheme to bring his beloved back to life. With the help of an explosive super drug Jeffrey reassembles his girlfriend from the body parts of New York prostitutes. But his dream-girl runs amok on 42nd Street turning tricks that literally make people's head's spin. Can Jeffrey still find true love or has he created a monster...?
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
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