! The fourth movie of the original motion picture saga comes to 4K UHD with HDR-10 and Dolby Vision, boldly remastered from the original film elements. When a mysterious alien power threatens the atmosphere of Earth in the 23rd Century, Kirk and his crew must time travel back to 1986 San Francisco to save mankind. Exploring this strange new world, they encounter punk rock, pizza and exact-change buses that are as alien as anything in the far reaches of the galaxy. STAR TREK IV: THE VOYAGE HOME is a thrilling, action-packed, and often hysterical fan favourite. Special Features Commentary By: Roberto Orci & Alex Kurtzman Commentary By: William Shatner And Leonard Nimoy Blu-ray Exclusives: Starfleet Academy: The Whale Probe HD Pavel Chekov's Screen Moments HD Star Trek: Three-picture Saga HD Library Computer HD Plus Over 2 More Hours Of Additional Special Features
! The crew of the Federation starship Enterprise is called to Nimbus III, the Planet of Intergalactic Peace. They are to negotiate in a case of kidnapping only to find out that the kidnapper is a relative of Spock. This man is possessed by his life long search for the planet Shaka-Ri which is supposed to be the source of all life. Together they begin to search for this mysterious planet.
Titles Comprise: Star Trek - The Motion Picture: Admiral James T. Kirk (William Shatner)is called upon to collect his old crewmates in order to save humanity from a giant hostile alien vessel steadily approaching Earth and destroying everything in its path. The Wrath Of Khan: It is the 23rd century. The Federation Starship U.S.S. Enterprise is on routine training manoeuvres and Admiral James T. Kirk seems resigned to the fact that this inspection may well be the last space mission of his career. But Khan is back... The Search For Spock: Spock is dead and McCoy is inexplicably being driven insane: McCoy is harbouring Spock's living essence. With one friend alive and one not but both in pain Kirk attempts to help his friends by stealing the USS Enterprise and defying Starfleet's Genesis planet quarantine. The Voyage Home: It's the 23rd century and a mysterious alien power is threatening Earth by evaporating the oceans and destroying the atmosphere. In a frantic attempt to save mankind Kirk and his crew must time travel back to 1986 San Francisco... The Final Frontier: It's Stardate 8454.130 and a vacationing Captain Kirk faces two challenges: Climbing Yosemite's El Capitan and teaching campfire songs to Spock. But vacations are cut short when a renegade Vulcan hijacks the Enterprise and pilots it on a journey to uncover the universe's innermost secrets. The Undiscovered Country: After years at war the Federation and the Klingon empire prepare for a peace summit. When a Klingon ship is attacked and the Enterprise is held accountable the dogs of war are unleashed again as both worlds brace for what may be their final deadly encounter...
Brothers and sisters, can we get a witness for Elmer Gantry, a woeful tale of saints and sinners? Burt Lancaster earned his only Oscar as the wide-smiling, glad-handing, soul-saving charlatan Gantry, a salesman who turns his gift for preaching into a career at the pulpit. Climbing on board the barnstorming evangelical tour of revivalist Sister Sharon Falconer (Jean Simmons), Gantry declaims, invokes, and sermonises his way to the top, until a former flame-turned-prostitute (Shirley Jones in an Oscar-winning performance) threatens to reveal his dark past as a womaniser and con man. Lancaster harnesses all his physical vigour and natural charisma for this role, literally throwing himself into his preaching with the suppleness of an acrobat and the sing-song delivery of a gospel singer--he even brays like a hound to show the Holy Spirit within him. Gantry is a showman, pure and simple, and while he doesn't fool true-believer Sister Sharon, he gives her a few object lessons in playing the crowd. Director Richard Brooks, who also took home an Oscar for his screenplay (adapted from the Sinclair Lewis novel), creates a rousing drama both on and off the pulpit, and provides fine roles for an excellent supporting cast, including Arthur Kennedy, Dean Jagger, John McIntire, and singer Patti Page. --Sean Axmaker
Director Nicholas Meyer's concept for Star Trek II: The Wrath of Khan was to make it "Captain Horatio Hornblower in space". Equipped with a budget a fraction the size of that accorded the first movie, and bolstered by James Horner's swashbuckling score, Meyer accordingly delivered the most exciting of all the Trek big-screen outings, referencing both CS Forester's Hornblower and classic submarine dramas, as well as adding some literary flourishes and ground-breaking CGI work for good measure (the Genesis device sequence is a computer-animation landmark). Resurrected from the "Space Seed" episode of the TV series, Ricardo Montalban's Khan is the hammiest, most passionately alive Trek villain, infused with Captain Ahab's self-destructive single-mindedness and quoting Moby Dick and Shakespeare in his furious pursuit of Kirk. Given permission to be melodramatic, William Shatner has never been stronger, or made Kirk seem more vulnerable. And even after seeing all the later movies, no self-respecting Trekker can sit through Spock's ultimate illogical sacrifice with a dry eye. Unlike the major revisions made to The Motion Picture, this new Director's Edition of Wrath of Khan is only a very slightly extended version of the original, with some fairly minor additions--most notably scenes that establish Midshipman Peter Preston as Scotty's nephew, thereby explaining Scotty's grief at the young man's death. Some other scenes--such as Kirk and Spock discussing the Genesis Device--have also been expanded. On the DVD: Star Trek II: The Wrath of Khan is now presented in a lovely 2.35:1 anamorphic widescreen print with Dolby 5.1 sound. The first disc has an audio commentary from Nicholas Meyer, plus another fascinating all-you-ever-needed-to-know text commentary from Trek expert Michael Okuda (he did the same for The Motion Picture's DVD release). The second disc has a series of informative documentaries, the most substantial being a lengthy retrospective "Captain's Log", featuring contributions from Producer Harve Bennett, Meyer, Shatner, Nimoy and Montalban. Other featurettes focus on the production design ("Designing Khan"), "Visual Effects", and the writers of Star Trek novel spin-offs about Khan and the Kobayashi Maru ("The Star Trek Universe"). It's a shame that James Horner's major contribution goes unnoticed though. To round things off there are some promotional interviews from 1982, storyboards and the original trailer. --Mark Walker
All 79 episodes of the classic science fiction series created by Gene Roddenberry. In the famous opening narration, Captain James T. Kirk (William Shatner), commander of the starship U.S.S. Enterprise, describes space as 'the final frontier' and states that his vessel's five-year mission was to 'seek out new life forms and new civilisations' and 'to boldly go where no man has gone before.' Season 1 episodes are: 'The Man Trap', 'Charlie X', 'Where No Man Has Gone Before', 'The Naked Time', 'The Enemy Within', 'Mudd's Women', 'What Are Little Girls Made Of?', 'Miri', 'Dagger of the Mind', 'The Corbomite Maneuver', 'The Menagerie (Part 1)', 'The Menagerie (Part 2)', 'The Conscience of the King', 'Balance of Terror', 'Shore Leave', 'The Galileo Seven', 'The Squire of Gothos', 'Arena', 'Tomorrow Is Yesterday', 'Court Martial', 'The Return of the Archons', 'Space Seed', 'A Taste of Armageddon', 'This Side of Paradise', 'The Devil in the Dark', 'Errand of Mercy', 'The Alternative Factor', 'The City On the Edge of Forever' and 'Operation - Annihilate!'. Season 2 episodes are: 'Who Mourns for Adonais?', 'The Changeling', 'Mirror, Mirror', 'The Apple', 'The Doomsday Machine', 'Catspaw', 'I, Mudd', 'Metamorphosis', 'Journey to Babel', 'Friday's Child', 'The Deadly Years', 'Obsession', 'Wolf in the Fold', 'The Trouble With Tribbles', 'The Gamesters of Triskelion', 'A Piece of the Action', 'The Immunity Syndrome', 'A Private Little War', 'Return to Tomorrow', 'Patterns of Force', 'By Any Other Name', 'The Ultimate Computer', 'Bread and Circuses' and 'Assignment: Earth'. Season 3 episodes are: 'Spock's Brain', 'The Enterprise Incident', 'The Paradise Syndrome', 'And the Children Shall Lead', 'Is There in Truth No Beauty?', 'Spectre of the Gun', 'Day of the Dove', 'For the World Is Hollow and I Have Touched the Sky', 'The Tholian Web', 'Plato's Stepchildren', 'Wink of an Eye', 'The Empath', 'Elaan of Troyius', 'Whom Gods Destroy', 'Let That Be Your Last Battlefield', 'The Mark of Gideon', 'That Which Survives', 'The Lights of Zetar', 'Requiem for Methuselah', 'The Way to Eden', 'The Cloud Minders', 'The Savage Curtain', 'All Our Yesterdays' and 'Turnabout Intruder'.
Adam Wingard directs this US thriller in which an ex-soldier causes mayhem within a family. David (Dan Stevens) knocks at the door of the Peterson family and informs mother Laura (Sheila Kelley) that he was a close friend of Caleb (Chris Harding), the son she lost in combat. Welcomed into the family home, David is initially granted a hostile reception by Caleb's brother and sister, Luke (Brendan Meyer) and Anna (Maika Monroe). However, David's handy ability to buy booze and deal out violent r.
! After years of war, the Federation and the Klingon empire find themselves on the brink of a peace summit when a Klingon ship is nearly destroyed by an apparent attack from the Enterprise. Both worlds brace for what may be their dealiest encounter.
Admiral Kirk's defeat of Khan and the creation of the Genesis planet are empty victories Spock is dead and McCoy is inexplicably being driven insane. Then a surprise visit from Spock's father provides a startling revelation: McCoy is harboring Spock's living essence. Kirk attempts to steal the U.S.S. Enterprise and defy Starfleet's Genesis planet quarantine to search for his friend, but the Klingons are planning a deadly rendezvous. Looking better than ever on Blu-ray, this essential third installment of the original motion picture saga is boldly remastered from a 4K scan of the original film elements.
A phobic con artist and his protege are about to pull one of the most lucrative swindles of their lives when the swindler's teenage daughter suddenly turns up unannounced.
Roland Pierce (Warren Clarke, Poldark, Nice Work, In the Red) is a locksmith and proud of it. He is an honest craftsman, unlike his apprentice Barry who was born to party. Then Roland’s ex-wife is nearly killed by an intruder in an attempted robbery, and his life spins out of control. The police are certain they’ve got their man; a local junkie (John Simm) known for causing trouble. But Roland is unconvinced and decides to take the law into his own hands. The consequences will haunt him for the rest of his life. This pacey drama launched John Simm (Life on Mars) into the public eye and features a career-defining performance from Warren Clarke. Also starring Chris Gascoyne (Coronation Street), Sarah-Jane Potts (Kinky Boots, Gracepoint) and Polly Hemingway (Emmerdale) with a tense score by Colin Towns (Doc Martin, Pie in the Sky). 8.3 IMDB Rating Stars Warren Clarke (2015 Poldark, A Clockwork Orange, Dalziel and Pascoe, Bleak House (2005)) and features Sarah-Jane Potts (Casualty, Waterloo Road). Also features BAFTA nominated actor John Simm (Life on Mars) Directed by winner of four International film awards Chris Bernard
Spectacular street dancing flick about two crews battling it out for money and respect.
UFO was Gerry Anderson's first live-action TV series after a decade of producing such children's animated classics as Stingray (1963) and Thunderbirds (1964). The premise of UFO, which ran for a single season of 26 episodes, was like a more serious version of Anderson's Captain Scarlet (1967)--in the near future of 1980 a hi-tech secret organisation, SHADO, waged covert war against mysterious alien attackers. Ed Bishop played the American head of SHADO--he had had previously featured in Captain Scarlet and Anderson's Doppelganger (1969)--though in all other respects this was a thoroughly British production. As with all Anderson series UFO evidenced remarkable technological inventiveness and groundbreaking production values, coupled with startling lapses in fundamental logic too numerous to list. Much more adult in story and content than earlier Anderson productions, and surprisingly dark with its pragmatic view of human nature and downbeat endings, the show now seems like a forerunner of The X Files and the equally short-lived Dark Skies (1996). Barry Gray's memorable theme and atmospheric music greatly enhanced the overall impact. Stylishly made, though terribly sexist by current standards and featuring eye-catching costumes more fitted for a camp fancy dress party than the front line of a futuristic war, this cult classic eventually evolved into Space 1999 (1975). On the DVD: this four-disc deluxe box features the first 13 episodes. The box set has five free postcards and a booklet offering interesting background on the programme. The first disc includes an alternate, more violent opening scene, while later discs feature text transcriptions and photographs from scenes cut due to TV running time restrictions. All discs provide extensive galleries of publicity and behind the scenes photos, as well as character profiles or a history of SHADO. The opening episode, "Identified", features a commentary by Gerry Anderson, in which he talks in general about the production of the series and Ed Bishop does the same for the episode "Sub Smash". From the animated menus onwards these DVDs have been beautifully designed and produced. The mono sound is exceptionally strong and the restored and remastered picture is almost unbelievably good for a 1970 TV show. With barely a flaw anywhere the episodes look so clear, colourful and detailed that they could have been filmed last week. --Gary S Dalkin
Burt Lancaster and Kirk Douglas star as larger-than life heroes in this classic Western epic directed by John Sturges. Frontier lawman Wyatt Earp (Lancaster) joins his three brothers in their feud against the villainous Clanton gang, a local clan of cattle thieves in Tombstone, Arizona. When Earp defends the sickly gambler John Doc Holliday (Douglas) and puts a stop to the Clanton's lawlessness, the ruthless outlaws seek revenge and murder one of Earp's brothers. This leads the men into the most devastating showdown in Wild West history! Gunfight at the O.K. Corral is a timeless, cinematic tale of good versus evil.
! The fifth movie of the original motion picture saga looks better than ever on Blu-ray â¢, boldly remastered from a 4K scan of the original film elements. The crew of the Federation starship Enterprise is summoned to Nimbus III to negotiate a kidnapping from a renegade Vulcan, who turns out to be a relative of Spock. Soon, they're set on a course for the center of the galaxy, exploring his obsessive search for a mysterious planet that could quite possibly be the source of all life. Special Features The Journey: A Behind-the-scenes Documentary Star Trek Honors Nasa Hollywood Walk Of Fame: James Doohan Starfleet Academy: Nimbus Iii Herman Zimmerman: A Tribute Original Interview: William Shatner Library Computer Plus Over 2 More Hours Of Additional Special Features
Writer/Director Cameron Crowe's affable twentysomething romantic comedy is less a tale of tortured love than a prescient portrait of a culture on the cusp of Generation X--that is Seattle, circa 1991. One-time Rolling Stone journalist Crowe, ever aware of pop trends, lovingly details a society newly beguiled by slackers, answerphones, self-analysis, the coffee-house fetish, post-AIDS safe sex and, most importantly, grunge music--Smashing Pumpkins, Mudhoney and Jane's Addiction pepper the soundtrack, while various Pearl Jam players cameo as members of the film's fictional grunge wannabes Citizen Dick. In the midst of all this sits a cosy residential apartment block, a perfect setting for the emotional crises of on-again, off-again, on-again couples Steve and Linda (Campbell Scott and Kyra Sedgwick) and Cliff and Janet (Matt Dillon and Bridget Fonda). Steve is a sensitive transport engineer whose game-playing backfires when he meets Linda, an environmental activist with a fear of rejection. Cliff is a feckless rock musician, and front man for Citizen Dick, whose inability to commit to Janet is forcing her to take desperate measures. Will the couples split? Will they reunite? And will they learn a little something about life, maturity and commitment along the way? As you'd expect from the man behind the cutesy teen classic Say Anything (his directorial debut), Crowe's relationship resolutions are often simplistic and sentimental ("You rock my world!" and "You belong to me!" are two such vocal denouements). And this, combined with a rambling narrative often makes the movie feel longer than its 95 minutes (an inter-title announcing "The Theory of Eternal Dating" sums it up). Nonetheless, there's enough wit, comic digression and tap-along gaiety elsewhere to make Singles an enjoyably slight romantic placebo. --Kevin Maher
The most popular movie in the "classic Trek" series of feature films, Star Trek IV was a box-office smash that satisfied mainstream audiences and hardcore fans alike. The Voyage Home returns to one of the favourite themes of the original TV series--time travel--to bring Kirk, Spock, McCoy, Scotty, Sulu, Uhura, and Chekov from the 23rd century to present-day (ie, mid-1980s) San Francisco. In their own time, the Starfleet heroes encounter an alien probe emitting a mysterious message--a message delivered in the song of the now-extinct Earth species of humpback whales. Failure to respond to the probe will result in Earth's destruction, so Kirk and company time-travel to 20th-century Earth--in their captured Klingon starship--to transport a humpback whale to the future in an effort to communicate peacefully with the alien probe. The plot sounds somewhat absurd in description, but as executed by returning director Leonard Nimoy, this turned out to be a crowd-pleasing adventure, filled with a great deal of humour derived from the clash of future heroes and contemporary urban realities, and much lively interaction among the favourite Trek characters. Catherine Hicks plays the 20th-century whale expert who is finally convinced of Kirk's and Spock's benevolent intentions. --Jeff Shannon, Amazon.com
Now graduated from college and out in the real world where it takes more than a cappella to get by, the Bellas return in Pitch Perfect 3, the next chapter in the beloved series. After the highs of winning the World Championships, the Bellas find themselves split apart and discovering there aren't job prospects for making music with your mouth. But when they get the chance to reunite for an overseas USO tour, this group of awesome nerds will come together to make some music, and some questionable decisions, one last time. Aca-amazing special features include two NEW musical performances, unseen footage and a gag reel. The Blu-Ray also includes a bonus disc packed with OVER 30 MINUTES of additional exclusive behind the scenes content, including: Bellas Through the Years The A Cappella Aquatica Aca-Boot Camp: Round 3 Bellas Find Love Also included with purchase: a download of this film to watch on your mobile devices. Watch on the go - instantly stream anytime, anywhere! Bellas Through the Years The A Cappella Aquatica Aca-Boot Camp: Round 3 Bellas Find Love Also included with purchase: a download of this film to watch on your mobile devices. Watch on the go - instantly stream anytime, anywhere!
Even in the tiny genre of films based on songs, Convoy is a strange effort--CW McCall's 1977 CB radio-themed novelty hit was just a collection of trucker slang, but here it is gussied up by Sam Peckinpah (no less) as a big rig reprise of The Wild Bunch with Kris Kristofferson as trucker outlaw hero Rubber Duck and a wonderfully oversized Ernest Borgnine as "Dirty Lyle", the "bear" who hates "breakers" and finally decides to call in the National Guard to help him enforce traffic laws with machine guns. The plot is almost invisible, as Rubber Duck and his breaker buddies just up and decide to trundle their lorries across the Western States in a dash for Mexico (no one ever mentions delivering their loads to intended destinations) and becoming such a folk hero that the creepy governor (Seymour Cassell) tries to cash in. Kristofferson and Borgnine were old Peckinpah hands, as is heroine Ali MacGraw (a characterless photographer) and sidekick Burt Young ("Love Machine" aka "Pigpen"), and there's a lot of business about cops and outlaws who mirror each other, but the main attraction is the visuals--huge trucks rolling across desert roads in clouds of dust, police cars crashing through billboards, trucks demolishing a corrupt small town. There are traces of road-movie melancholia in the depressed cafes, jails and laybys where free spirits are broken, but it's still mostly a cash-in on Smokey and the Bandit with a few rags of poetry tossed into the mix. On the DVD: A letterboxed print, enhanced for 16x9, looks pretty good, with enough widescreen to get all the trucks into the image. But otherwise this is the sort of release that passes off "chapter search" and "multilingual menus" as extras, although there are basic filmographies for the principal and a poster/photo album. The mono soundtrack comes in English, French, Spanish and Italian. --Kim Newman
Inspired by the "Space Seed" episode of the original series, the classic swashbuckling scenario of Star Trek II: The Wrath of Khan was much more of a success with fans than the somewhat turgid drama of Star Trek: The Motion Picture. The film reunites newly promoted Admiral Kirk with his nemesis from the earlier episode--the genetically superior Khan (Ricardo Montalban)--who is now seeking revenge upon Kirk for having been imprisoned on a desolated planet. Their battle ensues over control of the Genesis device, a top-secret Starfleet project enabling entire planets to be transformed into life-supporting worlds, pioneered by the mother (Bibi Besch) of Kirk's estranged and now-adult son. While Mr. Spock mentors the young Vulcan Lt. Saavik (then-newcomer Kirstie Alley), Kirk must battle Khan to the bitter end, through a climactic starship chase and an unexpected crisis that will cost the life of Kirk's closest friend. This was the kind of character-based Trek that fans were waiting for, boosted by spectacular special effects, a great villain (thanks to Montalban's splendidly melodramatic performance), and a deft combination of humour, excitement, and wondrous imagination. Director Nicholas Meyer (who would play a substantial role in the success of future Trek features) treats the film as "Horatio Hornblower in space", and then adds lots of spicy seafaring Moby Dick references, plus a sprinkle of Shakespearean tragedy and World War II submarine thriller, all driven along by one of composer James Horner's finest scores. Wrath of Khan set the successful tone for the films that followed. --Jeff Shannon, Amazon.com
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