To celebrate the 50th Anniversary of the first broadcast of a Star Trek episode in 1966, this Steelbook features art based on the original theatrical poster, plus commemorative 50th Anniverary logo. A renegade Vulcan with a startling secret hijacks the U.S.S. Enterprise in order to find a mythical planet. Kirk and his crew set out to stop a madman in an adventure that takes them to the centre of the universe and, perhaps, before the face of God. With the crew under Vulcan control, the captain must rely on an unlikely alliance to save the galaxy. Bonus Features: COMMENTARY BY: Michael & Denise Okuda and Judith & Garfield Reeves-Stevens and Daren Dochterman STAR TREK HONORS NASA HOLLYWOOD WALK OF FAME: JAMES DOOHAN STARFLEET ACADEMY: Nimbus III Blu-ray Exclusives: Library Computer Star Trek IQ (BD-LIVE) PLUS OVER 2 HOURS OF PREVIOUSLY RELEASED CONTENT
Randolph Scott stars in this classic Western from 1949, directed by Edwin L. Marin. Scott plays Jim Dancer, one of Quantrill's Raiders, staging attacks on Kansas on behalf of the fallen Confederacy in the years following the Civil War. During one raid, Dancer kills the man he holds responsible for the death of his brother. The dead man was innocent, and Dancer becomes a fugitive. Months later, he resurfaces, under a stolen identity, as the Marshal of a lawless Kansas town. With the help of...
Edmund O'Brien (The Web) gets involved in the mob's bookmaking racket in 711 Ocean Drive, also starring Joanne Dru (Red River), and Otto Kruger (Escape in the Fog). Telephone operator Mal Granger uses his technical knowledge to run an illegal bookmaking operation, but when Granger falls for a mobster's wife, and with both the police and the syndicate on his tail, it's only a matter of time before his luck runs out. With a ripped from the headlines' approach which required the crew to have police protection on location, 711 Ocean Drive is a riveting film noir, one made with such realism by director Joseph M Newman (Abandoned) that it was shown to a Senate investigation into organised crime. Product Features High Definition presentation Original mono audio Audio commentary with author and film critic Glenn Kenny (2021) Diary of a Sergeant (1945, 24 mins): Joseph M Newman's documentary portrait of Harold Russell, a soldier who lost his hands during World War II and would later win an Oscar for his performance in The Best Years of Our Lives Three Sappy People (1939, 18 mins): the Three Stooges play a trio of telephone repairmen who make an unexpected career switch Original theatrical trailer Image gallery: publicity and promotional material New and improved English subtitles for the deaf and hard of hearing
Infested with criminals the town of Warlock is in serious need of a strong marshal. Enter Clay Blaisdell (Henry Fonda) a man with a reputation for some serious gun-slinging. Accompanied by his gambler friend Tom Morgan (Anthony Quinn) the two find themselves as the centre of many a controversy due to their brutal methods in dispatching with the criminal element. Eventually a reformed outlaw in town named Johnny (Richard Widmark) is elected sheriff and a showdown with Clay seems i
To celebrate the 50th Anniversary of the first broadcast of a Star Trek episode in 1966, this Steelbook features art based on the original theatrical poster, plus commemorative 50th Anniverary logo. In the wake of Spock's ultimate act of sacrifice, the crew of the U.S.S. Enterprise returns to Earth from the newly formed Genesis planet. Upon arrival, the crew learns that life back home will not be easier: Scotty gets reassigned, Dr. Bones McCoy appears to be going insane, and the Enterprise is to be decommissioned. It is only when Kirk is confronted by Spock's father that he learns his old friend may have another chance at life if the crew can survive the Klingon interference and return to the Genesis planet. Bonus Features: COMMENTARY BY: Ronald D. Moore & Michael Taylor INDUSTRIAL LIGHT & MAGIC: Visual Effects SPOCK: The Early Years STAR TREK AND THE SCIENCE FICTION MUSEUM AND HALL OF FAME STARFLEET ACADEMY: The Vulcan Katra Transfer Blu-ray Exclusives: Library Computer Star Trek IQ (BD-LIVE) PLUS OVER 2 HOURS OF PREVIOUSLY RELEASED CONTENT
Lucio "King of the Eyeball Gag" Fulci made his name with a series of gory, gooey horror epics, and The Beyond stands above all as his outré masterpiece. The largely incoherent plot has something to do with a turn-of-the-century curse and a doorway to hell in the cellar of an old New Orleans hotel. Fulci shows his usual sensitivity with wooden acting, clumsy dialogue, and buckets of oozing blood and pus, but don't let that get in the way of enjoying this mad tale of zombies from hell invading Earth and eating their way through a cast of humans: crucified martyrs, blind visionaries, creepy hotel handymen, befuddled cops, and a plucky pair of heroes desperately fleeing a horde of hungry undead. The blood-red art direction is eerily beautiful, and Fulci's relentless long takes, punctuated by jolting shock cuts and eruptions of grotesque violence, create a mood of sheer paranoid horror right down to the final, mind-bending image. And don't forget the Fulci claim to fame: eyes are gouged out, eaten away, melted with acid, and (shudder) popped out by a spike through the back of the skull. Yech! If you dare ignore such piddling details as narrative logic and let yourself get carried away on the creepy visuals, it's a deliciously stylish treat, an edgy bit of Gothic gore pitched in all its bone-crunching, flesh-ripping, organ-splatting glory. This sadistic, sanguinary hell-spawn tale is for gore-hounds only. --Sean Axmaker, Amazon.com
A young woman inherits a decaying hotel on the edge of a Louisiana swamp unaware that more than fifty years ago it served as the gateway to hell and that its horrific evil lives on to this day. Her dream to build a new life for herself becomes a nightmarish fight for survival as horrors straight out of Lovecraft's Book of Ebion lay their own claim to her property and the souls around her...
Almost universally derided on its first release as the worst of the Star Trek movies to date, The Final Frontier might just have been the victim of bad press. Following in the wake of the massively successful fourth instalment The Voyage Home didn't help matters (notoriously, even-numbered entries are better), nor did having novice director and shameless egomaniac William Shatner at the helm. But if the story, conceived and cowritten by Shatner, teeters dangerously on the verge of being corny, it redeems itself with enough thought-provoking scenes in the best tradition of the series, and a surprisingly original finale. Granted there are a few too many yawning plot holes along the way, and the general tone is over-earnest (despite some painfully slapstick comedy moments), but the interaction of the central trio (Kirk, Spock and McCoy) is often funny and genuinely insightful; while Laurence Luckinbill is a charismatic adversary as the renegade Vulcan Sybok. The rest of the cast scarcely get a look in, and the special effects betray serious budgetary restrictions, but with a standout score from Jerry Goldsmith and a meaty philosophical premise to play around with, Star Trek V looks a lot more substantial in retrospect. Certainly it's no worse than either Generations or Insurrection, the next "odd-numbered" entries in the series. --Mark Walker
The most popular movie in the "classic Trek" series of feature films, Star Trek IV was a box-office smash that satisfied mainstream audiences and hard-core fans alike. The Voyage Home returns to one of the favourite themes of the original TV series--time travel--to bring Kirk, Spock, McCoy, Scotty, Sulu, Uhura and Chekov from the 23rd century to present-day (i.e., mid-1980s) San Francisco. In their own time, the Starfleet heroes encounter an alien probe emitting a mysterious message--a message delivered in the song of the now-extinct Earth species of humpback whales. Failure to respond to the probe will result in Earth's destruction, so Kirk and company time-travel to 20th-century Earth--in their captured Klingon starship--to transport a humpback whale to the future in an effort to communicate peacefully with the alien probe. The plot sounds somewhat absurd in description, but as executed by returning director Leonard Nimoy, this turned out to be a crowd-pleasing adventure, filled with a great deal of humour derived from the clash of future heroes and contemporary urban realities, and much lively interaction among the favourite Trek characters. Catherine Hicks plays the 20th-century whale expert who is finally convinced of Kirk's and Spock's benevolent intentions. --Jeff Shannon
This wonderful exclusive for asda not only includes the action movie Ben 10: Alien Swarm, but also, for all those hardcore fans, comes a bonus exclusive episode of Ben 10: Ultimate Alien - Only at Asda! The next chapter in the continuing Ben 10 saga follows 16-year-old Ben Tennyson as his life changes in major ways. Ben’s secret identity has been revealed to the world and he’s now an international mega-star super hero, loved by kids all over the world over but distrusted by many adults. Armed with a mysterious new Ultimatrix, Ben will see action in places he’s never been. After Ben’s original Omnitrix was destroyed, he takes possession of the Ultimatrix and must unlock its secrets. An extra half-turn of the Ultimatrix’s dial reveals a whole new function which evolves the DNA of some of Ben’s transformations a million generations in only a few moments, producing more powerful and extreme versions of some of Ben’s favourite aliens. These include Ultimate Humungousaur and Ultimate Big Chill.Ben is joined by his super-powered cousin Gwen Tennyson and his equally powerful former enemy Kevin Levin. Now aged 16, Ben can drive the Benmobile (the new muscle car from the live action movie, Ben 10: Alien Swarm).
Space. The final frontier. These are the voyages of the Starship Enterprise. Its' five year mission: to explore strange new worlds to seek out new life and new civilisations to boldly go where no man has gone before! Episodes Comprise: 1. The Man Trap 2. Charlie X 3. Where No Man Has Gone Before 4. The Naked Time 5. The Enemy Within 6. Mudd's Women 7. What Are Little Girls Made Of? 8. Miri 9. Dagger Of The Mind 10. The Corbomite Maneuver 11. The Menagerie (Part 1) 12. The Me
An early masterpiece from Mike Leigh, Nuts in May is a filmed-for-TV adaptation of an earlier stage play. The cast is small (only five characters who matter), but the acting is impeccable, and the mix of wicked humour and social observation make this one of Leigh's best works. Keith Pratt, a man who fully earns his surname due to his nit-picking obsessions with order and detail, takes his partner Candice-Marie, a well-meaning but irritating hippie, on a camping trip. There they meet Trevor, a shy teacher who finds their enforced friendship intrusive but is too polite to extricate himself, and a brash young couple of bikers, Honky and Finger, whose loud and chaotic personalities lead them into conflict with the repressed and dogmatic Keith. Plot isn't the issue here, since Leigh is far more interested in teasing out the subtleties of human behaviour, which he does with forensic skill in several unforgettable scenes. Funny and painful at the same time, like all Leigh's successes, Nuts in May is brilliantly acted by all concerned, though special mention must go to Roger Sloman, for bringing to life the appalling but ultimately pitiable Keith, and Alison Steadman, whose portrayal of fey, goofy and tragi-comic Candice-Marie is every bit as memorable and nuanced as her more famous turn as Beverley in Leigh's Abigail's Party. --Andy Medhurst
By the second half of the second series of Lost, the debates are really hotting up. Is it the most cleverly plotted, densely packed television programme of recent times, cunningly working on many levels and lacing lots of hidden clues as it moves along? Or is it pretentious, slow-moving tosh, that's desperately trying to stretch out a simple concept to fill as many seasons as possible?
The name says it all--Star Trek III: The Search for Spock--so you didn't think Mr. Spock was really dead, did you? When Spock's casket landed on the surface of the Genesis planet at the end of Star Trek II, we had already been told that Genesis had the power to bring "life from lifelessness". So it's no surprise that this energetic but somewhat hokey sequel gives Spock a new lease of life, beginning with his rebirth and rapid growth as the Genesis planet literally shakes itself apart in a series of tumultuous geological spasms. As Kirk is getting to know his estranged son (Merritt Butrick), he must also do battle with the fiendish Klingon Kruge (Christopher Lloyd), who is determined to seize the power of Genesis from the Federation. Meanwhile, the regenerated Spock returns to his home planet, and Star Trek III gains considerable interest by exploring the ceremonial (and, of course, highly logical) traditions of Vulcan society. The movie's a minor disappointment compared to Star Trek II, but it's a--well, logical--sequel that successfully restores Spock (and first-time film director Leonard Nimoy) to the phenomenal Trek franchise ... as if he were ever really gone. With Kirk's wilful destruction of the USS Enterprise and Robin Curtis replacing the departing Kirstie Alley as Vulcan Lt Saavik, this was clearly a transitional film in the series, clearing the way for the highly popular Star Trek IV. --Jeff Shannon, Amazon.com
With hindsight, Star Trek III: The Search for Spock is the satisfactory middle instalment of a well-rounded trilogy that began with The Wrath of Kahn and ended with The Voyage Home (after which this crew really should have retired gracefully). But on its first release, few fans knew what to expect and initial impressions were disappointing. The biggest talking points were that the film was Leonard Nimoy's directorial debut and that his name wasn't in the opening credits. Naturally, the biggest question was just how would the loss of Spock affect the franchise? That question was neatly dodged and what audiences got instead was a tale of team-spiritedness, sacrifice and rebellion that ended on a question mark. In other words it was a fun ride without many answers. The centrepiece of the movie has to be stealing The Enterprise, a beautifully conceived sequence that remains at the heart of classic Trek's filmic storyline: sacrificing all for the sake of friendship, Kirk and co. set out to rescue their lost companion; this single action defines everything the characters had ever meant to each other, and has an effect on everything that followed. And if the loss of Spock had left audiences eager for more, that was as nothing compared to the loss of The Enterprise. On the DVD: Star Trek III on disc does not come in a new transfer as the previous two special edition DVDs, and you won't find any deleted or new scenes either. The extras package is fascinating, nonetheless, especially with the contributions from Nimoy. His fond reminiscences in the commentary track are priceless, with good support from writer-producer Harve Bennett, director of photography Charles Correll, and Robin Curtis (Saavik). The text commentary from the Okudas isn't as involving as the others, sadly, but this is made up for by the trivia dished out in documentaries covering: model-making, costume design, the science of Terraforming, and how to speak Klingon. The best inclusion is "Captain's Log" featuring interviews with an enthusiastic Nimoy, a sarcastic Shatner, an appreciative Curtis and the rarely seen Christopher Lloyd. --Paul Tonks
Episodes comprise: 1. Amok Time 2. Who Mourns For Adonais? 3. The Changeling 4. Mirror Mirror 5. The Apple 6. The Doomsday Machine 7. Catspaw 8. I Mudd 9. Metamorphosis 10. Journey To Babel 11. Friday's Child 12. The Deadly Years 13. Obsession 14. Wolf In The Fold 15. The Trouble With Tribbles 16. The Gamesters Of Triskelion 17. A Piece Of The Action 18. The Immunity Syndrome 19. A Private Little War 20. Return To Tomorrow 21. Patterns Of Force 22. By Any Other Name 23. The O
Anxious to explore the mysterious hidden world under metropolitan Berlin, an international group of four urban explorers hires a local guide, Kris, who leads them into the maze of escape tunnels and subterranean fortifications under the city. When their guide has a bad fall, two of the girls in the group frantically set off to seek help while Denis, the young American, stays behind. Armin, a former East German border guard suddenly appears from nowhere. Out of sheer desperation, Denis allows Armin to lead them and their unconscious guide to safety and it is at this moment that Denis realizes he has just made the biggest mistake of his life!
A glimpse into the often misunderstood world of the strip club that follows the lives of five dancers and the lives of those around them as they all converge over a single week.
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