The son of two legendary superheroes must try and find his own powers in this comedy.
Gene Kelly, Donald O'Connor and Debbie Reynolds star in the best-loved Hollywood musical ever-filled with memorable songs, lavish routines and Kelly's fabulous song-and-dance number performed in the rain.
Collision tells the story of a major road accident and a group of people who have never met but who all share one single defining moment that will change their lives. Amid the tangle of twisted metal and emotional turmoil wrought by the tragedy of a crash of this scale are the stories of the victims and the impact of the accident on their families friends and colleagues. As the terrible task of investigating the cause of the carnage begins a series of revelations emerge: from Government cover-ups and smuggling to disturbing secrets and murder. Douglas Henshall (Primeval French Film) and Kate Ashfield (The Children The Diary of Anne Frank) play the senior police officers in charge of the investigations whose complicated personal lives threaten to collide with the grim job they face. Paul McGann (True Dare Kiss Withnail and I) stars as millionaire property dealer Richard Reeves. Dean Lennox Kelly (Shameless The Invisibles) and his brother Craig Kelly (Hotel Babylon Queer as Folk) team up for the first time to play brothers Danny and Jeffrey Rampton whose business dealings are about to be exposed as a result of the crash. Zoe Telford (The Palace Marple: The Sittaford Mystery) is Jeffrey's wife Sandra. Claire Rushbrook (Mutual Friends Whitechapel) plays Karen Donnelly who survives the crash but has a secret which puts her life in jeopardy again. Phil Davis (Bleak House Whitechapel) plays Brian Edwards who escapes the carnage which kills his mother in law. His wife Christine played by Jan Francis (U Be Dead New Tricks) is devastated by the death of her mother and confused by her husband's reaction to the police questions. David Bamber (Rome Daniel Deronda) plays Sidney Norris a piano teacher whose guilty secrets are uncovered in the investigations.
Lifeis a terrifying sci-fi thriller about a team of scientists aboard the International Space Station whose mission of discovery turns to one of primal fear when they find a rapidly evolving life form that caused extinction on Mars, and now threatens the crew and all life on Earth. Click Images to Enlarge
First there was an opportunity......then there was a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton (Ewan McGregor) returns to the only place he can ever call home. They are waiting for him: Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle). Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance. Click Images to Enlarge
Ricky Tomlinson - star of TV's "The Royle Family" - plays football manager Mike Bassett in this spoof documentary that follows the turn of events after he becomes manager of England's international football team - because no one else wants the job!
Titans is an all-new live-action drama series that follows a group of young soon-to-be Super Heroes recruited from every corner of the DC Universe. In this action-packed series, Dick Grayson aka Robin (series star BRENTON THWAITES) emerges from the shadows to become the leader of a fearless band of new heroes including Starfire, Raven, Beast Boy and many others. DC Universe's first original series follows this group of young heroes as they come of age and find belonging in a gritty take on the classic Teen Titans franchise. When Dick Grayson and Rachel Roth aka Raven (series star TEAGAN CROFT), a special young girl possessed by a strange darkness, get embroiled in a conspiracy that could bring Hell on Earth, they are joined by the mysterious Kory Anders aka Starfire (series star ANNA DIOP) and loveable Gar Logan aka Beast Boy (series star RYAN POTTER).Together, they become a surrogate family and team of heroes. A dramatic adventure series, TITANS explores and celebrates one of the most popular comic book teams ever.
Patrick Swayze returns to our screens as rebellious dance teacher Johnny Castle in the re-release of this classic '80s hit.
Created by and starring Bolton-born comic Peter Kay, Phoenix Nights is one of those rare gems that few saw on first showing but that everyone was soon talking about. The first series introduces wheelchair-bound Brian Potter (Kay), who runs the titular Phoenix, a shabby social club populated by an assortment of wonderfully observed characters. It's grim up North and despite the best efforts of the staff to inject life into the proceedings--be it an alternative comedy night, a version of Robot Wars in Potter's beloved Pennine Suite or a Wild West extravaganza--each evening's entertainment always ends badly. Undaunted, the Phoenix denizens continue to strive for their dream: a world in which "clubland never dies". The beginning of the second series sees Brian Potter's beloved Phoenix Club lying in ashes and the staff scattered to the four winds. Even club compere Jerry St Clair is reduced to singing "Come get your black bin bags" to the tune of Men in Black in the local supermarket. But not even being barred from having a licence for the rest of his natural life can deter the northern Svengali from reopening the club and making it bigger and better than before--even if that means making Jerry the licensee and offering up-market Chinese nosh. --Kristen Bowditch
Like the Greenwich Village courtyard view from its titular portal, Alfred Hitchcock's classic Rear Window is both confined and multileveled: both its story and visual perspective are dictated by its protagonist's imprisonment in his apartment, convalescing in a wheelchair, from which both he and the audience observe the lives of his neighbors. Cheerful voyeurism, as well as the behavior glimpsed among the various tenants, affords a droll comic atmosphere that gradually darkens when he sees clues to what may be a murder. Photographer L.B. "Jeff" Jeffries (James Stewart) is, in fact, a voyeur by trade, a professional photographer sidelined by an accident while on assignment. His immersion in the human drama (and comedy) visible from his window is a by-product of boredom, underlined by the disapproval of his girlfriend, Lisa (Grace Kelly), and a wisecracking visiting nurse (Thelma Ritter). Yet when the invalid wife of Lars Thorwald (Raymond Burr) disappears, Jeff enlists the two women to help him to determine whether she's really left town, as Thorwald insists, or been murdered. Hitchcock scholar Donald Spoto convincingly argues that the crime at the center of this mystery is the MacGuffin--a mere pretext--in a film that's more interested in the implications of Jeff's sentinel perspective. We actually learn more about the lives of the other neighbors (given generic names by Jeff, even as he's drawn into their lives) he, and we, watch undetected than we do the putative murderer and his victim. Jeff's evident fear of intimacy and commitment with the elegant, adoring Lisa provides the other vital thread to the script, one woven not only into the couple's own relationship, but reflected and even commented upon through the various neighbours' lives. At minimum, Hitchcock's skill at making us accomplices to Jeff's spying, coupled with an ingenious escalation of suspense as the teasingly vague evidence coalesces into ominous proof, deliver a superb thriller spiked with droll humour, right up to its nail-biting, nightmarish climax. At deeper levels, however, Rear Window plumbs issues of moral responsibility and emotional honesty, while offering further proof (were any needed) of the director's brilliance as a visual storyteller. --Sam Sutherland
GOODBYE CHRISTOPHER ROBIN gives a rare glimpse into the relationship between beloved children's author A. A. Milne (Domhnall Gleeson) and his son Christopher Robin (Will TIlston), whose toys inspired the magical world of Winnie the Pooh. Along with his mother Daphne (Margot Robbie), and his nanny Olive (Kelly Macdonald), Christopher Robin and his family are swept up in the international success of the books; the enchanting tales bringing hope and comfort to England after the First World War. But with the eyes of the world on Christopher Robin, what will the cost be to the family?
In this remake of George Romero's classic horror, a ragtag group of survivors take refuge in a shopping mall as bloodthirsty zombies walk the earth.
Christian Wolff (Affleck) is a math savant with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world's most dangerous criminal organizations. With the Treasury Department's Crime Enforcement Division, run by Ray King (J.K. Simmons), starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk (Anna Kendrick) has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, it is the body count that starts to rise.Click Images to Enlarge
Meet Joe Black seemed almost fated to fail when it was released in 1998, but this romantic fantasy--a remake of 1934's Death Takes a Holiday--deserves a chance at life after box-office death. Although many moviegoers were turned off by director Martin Brest's overindulgent three-hour running time, those who gear into its deliberate pace will find that Meet Joe Black offers ample reward for your attention. Brad Pitt plays Death with a capital D, enjoying some time on Earth by inhabiting the body of a young man who'd been killed in a shockingly sudden pedestrian-auto impact. Before long, Death has ingratiated himself with a wealthy industrialist (Anthony Hopkins) and pursues romance with the man's beautiful daughter (newcomer Claire Forlani), whom he'd briefly encountered while still an earthbound human. Under the assumed identity of "Joe Black", he samples all the pleasures that corporeal life has to offer--power, romance, sex and such enticing pleasures as peanut butter by the spoonful. But Death has a job to do, and Meet Joe Black addresses the heart-wrenching dilemma that arises when either father or daughter (the plot keeps us guessing) must confront his or her inevitable demise. The film takes its own sweet time to establish this emotional crisis and the love that binds Hopkins's semi-dysfunctional family so closely together. But if you've stuck with the story this far, you may find yourself surprisingly affected. And if Meet Joe Black has really won you over, you'll more than appreciate the care and affection that gives the film a depth and richness that so many critics chose to ignore. --Jeff Shannon
John Candy has one of his finest opportunities in this film by John Hughes (The Breakfast Club) about a perpetual screw-up (Candy) who gets his act together enough to watch over his brother's kids effectively. The late actor scores big points resurrecting elements of his more decadent persona from SCTV days, but he also has some persuasively touching, sentimental moments. Hughes's direction is not as focused as it was only a few years before, but there's no mistaking his touch. The DVD release has a widescreen presentation, production notes, biographies, Dolby sound, optional Spanish and French soundtracks. --Tom Keogh
ROAR into a prehistoric land with the PAW Patrol in these 6 dino-mite tales, including 2 double-length missions! Join the pups as they roll into Dino Wilds to keep their new friends safe from an erupting volcano and a scheming dino egg thief. Then, the team gears up for a robotic dinosaur adventure! Includes: Pups and the Lost Dino Eggs Pups Save a Pterodactyl Pups and the Big Rumble Pups Save a Big Bone Pups Bark with Dinosaurs Pups Save a Robo-saurus
Jerry Mulligan, a struggling American painter in Paris, is "discovered" by an influential heiress with an interest in more than Jerry's art.
NOTICE: Polish Release, cover may contain Polish text/markings. The disk has English audio.
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