Woody Allen's Celebrity--a portrait of the celebrity life as seen through the eyes of a newly divorced couple--is a black-and-white, New York-style La Dolce Vita that's a chillier flip side to Allen's earlier New York valentine, Manhattan. Despite a few missteps, though, it's an admirable (if dark) and worthy addition to the Allen pantheon. Kenneth Branagh and Judy Davis (both boasting American accents) star as the ex-couple, each struggling to build new, separate lives in a media-saturated, celebrity-driven world. Branagh tries his hand at celebrity profiles (while peddling a screenplay to any star that will listen) and falls into the lap of a bosomy starlet (Melanie Griffith), the first in a long line of briefly attainable women. Davis runs into a producer (Joe Mantegna) who offers her a job as a TV personality as well as a loving relationship. This seemingly simple double plot is punctuated with twists and turns in the form of flashbacks and innumerable side trips, all ravishingly photographed in black and white by the legendary Sven Nykvist, and populated by one of Allen's largest casts ever; if you blink you'll miss countless cameos by Isaac Mizrahi, Donald Trump, Hank Azaria, Leonardo DiCaprio and a host of others. While Davis is splendid as usual (aside from the requisite nervous breakdown scene she's done one too many times), somebody should have told Branagh to put a kibosh on his Woody Allen imitation. His failure in the role, however, isn't entirely his fault, as it's another in a long line of unlikable male protagonists which Allen has created, as if daring audiences to hate his main characters after loving them in such movies as Manhattan and Annie Hall. Far more enjoyable misadventures with Branagh include Charlise Theron in the film's best performance as a libidinous supermodel with a penchant for Echinacea; a stunning Famke Janssen as a successful book editor; and Winona Ryder, acting like an adult for the first time, as an aspiring actress. But they all manage to slip through Branagh's fingers by the end of the film. --Mark Englehart, Amazon.com
An acclaimed story of secrets passion and betrayal based on the novel by H.E. Bates.... A compelling tale of passion's dark secrets - critics applauded Feast Of July as one of the best films of the year! A mysterious young beauty Bella Ford searches hopelessly for the lover who betrayed her. Weary and alone she is offered shelter by the Wainwright family who help her find new hope ... and whose three handsome sons battle for her affections! But just when she is ready to begin h
This CBS American drama revolves around the residents of Jericho a small rural Kansas town in the aftermath of a series of nuclear explosions across the USA. Jake Green (Skeet Ulrich Scream) returns home to Jericho to briefly visit his family before becoming stranded by the explosions. He becomes a hero to the town as he helps to protect it and its residents. Season 1 sees the town begin its struggle to survive; unaware that one of their own residents Robert Hawkins knows
Layer Cake: Based upon JJ Connelly's London crime novel 'Layer Cake' is about a successful cocaine dealer (Daniel Craig) who has earned a respected place among England's Mafia elite and plans an early retirement from the business. However big boss Jimmy Price (Cranham) hands down a tough assignment: find Charlotte Ryder the missing rich princess daughter of Jimmy's old pal Edward (Gambon) a powerful construction business player and gossip papers socialite. Complicating matters are two million pounds' worth of Grade A ecstasy a brutal neo-Nazi sect and a whole series of double crossings... The title 'Layer Cake' refers to the layers or levels the dealer has to go through as he painstakingly plots his own escape. What is revealed is a modern underworld where the rules have changed. There are no 'codes' or 'families' and respect lasts as long as a line. Not knowing who he can trust he has to use all his 'savvy' 'telling' and skills which make him one of the best to escape his own. The ultimate last job a love interest called Tammy and an international drugs ring threaten to draw him back into the 'cake mix'. But time is running out and the penalty will endure a lifetime.. (Dir. Matthew Vaughn 2004) Snatch: In the heart of gangland two novice unlicensed boxing promoters Turkish (Jason Statham) and Tommy (Stephen Graham) get roped into organising a bare-knuckled fight with local kingpin villain and fellow boxing promoter Brick Top (Alan Ford). But it all goes wrong when Brick Top's fighter who is rigged to win is suddenly knocked out by the boys' wildcard Irish gypsy boxer One Punch Mickey O'Neil (Brad Pitt). Unfortunately things go from bad to worse as Mickey starts playing by his own rules and the duo find they are heading for a whole lot of trouble. Meanwhile en route to New York to deliver a stolen 84-carat diamond to head honcho Avi (Dennis Farina) Franky Four Fingers (Benicio Del Toro) is robbed of the stone. Forced to jump on the next plane to London Avi is by no means pleased. He hires local legend Bullet Tooth Tony (Vinnie Jones) to find Franky and the diamond. The hunt for the missing stone launches everyone into a spiral of double-crossing vendettas as different parties pursue personal agendas some of them farcical most of them illegal and all of them destined to spin completely out of control... (Dir. Guy Ritchie 2000)
Limited Comic Book, Only Whilst Stocks Last. A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain American: Civil War, begins to naviagate his newfound identity as the web-slinging super hero in Spider-Man: Homecoming. Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey, Jr.). Peter tries to fall back into his normal daily routine - distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man - but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened. Click Images to Enlarge
Schiaccianoci (Lo) / Nutcracker
Two enthralling investigations from Sherlock Holmes.
John Candy and Eugene Levy charge into the world of private security in the outrageous action-comedy Armed And Dangerous. Unfortunately they're usually charging in the wrong direction! When Candy abungling cop and Levy an inept lawyer lose their jobs they wind up together at the Guard Dog Security Company. After thorough training in the use of firearms (for two hours) they're raring to go. But even as security guards they can't cut it and rip-offs take place right under their noses. Eventually they figure out the robberies aren't coincidental and that their company is in cahoots with the security union's mobster president (Robert Loggia Jagged Edge). Eager to snag the crooks Candy and Levy set out as spies and in a wild car chase turn a million-dollar heist into an armored carnival! When the dust finally settles Candy and Levy save the day as the hilarious rent-a-cop duowho are never more funny than when they're Armed and Dangerous.
A quiet seaside town is engulfed by a thick fog in this chilling horror remake.
Just as he's about to get out of the game entirely, a drug dealer gets drawn back in to the doublecrossing world of the London mafia in this refreshing British thriller.
Based on the play by Jim Morris. Blood on the Dole follows the lives of four teenagers, two boys and two girls, struggling to cope after being thrust into the real world for the first time after leaving school. Living in deprived Merseyside, the four youths' bright-eyed optimism for their futures and new-found freedom is soon crushed by the realities of unemployment, poverty, and the brutal reality of living and trying to find work in a city in decline. They all soon find themselves in the hopeless situation of facing complete dependence on state handouts, the dole . The four teenagers instead find themselves turning to each other to find the strength to survive. An impressively fresh social commentary and portrayal of teenage love set within a disturbingly authentic account of disenfranchised youth. With austerity still very much a part of our political climate, and recent films such as I, Daniel Blake continuing to challenge such government policy, Blood on the Dole is still a hugely relevant watch today. Produced by BAFTA-winner Alan Bleasdale as a part of the Alan Bleasdale Presents series, a Channel 4 anthology showcasing and given a platform to new, up-and-coming talent young writers. After his successes in landmark dramas including Boys from the Black Stuff, The Monocled Mutineer and GBH, in 1994 Channel 4 gave Alan Bleasdale the opportunity to find and mentor new TV writers. Four big-budget, standalone films were made as a result, with top casts and experimental storylines.
An astronaut and his robot companion inadvertantly enter a time-space warp and are hurled into the past where they find themselves in the court of King Arthur!
A ruthless kidnapper and blackmailer called Marlowe has abducted a young boy. After imprisoning the child in a deserted house Marlowe gives him a toy golly for comfort. But hidden inside the golly is time bomb which is set to explode at ten the following morning. A cracking thriller starring a wealth of stars from British film and television.
Jody is the kind of guy that every 1970s teen looked up to. He's in his early 20s, has a cool car, splendid 1970s hair, a leather jacket, plays guitar and (naturally) snags all the girls. His little brother, Mike, in particular, admires him and emulates him at every turn. Things start to go astray, however, when the two brothers and their friend Reggie attend a funeral for a friend. Mike notices a tall man working at the funeral home; in the course of his snooping, he sees the tall man put a loaded coffin into the back of a hearse as easily as if it was a shoebox. Jody doesn't believe his little brother's stories, though, until he brings home the tall man's severed finger, still wriggling in what appears to be French's mustard. From there, the film picks up a terrific momentum that doesn't let up until the sequel-ripe twist ending. Phantasm was one of the first horror movies to break the unspoken rule that victims were supposed to scream, fall down and cower until they were killed. Instead, Mike and Jody are resourceful and smart, aggressively pursuing the evil inside the funeral home with a shotgun and Colt pistol. Furthermore, the script has a great deal of character development, especially in the relationship between the two brothers. The film even has a surprisingly glossy look, despite its low-budget origins, and little outright gore (except for the infamous steel spheres that drill into victims' heads). This drive-in favourite was a big success at the time of its release, and spawned three sequels. Little wonder; it includes an inventive story, likeable characters, a runaway pace and, of course, evil dwarves cloaked in Army blankets. The end result is one of the better horror films of the late 1970s. Hot-rod fans take note: Jody drives a Plymouth Hemi 'Cuda, the pinnacle of 1960s muscle cars, rounding out his status as a Cool Guy. --Jerry Renshaw
While the later chapters of the Carry On series have received fairly constant exposure, some earlier examples such as 1964's Spying remain relatively unseen. Given the brash production and ensemble playing of the more well-known films, this black and white version of the Carry On world seems oddly low-key in comparison. Four of the soon-to-be-regular cast are in attendance--Barbara Windsor, Kenneth Williams, Jim Dale, Charles Hawtrey--and there are many signs of a formula in development (the double entrendres, bad puns, Windsor's ill-fitting clothing). Of course, with its obsession with sex and bodily functions it's all very English and parts have dated horribly, not least the casual racism of some of the secondary characters, but fans of this most unique of genres will find much to tickle their fancy. And don't they look so young?On the DVD: Given the long history and colourful characters of the series, there must be scope for much behind the scenes and documentary footage, but this disc is totally bereft of any extras bar scene selection. There is also little to add to the original black and white film stock, although the soundtrack, chock full of humorous instrumentation, sounds pretty good. --Phil Udell
When Carry On Teacher was released in 1959, the series was still in its infancy but all the familiar constituent parts were already in place. Innuendo, naturally, reigns supreme and on the brink of the permissive 1960s it's surprising what Peter Rodgers and the gang were able to get away with. "Are you satisfied with your equipment, Miss Allcock?", child psychologist Leslie Phillips asks gym mistress Joan Sims. Naturally, it isn't five minutes before Miss Allcock's shorts have split, leading to a series of pants gags. And we're off. For Carry On fans, Teacher contains many of the funniest lines and certainly some of the best performances from the whole series. Kenneth Williams is still acting rather than giving his mannerisms a good work out. Hattie Jacques is establishing her gorgon-with-a-soft-centre-for-the-right-man persona and Charles Hawtrey's birdlike twitching makes him ideal as the precious music teacher. A youthful Carol White and Richard O'Sullivan are among the scheming pupils. But you don't have to be a diehard Carry On fan to appreciate the boisterous, sub-St Trinians comedy. And thanks to Ted Ray's poignant acting as the headmaster, there's a real moment of Mr Chips-style bathos at the very end. On the DVD: Carry On Teacher doesn't gain much from being presented in widescreen. Much of its appeal lies in its familiarity. All we ask for is a clear print--and in black and white this is diamond sharp--and decent sound quality. The whole thing fits like a comfortable old shoe. But apart from the scene index there are no extras on the disc. Given the cult status of the Carry On films, and the wealth of documentary material which has been made about them and their stars, you'd think something extra could have been offered with the DVD releases to make them a more worthwhile alternative to the video. --Piers Ford
John Drake is a special agent in the deadly world of international espionage and intrigue. A master in his field he is free to go wherever duty calls. Danger Man does not simply attract danger he thrives on it. Episode titles: The Key View From the Villa Find and Return Time To Kill Under the Lake The Journey Ends Halfway Position of Trust The Sisters An Affair Of State Deadline Bury The Dead The Girl In Pink Pyjamas Sabotage The Traitor The Nurse The Blue Veil The Lovers The Sanctuary The Deputy Coyannis Story The Brothers Colonel Rodriguez The Relaxed Informer Find and Destroy The Prisoner The Lonely Chair Dead Man Walks The Contessa Josetta The Island The Conspirators Name Date and Place The Leak The Honeymooners The Girl Who Liked GI's Hired Assassin The Gallows Tree The Vacation The Trap The Actor.
A classic action movie from acclaimed director John Woo (Hard Boiled Mission Impossible II) Once a Thief is the explosive story of two fugitives fleeing the powerful Hong Kong mob. Mac & Michael are brothers... and bitter rivals. Raised by the Godfather of the Hong Kong underworld they vie for his attention to take on the most glamorous and dangerous missions. Now their affections for the same woman threaten totear the family apart and set in place a terrifying chain of events... Set against the pulsating Hong Kong backdrop Once a Thief is full of non-stop action and suspense that will leave you breathless.
An easygoing British Corporal (John Mills) in France finds himself responsible for the lives of his men when their officer is killed. He has to get them back to Britain somehow. Meanwhile British civilians are being dragged into the war with Operation Dynamo the scheme to get the French and British forces back from the Dunkirk beaches. Some come forward to help others are less willing...
Based on J L Carr's novel two young soldiers fresh from the trauma of World War I meet in a tranquil Yorkshire village and form an unusual bond. Birkin has come to spend a month restoring a church mural whilst Moon who is still suffering nightmares from the horrors of war has come to excavate a forgotten chapel. Set against the background of an idyllic summer passion and forbidden love are uncovered as Birkin falls for the rector's beautiful wife and Moon has to face his own inner desires. As the men become drawn into their work they find reassurance and escape from their experiences and can begin a personal journey to recovery.
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