A fascinating look back at the career of one of the nation's most prolific TV and radio presenters. Includes archive footage from 'Wogan' 'Blankety Blank' and the Eurovision events. With a loyal army of fans Terry Wogan won the 1994 Sony Radio Award for Best Breakfast Show and was awarded an honorary OBE in 1997.
Set among the Italian-American community of Manhattan and adapted by Vincent Patrick from his own novel, 1984's The Pope of Greenwich Village just about gets by on its charm. It stars Mickey Rourke as Charlie, a small-time grafter who is on the point of making his big move and breakaway. Unfortunately, the pull of family ties means that he's hampered by his cousin Paulie (Eric Roberts), an ambitious and excitable idiot who manages to cock up absolutely everything he turns his hand to, bringing down Charlie with him every time. After he gets the pair of them sacked from a restaurant, Paulie helps set up a safecracking deal with older hand Kenneth MacMillan. Trouble is, theyre robbing the local mafia boss. Rourke and Roberts' relationship is modelled closely on that of Harvey Keitel and Robert DeNiro in Scorcese's Mean Streets, only without quite the same harrowing consequences. This being the 1980s there's much De Niro-esque methodology, which generally consists of repeating lines at least twice ("Fix your tie! Fix your tie!"). The element of improv sees the film veer off course occasionally, while Darryl Hannah is her usual oddly semi-detached self in the role of Rourke's girlfriend. However, it's Roberts' performance as the exasperating and energetic Paulie which carries the film, with solid support from numerous Goodfellas and Sopranos regulars. On the DVD: The Pope of Greenwich Village arrives on disc in a decent enough but hardly pristine print. The sole extra is the original trailer, which means the only real benefit of acquiring this on DVD is storage convenience. --David Stubbs
When they learn of a secret covenant on the status of Hong Kong signed by Mao in 1944 Chinese factions the British government Hong Kong businessmen AND the Mafia all try to be the first to take hold of it. Tough man Sean Dillon pressured by Brigadier Ferguson into working for the British does it his own way. But we see a new twinkle in his eye when he looks at sweet Su Yin... And can it be that pretty Inspector Hanna Bernstein is beginning to grow fond of Sean? Based on Jack Higgins' novel.
A hard-boiled cop wakes up drenched in blood he remembers nothing but the police find a bloody murder weapon that matches his type. A criminal has been killed and he becomes the prime suspect...
In The Black Sheep Affair special forces agent Yim Dong (Chiu Man Chuk--the brilliant wu shu marital artist star of 1995's The Blade) is transferred to the fictional ex-Soviet Republic of Lavernia, actually Hungary, where the explosive Now You're Dead (1998) was filmed. Soon he has arrested Mishima, played by Hoi Lin who delivers a chilling performance as a ruthless Japanese terrorist who believes he is Christ returned to bring bloody redemption. Before long Mishima's fanatical followers are causing mayhem, while in a bittersweet sub-plot Yim revives his relationship with the girl he loved in Beijing before the 1989 uprising. The comparatively low budget shows occasionally, and even in the Cantonese version all the Lavernians are dreadfully dubbed with American voices, one duplicitous official coming across like a camp Oliver Reed. Against that there is an attempt to offer some political substance, and the action--a mixture of martial arts and gunplay--is fast, furious and stunningly staged, so that even as it goes ludicrously OTT it remains exhilarating. The "shoot-the-hostages" finale reaches an emotional intensity and breaks rules no Hollywood action flick would dare, turning into a John Woo-like slaughterhouse which makes the likes of Die Hard (1988) look tame. On the DVD: The end titles carry the Dolby Digital logo, so why both the Cantonese subtitled and English dubbed versions of a 1998 film are presented in two-channel mono is a mystery. The anamorphically enhanced 1.77:1 image is good but not exceptional, and exhibits some clear compression artefacts. The "music promo" is essentially one of Hong Kong Legends' own specially-made trailers, and is accompanied by more trailers for a further five films. The photo gallery is pointless but the text biographies of the two main stars are detailed enough to be interesting. Two minutes of poor quality video show Chiu Man Chuk demonstrating some wu shu moves, while a four-minute interview conducted at the same time via a translator for French television does little more than reveal the star as an amiable chap. Several of the features are also present on the DVD of Chiu Man Chuk's Body Weapon (1999). --Gary S Dalkin
A U.S. governement funded propaganda docu-drama film from 1938 designed to inform the public of the perils of smoking marijuana but ironically now worth seeing for its laughable historical and scientific innaccuracy...
Littlefoot discovers even little lies can cause big trouble. Your favourite prehistoric pals are back in an all-new adventure filled with fun and laughter! This time around the Tinysauruses invade the Great Valley to teach Littlefoot a big lesson about a little lie. Meet their new tiny friends and sing along to brand new songs. Featuring the unforgettable voices of Michael Clarke Duncan and Camryn Manheim The Invasion of the Tinysauruses shows that heroes frie
Carry On Girls was the last really successful instalment of the epic series of British film comedies. It's studded with gems of cameo performances and a tremendously innuendo-laden Talbot Rothwell script that is easily the equal of any of its predecessors. The setting, a beauty contest to raise the profile of the dismal resort Fircombe-on-Sea, is ripe for politically incorrect activity of the sort that could only be conducted by Sid James at the height of his lecherous powers. Enter Bernard Bresslaw in a corset, Wendy Richard as Ida Downs, Barbara Windsor as Miss Easy Rider and a host of other semi-clad lovelies and watch as the whole thing rises to a slapstick climax of frisky old colonels, bikinis, bosoms and itching powder. In the smaller roles, Joan Hickson (BBC television's Miss Marple) is hilarious as an elderly woman who believes she is a man-magnet and the always under-used Patsy Rowlands excels as the downtrodden mayor's wife, a worm who finally turns. But in many ways this is June Whitfield's film. As the terrifying reactionary councillor Mrs Prodworthy, with a butch lesbian sidekick, she plots the downfall of her male colleagues with classic lines. "Rosemary, get the candle", she orders as Patsy Rowlands requests initiation into the cause. Margaret Thatcher never sounded so ominous. On the DVD: Like most of the other DVD Carry On releases, this one is presented in 4:3 format with a mono soundtrack. All right, you don't really need anything more sophisticated to recreate the cosy ritual of Carry On watching in your living room. And the print is good and sharp. But apart from the usual scene index, the lack of extras reflects a disappointingly unimaginative approach to celebrating a genre of film comedy that, for all its low budget reputation, provided a showcase for the cream of a whole generation of British comic actors. They deserve better.--Piers Ford
The twist of private-eye show Randall & Hopkirk Deceased is that in the first episode, gumshoe Marty Hopkirk (Kenneth Cope) is killed off by the villains, only to pop up in an immaculate white suit as a ghost visible only to his hardboiled partner Jeff Randall (Mike Pratt). In theory, the supernatural streak--which meant a complex set of rules about Marty's appearances and effects on the physical world--should lead the show into wilder territory, but most episodes squander the team's unique abilities on ordinary cases about blackmail and murder-for-profit. A persistent subplot has the living Jeff getting cosy with the dead Marty's widow Jean (Annette Andre) to the discomfort of her late husband. The elementary effects and the nice underplaying of the leads have a certain period charm, and the show could afford a high calibre of special guest villains and dolly birds. A 1990s remake with Vic Reeves and Bob Mortimer hasn't obliterated memories of the original. --Kim Newman
The first of the Carry On movies, 1958's Sergeant is rather different from its successors, much more a film of its time (the latter days of National Service) and rather less a bawdy picture postcard. Sergeant Grimshaw (William Hartnell long before Doctor Who) is about to retire and hopes that he can get his last platoon into shape as Champion Platoon of its intake. Unfortunately, the new recruits include the clumsy Golightly (Charles Hawtrey), the barrack-room lawyer Bailey (Kenneth Williams) and the hypochondriac Horace Strong (Kenneth Connor). Love interest is provided by Bob Monkhouse and Shirley Eaton--newlyweds separated by the call-up and reunited by her taking a job in the canteen--and by the pursuit of Horace by Dora Bryan's Nora. The film relies heavily on a mixture of slapstick and paradoxical revelations of character complexity--the obnoxious Bailey nonetheless takes the trouble to coach the incorrigibly dense Herbert (Norman Rossington); the series' later obsession with low comedy only really emerges in the scenes between Horace and the medic Captain Clark (Hattie Jacques). The platoon's eventual coming together as other than total incompetents is predictable, but likable.On the DVD: The DVD has no frills whatever except for a widescreen picture and chapter selections; it has been cleaned up however so that we get a remarkably crisp mono picture and mono sound, which brings out the quality of the military-band score by Bruce Montgomery, who was also the writer Edmund Crispin. --Roz Kaveney
The seventh entry in the Carry On series and the first not to feature Kenneth Williams. Charlie (Sid James) owner of the Speedee Cabs company finds he has some serious competition when his wife Peggy (Hattie Jacques) sets up a rival firm consisting only of glamorous female drivers. Cabbies driven to distraction include Charles Hawtrey Kenneth Connor and Jim Dale (in his first Carry On appearance).
Perrault's timeless fairy tale of the mistreated waif turned princess has inspired a number of composers and choreographers since its first incarnation as a major ballet by Petipa in 1893. But none has gained the popularity of the version set by Frederick Aston for Sadler's Wells Royal ballet in 1948. It was the first full-length ballet devised by a British choreographer.Though the role of Cinderella was danced by Moira Shearer at the premier it soon became a signature piece for Margot Fonteyn and a mainstay of the company's repertoire. In addition to providing the choreography Ashton also gave himself a plum role as one of the Ugly Sisters and appears on this video in tandem with Kenneth MacMillan another celebrated British choreographer en travesti.
Two old pros light up the screen... British theatrical director Peter Glenville made his film directorial debut with 1955's The Prisoner (Glenville had previous helmed the London stage production of this Bridget Boland play). The film is based on the real-life travails of Hungarian Cardinal Mindszenty who after suffering under Nazi persecution was imprisoned by the new Communist regime for remaining loyal to his religious convictions. Alec Guinness plays an unnamed Cardinal in an un
When Joe Dolan (Michael Biehn) accidentally kills his father in a scam gone bad his dying words lead Joe to his Uncle Lou (James Coburn). Lou is working on a con worth more than $2 million in diamonds. Eddie (Nicholas Cage) Lou's right hand man sees Joe as a serious threat and a rival for his girlfriend - the sexy Diane (Sarah Trigger). Diane seduces Joe into a love triangle that leads him to murder and desire. With millions in the balance Joe gets deeper and deeper into the diamond sting. Double cons lead to triple cons as Deadfall hurtles toward the most twisted scam of all and it's surprising conclusion. Joining the first rate cast of characters are stunning cameo appearances by Charlie Sheen Peter Fonda and Talia Shire.
Discovering a World War II briefcase while scuba diving was the worst day of Henry Barker's and his daughter's life. The Fuhrer-sealed briefcase is of major interest to hard-nose Brit Brigadier Charles Ferguson and a U.S. hitman sent to kill Baker. With her father dead Jenny Baker now has the briefcase whose contents hold the key to resurrecting the fourth Reich - the Windsor Protocol. Smart criminal Sean Dillon (Kyle MacLachlan) is sent by Ferguson to prevent the Windsor Protocol from falling into Nazi hands and quickly finds himself at the top of everyone's hit list. Through hair-raising twists and turns the free world hangs in the balance as the new Nazi regime waits for the return of the Protocol
In an uncanny piece of art imitating life, Who Dares Wins came out in 1982 just after the infamous storming of the Iranian Embassy by the legendary British Special Air Services (SAS) unit. The plot builds up to that unshakeable image of black-clad troops abseiling the front of a stately home and smashing through the windows, and pays off expectations with a thrilling finale. Anyone expecting two hours of military instruction will be disappointed however. After the opening 10 minutes with the troops, the almost James-Bond-like story follows Lewis Collins (riding high in those days after TV's The Professionals) as he infiltrates a radical anti-Nuclear society. Operation: Destroy requires him to go undercover with their potentially insane leader Frankie (Judy Davis), ignoring his wife and child. The period detail is often the film's most entertaining feature as Collins tours across 1980s London constantly eluding spies on his tail. Apart from the endless permed hairdos and the fact that the Campaign for Nuclear Disarmament hasn't got much to demonstrate about these days, there's the fashions and low-tech gadgetry to enjoy. In the US the film was called The Final Option. The DVD includes a photo gallery, and a history of the SAS. --Paul Tonks
Recorded live in Royal Festival Hall London 1991.
Jarrow-born Alan Plater was one of Britain's most cherished playwrights. Equally at home either adapting existing works or crafting his own stories the pinnacle of his prolific output is arguably the highly successful Beiderbecke trilogy starring James Bolam and Barbara Flynn. Plater excelled in the creation of credible engagingly ordinary characters embroiled in drama and intrigue (exemplified in Beiderbecke's jazz-loving Geordie woodwork teacher Trevor Chaplin); with a dry humour class consciousness and frequent acknowledgement of the north-south divide his skilful dialogue has been described as combining 'The voice of Coronation Street with the spirit of Chekhov'. The winner of three BAFTA Awards he received a CBE in 2005 and the Writers' Guild of Great Britain Lifetime Achievement Award in 2007. This anthology celebrates the diversity of Alan Plater's work for ITV with a collection of single plays and classic episodes featuring outstanding performances by Helen Mirren Kenneth Branagh James Bolam Alison Steadman Michael Gambon Dennis Waterman and Ray Brooks among many others. The Beiderbecke Affair: What I Don't Understand Is This... Jazz fan Trevor Chaplin wants only one thing: a set of Bix Beiderbecke records. Oranges and Lemons: Brotherly Love An ex-docker is grieved that his two sons seem irreconcilable. Play for Love: The Party of the First Part Peter makes sure his eighteenth birthday party is one that his guests won't forget. The Loner: Dawson's Complaint Dawson is a man who aims is to change the world. This is the story of his failure. Coming Through Two plays set in different eras examine polarised attitudes towards D.H. Lawrence. Flambards: Christina Orphan Christina learns - painfully - the art of living among men. Shades of Darkness: The Intercessor A writer lodging in a 'quiet' house is disturbed by the sound of a child crying.
Layer Cake: Based upon JJ Connelly's London crime novel 'Layer Cake' is about a successful cocaine dealer (Daniel Craig) who has earned a respected place among England's Mafia elite and plans an early retirement from the business. However big boss Jimmy Price (Cranham) hands down a tough assignment: find Charlotte Ryder the missing rich princess daughter of Jimmy's old pal Edward (Gambon) a powerful construction business player and gossip papers socialite. Complicating matters are two million pounds' worth of Grade A ecstasy a brutal neo-Nazi sect and a whole series of double crossings... The title 'Layer Cake' refers to the layers or levels the dealer has to go through as he painstakingly plots his own escape. What is revealed is a modern underworld where the rules have changed. There are no 'codes' or 'families' and respect lasts as long as a line. Not knowing who he can trust he has to use all his 'savvy' 'telling' and skills which make him one of the best to escape his own. The ultimate last job a love interest called Tammy and an international drugs ring threaten to draw him back into the 'cake mix'. But time is running out and the penalty will endure a lifetime.. (Dir. Matthew Vaughn 2004) Snatch: In the heart of gangland two novice unlicensed boxing promoters Turkish (Jason Statham) and Tommy (Stephen Graham) get roped into organising a bare-knuckled fight with local kingpin villain and fellow boxing promoter Brick Top (Alan Ford). But it all goes wrong when Brick Top's fighter who is rigged to win is suddenly knocked out by the boys' wildcard Irish gypsy boxer One Punch Mickey O'Neil (Brad Pitt). Unfortunately things go from bad to worse as Mickey starts playing by his own rules and the duo find they are heading for a whole lot of trouble. Meanwhile en route to New York to deliver a stolen 84-carat diamond to head honcho Avi (Dennis Farina) Franky Four Fingers (Benicio Del Toro) is robbed of the stone. Forced to jump on the next plane to London Avi is by no means pleased. He hires local legend Bullet Tooth Tony (Vinnie Jones) to find Franky and the diamond. The hunt for the missing stone launches everyone into a spiral of double-crossing vendettas as different parties pursue personal agendas some of them farcical most of them illegal and all of them destined to spin completely out of control... (Dir. Guy Ritchie 2000)
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