The Rebels scatter after the Empire attacks their base on the ice planet Hoth. Han Solo and Princess Leia are pursued by Imperials, while Luke trains with Jedi Master Yoda. Luke battles Darth Vader and learns the shocking truth of his past. Special Features: Audio Commentary By George Lucas, Irvin Kershner, Carrie Fisher, Ben Burtt and Dennis Muren Archival Audio Commentary By The Cast And Crew Episode V: The Empire Strikes Back Bonus Disc Conversations: The Lost Interviews Discoveries From Inside: Matte Paintings Unveiled A Conversation With The Masters (2010) Dennis Muren: How Walkers Walk Hoth Overview George Lucas On Editing The Empire Strikes Back 1979 Irvin Kershner Interview Dagobah Overview Pursued by the Imperial Fleet Overview George Lucas On The Force: 2010 Cloud City Overview Han And Leia: Extended Echo Base Argument Luke's Recovery Luke And Leia: Medical Center Wampa Attacks The Fate of General Veers Yoda's Test Hiding In The Asteroid Alternate Han And Leia Kiss Lobot's Capture Leia Tends To Luke AT-AT Walker Fallen Model Snowspeeder Model Tauntaun Maquette Rebel Transport Model Hoth Landscape Matte Painting Leia Hoth Costume Han Solo Interior: Hoth Costume Yoda Model Luke's Severed Head Dagobah Bog Matte Painting Dagobah Matte Painting Luke's Tan Costume Star Destroyer Model Millennium Falcon Model Space Slug Darth Vader's Star Destroyer Model Star Destroyer Hull Model Executor Bridge Matte Painting Boba Fett Prototype Costume Imperial Officer Costume Rebel Cruiser Model Twin-Pod Cloud Car Model Cloud City Models Cloud City Matte Painting Cloud City Landing Platform Matte Painting Cloud City Core Vane Matte Painting Cloud City Core Vane Platform Matte Painting Lando Bespin Costume Cloud City Slave I Matte Painting
Sinister events bring together a writer (David Soul) fascinated with an old hilltop house; a suave antiques dealer (James Mason) whose expertise goes beyond bric-a-brac; and the dealer's mysterious, pale-skinned partner (Reggie Nalder) in Salem's Lot - a blood-curdling shocker based on Stephen King's novel and directed by Tobe Hooper (Poltergeist).
Kenneth Branagh directs and leads an all-star cast, including Johnny Depp, Penélope Cruz, Willem Dafoe and Judi Dench, in this stylish, suspenseful and thrilling mystery based on the best-selling novel by Agatha Christie. Everyone's a suspect when a murder is committed on a lavish train ride, and a brilliant detective must race against time to solve the puzzle before the killer strikes again.
For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero's identity is revealed, bringing his Super Hero responsibilities into conflict with his normal life and putting those he cares about most at risk. When he enlists Doctor Strange's help to restore his secret, the spell tears a hole in their world, releasing the most powerful villains who've ever fought a Spider-Man in any universe. Now, Peter will have to overcome his greatest challenge yet, which will not only forever alter his own future but the future of the Multiverse.
There is not a single joke, sight-gag or one-liner in Monty Python's Life of Brian that will not forever burn itself into the viewer's memory as being just as funny as it is possible to be, but--extraordinarily--almost every indestructibly hilarious scene also serves a dual purpose, making this one of the most consistently sustained film satires ever made. Like all great satire, the Pythons not only attack and vilify their targets (the bigotry and hypocrisy of organised religion and politics) supremely well, they also propose an alternative: be an individual, think for yourself, don't be led by others. "You've all got to work it out for yourselves", cries Brian in a key moment. "Yes, we've all got to work it our for ourselves", the crowd reply en masse. Two thousand years later, in a world still blighted by religious zealots, Brian's is still a lone voice crying in the wilderness. Aside from being a neat spoof on the Hollywood epic, it's also almost incidentally one of the most realistic on-screen depictions of the ancient world--instead of treating their characters as posturing historical stereotypes, the Pythons realised what no sword 'n' sandal epic ever has: that people are all the same, no matter what period of history they live in. People always have and always will bicker, lie, cheat, swear, conceal cowardice with bravado (like Reg, leader of the People's Front of Judea), abuse power (like Pontius Pilate), blindly follow the latest fads and giggle at silly things ("Biggus Dickus"). In the end, Life of Brian teaches us that the only way for a despairing individual to cope in a world of idiocy and hypocrisy is to always look on the bright side of life. On the DVD: Life of Brian returns to Region 2 DVD in a decent widescreen anamorphic print with Dolby 5.1 sound--neither are exactly revelatory, but at least it's an improvement on the previous release, which was, shockingly, pan & scan. The 50-minute BBC documentary, "The Pythons", was filmed mainly on location in 1979 and isn't especially remarkable or insightful (a new retrospective would have been appreciated). There are trailers for this movie, as well as Holy Grail plus three other non-Python movies. There's no commentary track, sadly. --Mark Walker
Kenneth Branagh directs and leads an all-star cast, including Johnny Depp, Penélope Cruz, Willem Dafoe and Judi Dench, in this stylish, suspenseful and thrilling mystery based on the best-selling novel by Agatha Christie. Everyone's a suspect when a murder is committed on a lavish train ride, and a brilliant detective must race against time to solve the puzzle before the killer strikes again.
Kenneth Branagh's 1993 production of Shakespeare's Much Ado About Nothing is a vigorous and imaginative work, cheerful and accessible for everyone. Largely the story of Benedick (Branagh) and Beatrice (Emma Thompson)--adversaries who come to believe each is trying to woo the other--the film veers from arched wit to ironic romps, and the two leads don't mind looking a little silly at times. But the plot is also layered with darker matters that concern the ease with which men and women fall into mutual distrust. Branagh has rounded up a mixed cast of stage vets and Hollywood stars, among the latter Denzel Washington and Michael Keaton, the latter playing a rather seedy, Beetlejuice-like version of Dogberry, king of malapropisms.--Tom Keogh
The Empire prepares to crush the Rebellion with a more powerful Death Star. The Rebel fleet counters with a massive attack on the space station. Luke Skywalker confronts Darth Vader in a final climactic duel. Special Features: Audio Commentary By George Lucas, Carrie Fisher, Ben Burtt, and Dennis Muren Archival Audio Commentary By The Cast And Crew Episode VI: Return Of The Jedi Bonus Disc Conversations: The Effects Discoveries From Inside: The Sounds of Ben Burtt Classic Creatures: Return Of The Jedi Revenge Of The Jedi Teaser Trailer Return Of The Jedi Launch Trailer It Began TV Spot Climactic Chapter TV Spot Tatooine Overview Endor Overview Harrison Ford Interview Death Star II Space Battle Overview Vader's Arrival And Reaching Out To Luke Tatooine Sandstorm Rebel Raid On The Bunker Jerjerrod's Conflict Battle Of Endor: The Lost Rebels Rancor Maquette EV-9D9 Salacious B. Crumb C-3PO's Head With Eye Poked Out Leia's Boussh Costume Lando Skiff Guard Costume Jabba's Radio-Controlled Eyes AT-ST Walker Model Speeder Bike Imperial Shuttle Model Ewok Hang Glider Maquette Imperial Shuttle Landing Matte Painting Endor Landing Platform Matte Painting Ewok Costume Biker Scout Costume B-wing Fighter Model TIE Interceptor Model Death Star Under Construction Model Imperial Shuttle Bay Matte Painting Admiral Ackbar Costume Death Star Equator Docking Bay Matte Painting Millennium Falcon In Hangar Matte Painting Jabba's Palace, Road Creature Matte Painting Sarlacc Pit Matte Painting
Star Wars: A New Hope Luke Skywalker begins a journey that will change the galaxy. Young farm boy Luke Skywalker is thrust into a galaxy of adventure when he intercepts a distress call from the captive Princess Leia. The event launches him on a daring mission to rescue her from the clutches of Darth Vader and the Evil Empire. Star Wars: The Empire Strikes Back Discover the conflict between good and evil. The Rebels scatter after the Empire attacks their base on the ice planet Hoth. Han Solo and Princess Leia are pursued by Imperials, while Luke trains with Jedi Master Yoda. Luke battles Darth Vader and learns the shocking truth of his past. Star Wars: Return of The Jedi Experience the triumph of the force. The Empire prepares to crush the Rebellion with a more powerful Death Star. The Rebel fleet counters with a massive attack on the space station. Luke Skywalker confronts Darth Vader in a final climactic duel. Product Features Star Wars: A New Hope Filmmaker And Cast Audio Commentary Cast And Crew Archival Audio Commentary Conversations: Creating A Universe Discoveries From Inside: Weapons & The First Lightsaber Documentary: Anatomy Of A Dewback Cast Interviews Extended And Deleted Scenes And Much More Star Wars: The Empire Strikes Back Filmmaker And Cast Audio Commentary Cast And Crew Archival Audio Commentary Conversations: The Lost Interviews Documentary: A Conversation With The Masters Filmmaker Interviews Extended And Deleted Scenes Discoveries From Inside: Matte Paintings Unveiled And Much More! Star Wars: Return of The Jedi Filmmaker And Cast Audio Commentary Cast And Crew Archival Audio Commentary Conversations: The Effects Discoveries From Inside: The Sounds Of Ben Burtt Documentary: Classic Creatures Cast And Crew Interviews Extended And Deleted Scenes And Much More!
Take The Full Monty, add a sharper emotional edge and replace the strutting strippers with a dignified British band. That's the essence of Brassed Off, a bittersweet gem released in 1996, a year before its more popular (and Oscar-nominated) counterpart. In the Yorkshire town of Grimley, there has always been a coal mine, just as for the last 111 years there has been a brass band and it seems that Danny (the wondrous Pete Postlethwaite) has been the director for every one of those years. Tory economic policies, however, are closing coal mines around the country in favour of nuclear power and Grimley appears to be next on the list. Danny is unfazed by the threat, claiming, "It's music that matters." But some of the men are about to quit the band until the appearance of Gloria (Tara Fitzgerald at her most radiant), who dazzles the all-male group (including old flame Andy, played by Ewan McGregor) first with her beauty, then with her flügelhorn playing. The new member gives the band a boost as they continue to perform and compete but closure remains very real, as director Mark Herman (Little Voice) accompanies the band's performances (played with gusto by the Grimethorpe Colliery Band) with scenes of angry labour-management confrontations and family strife. In this context, some of the characters claim that the music is an irresponsible form of escapism. It becomes clear, however, from a touching performance of "Danny Boy" to the stirring conclusion at Royal Albert Hall, that music is an expression of the human spirit, a bit of beauty and sanity in a harsh world. With defiance, the band can play "Land of Hope and Glory" even when the land offers them neither. --David Horiuchi
Jack Ryan as a young covert CIA analyst uncovers a Russian plot to crash the U.S. economy with a terrorist attack.
""Everything in Salem's Lot is connected to that house. You can see it from every part of the town. It's like a beacon throwing off an energy force."" - Ben Mears (David Soul) At last! Salem's Lot the 1979 horror mini-series from 1979 gets the much-desired DVD treatment. Based on Stephen King's terrifying vampire novel Tobe Hooper's cult movie is a supernatural journey into the strange world of the titular town and its oddball inhabitants. Ben Mears (Soul) returns to
Filmed in 1968 and set in British India in 1895, Carry On Up the Khyber is one of the team's most memorable efforts. Sid James plays Sid James as ever, though nominally his role is that of Sir Sidney Ruff-Diamond, the unflappable British Governor who must deal with the snakelike, scheming Khasi of Khalabar, played by Kenneth Williams. A crisis occurs when the mystique of the "devils in skirts" of the 3rd Foot and Mouth regiment is exploded when one of their number, the sensitive-to-draughts Charles Hawtrey, is discovered by the natives to be wearing underpants. Revolt is in the offing, with Bernard Bresslaw once again playing a seething native warrior. Roy Castle neatly plays the sort of role normally assigned to Jim Dale, as the ineffectual young officer, Peter Butterworth is a splendid compromised evangelist, while Terry Scott puts his comedic all into the role of the gruff Sergeant. Most enduring, however, is the final dinner party sequence in which the British contingent, with the Burpas at the gates of the compound, and plaster falling all about them, demonstrate typical insouciance in the face of imminent peril. The "I'm Backing Britain" Union Jack hoist at the end, however, over-excitedly reveals the streak of reactionary patriotism that lurked beneath the bumbling double-entendres of most Carry On films. --David Stubbs
Available for a limited time only! Three years after the events in Episode IV - A New Hope Imperial forces continue to pursue the rebels. After the rebellion's defeat on the ice planet Hoth Luke journeys to the planet Dagobah to train with Jedi Master Yoda who has lived in hiding since the fall of the Republic. In an attempt to convert Luke to the Dark Side Darth Vader lures young Skywalker into a trap in the Cloud City of Bespin...
During the German occupation of Rome in 1943 an athletic Irish priest Monsignor Hugh O'Flaherty (Gregory Peck) devotes all the time he can spare from his work at the Vatican to hiding Allied POWs from the Nazis. Col. Herbert Kappler (Christopher Plummer) Rome's chief Gestapo Officer suspects O'Flaherty of hiding escapees but can do little about it because of the priest's Vatican diplomatic immunity. But when he unearths proof of O'Flaherty's complicity he orders that the priest be
Unseen for many years these four made-for-TV Christmas Carry On spectaculars feature favourite stories and timely traditions including Treasure Island A Christmas Carol pantomime and much more in the only way the Carry On team know how... pure slapstick comedy and scripts full of trademark innuendo! This is Carry On at its Christmas best! Carry On Christmas 1969: sees Sid James Barbara Windsor et al in a re-working of literary classic 'A Christmas Carol' - obviously thou
George and Mildred are the ultimate odd couple the popular landlord and landlady from Man About The House who became a household name with Thames Television in the 1970's and 80's. Mildred is vain snobbish and domineering; George is shy timid frigid and henpecked. Together they make a great partnership! In this feature length movie Mildred is still trying to steer him towards romance; George still doesn't know what she's driving at...
Anyone doubting the layered, nuanced, and heartbreaking acting abilities of Michelle Williams will find My Week with Marilyn a tremendous revelation. And Williams fans will enjoy it even more. In My Week with Marilyn Williams takes on the formidable challenge of playing Marilyn Monroe, and does so with depth and assuredness, and without resorting to caricature. Williams's Marilyn commands the screen with pain and delicacy, and doesn't let go until the final credits. My Week with Marilyn focuses on a small time frame in Monroe's life, right after her marriage to Arthur Miller. Monroe, already "the world's most famous woman," still feels the need for validation as an actress. What better way to achieve that, she believes, than committing to co-starring with Laurence Olivier in The Prince and the Showgirl, a film she firmly believed would finally cement her reputation as a serious actress. My Week with Marilyn is based on the short memoir of Colin Clark, a crew member on The Prince and the Showgirl, who quickly became the confidant of the wildly insecure Monroe and watched a train wreck of egos--mostly Olivier's and Monroe's--collide in a fiery near-disaster. Kenneth Branagh gives an uncharacteristically restrained performance as the exasperated Olivier, resentful of the "new blood" in Hollywood that the young Monroe represents, and disdainful of her cult-like devotion to Method acting. (And of Monroe's chronic tardiness, which threatens to undermine the veddy, veddy strict British work schedule.) Eddie Redmayne plays Clark with a sweet, gentle veneer, someone who grows to care genuinely about the complex Monroe. Julia Ormond is clipped and proper as Olivier's then-wife, Vivien Leigh, and Emma Watson shows a lovely gravitas as Lucy, Monroe's acting coach. But it's Williams who gives the revelatory performance, capturing with painful intensity the insecurity that begins to seep out of Monroe like a fearful sweat. "Excuse my horrible face," she blurts out, while looking nothing less than her usual radiant self. Where does this tragic insecurity come from? My Week with Marilyn doesn't attempt to answer the unanswerable, but instead shines a light on the very real woman who became lost in the giant shadow of legend. --A.T. Hurley
Prepare for an onslaught of robust breezy humour when the Carry On team take to the great Outdoors.
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