Boris Karloff stars as the screen's most memorable monster in what many consider to be the greatest horror film ever made. Dr. Frankenstein (Colin Clive) dares to tamper with life and death by creating a human monster (Karloff) out of lifeless body parts. Its' director James Whale's adaptation of the Mary Shelley novel blended with Karloff's compassionate portrayal of a creature groping for identity that makes Frankenstein a masterpiece not only of the genre but for all time.
The Innocents tells of an impressionable and repressed governess Miss Giddens (Deborah Kerr) who agrees to tutor two orphaned children Miles (Martin Stephens) and Flora (Pamela Franklin). On arrival at Bly House she becomes convinced that the children are possessed by the perverse spirits of former governess Miss Jessel (Clytie Jessop) and her Heathcliffe-like lover Quint (Peter Wyngarde) who both met with mysterious deaths.
Hugh Williams, Ralph Richardson and Deborah Kerr star in this British wartime drama. As Hitler invades Poland in 1939, British journalist Colin Metcalfe (Williams) is appointed as Norway's new foreign correspondent. During a sea voyage of his new home, his boat comes under fire from a German U-boat despite the country's neutrality. But when he reports the attack to the British embassy they disbelieve him and - to add insult to injury - remove him from his post. When German forces later invade Norway, Metcalfe returns, determined to uncover what is going on and to stop the Nazis in their tracks.
Quietly tucked away in a car-collection garage, Brum is only conspicuous by his size. When the owner turns his back at the start of the day however, Brum blazes into action; ready to fight crime and do good deeds in the "big town". TV has tried lots of ideas with cars that think for themselves, but never managed to convey the charm that this series offers. Whether it's thwarting the escape of some naughty bank robbers, or saving a newlywed bride who inadvertently steps on a runaway skateboard, the little car with the big heart is always the perfect gentleman. Each episode sets up a crime to solve or dilemma to resolve, and by way of handy ramps and elevators, Brum is cheerily applauded and waved at by the town's residents. Every so often there's an outburst of song that will unite good guys and bad guys alike, and then there's always the sing-along at the end to look forward to. Warning to parents: expect a look of abject disappointment on the face of the tot who discovers their toy cars won't do any of the tricks on TV. --Paul Tonks
Vincent Ward once described as the Antipodean Werner Herzog made his feature debut with Vigil, heralding his status as one of New Zealand's most distinctive filmmaking talents and paving the way for such equally remarkable and unclassifiable efforts as The Navigator: A Medieval Odyssey and Map of the Human Heart. A stranger appears in a remote New Zealand farmland at the exact time a farmer accidentally falls to his death. The mysterious outsider grows close to some of the dead man's family, to the point where he and the widow become lovers. But her eleven-year-old daughter, Toss, struggling to come to terms with the death of her father as well as her impending womanhood, believes the intruder to be the devil and sets about protecting her family and their homestead. Propelled by Fiona Kay's outstanding performance by as Toss, she would earn a standing ovation when Vigil screened at the 1984 Cannes Film Festival the first time ever that a New Zealand feature played in the main competition. Features: High Definition (Blu-ray) presentation Original mono audio (uncompressed LPCM) Optional English subtitles for the deaf and hard-of-hearing Brand-new appreciation by film critic Nick Roddick, recorded exclusively for this release On-set report from the long-running New Zealand television programme Country Calendar Extract from a 1987 Kaleidoscope television documentary on New Zealand cinema, focusing on Vigil and Vincent Ward Theatrical trailer FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the film by critic Carmen Gray
FROM FATHER TO SON - A TRADITION OF TERROR A forbidding French chateau and its surrounding vineyards are the setting for Gothic thrills in this haunting excursion into the occult. Deborah Kerr and David Niven, costarring for the first time since Separate Tables, lead an exceptional cast (Sharon Tate, Donald Pleasence, Flora Robson, David Hemmings, Edward Mulhare, Emlyn Williams) in a chiller reminiscent of the later The Wicker Man (1973), in which an innocent outsider to an enclosed world peels back layers of mystery to reveal a shocking truth. Kerr plays the outsider, the wife of a troubled marquis (Niven), who discovers - perhaps to late - that her husband's ancestral chateau is home to witches, warlocks, a sinister priest, 12 hooded figures...and terror.
The greatest terror tale ever told! A horse-drawn carriage pulls up on a deserted beach. A sombre figure dismounts and gazes up towards his destination - a foreboding cliff-top castle perched high above the crashing waves. Thus the perfect Gothic scene is set for Pit and the Pendulum the second of Roger Corman's celebrated Poe adaptations once again starring the ever-reliable Vincent Price (The Fall of the House of Usher Theatre of Blood) alongside the bewitching Barbara Steele (Black Sunday). Having learned of the sudden death of his sister Elizabeth (Steele) Francis Barnard (John Kerr) sets out to the castle of his brother-in-law Nicholas Medina to uncover the cause of her untimely demise. A distraught grief-stricken Nicholas (Price) can offer only the vaguest explanations as to Elizabeth's death - at first citing 'something in her blood' but later asserting that she quite literally 'died of fright'. What sort of unspeakable horrors are buried within the walls of this castle that could cause one's heart to stop so? With Francis determined to get to the bottom of this mystery the terrible truth will not stay buried for long. Right from its brooding kaleidoscopic opening titles Pit and Pendulum draws you into its world of cobwebs secret passageways and dusty suits of armour. All the necessary elements are present and correct and along with one of Vincent Price's most tortured performances make Pit and the Pendulum every inch the Gothic melodrama. Special Features: Limited Edition Packaging High Definition Digital Transfer Newly Created Exclusive Content Collector's Booklet Featuring New Writing on the Film Archive Content and more!
This beautiful romantic drama, set during World War II, co-stars Robert Mitchum and Deborah Kerr (whose performance earned her a Best Actress Oscar nomination in 1957).Stranded on a Pacific Island, an Irish nun (Kerr) and a heroic Marine sergeant live a life of constant peril, hiding from Japanese troopers who have a base on the island. Eventually, the sergeant falls deeply in love with the religious woman, which compels her to question her vows. With its suprising blend of suspense and humour, excellent performances and acclaimed direction by John Huston, this unique and powerful film is a true classic.
This boxed set features the star-studded, acclaimed trilogy that tells the tale of Emma Harte and how she overcame her impoverished beginnings to build up the Harte dynasty. Based on the best-selling novels by Barbara Taylor Bradford, we meet Emma as a servant girl in the magnificent A WOMAN OF SUBSTANCE, whose drive and ambition enables her to become one of the richest women in the world. The saga continues with HOLD THE DREAM when, at the age of 80, Emma decides to pass control of the business empire to her beloved granddaughter, Paula. We follow Paula's battles to stay at the top and as she takes on the greatest struggle of her career in TO BE THE BEST. This trilogy features a sumptuous cast which includes Jenny Seagrove, Deborah Kerr (in her last ever acting role), Liam Neeson, Anthony Hopkins and Stephanie Beacham.
Laurel (Hayley Mills) is a troubled young girl who has frightened away every governess until the enigmatic Miss Madrigal (Deborah Kerr) is hired - despite her mysterious references. Madrigal sets about tending to the girl's reckless emotions and the pitifully neglected chalk garden under the watchful eye of the butler (John Mills).
Adventures with Brum with 5 new episodes! Episodes comprise: Brum And The Stopwatch Botch Brum And The Daring Gnome Rescue Brum And The Shop Window Dummy Brum The Basketball Star Brum And The Runaway Sofa.
Mel Gibson delivers an electrifying performance in director Peter Weir's compelling story of friendship and adventure between two Australian soldiers in 1915. They cross continents and great oceans climb the pyramids and walk through the ancient sands of Egypt to join their regiment at the fateful battle of Gallipoli. The echoes of history blend with the friends' compelling destiny as they become part of a legendary World War I confrontation between Australia and the German allied Turks - a battle that is the Antipodean equivalent of the Alamo.
A BRAND NEW RESTORATION COMMEMORATING THE 75TH ANNIVERSARY OF THE ORIGINAL WWII RAID A much-loved British classic, Michael Anderson's 1955 drama captures the tension and bravery of an audacious raid on the center of Nazi Germany's industrial complex and the quintessentially English combination of inventiveness and dogged determination. Split into two distinct sections, the film deals first with the fraught, but the ultimately successful development of a new bomb, by Dr. Barnes N. Wallis (Michael Redgrave). The second deals with the mission itself during the British raid on the Ruhr Dams, and its associated costs for the enemy and for the British airmen. Adapted by R.C. Sherriff from Paul Brickhill's book Enemy Coast Ahead and featuring superlative special effects photography by Gilbert Taylor (to say nothing of Eric Coates' stirring theme tune), The Dam Busters was Britain's biggest box office the success of 1955. Collector's Edition Includes a 64-page booklet with brand new essays, and photographs, plus a rare print of an ariel photograph of the Mohne dam post raid, signed by the original 617 squadron Features: RAF poster of the Chastise Lancaster's
Get out your handkerchiefs for this four-star weepie, a 1957 remake of the 1939 Love Affair, directed by Leo McCarey, who also made the original. Grant and Kerr are strangers on an ocean liner, involved with other people, who can't resist each other for a shipboard romance. But they decide to test whether this is the real thing by agreeing to split up, then meeting in six months atop the Empire State Building. Is there anyone who can resist that set-up or the tragic romantic mishap that nearly splits them up? Can you keep dry eyes during the famous finale? Some prefer the original (with Charles Boyer); practically no one liked the underrated 1994 remake with Warren Beatty and Annette Bening. While occasionally a shade slow, this one soars on Grant's charm and Kerr's noble suffering. --Marshall Fine, Amazon.com
The final feature produced, photographed, edited and directed by Russ Meyer is a wicked take on Our Town, co-written by Meyer and Pulitzer Prize winner Roger Ebert (BEYOND THE VALLEY OF THE DOLLS). Russ' latter-day muse Francesca Kitten' Natividad stars along with Uschi Digard, Ann Marie, June Mack, Candy Samples and Russ himself in this unwashed look at Small Town, U.S.A., complete with faith healers, war criminals, bosom buddies, and the loin-girding quest for sexual salvation. Because the original elements for BENEATH THE VALLEY OF THE ULTRA-VIXENS had been stored in less-than-optimal conditions, Severin Films devoted months to the painstaking restoration of its weather-damaged negative before scanning it in 4K and compiling 2+ hours of new and archival footage, all with the blessing and cooperation of The Russ Meyer Trust.
Spanning more than a century this is the epic story of the Harte dynasty as told through the best selling trilogy of novels by one of todays most popular authors. The story starts as the indomitable Emma Harte looks back over her remarkable rags-to-riches story while her own family plots against her to gain control of her mighty business empire.
A stylish British drama which studies love and life in a depressed industrial town in Northern England. Deborah Kerr stars in this vividly characterised story of a penniless family struggling through the depression years. Kerr is a mill girl in love with Evans who loses his job and refuses to marry her on ""dole money"". He is killed in a demonstration against conditions and unemployment so Kerr marries an old bookie she doesn't love in order to get jobs for her father and brother. Thi
Director Fred Zinnemann's 1953 Oscar-winning best picture From Here To Eternity is a powerful portrait of a peacetime military camp stationed in Hawaii just before the attack on Pearl Harbour. Montgomery Clift is superlative in the major role of Robert Prewitt, while Frank Sinatra delivers an electrifying Academy Award-winning (1953, Best Supporting Actor) performance as Clift's buddy. Deborah Kerr's love scene in the Hawaiian surf with Burt Lancaster is enshrined as one of the most famous moments in cinema history.
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