Appointment in London
New Zealand filmmaker Lee Tamahori (The Edge) directed this brutal but powerful story drawn from the culture of poverty and alienation enveloping contemporary Maori life. Rena Owen plays the beleaguered mother of two boys--one of whom is already in prison while the other contemplates membership in a gang--and a daughter whose potential is being smothered at home. Temuera Morrison gives an outstanding and sometimes shocking performance as the violent head of the household, more adept at keeping up his social stature within his community of friends than holding down a job. Once Were Warriors pulls no punches, literally and figuratively, but despite the rough going, Tamahori gives us a rare and important insight into a people digging down deep to find their pride. --Tom Keogh, Amazon.com
Hollywood legends Cary Grant Deborah Kerr Robert Mitchum and Jean Simmons team up for this lush romantic comedy that proves that variety is the spice of love. When a struggling British earl (Grant) opens his manor to the public what he wants is some badly needed money what he gets is a handsome American millionaire (Mitchum) who sweeps the earl's gorgeous wife off her feet. Encouraged by his wife's chatterbox best friend (Simmons) the jealous earl challenges his Yank rival to a duel. The romantic royal is fighting for love and honor but he could lose something more -- his life!
It's goodbye to Capeside, hello to Boston in Dawson's Creek's fifth season (a.k.a.: Dawson's Creek: The College Years). While the end of the fourth season sent the five friends their separate ways--Dawson (James Van Der Beek) to USC Film School, Joey (Katie Holmes) to Wilmington College, Jen (Michelle Williams) and Jack (Kerr Smith) to Boston Bay College; and Pacey (Joshua Jackson) to the high seas--it doesn't take them long to find themselves together again. That's a good thing, especially when tragedy strikes a family member and threatens to tear the survivors apart. More than anything, the fifth season seems to be about falling into bad relationships. Jen dates a cute but sleazy musician (Chad Michael Murray), Pacey gets a job in a restaurant where he pursues a woman (Lourdes Benedicto) already having an affair with a married man, then fends off a vampish new boss (Sherilyn Fenn, Twin Peaks). Joey is drawn to her handsome English professor (Ken Marino). And Jack joins a frat, becomes a jerk, and starts a devoted relationship with his beer bottle. Dawson meets an eccentric young filmmaker (Jordan Bridges) which in turn leads to a meeting with his favorite Boston film critic (Meredith Salenger). And Joey's new roommate, the annoyance-with-a-heart-of-gold Audrey (Busy Phillipps), becomes the newest major addition to the cast. The irritation factor is high this season, a couple of "Joey is threatened" interludes don't have the punch that they could have, and in the season finale, the inevitable resolution of the show's central relationship doesn't really resolve anything at all. But viewers who have followed the Capeside crew for four seasons will still want to see what happens in the fifth. The fifth season is the first to have no DVD extras at all, and it continues the music-replacement strategy (which, since the second season has replaced much of the music, and since the third season has replaced Paula Cole's theme song, all due to licensing expenses). In addition to the usual background-music switches, some scenes have been edited (for example, the episode "Highway to Hell" has cut two of the performances on-stage at the Drunk & Dead). Also, the opening credits of "The Long Goodbye" and "Downtown Crossing" had originally used instrumental versions of "I Don't Want to Wait," which had underscored the emotion of those episodes. In the DVD set, those have been replaced by the standard version and an instrumental version, respectively, of "Run Like Mad." --David Horiuchi, Amazon.com
Frasier picked up its second series with another round of comedy as intelligent as its pompous title character. Fortunately, the sniping between Frasier (Kelsey Grammer) and his father, Marty (John Mahoney), that took up a lot of the first series is mostly past, and the crack ensemble was ready to roll in a number of memorable episodes. Frasier tries to set up Daphne (Jane Leeves) with the new station manager in "The Matchmaker", Frasier, Niles (David Hyde Pierce) and Marty go fishing in "Breaking the Ice", Frasier and Niles jump into politics in "The Candidate", the team of Frasier and Roz (Peri Gilpin) breaks up ("Roz in the Doghouse") and Frasier and Niles open a restaurant in "The Innkeepers". It was Pierce's Niles who emerged as a star in the second series, lusting after Daphne, learning about parenthood in "Flour Child" and challenging a Bavarian fencer for the hand of his ever-absent wife, Maris, in the comic tour de force "An Affair to Forget". Pierce picked up a well-deserved first Emmy and the show repeated its first-series Emmys for comedy series and lead actor. Frasier's dates included Jobeth Williams (whom he takes on a disastrous getaway to Bora Bora), Shannon Tweed and Tea Leoni. Other guest stars were Nathan Lane and, from his original show, Cheers, Bebe Neuwirth and Ted Danson. --David Horiuchi
Bringing the sixth and final season of 'Dawson's Creek' to a close this disc features the two-part finale aptly titled 'All Good Things Must Come To An End'. Dawson Joey Pacey Jen and Jack are reunited in Capeside after five years to celebrate Dawson's mum's wedding. But the celebratory mood comes to an end when they receive some heartbreaking news. As the gang faces a future more uncertain than ever before Joey struggles to come to terms with her true feelings for Dawson Pa
Jen is a cheerleader and Jack's on the football team. I got sane and everyone else went crazy?" That's how Andie (Meredith Monroe) sums up the topsy-turvy beginning to the third season of Dawson's Creek, in which nothing seems to be as it should and the series takes a major turn. It's junior year at Capeside High, and Jack (Kerr Smith), the town's resident gay teen, is indeed on the football team, and Jen (Michelle Williams) finds herself the object of unexpected and unwelcome popularity among her fellow students, especially the freshman quarterback (Michael Pitt). Pacey (Joshua Jackson) finds that his relationship with Andie can't be restored, and Dawson (James Van Der Beek) and Joey (Katie Holmes), after the events of last year, both think it's for the best that they're no longer together--they just never think it at the same time. Significant events include the friends starting to date outside their circle, Dawson's giving up some of his aspirations, a ! crisis for the school's new principal, a college tour, and the openings of the Potter Bed & Breakfast and Leery Fresh Fish. But the Dawson-Joey relationship is still the heart of the Creek, and it comes to a head in one of the series' most memorable episodes, "The Longest Day," and then the season finale. Even in its first season without series creator Kevin Williamson, Dawson's Creek still had plenty of punch. On the DVDs, executive producer Paul Stupin does his usual commentary track for two episodes, and he's joined by Kerr Smith. They discuss the series itself, Smith's character, and Smith's subsequent career more than the events of the episodes. The second-season DVD set disappointed many fans by replacing a large portion of the music, and that trend continues in the third season, most surprisingly in the loss of Paula Cole's theme song. Instead, the opening credits feature Jann Arden's "Run Like Mad," which was used briefly in the international broadcast. Stupin explains the switch as an attempt to do something different and creative, but then admits there was also "a bit of an economic reality." Fortunately, the DVDs do have John Lennon's "Imagine" and Mary Beth Maziarz's "Daydream Believers"--songs that in dramatic context simply could not have been replaced--and it could be argued that a veteran viewer might skip the opening credits anyway. Still, for many fans, the music made Dawson's Creek what it was, and without all of it--especially the theme song--the DVDs seem like a compromise rather than a permanent keepsake. --David Horiuchi
The greatest terror tale ever told! A horse-drawn carriage pulls up on a deserted beach. A sombre figure dismounts and gazes up towards his destination - a foreboding cliff-top castle perched high above the crashing waves. Thus the perfect Gothic scene is set for Pit and the Pendulum the second of Roger Corman's celebrated Poe adaptations once again starring the ever-reliable Vincent Price (The Fall of the House of Usher Theatre of Blood) alongside the bewitching Barbara Steele (Black Sunday). Having learned of the sudden death of his sister Elizabeth (Steele) Francis Barnard (John Kerr) sets out to the castle of his brother-in-law Nicholas Medina to uncover the cause of her untimely demise. A distraught grief-stricken Nicholas (Price) can offer only the vaguest explanations as to Elizabeth's death - at first citing 'something in her blood' but later asserting that she quite literally 'died of fright'. What sort of unspeakable horrors are buried within the walls of this castle that could cause one's heart to stop so? With Francis determined to get to the bottom of this mystery the terrible truth will not stay buried for long. Right from its brooding kaleidoscopic opening titles Pit and Pendulum draws you into its world of cobwebs secret passageways and dusty suits of armour. All the necessary elements are present and correct and along with one of Vincent Price's most tortured performances make Pit and the Pendulum every inch the Gothic melodrama. Special Features: Limited Edition Steelbook Packaging High Definition Digital Transfer Newly Created Exclusive Content Collector's Booklet Featuring New Writing on the Film Archive Content and more!
Ronald Neame (The Odessa File) directs this stately adaptation of Enid Bagnold's play which tells of a haughty matriarch (Edith Evans, The Whisperers) who employs a governess (Deborah Kerr, The Innocents) with a shadowy past to take care of her troubled teenage granddaughter (Hayley Mills, Take a Girl Like You, Endless Night), and her neglected garden. John Mills (Town on Trial, The Wrong Box) plays the butler who develops a soft spot for the governess, and navigates the fraught interpersonal relationships of the house. A hit with audiences upon its original release, The Chalk Garden benefits from a nuanced screenplay by the great John Michael Hayes (Rear Window) and tasteful photography by Arthur Ibbetson (Where Eagles Dare, Fanatic). INDICATOR STANDARD EDITION SPECIAL FEATURES High Definition remaster Original mono soundtrack Audio commentary with film historians Lucy Bolton and Josephine Botting (2021) The BEHP Interview with Ronald Neame (1991, 107 mins): archival audio recording, made as part of the British Entertainment History Project, featuring the acclaimed director in conversation with Roy Fowler Fertile Ground (2021, 8 mins): assistant production accountant Maurice Landsberger remembers filming at Eastbourne 8mm Location Footage (1963, 1 min): excerpts from John Mills' home movies shot at Beachy Head during production Clever Conversation (2021, 22 mins): appreciation of Malcolm Arnold's score by author and musician David Huckvale Loved and Envied (2021, 11 mins): Josephine Botting on the life and career of Enid Bagnold Original theatrical trailer Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard-of-hearing
The complete first series of familial mishaps with the dysfunctional Porter family! On the Surface the Porters are a normal family - indeed even the series' title 2 Point 4 Children the fabled average family size alludes to their normality (as well as the fact that the husband/father is still a bit of a child himself). Yet though the individual members - central-heating engineer Ben; his wife catering worker Bill; and their teenage children David and Jenny - are unexceptional t
An outstanding drama, Gallipoli resonates with sadness long after you have seen it. Set during World War I, this brutally honest antiwar movie was cowritten by director Peter Weir. Mark Lee and a sinfully handsome Mel Gibson are young, idealistic best friends who put aside their hopes and dreams when they join the war effort. This character study follows them as they enlist and are sent to Gallipoli to fight the Turks. The first half of the film is devoted to their lives and their strong friendship. The second half details the doomed war efforts of the Aussies, who are no match for the powerful and aggressive Turkish army. Because the script pulls us into their lives and forces us to care for these young men, we are devastated by their fate. --Rochelle O'Gorman.
Death is coming and Alex Browning (Devon Sawa) is blessed with the curse of knowing when, how and where the Grim Reaper will strike. Alex's bone-chilling gift reveals itself just as the teenager embarks on a trip to Paris with his high school French class. In the plane's cabin, buckled-in and ready for take off, Alex experiences a powerful premonition. He sees the plane explode in a fiery blaze moments after leaving the ground. Sensing imminent doom, Alex panics and insists that everyone get off the plane. In the melee that ensues, seven people including Alex are forced to disembark. As each fumes about their lost opportunity to visit Paris, Alex's horrific premonition proves tragically accurate. The ill-fated plane explodes in midair. Shocked and confused, the survivors struggle to understand how Alex was able to anticipate the catastrophe. Some are drawn to his eerie clairvoyance, but most of the group is scared of his gift. As sceptical FBI Agents question his every word, Alex tries to reconcile his tragedy and return to a normal life, but portents of doom surround him.
UFC 13 - Bout List: 1. Tank Abbott vs. Vitor Belfort 2. Steven Graham vs. Randy Couture 3. Guy Mezger vs. Tito Ortiz 4. Randy Couture vs. Tony Halme 5. Dmitri Stepanov vs. Steve Graham 6. Enson Inoue vs. Royce Alger 7. Christophe Leninger vs. Guy Mezger UFC 14 - Bout List: 1. Maurice Smith vs. Mark Coleman 2. Mark Kerr vs. Daniel Bobbish 3. Tony Fryklund vs. Kevin Jackson 4. Daniel Bobbish vs. Brian Johnston 5. Mark Kerr vs. Moti Horenstein 6. Todd Butler vs. Kevin Jackson 7. Yuri Vaulin vs. Joe Moreira
Cracker Start with some silly sideways Boohbah steps and then do the Push and Pull dance. In Storyworld Brother & Sister come across a cracker. But will they be able to pull together and crack what's inside? Piggy Bank Shape up with some Boohbah swingy twirls and do a Flay Away and Back dance. In Storyworld Mr Man Auntie and Grandmamma find a Piggy Bank. Can they shake rattle and roll out what's inside? Bells Swing your arms with the busy dizzy Boohbahs and scru
JJ is a Black Lesbian 'Stud' who works as a wedding photographer with her best friend Seb a pretty white gay boy. Their clients are wild weird and wonderful and like many of them JJ and Seb are both looking for love in the wrong places. So when JJ falls in love with the beautiful and mysterious Elle this long term friendship is tested for the first time as JJ has to choose between her hot new lover and her best friend. JJ's decision to give her relationship a proper chance leaves Seb with a lot of extra time on his hands and he finds himself having to reject the constant flirtatious advances of their local drug dealer Smack Jack who turns up when Seb least wants to see him. Jack is sweet hearted and knows all the right people but his one true love is Seb - he just needs to find a way to make Seb feel the same! Instead Seb is too busy lusting after his web-fantasy the straight-acting 'lad' known as Manchester Joe who he found when surfing the web. When JJ and Elle hit hard times and Seb realises Manchester Joe isn't all he is cracked up to be there is one last decision JJ has to make; does she put mates before muff? Set in East London Stud Life is a sexy young and cool gay romance revealing a unique a slice of British urban life.
It's senior year for Dawson Joey Pacey Jen and Jack! After spending the summer together Joey and Pacey find it difficult to keep their romance going with the realities of school college applications and their strained relationship with Dawson. Dawson rediscovers his true life's dream Jen turns over a new leaf after getting a new boyfriend and Jack tries to rebuild relationships after revealing he's gay...
The second series of Dawson's Creek finds Dawson (James Van Der Beek) and Joey (Katie Holmes) exploring the newest phase of their lifelong friendship, leaving Jen (Michelle Williams) and Pacey (Joshua Jackson) on the outside. The former enters a downward spiral assisted by bad girl Abby (Monica Keena), but Pacey happens into a "meet cute" with one of Capeside's new residents, the impossibly perky Andie (Meredith Monroe), who turns out to be his perfect foil. The Creek also struck gold with its second major addition, Andie's brother Jack (Kerr Smith), who shows Joey that he's more than just a clumsy waiter. With the siblings' help, Pacey and Joey show the most personal growth during the season's 22 episodes. The constant parent-child crises can be a bit much, but there were numerous other developments, including a two-part sexual whodunnit, Dawson embarking on his second movie (assisted by Rachael Leigh Cook in a sizzling guest appearance), Dawson's birthday party from hell, a vicious rumour that spreads through the high school, and the emotion-wringing finale. The only bonus feature is a commentary track on the first and last episodes just as with the first season, though executive producer Paul Stupin is by himself rather than accompanied by creator Kevin Williamson. The interplay is missed, but Stupin enthusiastically offers a lot of information about how the cast had become celebrities by the second season and had to juggle other projects and random details and trivia. Stupin mentions how carefully he selected different pieces of music, which "would become forever part of our show." That's ironic because for this DVD set Stupin himself picked a lot of new music to replace the selections that originally aired, presumably because of the cost involved in securing the rights (a problem for many television DVD releases). A couple of episodes are unaltered, but others have had almost every song replaced. Newcomers to the series probably won't notice, but serious fans may want not want to tape over their video cassettes just yet. --David Horiuchi
Originally banned by the British Board of Film Censors for being a very sordid story in very sordid surroundings', Love on the Dole, was made in 1941 at a time when social conditions had been radically changed by the Second World War. Set in 1930s Salford, at the height of the Great Depression, young Harry Hardcastle (Geoffrey Hibbert, In Which We Serve) and his sister Sally (Deborah Kerr, The King and I) fall victim to poverty and unemployment, meaning they need to make difficult decisions to survive. Although the film deals with the Depression, mass unemployment, poverty and riots, the film retains positivity by reinforcing the view that Britain and its working classes had survived incredible hardships and would conquer anything which faced them. Peppered with references to a new start and a better future, where everybody lends a hand the film is optimistic in its nod to the liberal democracy Britain had retained despite the war. Adapted from the novel of the same name by Walter Greenwood the film was much-praised by critics upon its release. Extras: New High Definition transfer Our Film (Harold French, 1942): Enthralling propaganda film contrasting the Russian home front with the British The Call for Arms (Brian Desmond Hurst, 1940): Government sponsored film about life at a munitions factory Island People (Paul Rotha, 1940): a film surveying of aspects of the British way of life, as seen through French eyes Illustrated booklet with new writing and full film credits
More adventures with Brum including 5 episodes never before seen on video or DVD: Brum And The Crazy Chair Chase Brum And The Bank Robbers Brum And The Mischievous Mouse Brum And The Cream Balloon Brum And The Paint Pandemonium.
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