Based on the game from Gearbox and 2K, one of the bestselling videogame franchises of all time, welcome to Borderlands.Lilith (Cate Blanchett), an infamous outlaw with a mysterious past, reluctantly returns to her home planet of Pandora to find the missing daughter of the universe's most powerful S.O.B., Atlas (Edgar Ramirez). Lilith forms an alliance with an unexpected team Roland (Kevin Hart), a former elite mercenary, now desperate for redemption; Tiny Tina (Ariana Greenblatt), a feral pre-teen demolitionist; Krieg (Florian Munteanu), Tina's musclebound, rhetorically challenged protector; Tannis (Jamie-Lee Curtis), the scientist with a tenuous grip on sanity; and Claptrap (Jack Black), a persistently wiseass robot. These unlikely heroes must battle alien monsters and dangerous bandits to find and protect the missing girl, who may hold the key to unimaginable power. The fate of the universe could be in their hands but they'll be fighting for something more: each other.
Set in the high-stakes world of the financial industry, Margin Call is an entangling Academy Award nominated thriller involving the key players at an investment firm during one perilous 24-hour period in the early stages of the 2008 financial crisis. When an entry-level analyst unlocks information that could prove to be the downfall of the firm, a roller-coaster ride ensues as decisions both financial and moral, catapult the lives of all involved to the brink of disaster. Special Features: Revolving Door: Making Margin Call Deleted Scenes Deleted Scenes with Commentary Missed Calls: Moments with the Cast and Crew From the Deck: Photo Gallery
This box set features the following films: Seven (Dir. David Fincher) (1996): Brad Pitt and Morgan Freeman star in this sinister and gripping mystery-thriller about a pair of homicide detectives who must solve a puzzling series of horrific murders based on the seven deadly sins - Gluttony Greed Sloth Pride Lust Envy and Wrath. A powerful and unforgettable film Seven reveals the dark and disturbing underworld in which evil stalks... Snakes On A Plane (Dir. David R. Ellis) (2006): On board a flight over the Pacific Ocean an assassin bent on killing a passenger who's a witness in protective custody lets loose a crate full of deadly snakes. The rookie pilot and frightened passengers must band together to try and apprehend the assassin before it's just not the witnesses' life in jeopardy... Slither (Dir. James Gunn) (2006): An invasion of slithery slug-like parasites from outer space arriving via meteorite in the redneck town of Wheelsy South Carolina where they turn most of the local yokels into flesh-eating zombies...
Lenny has relocated back to the town in which he grew up and soon realises that he can try to escape the hustle and bustle of the city, but between old bullies, cops on skis and a group of rowdy local college kids, sometimes crazy follows wherever you go.
Batman and Nightwing join with the Joker's ex Harley Quinn to stop a global threat brought about by Poison Ivy and Jason Woodrue, the Plant-Master.
Larry David has it all - money security famous friends a nurturing wife a devoted agent a new oceanfront home. So why is he still so intent on making a mess out of his life? Just because you've made it doesn't mean you've got it made. Curb Your Enthusiasm folks - it's the HBO comedy series starring Larry David... as Larry David! Episodes Comprise: 1. The Larry David Sandwich 2. The Bowtie 3. The Christ Nail 4. Kamikaze Bingo 5. Lewis Needs A Kidney 6. The Smoking Jacket
Scotland’s biggest export, Kevin Bridges, dubbed as “brilliant” by one of his comedy idols, Billy Connolly has had an astonishing rise to success. His 2012 tour smashed box office records selling a staggering 45,000 tickets on the first day. The last 12 months have been incredibly busy for Kevin with him hosting three shows for BBC1 including a referendum special of his critically acclaimed documentaries Kevin Bridges – What’s The Story and stand up shows on the Commonwealth Games and the Scottish Referendum. October marks a momentous chapter in Kevin’s career with his hotly anticipated autobiography We Need To Talk About… being released through Penguin Books followed by a book-signing tour of the UK. To finish an incredible year off Kevin will be performing his first solo show in Dubai this December.
Two shows in one package in WWE Double Feature featuring all the action from Payback 2017 and Backlash 2017! Two of WWE s most destructive forces collide when The Monster Among Men Braun Strowman takes his path of destruction to The Biggest Dog in the Yard Roman Reigns. Former friends transform into bitter rivals as Chris Jericho goes one-on-one with Kevin Owens for the United States Championship. Hometown favorite Bayley defends her Raw Women s Championship against challenger Alexa Bliss, and Randy Orton faces his fears when he meets Bray Wyatt in the first-ever House of Horrors Match! What goes around comes around and at Payback the Superstars of Raw learn that revenge is a dish best served cold! The first SmackDown Live pay-per-view since the Superstar Shake-up brought new faces into the fold. United States Champion Kevin Owens hopes to continue in his quest to become The New Face of America when he faces The Phenomenal One AJ Styles. The Artist Known as Shinsuke Nakamura makes his WWE in-ring debut when he answers the challenge of Dolph Ziggler. The Viper Randy Orton defends his WWE Championship against a new adversary in the form of The Maharaja Jinder Mahal in the main event. The Superstars of SmackDown Live take their careers to the next level at Backlash.
The second and last series of Dark Angel, the inventive James Cameron show about mutants during a future Depression, has some real strengths, as well as having one or two bad ideas that partly explain its much-regretted cancellation. Among the strengths are Alex, the thoroughly unreliable mutant charmer whose flirtations with heroine Max complicate her doomed love for Logan, the crippled newshound whom she cannot now even touch--she has been infected with a deadly virus tailored specifically to kill him. The distrust this sows between the doomed couple does not always avoid soap opera clichés, but often produces fine performances, especially from Jessica Alba as Max. On the down side, John Savage's memorably ambiguous villain Lydeker from Series 1 (who is alternately the mutants' nemesis and their protector), disappears to be replaced by the melodramatically sinister Agent White. White appears to be just a shoot-to-kill operative of the state but turns out to be another sort of superhuman, a product of an occultist breeding programme going back to the dawn of history. After White's first ruthless killing, Max's reluctance to use deadly force is tested to near implausible limits. The show ends with a rousing and moving finale, "Freak Nation", in which a theme often neglected in this final year--Max's relationship with her fellow couriers at Jam Pony--reaches a powerful climax. On the DVD: Dark Angel's Series 2 release is ungenerous with special features, giving us an interesting but short documentary in which James Cameron, producer Charles Eglee and various designers describe how they created this rundown future Seattle with a mixture of location shots, set dressing and CGI, as well as a preview of the Dark Angel game. --Roz Kaveney
Live-action role players conjure up a demon from Hell by mistake and they must deal with the consequences.
Tom's a regular guy, a utilities lineman, married, with a young son, his wife is pregnant; he hangs out with long-time pals in a Chicago neighborhood.
On a routine training mission in the Scottish Highlands, a small squad of British soldiers come across the bloody remains of a Special Forces team with a sole survivor. They soon discover the savage attackers are werewolves, and as the full moon rises they face a long night ahead and a fight for their lives. Product Features A new restoration from the original camera negative approved by Director Neil Marshall and Cinematographer Sam McCurdy Archive audio commentary by Director Neil Marshall Archive audio commentary with Producers David E. Allen and Brian O'Toole New audio commentary by writer and Associate Professor of Film Alison Peirse Werewolves, Crawlers, Cannibals and More: a new 40-minute interview with Neil Marshall A History of Lycanthropy: author Gavin Baddeley on Werewolf Cinema Werewolves, Folklore and Cinema: a video essay by author Mikel J. Koven Werewolves vs Soldiers: The Making of Dog Soldiers with Neil Marshall, Producers Christopher Figg and Keith Bell, Actors Sean Pertwee, Kevin McKidd, Darren Morfitt, Leslie Simpson and Emma Cleasby, Special Effects Artist Bob Keen and more! A Cottage in the Woods: an interview with Production Designer Simon Bowles Combat: a short film by Neil Marshall Deleted Scenes and Gag Reel with optional commentary by Neil Marshall Trailers and Photo Gallery Optional English subtitles for the hearing impaired
Get ready for intense sci-fi action adventure with Beyond Skyline, the stand-alone sequel to 2010 hit Skyline. Los Angeles Detective Mark Corley (Frank Grillo, Captain America: The Winter Soldier) thought bailing out his eighteen-year-old son, Trent (Jonny Weston, Taken 3), was the worst part of his day. But on the ride home, the skies above fill with a strange blue light. Within moments, the entire city's population is vacuumed up into a massive alien ship including his son. In the aftermath, the resilient Mark and a few survivors encounter a highly skilled resistance force in South East Asia, led by the deadly Sua (Iko Uwais, The Raid 1 & 2). In a race against time, these warriors from different sides of the world must unite to save their families and take back the planet.
Gene Hackman and Willem Dafoe star in Mississippi Burning, a well-intentioned and largely successful civil-rights-era thriller. Using the real-life 1964 disappearance of three civil rights workers as its inspiration, the film tells the story of two FBI men (Hackman and Dafoe, entertainingly called "Hoover Boys" by the locals) who come in to try to solve the crime. Hackman is a former small-town Mississippi sheriff himself, while Dafoe is a by-the-numbers young hotshot. (Yes, there is some tension between the two.) The movie has an interesting fatalism, as all the FBI's best efforts simply incite more and more violence--the film's message, perhaps inadvertently, seems to be that vigilantism is the only real way to get things done. The brilliant Frances McDormand, here early in her career, is not given enough to do but still does it well enough to have racked up an Oscar nomination for Best Supporting Actress. (Hackman also received a nomination for Best Actor, and the film won an Academy Award for Cinematography). Mississippi Burning is ultimately unsatisfying--it is, after all, the story of white men coming in to rescue poor blacks--but it is beautifully shot and very watchable, featuring a terrific cast playing at the top of their games. --Ali Davis, Amazon.com
Brazil (Jean Claude Van Damme) is a contract killer willing to take any job if the price is right. Flint (Scott Adkins) left the assassin game when a ruthless drug dealer's brutal attack left his wife in a coma. When a contract is put out on the same cold-blooded drug dealer both Brazil and Flint want him dead - one for the money the other for revenge. With crooked Interpol agents and vicious members of the criminal underworld hot on their trail these two assassins reluctantly join forces to quickly take out their target before they themselves are terminated.
By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd's The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters' great musical opus, and yet utterly devoid of the humour that Waters certainly found in his own material. Any attempt to visualise The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerising film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon
A talented, young getaway driver (Ansel Elgort) relies on the beat of his personal soundtrack to be the best in the game. When he meets the girl of his dreams (Lily James), Baby sees a chance to ditch his criminal life and make a clean getaway. But after being coerced into working for a crime boss (Kevin Spacey), he must face the music when a doomed heist threatens his life, love and freedom. Click Images to Enlarge
The comic 'Bluntman and Chronic' is based on real-life stoners Jay and Silent Bob, so when they get no profit from a big-screen adaptation they set out to wreck the movie.
Collection of highlights and footage from the TLC 2020 event which took place at Tropicana Field, St. Petersburg, Florida on 20th December 2020, with various wrestlers using tables, ladders and chairs to defeat their opponent. The featured matches include Asuka and Charlotte Flair Vs Nia Jax and Shayna Baszler, a triple threat match between Drew McIntyre, AJ Styles and The Miz, Roman Reigns Vs. Kevin Owens, and in the main event Randy Orton Vs Bray Wyatt.
Robin Hood: Prince of Thieves reinvented the legend for contemporary cinema audiences, and in doing so far outstripped at the box office even Kevin Costner's own infinitely superior Dances with Wolves to become the biggest hit of 1991. It's an entertaining enough family adventure film, but plays like a big-budget TV movie with no distinctive flair for action or romance. (Director Kevin Reynolds would reunite with Costner four years later for the equally stodgy Waterworld). If the accents are all over the place, at least Mary Elizabeth Mastrantonio makes a Maid Marion of ravishing Pre-Raphaelite beauty. Morgan Freeman is fine as Robin's Moorish sidekick, though, other than to expand the demographic, his character has no business being in the story. Realising that the whole enterprise has the credibility of a pantomime, Alan Rickman outrageously camps up his Sheriff of Nottingham, stealing the film in the process. Costner makes an acceptable hero, though he will never replace Errol Flynn in the definitive The Adventures of Robin Hood. If you can accept explosives in 13th-century England, that the approach to Sherwood Forest is a modern conifer plantation and that the 170 miles from Dover to Nottingham is a matter of a few hours ride via Northumberland, then you may find much to enjoy here. Otherwise an already overlong film has been extended to an excessive 148 minutes in this special edition, making far too much of a not very good thing. On the DVD: Robin Hood: Prince of Thieves is presented as a two-disc set, with a 1.78:1 anamorphic transfer that is generally good looking but with an occasionally soft picture and some evidence of dirt and minor print damage. The Dolby Digital 5.1 remix of the original stereo soundtrack is atmospheric and powerful and shows off Michael Kamen's score to its best. Though presented with 12 minutes of footage not seen in the cinema version, the film still suffers most of the cuts (amounting to 28 seconds) imposed by the BBFC over the years. The main extras are a pair of commentaries: Costner and Reynolds discuss the film in frank and enthusiastic detail, while on a second track Freeman, Slater, writer/producer Pen Densham and cowriter/producer John Watson offer a great deal of insight plus a fair bit of stating the obvious, backslapping and critic bashing. Robin Hood: The Myth, the Man, the Movie (31 mins) is a cut version of a 45-minute TV special originally broadcast in America the night before the premiere, and offers an interesting if brief look at the Robin Hood story plus some routine making-of material. Finally, there is a video of Bryan Adams performing "Everything I Do, I Do It for You" live at Slane Castle and 18 minutes worth of bland electronic presskit-style archive interviews with Costner, Freeman, Mastrantonio, Slater and Alan Rickman, plus the original American trailer, a stills gallery and cast and crew list. --Gary S Dalkin
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