Jerry Mulligan, a struggling American painter in Paris, is "discovered" by an influential heiress with an interest in more than Jerry's art.
One of Clint Eastwood's two most important filmmaking mentors was Don Siegel (the other was Sergio Leone), who directed Eastwood in Dirty Harry, Coogan's Bluff, Two Mules for Sister Sara and this enigmatic, 1979 drama based on a true story about an escape from the island prison of Alcatraz. Eastwood plays a new convict who enters into a kind of mind game with the chilly warden (Patrick McGoohan) and organises a break leading into the treacherous waters off San Francisco. As jailbird movies go, this isn't just a grotty, unpleasant experience but a character-driven work with some haunting twists. --Tom Keogh
In this lavish Hollywood musical the headstrong daughter (Hayworth) of a powerful Argentine hotelier has to contend with her father's attempts to get her to marry...
Darkman (1990) Peyton Westlake is a scientist who has discovered a way to produce synthetic skin. This could revolutionise skin grafting, except for one minor glitch; the synthetic skin degrades after 100 minutes of exposure to light. When gangsters attack Peyton, he is horrifically burnt, and assumed dead. In his quest for revenge, Peyton, aka the Darkman, is able to take on the appearance of anyone (using the synthetic skin,) but he's only got 100 minutes per disguise. Darkman II: The Return of Durant (1995) Darkman and Durant return and they hate each other as much as ever. This time, Durant has plans to take over the city's drug trade using high-tech weaponry. Darkman must step in and try to stop Durant once and for all. Darkman III: Die Darkman Die (1996) Peyton Westlake (Arnold Vosloo) is forced to contend with corrupt businessman Peter Rooker (Jeff Fahey), who is working with a young doctor whom had saved Westlake's life after he was nearly burned to death in order to create a formula to give others the super-human strength he posesses. Westlake also finds himself coming to care for Rooker's wife (Roxann Dawson) and young daughter.
In The Edge writer David Mamet created two engrossing and memorable characters; an urbane fashion photographer played by Alec Baldwin and a reserved and intellectual billionaire played by Anthony Hopkins. They find themselves teamed up against both a giant Kodiak bear and their own inner demons, when lost together in the Alaskan wilderness. The subject matter includes male rivalry, the isolationism of extreme wealth and, most conspicuously, the survival of the fittest. Mamet's script, which sounds a little too arched in spots, is well served by New Zealand director Lee Tamahori, who knows how to capture beauty and brutality in one frame. Although the themes are enormous in scope, they are well balanced and one rarely overpowers the other, nor does the achingly beautiful scenery overshadow the acting. Even if you don't like the intellectualism of the dialogue, there are some great scenes with the bear. --Rochelle O'Gorman, Amazon.com
Darkman: Dr Peyton Westlake (Liam Neeson) is on the verge of realising a major breakthrough in synthetic skin when a gang led by the sadistic Robert G Durant (Larry Drake) obliterates his laboratory. Burned beyond recognition and altered by an experimental medical procedure Westlake attempts to rebuild his laboratory and re-establish ties with his former girlfriend Julie (Frances McDormand). But his most challenging task lies within himself. Torn between his desire to create a new life with Julie and his quest for revenge the man known as Darkman begins to assume alternate identities in this stunning fast-paced action thriller from director Sam Raimi. (Dir. Sami Raimi 1990) Darkman 2: Dr Peyton Westlake alias the crime-fighting master of disguise Darkman is still trying to find a way of healing his disfigured features. But a tragic turn of events causes him to re-live the nightmare that disfigured him... (Dir. Bradford May 1994) Darkman 3: The Darkman pits himself against a drug dealer as he attempts to protect his research and his team. (Dir. Bradford May 1996)
Jeff and Jane Blue are former FBI and CIA spies on maternity leave and vacationing in New Orleans with their adorable 6-month-old daughter. Despite their desire to enjoy a sabbatical they get drawn into a case against an old nemesis...
Sam Raimi created Darkman with a potential franchise in mind, and his original film had enough flair to suggest a sequel was warranted. Unfortunately (or perhaps wisely--for Raimi), he handed over the straight-to-video sequel duties to rookie director Bradford May, and nobody bothered to come up with much of a screenplay. As a result, Darkman II plays like a bad pilot for a proposed Darkman TV series, with Arnold Vosloo (best known as a villain in Jean-Claude Van Damme's Hard Target) doing his best to replace Liam Neeson in the title role, sporting a dastardly scar and delivering lacklustre punch lines as he kills his many enemies. Larry Drake returns from the first film as the villainous Durant, who wreaks havoc in his attempt to finance and manufacture the world's most destructive automatic weapons. As he supports the synthetic skin experiments of a like-minded scientist, the scarred hero known as Darkman thwarts Durant's ruthless plot, but the case proves costly for the intrepid crime reporter (Kim Delaney, pre-NYPD Blue) who allies herself with Darkman's efforts. Basically, this by-the-numbers plot serves as a tissue-thin vehicle for lots of explosions and gratuitous violence, and it's all about as inspired as a bad syndicated action show. This will be of interest only to those who were dazzled by the original Darkman, and even then it's a disappointment. --Jeff Shannon, Amazon.com
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