101 Films presents 80s sci-fi classic Trancers (1984), on 4K UHD in the UK for the first time. In a decade packed with classic sci-fi, Trancers stands out as an underseen gem. Part tech noir thriller part zombie hunt with a healthy dose of comedy and a killer synth score, this is cult 80s cinema at its best.Welcome to Angel City, 2247. Trooper Jack Deth (Tim Thomerson, Near Dark) is wiping out the last disciples of Whistler, who used his psychic power to trance' those with inferior minds, forcing them to follow his every desire. Though he'd been thought dead, he's very much alive... in the year 1985. Whistler's master plan - kill the ancestors of the city council. With the council disbanded, nothing can stop him from controlling the city. And that's where Deth comes in. Jack is sent back in time, inhabiting the body of his ancestor. Just one problem: Whistler's ancestor is a police detective, and he's been trancing people in 1985. With the help of a strong-willed punk, Lena (Academy Award winner Helen Hunt) Deth must confront Whistler one final time, while the fate of time itself hangs in the balance!Brand new extras: Dancing with Trancers' - Interview with director Charles BandA Living Daydream' - Interview with Chris AlexanderIt's All A Daze' - Interview with Ted NicolaouLimited edition booklet includes: Adventures Across the Fourth Dimension: A Gonzo Guide to the Golden Age of Time Travel Movies by Rich Johnson and Destination: Los Angeles 1984: How Trancers and others reshaped the City of Angels by James MottramArchive extras: Commentary with director Charles Band and Tim ThomersonTrancers: City of Lost Angels - Short filmTrancers - Video essayMaking of featuretteTrailerInterviewsStill gallery
Charlie Babbitt (Tom Cruise) expects a vast inheritance after his father dies. But the entire fortune is left to Raymond (Dustin Hoffman) his older brother, an 'autistic Savant' Charlie never even knew existed.
Twister was a mega-million-dollar blockbuster--helmed by a director (Dutchman Jan de Bont) hot off another scorcher hit (Speed)--that flaunted state-of-the-art digital effects and featured a popular leading actress (Helen Hunt) who would win an Academy Award for her next film (As Good As It Gets). But ask anybody who's seen it and they'll tell you who the real star of Twister is: the cow. Not to give anything away, but the cow is one of those inspired little touches (like, say, Bronson Pinchot's career-making cameo in Beverly Hills Cop) that adds a touch of personality to a gigantic Hollywood production. The story is blown out the window after an impressive prologue in which Hunt's character, as a little girl, witnesses her daddy being sucked into a tornado. Basically, Hunt and Bill Paxton are thrill-seeking meteorologists chasing twisters in order to study them (and help warn people of them, of course) with a new technology they've developed. If you thought the Kansas tornado in The Wizard of Oz was every bit as scary as the Wicked Witch of the West, then this may be the movie for you. --Jim Emerson
Cast Away reunites star Tom Hanks and director Robert Zemeckis in their first collaboration since the heavy-handed sentimentality of Forrest Gump. Thankfully, this time their film's life-affirming message is delivered with more subtlety, attributable both to an extraordinarily committed, physically demanding central performance from Hanks and to Zemeckis' technically masterful but carefully understated direction. It's also a film with three distinct "acts" or, to be old-fashioned about it, a proper beginning, middle and end. The story follows schedule-obsessed but fulfilled FedEx supervisor Chuck Noland (Act 1) on a personal journey into the bleakest, most solitary despair (Act 2), before Helen Hunt, in the thankless role of ex-girlfriend, unwittingly allows him to glimpse an optimistic future full of untapped possibilities (Act 3). Hanks' sojourn on the island is the centrepiece, but this is no tropical island idyll: following a terrifying plane crash (the one sequence in the film where Zemeckis shows off his uncanny ability to choreograph action), life on the island is seen to be a depressing and bitter experience filled with disappointment, danger and suicidal despair. Having lost all hope of rescue, ultimately Noland's greatest test is not to survive, but to find a reason to survive. He has no Man Friday for company, just a volleyball named "Wilson" that is both a narrative device allowing Hanks to deliver dialogue and an intriguingly pagan personification of the island's spirit under whose protection Noland is finally able to summon fire (significantly, and heartbreakingly, Wilson leaves him as he regains contact with the world). In an era of MTV-style film editing, Zemeckis and Hanks fearlessly take their time establishing with total conviction the grim realities of Noland's situation, his devastating loss of hope and the means by which he achieves his escape. Like Contact before it, Cast Away is a refreshingly thoughtful piece of mainstream cinema that explores weighty existential issues but retains a warm human intimacy. On the DVD: The luminous anamorphic print with vivid Dolby 5.1 soundtrack is accompanied on the first disc by a technical commentary from Zemeckis and key crew personnel. It's plenty insightful for budding filmmakers, although for pure listening pleasure one might have preferred a more relaxed piece with just the director and Tom Hanks. The second disc includes a 30-minute making-of documentary in which the director sums up the moral of the movie--"Surviving is easy but living is difficult". This draws on material from the three other mini-documentaries about survival skills, Wilson the volleyball and the Fijian island location of Monu Riki respectively. There's also a section on the sometimes surprising use of CGI effects and a storyboard-to-film comparison sequence. Tom Hanks chats with American TV host Charlie Rose about this movie and his career in the extensive 50-minute interview. Trailers, artwork and stills round out a valuable two-disc set. --Mark Walker
Cast Away reunites star Tom Hanks and director Robert Zemeckis in their first collaboration since the heavy-handed sentimentality of Forrest Gump. Thankfully, this time their film's life-affirming message is delivered with more subtlety, attributable both to an extraordinarily committed, physically demanding central performance from Hanks and to Zemeckis' technically masterful but carefully understated direction. It's also a film with three distinct "acts" or, to be old-fashioned about it, a proper beginning, middle and end. The story follows schedule-obsessed but fulfilled FedEx supervisor Chuck Noland (Act 1) on a personal journey into the bleakest, most solitary despair (Act 2), before Helen Hunt, in the thankless role of ex-girlfriend, unwittingly allows him to glimpse an optimistic future full of untapped possibilities (Act 3). Hanks' sojourn on the island is the centrepiece, but this is no tropical island idyll: following a terrifying plane crash (the one sequence in the film where Zemeckis shows off his uncanny ability to choreograph action), life on the island is seen to be a depressing and bitter experience filled with disappointment, danger and suicidal despair. Having lost all hope of rescue, ultimately Noland's greatest test is not to survive, but to find a reason to survive. He has no Man Friday for company, just a volleyball named "Wilson" that is both a narrative device allowing Hanks to deliver dialogue and an intriguingly pagan personification of the island's spirit under whose protection Noland is finally able to summon fire (significantly, and heartbreakingly, Wilson leaves him as he regains contact with the world). In an era of MTV-style film editing, Zemeckis and Hanks fearlessly take their time establishing with total conviction the grim realities of Noland's situation, his devastating loss of hope and the means by which he achieves his escape. Like Contact before it, Cast Away is a refreshingly thoughtful piece of mainstream cinema that explores weighty existential issues but retains a warm human intimacy. On the DVD: The luminous anamorphic print with vivid Dolby 5.1 soundtrack is accompanied on the first disc by a technical commentary from Zemeckis and key crew personnel. It's plenty insightful for budding filmmakers, although for pure listening pleasure one might have preferred a more relaxed piece with just the director and Tom Hanks. The second disc includes a 30-minute making-of documentary in which the director sums up the moral of the movie--"Surviving is easy but living is difficult". This draws on material from the three other mini-documentaries about survival skills, Wilson the volleyball and the Fijian island location of Monu Riki respectively. There's also a section on the sometimes surprising use of CGI effects and a storyboard-to-film comparison sequence. Tom Hanks chats with American TV host Charlie Rose about this movie and his career in the extensive 50-minute interview. Trailers, artwork and stills round out a valuable two-disc set. --Mark Walker
Nicholson gives a show-stopping performance as Melvin Udall an obsessive-compulsive novelist who takes pride in his ability to affront repulse offend and wound. His targets are random his aim reckless. Winner of three Golden Globe Awards two Oscars and a staggering further five Oscar nominations As Good As It Gets is a comedy from the heart that goes straight for the throat!
Two teenager girls enter a dance competition to become the new DTV dance regulars. They put their heads together to overcome the sabotage attemps by rich girl Natalie in this star studded teen classic.
A high school kid comes up with a simple idea that could change the world; instead of paying back an act of kindness he suggests everyone simply pay it forward by helping a stranger in return. Starring Kevin Spacey, Helen Hunt and Haley Joel Osmet.
Evil Hides in Plain Sight. Up-and-coming British director Adam Randall (iBoy) returns with his new twist-heavy thriller I See You, described by the Hollywood Reporter as a finely crafted exercise in slow-burn suspense. Behind the seemingly perfect Harper household, Greg (Jon Tenney, True Detective), the lead investigator of a child abduction case, is struggling to come to terms with the recent infidelity of his wife Jackie (Academy Award® winner Helen Hunt, As Good As It Gets). The already strained family harmony is further threatened when Connor (Judah Lewis, The Babysitter), their son, appears to be the victim of a mysterious malevolent presence in their house. As the secrets start to unravel, the plot threads prove to be more interlinked than it would appear at first glance. Packed with audacious plot twists, beautifully orchestrated narrative flips and an outstanding lead performance by Helen Hunt, I See You is an eerie gem, where nothing is as it seems and the terrible truth behind a family's dark secrets might just be hiding in plain sight. Special Edition Contents: High Definition (1080p) Blu-ray presentation Original DTS-HD MA 5.1 surround Optional English subtitles for the deaf and hard of hearing Brand new commentary by director Adam Randall and producer Matt Waldeck, recorded exclusively for this release The Making of I See You', a featurette interviewing cast and crew Additional on-set interviews with Adam Randall and Helen Hunt, and behind-the-scenes footage Trailer Image gallery First Pressing Only: Illustrated collectors' booklet featuring new writing on the film by Anton Bitel
The spirited Western stars Kevin Kline Scott Glenn Kevin Costner and Danny Glover as four unwitting heroes who cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day but first they have to break each other out of jail and learn who their real friends are. The spectacular cast also includes Rosanna Arquette John Cleese Brian Denehy Jeff Goldblum and Linda Hunt.
All six episodes from the second series of the British drama set during WWII which centres on the lives of people from different backgrounds as they attempt to cope with the horrifying and turbulent events of the war. In this series, Harry (Jonah Hauer-King) and Kasia (Zofia Wichlacz) have escaped Poland but Harry soon returns to war, this time in northern Africa. There he reunites with Stan (Blake Harrison) and meets Rajib Pal (Ahad Raza Mir), who leads a sapper unit in the British Indian Army. While dealing with the devastation and danger of war, Rajib must also contend with the fact that he and his men are not treated the same as the white men who are fighting.
For all of its conventional plotting about an obsessive-compulsive curmudgeon (Jack Nicholson) who improves his personality at the urging of his gay neighboor (Greg Kinnear) and a waitress (Helen Hunt), who inspires his best behaviour, As Good As It Gets is one of the sharpest Hollywood comedies of the 1990s. Nicholson could play his role in his sleep (the Oscar he won should have gone to Robert Duvall for The Apostle) but his mischievous persona is precisely necessary to give heart to his seemingly heartless character, who is of all things a successful romance novelist. As a single mom with a chronically asthmatic young son, Hunt gives the film its conscience and integrity (along with plenty of wry humoor)and she also won an Oscar for her wonderful performance. Greg Kinnear had to settle for an Oscar nomination (while cowriter-director James L. Brooks was inexplicably snubbed by Oscar that year) but his work was also singled out in the film's near-unanimous chorus of critical praise. It's questionable whether a romance between Hunt and the much older Nicholson is entirely believable but this movie's smart enough--and charmingly funny enough--to make it seem endearingly possible. --Jeff Shannon
From the director of "Forrest Gump" comes a contemporary drama about a man in isolation who is forced to transform himself both physically and emotionally in order to survive.
Kenneth More stars as Crichton, the impeccable butler to Lord Henry Loam (Cecil Parker) in Lewis Gilberts evergreen British comedy classic. Crichton is a man who knows his place in the grand scheme of things. He's supremely happy being a gentleman's gentleman - until fate takes a strange twist!
Academy Award winner Helen Hunt stars as the leader of a rag-tag band of tornado chasers on a perilous quest to test a new sensor device. Bill Paxton plays her fellow scientist and estranged husband who unwittingly joins her crew on this meteorologically active day. Perhaps they can make amends and salvage their marriage, but only if they can survive--the twisters. State-of-the-art special effects stir up this gripping, smash-hit action-adventure directed by the master of action himself--Jan de Bont. New: The Legacy of Twister: Taken By The Wind. Plus Feature Commentary by Director Jan De Bont, The Making of Twister, Anatomy of a Twister, Chasing the Storm: Twister Revisited - TBC
Jack Deth - a bounty hunter in the bleak Los Angeles of the future. He's become obsessed with chasing Whistler - an evil criminal who uses powerful hypnotic powers to convert people into zombie like creatures known as trancers. Whistler has managed to escape through time travel and is loose in 1980s L.A. but Deth is on his trail. Special Features: All Region Codes Booklet Notes by Calum Waddell Videozone 'Behind the Scenes' Original Trailer Reversible Sleeve Incorporating Original Artwork
Woody Allen stars as a top New York insurance investigator of the 1940s who, thanks to the hypnotic powers of the Jade Scorpion, finds the mind of a thief taking him over!
Charlie Babbitt (Tom Cruise) expects a vast inheritance after his father dies. But the entire fortune is left to Raymond (Dustin Hoffman) his older brother, an 'autistic Savant' Charlie never even knew existed.
Mel Gibson is a chauvinistic advertising executive who suddenly develops the ability to understand what women are thinking.
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