Mallory Jordan feels she can no longer face up to life after her family are wiped out in a brutal street robbery. Her only confidante is Detective DiMarco whose support and help makes her realise that after losing everything she now has everything to gain. Based on the novel by Barbara Taylor Bradford.
Three journalists, Charles Bean, Ellis Ashmead Bartlett and Phillip Schuler, arrive at Gallipoli with the invading British and Allied troops in 1915. They will report the war but are prevented from getting out the true story of an unfolding disaster. From encampment in Cairo to Anzac Cove to the evacuation, this is the story of journalists who will not accept that truth be the first casualty. This is the story of the men who will not shut up. The actions of these men will help change the course of the campaign, ensure that a strategic disaster becomes a legend of human heroism, and leave an impregnable mark on each of their lives.
In Waxwork a waxwork museum appears overnight in an American small town and sinister showman David Warner invites a group of typical teens to a midnight party. However, as expected, the place is home to nasty secrets, and the blundering kids find themselves transported via the exhibits into the presence of "the 18 most evil men in history". What this means is that the film gets to trot out gory vignettes featuring such horror staples as Count Dracula (played inaptly with designer stubble and a Clint croak by ex-Tarzan Miles O'Keefe), the Marquis de Sade, an anonymous werewolf with floppy bunny ears (John Rhys-Davies in human form) and the Mummy. Nerdy hero Zach Galligan appeals to wheelchair-bound monster fighter Patrick MacNee for help. Waxwork is strictly a film buff's movie--with Warner and MacNee turning in knowingly camp performances, and references to everything from Crimes of Passion to Little Shop of Horrors cluttering up its very straggly story line. It's not without ragged charms, though the tone veers between comic and sick (the de Sade scene, although inexplicit, features some lurid dialogue) more or less at random. The effects are likewise variable, and in any case rather fudged by direction, which frequently fails to point up the gags properly. It winds up with a scrappy Blazing Saddles-style fight between the forces of Good and a whole pack of monsters, and the budget runs out before the climactic burning-down-the-waxworks scene. The episodic approach echoes the old Amicus omnibus horrors (Dr Terror's House of Horrors, The House that Dripped Blood etc.), and various cameos allow director Anthony Hickox to parody/emulate the styles of Hammer films, Night of the Living Dead and Roger Corman's Edgar Allan Poe adaptations. On the DVD: It's a nice-looking and sounding print, but fullscreen format. The only extras are filmographies taken from the IMDB and the trailer.--Kim Newman
For a limited time only, Universal Pictures are re-releasing some of their most beloved Cinema Classics in cinemas around the UK, including "The Blues Brothers".
Stop On By And Give Afterlife A Try. Zach Galligan (Gremlins) teams up with special effects wizard Bob Keen (Alien Highlander) to star in this spine-tingling horror. Mark and his college class decide to have a little fun and attend a 'private' midnight showing at the new waxwork museum. Admission is free... but getting out may cost them their lives! Join them in this roller-coaster ride into terror in Waxwork.
Alien Nation is a routine cop thriller with a comedic sci-fi twist. They get drunk on sour milk. They have two hearts and bald, spotted heads. They're highly intelligent, but if you drop them in seawater they'll melt into a puddle of goop. They're "Newcomers", and they arrived as refugees in a massive alien slave-ship, quarantined for three years and then reluctantly accepted as citizens of Earth. To some humans--including seasoned Los Angeles cop Matt Sykes (James Caan)--the Newcomers are unwelcomed "slags". Sykes' own virulent "speciesism" intensifies when Newcomer thugs kill his partner, but he sees logic in teaming up with Sam Francisco (Mandy Patinkin), the first Newcomer detective in the LAPD. Francisco's Newcomer knowledge is vital to their investigation of an alien drug ring, and a friendship grows from life-or-death circumstances.Alien Nation has two things working in its favour: Caan and Patinkin form a memorable duo, and the basic premise--as conceived by Rockne S O'Bannon (who later developed the film as a TV series)--intelligently accounts for the sociological impact of an alien population. The subtle point is made that humans are extraordinary beings who squander their potential, and the evil of drugs--as dealt by a social-climbing Newcomer played by Terence Stamp--leads to a crisis that threatens to generate global intolerance. These points are well presented in a context of overly familiar plotting and standard-issue sarcasm. It's entertaining for a brisk 90 minutes, but in its attempt to be widely appealing, Alien Nation glosses over issues that might have made it more uniquely provocative. --Jeff Shannon, Amazon.com
Jimmy Dworski is a happy-go-lucky convict who breaks out of prison and finally gets a life - somebody else's! When Dworski finds the daily planner that literally runs the life of ultra-organized executive Spencer Barnes (Charles Grodin) all hell breaks loose! With newfound cash credit cards and the keys to a Malibu mansion the imposter Dworski embarks on an all-expenses-paid trip to ""Easy Street"" while posing as the high-powered Barnes. Meanwhile Spencer's life is turned upside down as he hunts through the jungles of Los Angeles for his beloved book: when these oddball opposites finally meet it's a comedic collision you won't soon forget!
The Blues Brothers (Dir. John Landis 1980): They'll never get caught. They're on a mission from God. After the release of Jake Blues (John Belushi) from prison he and brother Elwood (Dan Aykroyd) go to visit the orphanage where they were raised by nuns. They learn that the church stopped its support and will sell the place unless the tax on the property is paid within 11 days. The brothers decide to raise the money by putting their blues band back together and stagin
It's the land of hospitality... unless you don't belong. A group of National Guardsmen embark on a routine weekend of manoeuvres in the boggy swamps of Louisiana. Everything goes smoothly until blanks are fired at the Cajun locals. Suddenly the men are hurled into a terrifying battle for their lives... An allegory of America's involvement in Vietnam in the tradition of Deliverance featuring brilliant cinematography and an excellent Ry Cooder bluegrass score.
Ignoring a strange warning a young party travelling to the Carpathian Mountains are abandoned by their coachman. Their luck changes however when another mysterious coach appears and delivers them to the hospitality of Count Dracula...
Evil feeds on evil... Jake Cummings is your average high school teenager but his life is irrevocably changed when a fellow student introduces him to a video game called ""The Pathway"". After submitting his information into the computer software Jake finds that he is having visions of a half-goat / half-human creature. After much doubt about the game Jake uses the pathway to get revenge on his boss. One by one his friends and family suffer the same fate death by self-mutila
As the third in what became a series of eight, Prince of Darkness was distinguished among the Hammer Dracula movies for several reasons. It was the third and last directed by Terence Fisher and his familiarity with the mythos and studio practices meant the rushed production still came out looking spectacular in places. Moving into the tail end of the 1960s, Hammer looked for ways of cost cutting: the film's dramatic finale on a frozen river takes place on a two-for-one set being used simultaneously for another shoot. This was also the series entry that included a substitute for the Renfield character missing from the first movie. Thorley Walters as Ludwig is a colourful cameo and that's also all that can be said of Christopher Lee. Despite top billing, the mute monster occupies but a fraction of the overall on-screen time. The real frights come from gaunt butler Klove who scares the life (literally) out of hapless travellers Alan, Charles, Helen and Diana. Surely their fate would ensure no-one else took the mountain pass to Carlsbad? But only two years later, audiences discovered Dracula Has Risen from the Grave. On the DVD: apart from scene access there's nothing making use of the DVD format here. The 2.55:1 presentation is certainly welcome, and the mono audio somehow feels appropriate. --Paul Tonks
Life has pushed him into a corner and he's coming out fighting! After being sent to reform school after accidentally killing a fellow youth Chicago crime wave Mick O'Brien is forced to confront the victim's brother who wants deadly revenge...
An innocent women is jailed for smuggling cocaine. During her sentence she is at the mercy of the warden and her inmates forcing her to find a way out...
Both a kind of home movie and a salute to the hip, pop-up sketch comedy of 1960s/early 1970s television--Laugh-In, Monty Python's Flying Circus, that sort of thing--Schizopolis is a hit-and-miss series of gags with vaguely connecting threads of Kafkaesque paranoia. Soderbergh himself stars as two people--one an ineffective dentist and the other a speechwriter for a cult movement called Eventualism, which has set out to "question all answers"--connected by their romances with the same woman, played by Soderbergh's real-life ex, Betsy Bramley. There isn't so much a story as a series of bits in which these characters often (though not necessarily) turn up, from press conferences on the subject of horse urination to old footage of nudists to a scene of an Eventualist exchange between husband and wife: "Generic greeting!" "Generic greeting returned!" None of this leads to a literal point but after a while an undercurrent of disease about making sense of the modern world becomes apparent beneath the jokes. Soderbergh (sex, lies, and videotape, Out of Sight) is certainly a filmmaker who goes his own way in life, always hitting his target in one spot or another and occasionally getting a bull's-eye for his trouble. Schizopolis is no bull's-eye and it has just as many detractors as admirers but it's impossible not to appreciate Soderbergh's conviction that making a film out on the fringes is a worthy endeavour. --Tom Keogh
He's Back... For Seconds. On their way to renovate a shelter for troubled teenagers a group of kids get stranded in the middle of nowhere. While one is looking for a phone he disappears, so the group visit the house of a voodoo priestess named Kadja...
A musical vehicle for 'Mr Bojangles' Bill Robinson which pays tribute to some of the greatest jazz stars of all time. Hit songs include: 'Stormy Weather' 'Jumping Jive' and 'Ain't Misbehavin'.
UP JUMPED A SWAGMAN A talented young Australian singer moves to London in search of his big break. On the way he tries to woo a top model while seemingly overlooking the beautiful publican's daughter who truly loves him and gets tangled up with a gang of thieves! CHARLEY MOON A new career beckons for Charley Moon when, during his army service, he becomes part of a comic double act in a unit concert. Though lucky breaks are few and far between, they end up getting enough experience to try their luck in London. WHAT A CRAZY WORLD Alf Hitchins is an unemployed chap whose life revolves around dance halls, amusements arcades and cafés any place to escape from the family home! His cheerful acceptance of life expresses itself in the song he casually composes one night and the results take everyone by surprise! BALLAD IN BLUE During a performance Ray Charles befriends David, a young boy who has recently lost his sight, and helps him come to terms with his condition. Then, during a world tour, Charles finds himself in Paris where a surgeon is pioneering a radical procedure that could restore David's sight.
In the Fletcher's Cross Village Hall Rosetta Price is seated with her eyes closed watched by an eager audience. She is the medium of the Spirit of Friendship group and issues a warning of impending sorrow for someone that evening. Shortly afterwards the body of renowned skinflint and local funeral director Patrick Pennyman is discovered by his wife. Is this a coincidental case of suicide? To unravel the mystery Barnaby and Scott must delve into the mystical goings on at the spiritua
Keep 'Em Flying: When a barnstorming stunt pilot decides to join the air corps his two goofball assistants decide to go with him. Since the two are Abbott & Costello the air corps doesn't know what it's in for. Ride 'Em Cowboy: Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch despite the fact that neither of them knows anything about cowboys horses or anything else.
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