Footloose: Teenager Ren MacCormack sends ripples through Bomont a small Midwestern town that could stand some shaking up when he arrives from Chicago with his mother Ethel to settle with her relatives. The adults tend to view him with suspicion as a possible contaminant from the outer world. Some of his male peers eye him as a threat and most of the girls just plain eye him. It's a tough time for Ren whose father deserted him and his mother leaving them financially and emotionally strapped. But Bomont is a new setting a place for beginnings and Ren intends to give it every chance. He finds that the town is autocratically run by the local minister Rev. Shaw Moore who single-handedly manipulates the community sentiment and has had a hand in the banning of certain books all rock 'n' roll music public dancing and numerous other enjoyments that Ren had taken for granted in Chicago. From the moment he arrives in Bomont Ren is harassed and ostracized. He immediately finds himself in conflict with the community in a unique relationship with the minister's free-spirited daughter Ariel and involved in a feud with her bullying boyfriend Chuck. His greatest ally turns out to be Willard a good-natured schoolmate slow to wit but quick to fight. Eventually Ren galvanizes the youth of Bomont to confront the town's narrow-mindedness and in doing so he forces Rev. Moore to re-examine his own relationships with his daughter with his congregation and with his wife of 20 years. Flashdance:In Adrian Lyne's Flashdance a young woman Alex (Jennifer Beals) strives to achieve success as a classical dancer but economic forces require her to work as a welder by day and an exotic dancer by night. Standing in her way is an abundance of profound social obstacles not the least of which is her boss at the welding factory Nick (Michael Nouri) who is also her boyfriend. Alex strives to be accepted into a prestigious ballet academy and she is furious when she realizes that her boyfriend might be pulling strings for her behind the scenes. Along the road to self-discovery and independence Alex also struggles to accept love come to terms with her own stubbornness and find the inner strength to turn her lofty dreams into reality. Edited for maximum rhythmic impact Flashdance is full of glistening bodies and metallic surfaces powered by Giorgio Moroder's throbbing music and one hit song after another: Michael Sembello's Maniac Karen Karmen's Manhunt and notably Irene Cara's Oscar-winning theme song Flashdance...What a Feeling. Flashdance marks the first co-production between Jerry Bruckheimer and Don Simpson who geared the film toward the MTV generation...
Cape Fear (1991): The film stars Oscar winner Robert De Niro (Casino Heat) as Max Cady a psychopath who has recently been released from prison. He is out seeking revenge on his lawyer Sam Bowden played by Nick Nolte (48 Hours Thin Red Line) who he believes deliberately withheld information about his case at trial which could have kept him out of jail. He embarks on a mission to terrorise Bowden his wife played by Oscar-winner Jessica Lange (Blue Sky Rob Roy) and their 15 year old daughter played by Juliette Lewis (Natural Born Killers). A remake of the 1962 classic film this has guest appearances from the stars of the original film Robert Mitchum and Gregory Peck. The film is directed by one of the leading filmmakers of his generation Oscar-nominated Martin Scorcese. Cape Fear (1962): The original version of this masterpiece of psychological terror and revenge stars Oscar-winner Gregory Peck (To Kill a Mocking Bird Moby Dick) in the role of Sam Bowden and Robert Mitchum (The Big Sleep The Last Tycoon) as psychotic killer Max Cady. The film also stars Polly Bergen (Cry Baby Move Over Darling) and was directed by highly acclaimed British director J. Lee Thompson (The Guns of Navarone MacKennas Gold).
The original Creature from the Black Lagoon is one of the silver screen's most unforgettable characters and, along with the other Universal Classic Monsters, defined the Hollywood horror genre. The Creature from the Black Lagoon: Complete Legacy Collection includes all 3 films from the original legacy including the gripping classic and the sequels that followed. These landmark motion pictures perfectly blended Universal's classic monster heritage with the science-fiction explosion of the 1950s and continue to inspire remakes and adaptations that strengthen the legend of the Creature from the Black Lagoon to this day. Bonus Features: Back to the Black Lagoon Documentary 3 Feature Commentaries Production Photographs Theatrical Trailers
From JENJI KOHAN, the creator of Weeds, Orange Is the New Black is a thought-provoking, funny, and evocative show about life in a women's prison. Based on the best-selling memoir by PIPER KERMAN, the newest season of Orange Is the New Black delves into the racial and economic tensions that run rampant in the halls of Litchfield. Overrun with new inmates and overseen by inexperienced guards, the prison undergoes an unprecedented culture war. Special features: Gag Reel Visitation: Set Tour Commentaries with Cast and Crew
Some of us will never understand why this boy-and-his-whale tale became the hit family film of 1993 and one of the bestselling videos of all time. But it is easy to see how clever marketing and a tear-jerking story could touch the hearts of kids and parents the world over, especially because the endangered Orca whale named Willy is such a majestic creature. The story of Free Willy couldn't be more conventional--it's like Old Yeller and The Black Stallion with a big sea mammal--but as the boy who comes to Willy's aid against the whale's exploitative owner, young Jason James Richter gives an appealing performance with which children can readily identify. After two sequels and an animated television series, this popular film also had a happy real-life ending: Keiko the whale (who plays Willy) recovered from failing health and was gradually trained to survive outside of captivity. --Jeff Shannon
Jumping with the spirit of freedom, dazzling dance numbers, and an electrifying '80s musical soundtrack, FOOTLOOSE comes to 4K ULTRA HD for its 40th Anniversary in this limited edition collectible SteelBook. Its the timeless struggle between innocent pleasure and rigid morality for city boy Ren McCormack (Kevin Bacon), newly moved to an uptight small town where dancing has been banned. Ren quickly makes a new best friend in Willard (Chris Penn) and falls fast for the minister's daughter (Lori Singer), but his love for music and dancing gets him into hot water equally as fast. Featuring a treasury of hit songs from Kenny Loggins, Shalamar, Deniece Williams, Bonnie Tyler, Quiet Riot, John Mellencamp, Foreigner, and more!
Day of the Dead, chapter three of George Romero's mighty zombie trilogy, has big footsteps to follow. Night of the Living Dead was a classic that revitalised a certain corner of the cinema, and Dawn of the Dead was nothing short of epic. Day of the Dead, however, has always been regarded as a comedown compared to those twin peaks--and perhaps it is. But on its own terms, this is an awfully effective horror movie, made with Romero's customary social satire and cinematic vigour--when a "retrained" zombie responds to the "Ode to Joy", the film is in genuinely haunting territory. The story is set inside a sunken military complex, where Army and medical staff, supposedly working on a solution to the zombie problem, are going crazy (strongly foreshadowing the final act of 28 Days Later). Tom Savini's make-up effects could make even hardcore gore fans tear off their own heads in amazement. --Robert Horton
Abel Ferrara's taste for the sensational is on display in the flawed but interesting Dangerous Games, even though its subject matter is a long way from the genre material in which he has mostly specialised. The film is a psychological drama in which the Method manipulations of director Eddie (Harvey Keitel) prey on the weaknesses of coke-head actor Burns (James Russo) and insecure soap star Sarah (Madonna) to a point where reality breaks down for all three of them--and, in the film's last moments, the audience too; we are left traumatically hanging by a profound ambiguity in what we have just seen. Ferrara moves backwards and forwards between naturalistic and staged shots: we see scenes in hand-held verité and as rushes on a video. The over-wrought drama of consumerism, decadence and possible redemption that is being shot in the film is clearly intended to be directly relevant to their lives and is only marginally more melodramatic; at one point, Eddie's wife arrives unexpectedly at his hotel room moments after Sarah has left his bed. Keitel gives his usual authoritative performance as a weak man breaking under the weight of his pretensions; as Sarah, Madonna gives one of her less bad performances, attractively underplaying amid a storm of hamminess. On the DVD: the DVD only gives us subtitles and the trailer as extras. --Roz Kaveney
Footloose (1984): Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing - and therefore all youthful joy - has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). Footloose (2011): Get ready to cut loose! Boston tee...
101 Films presents The New Kids, a startling, non-stop ticket to terror from director Sean S. Cunningham (Friday the 13th). A key entry in the 1980s wave of juvenile delinquency movies, the New Kids features early performances from Lori Loughlin (Full House) and James Spader (Sex, Lies, and Videotape) in a particularly memorable role. Available for the first time in the UK since a VHS release as 'Striking Back' in 1988, this edition includes brand-new interviews with director Sean S. Cunningham and writer Stephen Gyllenhaal. After their parents die in a car crash, two all-American teens, Loren (Shannon Presby) and Abby (Lori Loughlin) go to live with relatives in a small Florida town. But trouble begins when members of a vicious gang, led by Dutra (James Spader), bet on who'll be the first to seduce the innocent Abby. When she spurns their obscene advances, the thugs embark on a sadistic campaign of vandalism, arson, and assault. The savagery escalates until Loren must defend himself and his sister in a brutal fight to the death in a carnival midway. It's The New Kids... trying to make it in this town just might kill them!
Ripped Pants: SpongeBob tries to impress Sandy at Mussel Beach and accidentally rips his pants! He's embarrassed until he realizes the crowd thought it was a joke he did on purpose! His ripped pants are a hit but the joke gets old fast. SB-129: Squidward flees to the Krusty Krab in search of quiet and winds up frozen in the freezer. When he finally thaws he finds himself far into the future and wondering how to go back! Texas: Sandy's blue. Seems she's
While investigating the mysterious circumstances of a beautiful student's demise, a maverick skydiving instructor finds himself entangled in a murderous conspiracy involving Soviet spies and a lost shipment of gold. Logical it ain't, but this entertainingly daft thriller does offer some good-natured satiric riffs on standard action star conventions. Charlie Sheen (throughout most of the film, this not-especially-heroic hero displays the approximate intelligence of a bag of doorknobs) stars along with Nastassja Kinski in a welcome return after a long absence from the screen. Terminal Velocity is good fun for adrenaline junkies, with a boffo climax involving a midair escape attempt from a free-falling convertible. Writer David Twohy went on to direct Sheen in the considerably more accomplished The Arrival. --Andrew Wright
Danny Ocean and his hand-picked crew of specialists gather in Las Vegas to attempt the most extravagant casino heist ever.
Penny Marshall's popular 1992 comedy sheds light on a little-known chapter of American sports history with its story of a struggling team in the All-American Girls Professional Baseball League. The league was formed when the recruiting of soldiers during World War II resulted in a shortage of men's baseball teams. The AAGPBL continued after the war (until 1954), and Marshall's movie depicts the league in full swing, beginning when a savvy baseball scout (Jon Lovitz) finds a pair of promising new players in small-town Oregon sisters (Geena Davis, Lori Petty). The sisters are signed to play for the Rockford Peaches near Chicago, whose new manager (Tom Hanks) is a former home-run king who wrecked his career with alcoholism. They're all a bunch of underdogs, and Marshall (with a witty script by Lowell Ganz and Babaloo Mandel) does a fine job of establishing a colorful team of supporting players including Madonna and (in her movie debut) Rosie O'Donnell. It's a conventional Hollywood sports story (Marshall's never been one to take dramatic risks) but the stellar cast is delightful and the movie's filled with memorable moments, witty dialogue and agreeable sentiment. --Jeff Shannon, Amazon.com
The original 1962 version of Cape Fear is directed by J Lee Thompson (The Guns of Navarone) in a deliberately Hitchcockian manner, and stars Robert Mitchum as a creepy ex-con angry at the attorney (Gregory Peck) whom he believes is responsible for his incarceration. After Mitchum makes clear his plans to harm Peck's family, a fascinating game of crisscrossing ethics and morality takes place. Superior to Martin Scorsese's punishing 1991 remake, which seems trapped in its explicitness, Thompson's film accomplishes a lot with a more economical and telling use of violence. The result is a rich character study that explores the nature of guilt. Martin Scorsese's 1991 remake dabbles a bit in some fascinating psychological crosscurrents between its characters, but it finally trades in all that rich material for extensive and gratuitous violence. Robert De Niro plays a serial rapist released from prison after 14 years. Angry because his appalled attorney (Nick Nolte) made it easy for him to be convicted, this monster is out to hurt Nolte's character through his wife (Jessica Lange) and daughter (Juliette Lewis). The themes of interlocking guilt and anger between these people suggests a smart film in the making. But the final act, set on a boat with De Niro's vengeful pervert attacking Nolte and the two women, takes a more unfortunate direction. The stars of the original film, Robert Mitchum and Gregory Peck, each make a cameo appearance. --Tom Keogh, Amazon.com
It's not human, and it's got an axe! One of the most underrated efforts to hail from the slice-and-dice boom, The Prey at last emerges from the VHS wilderness in a brand new 2K restoration from the recently unearthed original camera negative. Three young couples set off into the mountains for a weekend of climbing, drinking and lovemaking. But little do they know that they are stumbling into the terrain of a fearsome predator a wild man, horrifically burned as a child many years ago in a fire which engulfed his gypsy camp and left only him alive. Now he roams the woods in search of his next human prey. Filmed in 1979-1980 but not released in the US until 1984 when it was picked up by New World Pictures, The Prey is a unique woodsy slasher gem ripe for reappraisal in this extras-packed edition! SPECIAL EDITION CONTENTS High Definition Blu-ray⢠(1080p) presentation 2K restoration of the filmmaker-approved US Theatrical Cut from the original camera negative Original uncompressed mono audio Optional English subtitles for the deaf and hard of hearing Audio commentary with Ewan Cant and Amanda Reyes Audio interview with director/co-writer Edwin Scott Brown Audio interview with producer/co-writer Summer Brown Gypsies, Camps and Screams interview with actress Debbie Thureson Babe in the Woods interview with actress Lori Lethin Gayle on Gail interview with actress Gayle Gannes The Wide-Mouthed Frog and Other Stories interview with actor Jackson Bostwick Call of the Wild interview with actor Carel Struycken In Search of The Prey Ewan Cant and actress Debbie Thureson revisit the original shooting locations in Idyllwild, California ¢ Texas Frightmare Weekend Experience relive the premiere of the restored The Prey at Texas Frightmare Weekend 2019, with full audience reaction track and post-screening Q&A with actors Lori Lethin, Carel Struycken and Jackson Bostwick TV Spot and home video trailer Original shooting script from the personal archives of Debbie Thureson (BD-ROM Content) Reversible sleeve featuring original and newly commissioned artwork by Justin Osbourn
When released in 1997, The Gingerbread Man was the only John Grisham movie that did not use one of the popular novelist's bestsellers as its inspiration. Rather, it's based on an original screenplay by Grisham that displays the author's familiar flair for Southern characters and settings within a labyrinthine plot propelled by his trademark narrative twists and turns. Sporting a spot-on Georgian accent, Kenneth Branagh plays a Savannah attorney who comes to the assistance of a troubled woman (Embeth Davidtz) and finds himself enmeshed in a scenario involving the woman's father (Robert Duvall) that grows increasingly complex and dangerous, where nothing, of course, is really as it seems. It's a totally absorbing movie made in the modern film noir tradition; what's most interesting here (and most underrated by critics at the time) is the combination of Grisham's mainstream mystery and the offbeat style of maverick director Robert Altman. Despite a battle with executives that nearly caused Altman to disown the film, The Gingerbread Man demonstrates the director's skill in bringing a fresh, characteristically offbeat approach to conventional material, especially in the use of a threatening hurricane to hold the plot in a state of dangerous urgency. Unfortunately overlooked during its theatrical release, this intelligent thriller provides a fine double bill with Francis Coppola's film of Grisham's The Rainmaker. --Jeff Shannon
8 MM (1998): Nicholas Cage is Tom Welles a surveillance specialist with a modest home-based business. Respected but still waiting for the big break that will improve his professional status Welles spends most of his time on routine cases. Nothing too dangerous nor too threatening - until a case involving a small innocuous-looking plastic reel of film turns Welles' life upside down sending him down a sordid and terrifying path into society's deepest corners. Drifting away
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