The Dead Are Talking... And She Is Listening. Melinda Gordon (Jennifer Love Hewitt) is a young newlywed with the unique gift to communicate with spirits of people who have died - a talent that was inherited from her grandmother. The dead seek out Melinda's ability to help them relay significant messages and information to the living. Despite her fear compassion compels her to help these earthbound spirits cross over by completing their unfinished business with the living.
The Dead Are Talking... And She Is Listening. Melinda Gordon (Jennifer Love Hewitt) is a young newlywed with the unique gift to communicate with spirits of people who have died - a talent that was inherited from her grandmother. The dead seek out Melinda's ability to help them relay significant messages and information to the living. Despite her fear compassion compels her to help these earthbound spirits cross over by completing their unfinished business with the living. Relive these amazing journeys in all 22 first-season episodes. Episodes Comprise: 1. Pilot 2. The Crossing 3. Ghost Interrupted 4. Mended Hearts 5. Lost Boys 6. Homecoming 7. Hope and Mercy 8. On the Wings of a Dove 9. Voices 10. Ghost Bride 11. Shadow Boxer 12. Undead Comic 13. Friendly Neighborhood Ghost 14. Last Execution 15. Melinda's First Ghost 16. Dead Man's Ridge 17. Demon Child 18. Miss Fortune 19. Fury 20. The Vanishing 21. Free Fall 22. The One
Ghost Whisperer plunges into new territory by literally rocking the foundations of the series with a new mythology - love transcends death.
A woman is on the run after being arrested on a trumped-up charge. Escaping from a crime lord and an arranged marriage she manages to seek help from an oil man called Steve Tanner in Texas. But her past is set to follow her overseas.....
COBAIN – Montage of Heck invites you to experience Kurt’s life art and mind through his own unique lens bringing you as close to the generation-defining icon as it’s possible to get. Experience Kurt Cobain like never before in the first fully-authorized portrait of the famed rock music icon. Director Brett Morgen expertly blends Cobain's personal archive of art music and never-before-seen home movies with animation and revelatory interviews from his family and closest confidantes. Following Kurt from his earliest years in Aberdeen WA through the height of his fame a visceral and detailed cinematic insight of an artist at odds with his surroundings emerges. While Cobain craved the spotlight even as he rejected the trappings of fame his epic arc depicts a man who stayed true to his earliest punk rock convictions always identifying with the outsider and ensuring the music came first. Fans and those of the Nirvana generation will learn things about Cobain they never knew while those who have recently discovered the man and his music will know what makes him the lasting icon that he is.
A young professional woman's life turns to a living hell when she swaps her normally brilliant luck with a handsome man who has horribly bad luck.
When 'street smart' rapper Christopher C-Note Hawkins (Big Boi) applies for a membership to all-white Carolina Pines Country Club the establishment's proprietors are hardly ready to oblige him. Unwilling to accept that the club views him as unfit for membership C-Note purchases land that contains the 17th green - willing only to exchange the hole for membership. This sets the stage for an outrageous assault on the country club and its membership committee as C-Note and his fun-loving streetwise crew disrupt the goings-on at the club with their irreverent attitudes and a back-and-forth prankfest.
A rich lady who becomes bored by her sexless marriage and seeks satisfaction with her husband's gamekeeper oblivious of the social scandal she is creating... D.H. Lawrence's controversial novel transformed into a sensual masterpiece from the makers of 'Emmanuelle'.
Jennifer Love Hewitt is a beautiful and talented actress with style and charm. She is not, however, Audrey Hepburn, and try as she might, she is unable to embody the gamine actress in the made-for-television biopic The Audrey Hepburn Story. Making the Hepburn bio was a gutsy move for Hewitt, and one has to admire her chutzpah. But the role, if it was to be dared, would have been better off in the hands of an unknown. As it is, it's difficult to shake the image of Hewitt in her television and teen roles, and while she mastered the wide-eyed look, her eyes are not doe-like enough and her accent borders on ludicrous. If you can move past this, though, the story of Hepburn's life--even given her do-gooder qualities--is interesting fodder for exploration, although at times the script feels as if it's trying to create tension where there is little. Desertion by her father, a brief stint in the resistance in wartime Netherlands, and affairs with fellow actors create drama, but not enough to enliven the film. Part of the problem is the entire film is told from flashback from the set of Breakfast at Tiffany's, so much of Hepburn's great work is left untouched. Yet, despite the flaws, fans will appreciate the paean to Hepburn, as we glimpse into the difficulties of her early career and her budding stardom. The two girls who play the childhood Hepburn excel in their roles, and the strong supporting cast--including Frances Fisher as her mother and Eric McCormack as Mel Ferrer--brighten the film, which ultimately brings a touch of Hepburn's elegance to our own humdrum lives. --Jenny Brown
When there's murder on the streets everyone is a suspect. A gritty realistic adaptation of Richard Price's best-selling novel director Spike Lee examines the violent world of urban drug dealing through the eyes of Strike (Mekhi Phifer) a 19-year-old ""clocker "" short for round-the-clock pusher. Strike agrees to kill a fellow employee of his boss Rodney Little (Delroy Lindo) an influential popular drug lord. But when the hit goes down it is Strike's moral law-abiding brother V
Starring Jennifer Love Hewitt (Party Of Five I Know What You Did Last Summer) as Audrey Hepburn and featuring Frances Fisher (Titanic) as her mother this miniseries reveals the dramatic life lead by this most appealing of performers - her childhood in Holland during the Nazi occupation her meteoric rise to stardom on Broadway and in films her doomed love affair with William Holden her troubled marriage to Mel Ferrer and her life long search for her father a collaborator during the War. Concealed behind the dazzling smile of Audrey Hepburn was a woman who had known great difficulties and overcame them to become the top international film star in the world an Academy Award winning actress and a fashion designer's dream. Her every change of hair-style was copied by young women all over the world. Featured in the series are her teenage years during the war in which deprivation and hunger forged her determination to survive and her work with the Resistance almost cost her life. After the war she and her mother fled to London where Audrey supported them dancing in revues until she was spotted by the famous French author Collette who personally chose her to play Gigi on Broadway in which she became an overnight sensation. She then went on to star in such films as Roman Holiday with Gregory Peck (for which she won an Academy Award) Sabrina with Humphrey Bogart and William Holden who would become her lover Funny Face with Fred Astaire and perhaps her crowning role Holly Golightly in Breakfast at Tiffany's where she clashed with its author Truman Capote. Her affair with the womanizing star William Holden was threatening to her new success but he was perhaps the great love of her life and their break up drove her into the arms of Mel Ferrer who was to become her first husband. As his own career was on the wane Audrey's was spiraling ever upward and Ferrer devoted himself to being her protector and sometimes jailer. He did fulfil her long dream of having a child but the marriage eventually terminated. Her role as Holly Golightly in Breakfast at Tiffany's best described Audrey's own life; a lost beauty looking for love in the arms of the protector/father she never had known.
Jackie Chan stars as a hapless chauffer who must take the place of a secret agent with his special gadget-laden tuxedo!
Giving a performance which is both chilling and intensely sympathetic Kirk Douglas stars as a disturbed man whose attempt to recover a sense of self-worth takes him to the limits of despair and revenge. This critically acclaimed thriller of 1974 also stars Breathless icon Jean Seberg John Vernon and Sam Wanamaker and is tautly directed by the multi-award-winning Daniel Petrie. Cat and Mouse is presented here in a brand new transfer from the original film elements in its as-exhibited theatrical aspect ratio. George Anderson a downtrodden shabby biology teacher is delivered a final humiliating blow from his recently divorced wife Laura (Seberg): she is about to marry a wealthy architect and also reveals to George that he is not the father of her son. George distraught walks away from his old life. Carrying his box of biology instruments he calls the police to make a terrifying statement: 'Tonight... before midnight... I'm going to kill somebody'. Special Features: Full-frame version Original Theatrical Trailer Image Gallery Original Promotional PDF
Kurt & Courtney, despite the title, is not really a film about the late Nirvana singer and his wife. Rather, in the gonzo style familiar from other Broomfield productions (Heidi Fleiss: Hollywood Madam, Biggie & Tupac), it's a film about making a film about the late Nirvana singer and his wife. The approach is initially engaging, as Broomfield's self-conscious haplessness is a refreshing change from the infallible omniscience that documentary presenters usually seek to project. But by the end it's difficult to avoid the conclusion that Broomfield is hamming it up somewhat to distract attention from his failure to produce anything substantial. Broomfield sets out to delve into the persistent rumours that Cobain's death was not suicide, but murder possibly arranged with Love's connivance. By way of investigation, he speaks to people who claim, with wildly varying levels of plausibility, acquaintance with Cobain and Love. Some are interesting, particularly Love's arrestingly unpleasant father, who believes that his daughter killed her husband, and Kurt's charmingly guileless aunt. Too many of the rest are stoned, stupid or palpably insane, and Broomfield ends up little the wiser for speaking to any of them. Between interviews, Broomfield tries to manufacture tension with a series of heavy but never-quite-substantiated hints that Love is pulling strings to hamper his progress. The final confrontation between filmmaker and subject is one of the most colossal anti-climaxes ever caught on tape. --Andrew Mueller
In the hit CBS drama Ghost Whisperer Melinda Gordon (Jennifer Love Hewitt) has chilling heart-stopping amusing and emotional encounters with ghosts and those they haunt. At the tense intersection of the Living and the Dead there is a mind-bending mystery that puts Melinda in lethal jeopardy - but also brings hope and miracles. Melinda's husband Jim (David Conrad) is now a practicing physician at Grandview's haunted hospital. With the spirit world growing stronger Melinda and Jim must find a way to balance their romance and the challenges of the churning spirit world. Melinda comes to understand that her unique gift is a responsibility that must be honoured to help souls in need - alive or dead - find perfect closure. Episodes Comprise: 1. Birthday Presence 2. See No Evil 3. Till Death Do Us Start 4. Do Over 5. Cause for Alarm 6. Head Over Heels 7. Devil's Bargain 8. Dead Listing 9. Lost in the Shadows 10. Excessive Forces 11. Dead Air 12. Blessings in Disguise 13. Living Nightmare 14. Dead to Me 15. Implosion 16. Old Sins Cast Long Shadows 17. On Thin Ice 18. Dead Eye 19. Lethal Combination 20. Blood Money 21. Dead Ringer 22. The Children's Parade
Strauss: Elektra (Levine Metropolitan Opera Orchestra)
Four young friends bound by a tragic accident are reunited when they find themselves being stalked by a hook-wielding maniac in their small seaside town.
A biker must outride an FBI agent hot on his trail and two fearsome gang leaders out for his blood in this explosive slice of action.
Fran (Marianne Morris) and Miriam (Anulka Dziubinska) are two beautiful bisexual female vampires who by night roam the English countryside posing as hitchhikers in order to lure unsuspecting men back to their remote country estate where they have sex with their victims before feasting on their blood and killing them. Disposing of the bodies in a series of faked car crashes they leave the local police baffled by what appears to be a mysterious spate of accidents. Discovering she
Martin Lawrence returns as Master of Disguise--well, just one disguise, honestly, but he's really, really good at it--FBI agent Malcolm Turner in the second sequel to 2000's blockbuster Big Momma's House. Here, the agent must throw on the padding to pose as the housemother at an exclusive Female School of the Arts, in an attempt to ferret out a murderous Russian Mobster. The twist? This time he's forced to bring his stepson (Tropic Thunder's Brandon T. Jackson) along with him. The presence of Jackson makes this genially mellow sequel feel like a low-impact passing of the torch, with Lawrence (who also executive produced) seemingly content to let his younger co-star handle most of the cross-dressing comedic heavy lifting (ballet lessons, slumber parties, etc.). Only a scene where Big Momma faces off in a game of Twister against an equally gargantuan security guard (an uncredited and very funny Faizon Love) really feels of a piece with the earlier films. Stranger still is the inclusion of a half-dozen musical numbers, including one in a lunchroom that blossoms into full-out High School Musical territory. Awkward as these song-and-dance interludes often are, the filmmakers should deserve some credit for attempting to inject some form of new energy into a scenario that could definitely use a boost. Longtime fans of the franchise and Lawrence, however, may wonder if someone at Fox accidentally let Glee into the telepod. --Andrew Wright
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