In a dark deserted graveyard populated almost exclusively by rotting corpses lies a 400 year old creature more undead than alive. It's been some time since he last fed and now he's hungry again... but this time he wants something more than blood! Disturbed by an amorous couple he ventures from the grave to bequeath his horrific legacy; killing the boyfriend and planting the seed for his son and heir - a half-breed doomed to live in purgatory. Years later understanding his true nature the half-human vampire seeks to wreak his vengeance against his blood-sucking father culminating in a bloodthirsty and apocalyptic confrontation that goes straight for the jugular!
Margaret Lockwood, one of British cinema s greatest stars, takes on the role of a no-nonsense female barrister in this outstanding series from the makers of Yorkshire Television s classic legal drama The Main Chance. Intuitive, adept and deeply conscientious, Harriet Peterson possesses a steely determination and the necessary tenacity to fight for her clients. But she is not infallible and a turbulent personal life occasionally spills over into her professional life as she takes on a range of cases, from child custody battles to murder, medical negligence to treason. This first series sees Harriet making the move from the north of England to London. Executive producer Peter Willes marshalled key members of the Main Chance team, including legal consultant John Batt and writer Edmund Ward, to create a rigorously researched and compelling courtroom drama. This set comprises both Justice and the single Screenplay drama which preceded it, Justice Is a Woman also starring Lockwood as Julia Stanford, a barrister who, convinced of her client s innocence, defends a young man accused of rape and murder
The Last Outpost depicts the friendship between two British soldiers (Cary Grant and Claude Rains) defending the Empire in Kurdistan as they assist native refugees to safety. However their bond is soon put to the test when they vie for the affections of Rosemary Haydon (Gertrude Michael).
Providing the romantic comedy genre with a seriously queer twist, The One is an effortlessly charming tale which proves that love is never simple! Hunky Daniel couldn't have it better - great parents, a successful career and the beautiful Jen as his fiance. A seemingly perfect life... but there is one temptation that may derail his best laid plans for a straight-and-narrow life: he has a thing for Tommy, the former college classmate who is now openly gay.After a few drinks, Daniel succumbs to his repressed desires and makes a one time mistake. Soon after their initial tryst, the normally jaded Tommy falls head over heels in love, but Daniel wants nothing more of him or his dazzlingly seductive smile - he's back with Jen, determined to marry her. With Tommy's friends warning him against his involvement with a straight man and Daniel's pledge of heterosexually, it would seem that nothing will come of them...but love and lust have a way of messing up even the best laid plans! A refreshingly funny coming-out tale that sparkles with witty dialogue and loveable characters.
Independence Day: One of the biggest box office hits of all time delivers the ultimate encounter when mysterious and powerful aliens launch an all-out invasion against the human race. The spectacle begins when massive spaceships appear in Earth's skies. But wonder turns to terror as the ships blast destructive beams of fire down on cities all over the planet. Now the world's only hope lies with a determined band of survivors uniting for one last strike against the invaders
What A Cast! What A Past! What A Show! This black comedy opens with Louisa Foster donating a multimillion dollar check to the IRS. The tax department thinks she's crazy and sends her to a psychiatrist. She then discusses her four marriages in which all of her husbands became incredibly rich and died prematurely because of their drive to be wealthy...
Reprising his role in R.C. Sherriff's West End stage hit, Ralph Richardson stars as a staid London bank clerk whose inexplicable amnesia leaves him without an alibi in the aftermath of a murder; Jack Hawkins co-stars as his doctor alongside Margaret Leighton his equally perplexed wife. Home at Seven saw Richardson taking on the mantle of director for the first and only time in his career the result is a taut, compellingly human drama with a gripping sense of mystery. It is presented here in a brand-new High Definition transfer from the original film elements and its original theatrical aspect ratio. When David Preston returns home at seven, his distraught wife tells him that he did not come home at seven or at any other time the previous evening. David recalls nothing between the time he left the bank on Monday and his arrival home that following evening and his doctor is inclined at first to treat it lightly. Then everything changes when it emerges that during his 'lost day', a murder and robbery took place... Special Feature: Image gallery
The granddaddy of giant monster movies, The Lost World was one of the most expensive movies ever made in 1925, costing more than a million dollars, and has remained one of the most influential. Every larger-than-life creature feature since--from King Kong to Godzilla and Jurassic Park--owes a debt to this original adventure fantasy based on Arthur Conan Doyle's novel. It's the story of a maverick scientist (Wallace Beery under a bushy beard) who finds a land that time forgot on a plateau deep within the South American jungles and comes back to London with a captured brontosaurus to prove it. His expedition includes Bessie Love, the daughter of an explorer who disappeared on the previous expedition, and big game hunter Lewis Stone. The ostensible stars of the picture are all upstaged by Willis O'Brien's dinosaurs, simple models brought to life with primitive stop-motion animation (the technique was soon to be perfected by O'Brien for King Kong). Hardly realistic by any measure, these pioneering special effects are still a sight to behold, especially the lumbering brontosaurus which receives the most care from O'Brien, both foraging in his jungle and rampaging through the streets of London. With the coming of talkies, The Lost World became obsolete: all known American prints were destroyed in favour of a sound remake (which became King Kong) and the film only survived in a severely truncated form (even the original negative was lost). For this release David Shepard meticulously "rebuilt" the film using material from eight different surviving prints from all over the world, cleaning and restoring along the way. The result is 50% longer than previously extant prints, still not complete but closer than any version since its 1925 debut. The difference is not merely in restored scenes but in a rediscovered sense of grace in scenes filled out to their original detail and pace. The film moves and breathes once again like a silent film. On the DVD: From the attractive solid slipcase to the wonderful "period" menu interface, this is a delightful DVD package. The film itself looks surprisingly good--a real tribute to the restoration team's efforts--with careful tinting in the style of the period (blues for evening, reds for dawn etc.). The disc features the choice of either an original score by The Alloy Orchestra or a classical orchestral score compiled and conducted by Robert Israel (both enjoyable and effective), 13 minutes of O'Brien's animation outtakes (including a couple of isolated frames that capture O'Brien manipulating his models) and a well-meaning but basic commentary by Arthur Conan Doyle historian Roy Pilot. There's also a text biography of Conan Doyle and a display of original postcards, posters and other promotional items. --Sean Axmaker, Amazon.com
Edward Weldon (O.P. Heggie) is a foreman of a jury finding himself in the unenviable position of having the casting vote in a case that would send a young woman to the electric chair for murder. Before long however his daughter Stella (Sidney Fox) murders a gangster (played by Humphrey Bogart)...
Hitchcock heroine Nova Pilbeam demonstrates her considerable flair for comedy in this incredibly popular wartime adaptation of the hit play by Irish author Molly Keane (a.k.a. M.J. Farrell) and John Perry. Co-starring Michael Wilding, Basil Sydney and Margaret Rutherford, Spring Meeting is featured here in a new High Definition transfer from original film elements, in its original aspect ratio. Tiny Fox-Collier and her son, Tony, are broke. A cheery and handsome young man about town, Tony knows he can rely on his mother for a brainwave to save them from utter destitution. This she has: a visit is scheduled to the Irish country estate of her old flame Sir Richard Furze, now a wealthy widower with two daughters. But while Tiny is determined to see her son marry the beautiful but haughty Joan, it seems Tony only has eyes for Joan's spirited younger sister, Baby...
The wonderful Judy Garland stars in this charming musical as Esther Smith whose father comes home and announces he is going to uproot his whole family to New York on the very eve of the 1903 St. Louis World Fair. Brilliantly directed by Vincente Minnelli and full of wonderful songs - 'Trolley Song' 'Have yourself A Merry Little Christmas'.
Cult blaxploitation star Pam Grier stars in this U.S.-Filipino co-production in which a pair of chained-together women inmates escape from a Filipino prison pursued by an array of bad guys and girl guards...
A beautiful female disc-jockey is mistaken for the girlfriend of a geriatric millionaire by the millionaire's grandson. Includes the songs: 'The Turntable Song' 'Happy-Go-Lucky and Free' 'You Gotta Keep Your Baby Lookin` Right' 'Something In The Wind' 'It's Only Love' and 'Il Miserere'.
Horror set on an isolated North Sea oil rig that is taken over by strange and savage creatures. Dr Christine Hansen (Saskia Gould) is sent to the rig to take charge of the testing of an experimental cleaning fluid that many believe could change the way the oil industry operates. However, a group of environmental protestors led by Mickey Hennessey (Conrad Whitaker) aren't so enthusiastic about the experiment. They board the rig and take the crew hostage but are too late to prevent the beginnin...
Titles Comprise: Bonnie Prince Charlie The Love Lottery Happy Ever After Eternally Yours Happy Go Lovely
A daring experiment in unconventional narrative inspired by Arthur C Clarke's short story "The Sentinel", 2001: A Space Odyssey is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. When Stanley Kubrick recruited Clarke to collaborate on "the proverbial intelligent science fiction film", it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience with the result. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanisation by technology, the notorious, seemingly omniscient, computer HAL 9000 has more warmth and personality than the human astronauts it is supposedly serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its post-millennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative and perfect. --Jeff Shannon, Amazon.com
If you like Sister Act, you'll just love Brother White! In this family musical comedy starring David AR White (Jerusalem Countdown, Me Again), Victoria Jackson (Saturday Night Live) Jackee (Sister Sister, 227), Ray Wise (Twin Peaks) and Academy Award nominee Bruce Davison. James White and his wife Lily are sent, well demoted, from their rich, white-middle-class church in Southern California to an impoverished neighbourhood church in Atlanta. Pastor White and his family must fight to save the little faith church from a corrupt banker anxious to foreclose.
The immortal Peter Sellers is hilarious as a pompous retired general who still has a taste for the ladies in French playwright Jean Anouilh's philosophical farce. A lusty comedy of manners ""Waltz of the Toreadors"" tempers its treatment of an old rake's delusions with generous dollops of wit and compassion.
Secret Agent (1936): Alfred Hitchcock filmed Somerset Maugham's WWI spy story 'Ashenden' with his typical mix of ironic humour and suspenseful set pieces. Novelist Edgar Brodie (John Gielgud) has his death faked by British Intelligence. Giving him a new identity as Richard Ashenden they persuade him to undertake an espionage commission in Switzerland. Accompanied by beautiful Elsa Carrington (Madeleine Carroll) posing as his wife and the General (Peter Lorre) an insane professional killer Brodie/Ashenden becomes embroiled in murder intrigue and a pursuit through the Swiss Alps... The Farmer's Wife (1928): Samuel Sweetland (Jameson Thomas) is a condescending farmer who finds himself all alone. His wife has died and his daughter has just gotten married. To find a new spouse Sweetland and his housekeeper Minta (Lillian Hall-Davis) make a list of the women who live nearby assuming that any one of them would kill to be his bride. But farmer Sweetland is in for a big surprise--and his ego is in for a major bruising--until the lovelorn Sweetland can acknowledge that he is secretly admired by his housekeeper. Gordon Harker gives an amusing performance as the old farmhand in this faithful adaptation of a play by Eden Phillpotts. Rich And Strange (1931): Mixing silent film techniques with the new element of sound - only one-fifth of the film offers dialogue - Rich And Strange tells the charming story of Fred Hill (Henry Kendall) and his wife Emily (Joan Barry) a small-town British couple who inherit some money from a rich uncle and suddenly decide to take a world cruise. Both however find themselves out of their element and their attempts at extramarital adventures fail miserably. Their newfound sophistication having backfired the couple will have to try to return to good old England but their journey will be full of mishaps and unexpected disaster. Released under the title East Of Shanghai in the United States the film was based on the novel by Dale Collins and was a departure for Hitchcock in both style and tone. Juno And The Paycock (1930): Juno And The Paycock is set in Ireland chronicling the financial and emotional ups and downs of the Boyle clan. When the father learns that he is about to inherit a fortune he and his family go shopping with a vengeance and rack up some serious debts. Furthermore the promise of wealth also makes the Boyles very haughty and they even dump their working-class friends. However the Boyles find themselves in big trouble - financially and otherwise - when it is revealed that there is no inheritance after all. Juno And The Paycock was the first solo screenwriting credit for Alma Reville Hitchcock's wife and lifelong collaborator. The film was based on Sean O'Casey's hit play; it was released in the United States under the title The Shame Of Mary Boyle. The Lady Vanishes (1938): Intrigue and espionage and the effects on the lives and futures of passengers aboard a Trans-Continental Express emerge when a girl traveller (Margaret Lockwood) returning from a holiday strikes up an acquaintance with a middle-aged English governess who during the journey mysteriously disappears from her compartment. The girl seeking an explanation for the disappearance is accused of hallucinating and is nearly convinced that her new friend does not exist. However further enquiries made among the passengers reveal the curious behaviour of a group of foreign government agents who are also travelling as passengers... Classic Hitchcock!
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