An introverted TV songwriter inadvertently attracts millions of joke-loving Martians to Earth when his music is accidentally broadcast to the galaxies.
Breath-taking footage of an underwater expedition by the Woods Hole Oceanographic Institution's team of researchers to find the ill-fated R.M.S Titanic which sank more than 70 years ago nearly two-and-a-half miles down in the icy Atlantic. Now along with Dr. Robert Ballard and his team be among the first humans to see the Titanic since its sinking as on-location footage presents this historic expedition as it happened.
Fred Astaire dances on the ceiling in this 1951 Alan Jay Lerner musical for MGM, directed by Stanley Donen (Singin' in the Rain). The appealing story finds Astaire as part of a brother-and-sister act (along with Jane Powell) that travels to London at the time of Queen Elizabeth II's wedding. Astaire and Powell each find romances that threaten to break up the act, but that's mostly fun window dressing in a movie better known for some truly creative sequences made vivid by Donen, including Astaire's famous dance with a hat rack and his duet with Powell, "How Could You Believe Me When I Said I Loved You (When You Know I've Been a Liar All My Life)?" --Tom Keogh, Amazon.com
Dawson's Creek is, first and foremost, one of the defining shows about teen angst and complicated teenage relationships. The first two seasons were the classic ones, as Dawson oscillates in his affections between beautiful Jen and his best friend Joey and manages to fall entirely between two stools. This is a show in which indecision and failure to commit is always going to lead to nothing good, however uncertain the prospects of commitment. Michelle Williams as Jen and Katie Holmes as Joey provide the show with its emotional centre of quirky intensity. James Van Der Beek as the essentially unreliable Dawson provides good looks and a hang-dog complexity of feeling to the mix, while Joshua Jackson as his sidekick Pacey provides both reliable comic relief and a sense of more depth to come in the show's later seasons. This "Best of Seasons 1 and 2" provides good examples of what the show does best. From Season 1, "The Scare" is a finely judged commentary on teen horror films--the show's creator Kevin Williamson was also responsible for the Scream franchise--and "Beauty Contest" is a finely judged social comedy about the show's high-toned resort community. Other strands in "Beauty Contest" lead in Season 2 to the brief Joey-Dawson relationship in "The Kiss" and to its aftermath in "His Leading Lady", where Dawson directs Rachael Lee Cook as Devon in a movie script based sufficiently closely on earlier episodes that she reprises Joey's actual lines. Dawson's Creek is essential teen soap, savvy enough in its post-modern edge to play well with self-parody and intertextuality.--Roz Kaveney
Episodes Comprise: The Astonished Heart Quest for Love The Young Lovers Always A Bride
In a way, Scarlet Street is a remake. It's taken from a French novel, La Chienne (literally, "The Bitch") that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang's version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang's previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett's streetwalker, with Dan Duryea as her low-life pimp. But this time around, all three characters have moved several notches down the ethical scale. Robinson, who in the earlier film played a college professor who kills by accident, here becomes a downtrodden clerk with a nagging, shrewish wife and unfilled ambitions as an artist, a man who murders in a jealous rage. Bennett is a mercenary vamp, none too bright, and Duryea brutal and heartless. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold. When it was made the film hit censorship problems, since at the time it was unacceptable to show a murder going unpunished. Lang went out of his way to show the killer plunged into the mental hell of his own guilt, but for some authorities this still wasn't enough, and the film was banned in New York State for being "immoral, indecent and corrupt". Not that this did its box-office returns any harm at all. On the DVD: sparse pickings. There's an interactive menu that zips past too fast to be of much use. The full-length commentary by Russell Cawthorne adds the occasional insight, but it's repetitive and not always reliable. (He gets actors' names wrong, for a start.) The box claims the print's been "fully restored and digitally remastered", but you'd never guess. --Philip Kemp
Wrong Arm Of The Law Peter Sellers stars as gang-leader Pearly Gates who has a double life as Monsieur Jules the manager of a fashion house. The criminal world of London is being reduced to chaos by an Australian 'IPO mob' who acting on information provided by Gates' girlfriend Valerie (Nanette Newman) impersonate police officers and take the spoils of the true criminals after the crime has been safely committed. The crimes are relatively victimless involving jewellery thefts from the rich or robbery from institutions such as banks and post offices. Gates is instrumental in getting a deal between organised crime and Scotland Yard. Never Let Go A cosmetic salesman sets out to prove to himself and his wife that he is not a failure. Waltz Of The Toreadors The immortal Peter Sellers is hilarious as a pompous retired general who still has a taste for the ladies in French playwright Jean Anouilh's philosophical farce. A lusty comedy of manners 'Waltz of the Toreadors' tempers its treatment of an old rake's delusions with generous dollops of wit and compassion. Soft Beds Hard Battles Peter Sellers plays six different characters in this hilarious sexploitation comedy. A renowned Paris brothel has turned into an active centre for the French Resistance. The girls assist the Allied war effort by attracting and eliminating the enemy amongst its clientele in the bedroom...
The granddaddy of giant monster movies, The Lost World was one of the most expensive movies ever made in 1925, costing more than a million dollars, and has remained one of the most influential. Every larger-than-life creature feature since--from King Kong to Godzilla and Jurassic Park--owes a debt to this original adventure fantasy based on Arthur Conan Doyle's novel. It's the story of a maverick scientist (Wallace Beery under a bushy beard) who finds a land that time forgot on a plateau deep within the South American jungles and comes back to London with a captured brontosaurus to prove it. His expedition includes Bessie Love, the daughter of an explorer who disappeared on the previous expedition, and big game hunter Lewis Stone. The ostensible stars of the picture are all upstaged by Willis O'Brien's dinosaurs, simple models brought to life with primitive stop-motion animation (the technique was soon to be perfected by O'Brien for King Kong). Hardly realistic by any measure, these pioneering special effects are still a sight to behold, especially the lumbering brontosaurus which receives the most care from O'Brien, both foraging in his jungle and rampaging through the streets of London. With the coming of talkies, The Lost World became obsolete: all known American prints were destroyed in favour of a sound remake (which became King Kong) and the film only survived in a severely truncated form (even the original negative was lost). For this release David Shepard meticulously "rebuilt" the film using material from eight different surviving prints from all over the world, cleaning and restoring along the way. The result is 50% longer than previously extant prints, still not complete but closer than any version since its 1925 debut. The difference is not merely in restored scenes but in a rediscovered sense of grace in scenes filled out to their original detail and pace. The film moves and breathes once again like a silent film. On the DVD: From the attractive solid slipcase to the wonderful "period" menu interface, this is a delightful DVD package. The film itself looks surprisingly good--a real tribute to the restoration team's efforts--with careful tinting in the style of the period (blues for evening, reds for dawn etc.). The disc features the choice of either an original score by The Alloy Orchestra or a classical orchestral score compiled and conducted by Robert Israel (both enjoyable and effective), 13 minutes of O'Brien's animation outtakes (including a couple of isolated frames that capture O'Brien manipulating his models) and a well-meaning but basic commentary by Arthur Conan Doyle historian Roy Pilot. There's also a text biography of Conan Doyle and a display of original postcards, posters and other promotional items. --Sean Axmaker, Amazon.com
A collection of films starring one of Britain's finest actors James Mason.
In 1928 Sunrise won Oscars for Janet Gaynor as Best Actress and cinematography as a "Unique and Artistic Picture". In 1967 it was declared "the single greatest masterwork in the history of cinema" by key French new wave magazine Cahiers du Cinema. Released with a synchronised score and effects soundtrack but no dialogue, it is a cinematic landmark from the transition period between silent cinema and the talkies. Beginning as a prototype film noir in which a farmer (George O' Brien) plans the murder of his wife (Gaynor) with his vacationing lover from the city (Margaret Livingstone), the film develops from tense thriller into a story of reawakened love and redemption. Anticipating Orson Welles's artistic freedom on Citizen Kane (1941), German expressionist director FW Murnau was given carte blanche following the huge American success of The Last Laugh (1924). The result was this poetic fable making inventive use of every technical device then available, including in-camera multiple exposures and superimpositions, long elegant tracking shots, forced perspectives, complex miniatures and synchronised sound, as well as the largest single-street-scene set ever built. The result is a film that influenced everything from Hitchcock suspense to Titanic (1997) and Eyes Wide Shut (1999). Murnau summons powerful performances from his principal players--Gaynor would later headline A Star Is Born (1937) and O'Brien would take important roles in several classic John Ford westerns--while the transcendent finale evokes and reworks the ending of the director's earlier classic, Nosferatu (1922). Though now inevitably dated Sunrise remains essential for anyone seriously interested in the development of cinematic art. On the DVD:Sunrise is presented on an immaculately produced two-disc special edition. Though restored to full length and presented in the original 1.2:1 ratio with the complete music and effects soundtrack, the film has been taken from a print made in 1936, the original camera negative having been destroyed in a fire. As a result this is the best possible modern presentation of Sunrise, though the print, while perfectly acceptable, is very grainy, lined and flickery by contemporary standards. The mono sound has been superbly restored and is remarkably effective for its vintage; an alternative stereo musical track recorded for recent reissue sounds excellent. The film also boasts a commentary by John Bailey: apart from talking a little too much about how beautiful the lighting is, Bailey offers seriously in-depth knowledge about the film and about Murnau that really puts everything into historical context and explains the constant technical ingenuity. The second disc presents the useful A Song of Two Humans, a 12-minute visual essay by film historian R Dixon Smith, and almost 10 minutes of outtakes with optional commentary by John Bailey, as well as a trailer, stills gallery and notes explaining the nature of the restoration. There is also an excellent 40-minute documentary Murnau's 4 Devils: Traces of a Lost Film, telling the story of the director's lost follow up to Sunrise. Microsoft Word and PDF files available via DVD-ROM present various incarnations of the screenplays for both Sunrise and 4 Devils. --Gary S. Dalkin
I Robot: What will you do with yours? In the year 2035 technology and robots are a trusted part of everyday life. But that trust is broken when a scientist is found dead and a skeptical detective (Smith) believes that it may have been perpetrated by a robot. However his investigation uncovers a larger threat to humanity! Minority Report: The science-fiction thriller 'Minority Report' directed by Steven Spielberg and starring Tom Cruise is based on a short story by
Nothing Sacred (1937) in which Carole Lombard co-stars with Frederic March is one of her most delightful movie outings and her only feature in colour. The hilarious screenplay by Ben Hecht and James H. Street has her cast as Hazel Flagg a small town girl who mistakenly believes that she is dying of radium poisoning. March plays a newspaper reporter who in the best tradition of yellow journalism talks his editor into bringing her to New York for one last fling. The faultless direc
Into the idyllic town of Brewster comes Whiley Pritcher an intense and enigmatic stranger who begins a public access show that asks the question 'What's wrong with Brewster?' The question soon has neighbour turning on neighbour and before long there are some that are ready to confide in Whiley and reveal the town's darker secrets. But is it wise to talk to strangers?
4 disc region 2 75th aniversary singalong edtion
Speed Keanu Reeves stars as Jack Traven an LAPD Swat team specialist who is sent to defuse a bomb that a revenge-driven extortionist (Dennis Hopper) has planted on a bus. But until he does Jack and passenger Sandra Bullock must keep the bus speeding through the streets of Los Angeles at more than 50 miles an hour - or the bomb will explode! Die Hard New York cop John McClane facing Christmas alone flies to Los Angeles to see his estranged wife Holly (Bonnie Bedelia) and their kids in an attempt to patch things up. He arrives at his wife's high tech office building in the middle of their Christmas party just as it is gatecrashed by the ruthless master criminal Hans Gruber (Alan Rickman) and a dozen fellow activists intent on relieving the Nakatomi Corporation of six hundred million dollars in negotiable bonds... Independence Day One of the biggest box office hits of all time delivers the ultimate encounter when mysterious and powerful aliens launch an all-out invasion against the human race. The spectacle begins when massive spaceships appear in Earth's skies. But wonder turns to terror as the ships blast destructive beams of fire down on cities all over the planet. Now the world's only hope lies with a determined band of survivors uniting for one last strike against the invaders - before it's the end of mankind. The Transporter Ex-Special Forces operator Frank Martin lives what seems to be a quiet life along the French Mediterranean hiring himself out as a mercenary transporter who moves goods - human or otherwise - from one place to another. No questions asked. Carrying out mysterious and sometimes dangerous tasks in his tricked-out BMW Martin finds his latest assignment could well be his last after his package is revealed to be a beautiful woman (Shu Qi) at the centre of a human trafficking ring... Behind Enemy Lines On a reconnaissance flight over eastern Europe disillusioned naval pilot Chris Burnett (Owen Wilson) and his partner Stackhouse (Gabriel Macht) photograph a scene they were not meant to see. When their plane is shot down and Stackhouse is quickly captured and executed Burnett must struggle to survive in unfamiliar hostile territory with a cold-blooded assassin and hundreds of enemy troops on his heels...
Set in a small coastal Massachusetts town named Capeside Dawson's Creek tells the story of four teenagers as they struggle through adolescence. This is particularly true for 15-year-olds Dawson Leery an introspective dreamer and Joey Potter a precocious tomboy unaware of her beauty. Best friends since childhood they are about to enter that confusing time in life where nothing is the way it was and nothing is as it seems. Episode Comprise: 1. Pilot 2. Dance 3. Kiss
Seven Brides For Seven Brothers: When rugged frontiersman Adam (Howard Keel) sweeps local beauty Milly (Jane Powell) off her feet the whole town is turned upside-down. But no one's more shocked than Milly who discovers that she's now expected to cook and clean not only for Adam but for his six rowdy brothers too! Well Milly's no pushover and soon she has those boisterous boys whipped into groomhood and dancing for joy over six brides of their own! Wizard Of Oz: We click our heels in anticipation. There's no place like home and no movie like this one. From generation to generation The Wizard Of Oz brings us together - kids grown-ups families friends. The dazzling land of Oz a dream-come--true world of enchanted forests dancing scarecrows and singing lions wraps us in its magic with one great song-filled adventure after another. Annie Get Your Gun: Betty Hutton (as Annie Oakley) and Howard Keel (as Frank Butler) star in this sharpshootin' funfest based on the 1 147-performance Broadway smash boasting Irving Berlin's beloved score including Doin' What Comes Natur'lly I Got the Sun in the Morning and the anthemic There's No Business like Show Business. As produced by Arthur Freed directed by George Sidney and seen and heard in a new digital transfer from restored elements. This lavish spirited production showcases songs and performances with bull's-eye precision earning an Oscar for adaptation scoring. The story is brawling boy-meets-girl-meets-buckshot rivalry. But love finally triumphs when Annie proves that yes you can get a man with a gun!
Featuring some of the most influential artists of today, "Beautiful Losers" tells the inspiring story of likeminded outsiders who subvert convention and inadvertently become leaders of popular culture.
Female gladiators fight to the death. Inspired by the story of Spartacus follow the adventures of a bevy of slave girls who upon finding themselves thrust into the gladiator ring mount a vicious rebellion to fight their way to freedom.
Classic military drama series revolving around a World War Two bomb disposal squad. Dead Man's Shoes: It is the autumn of 1940. The Great Blitz has taken London by surprise hundreds of civilians have been killed and thousands more made homeless nightly. Brian Ash a young Royal Engineer Officer finds himself posted to a Bomb Disposal Company hastily assembled to combat a terrible new menace - the hundreds of unexploded bombs that are coming close to paralysing the whole city. Unsung Heroes: Second Lieutenant Brian Ash is settling in with life in Bomb Disposal but he soon finds out that even in the blitz there are certain rules that you can break at your peril. Just Like a Woman: When the tragedy of war comes too close it brings out an even stronger determination from the men of the Bomb Disposal to help defend the citizens of London. But a bomb has to be handled gently...
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