Spanish director Jésus Franco directs this controversial sado-masochistic drama regarded by many as his masterpiece. Based on the novel 'Philosophy in the Boudoir' by Marquis De Sade the film tells the story of an innocent young woman Eugenie (Marie Liljedahl) who is taken by her father (Franco regular Jack Taylor) to stay at an island paradise at the request of the elegant Madame de Saint Ange (Maria Rohm) with whom he is obsessed. There Eugenie becomes the unwitting pawn in a game of sexual debauchery and sadomasochistic pleasure as the enigmatic hostess and her stepbrother conspire to corrupt her transforming her from a virginal innocent into a sexually-charged drug-addicted sadist.
When a body is found on the bridge between Denmark and Sweden, right on the border, Danish inspector Martin Rohde and Swedish Saga Norén have to share jurisdiction and work together to find the killer.
With the etching onto glass of a single word - MABUSE - Berlin reawakens into a nightmare. Fritz Lang's electrifying Das Testament des Dr. Mabuse (The Testament of Dr. Mabuse) is the astonishing second instalment in the German master's legendary Mabuse series, a film that puts image and sound into an hypnotic arrangement unlike anything seen or heard in the cinema before - or since.It's been eleven years since the downfall of arch-criminal and master-of-disguise Dr. Mabuse (Rudolf Klein-Rogge), now sequestered in an asylum under the watchful eye of one Professor Baum (Oskar Beregi). Mabuse exists in a state of catatonic graphomania, his only action the irrepressible scribbling of blueprints that would realise a seemingly theoretical Empire of Crime. But when a series of violent events courses through the city, police and populace alike start asking themselves with increasing panic: Who is behind all this?! The answer borders on the realm of the impossible...
Alice Rohrwacher writes and directs this drama set in Italy. 12-year-old Gelsomina (Maria Alexandra Lungu) works as a beekeeper on her father Wolfgang (Sam Louwyck)'s farm while taking care of her younger sisters. Wolfgang, who is under pressure to improve the conditions of his honey lab in order to comply with new farming laws, hires teenager Martin (Luis Huilca) as a farmhand. Meanwhile, a TV presenter Milly Catena (Monica Bellucci) arrives with her crew who are there to film a competition in which the prize for the most traditional family is a sum of money and a cruise. Gelsomina wishes to take part and, despite her father's protests, seeks out Milly. When the summer comes to a close the young girl's life will be changed forever...
The classic cult film based on a story by John Milius (Apocalypse Now, Magnum Force) and directed by Walter Hill (Red Heat, The Driver), EXTREME PREJUDICE is a 1987 Neo-western action thriller punctuated with intense violence. Nick Nolte (Cape Fear, 48 Hrs.) stars as tough Texas Ranger Jack Benteen, on a bloody crusade as he fights to bring down his childhood friend Cash Bailey (Powers Boothe: Sin City, Tombstone), now a ruthless drug baron operating across the Mexican border. Jack is recruited by the CIA after his intervention in an attempted bank robbery to terminate Cash with extreme prejudice. He must also reckon with the clandestine Zombie Unit - an army of veterans officially killed-in-action but now on a top-secret assignment led by Major Paul Hackett (Michael Ironside: Total Recall, Top Gun) who are on his turf in pursuit of the narcotics kingpin, leading to an epic showdown. Also starring Maria Conchita Alonso (The Running Man, Vampire's Kiss) as Sarita, the lover caught between the two men and Rip Torn (Cross Creek, Men In Black) as the local Sheriff. Part of the STUDIOCANAL Cult Classics collection, featuring an exclusive set of art cards and available on Blu-ray for the first time in the UK. Product Features Audio Commentary with Film Historians C. Courtney Joyner and Henry Parke Isolated Score Selections with Audio Interview from Music Historian John Takis The Major's Agenda An Interview with Actor Michael Ironside The War Within An Interview with Actor Clancy Brown Capturing The Chaos An Interview with Director Of Photography Matthew F. Leonetti Original Trailers, Vintage EPK & Stills Gallery
When a group of rich 20-somethings plan a hurricane party at a remote family mansion, a party game goes awry in this fresh and funny look at backstabbing, fake friends, and one party gone very, very wrong.
Ex-maid of honour Eloise (Anna Kendrick) - having been relieved of her duties after being unceremoniously dumped by the best man via text - decides to hold her head up high and attend her oldest friend's wedding anyway.
Penetrate the moody sensual world of Last Tango in Paris and prepare yourself for 'the most controversial film of its era'. Nominated for two Academy Awards and exuding a sexual energy unlike any film before or after this is the scintillating classic that shocked a nation and 'altered the face of an art form'. He (Brando) is a 45-year-old American living in Paris haunted by his wife's suicide. She (Maria Schneider) is 20 year old Parisian beauty engaged to a young filmmaker. Though nameless to each other these tortured souls come together to satisfy their sexual cravings in an apartment as bare as their dark tragic lives. Caught up in the frenzied beat of a carnal dance they cannot seem to stop these unlikely lovers take their passion to erotic heights - and depths - beyond anything they could ever have imagined.
The Pasolini collection brings together six controversial films by the legendary Italian filmmaker, including his bawdy 'Trilogy of Life' films (The Decameron, Canterbury Tales and Arabian Nights), all of which feature scores by the Academy Award winning composer Ennio Morricone. Also included is Pasolini's brutal adaptation of Euripedes' Medea, starring opera sensation Maria Callas in her only film role, the scandalous modern drama Theorem, featuring a youthful Terence Stamp, and Pasolini's final, shocking film, Salò, or the 120 Days of Sodom, based on the writings of the infamous Marquis De Sade. These intense, shocking and often extreme films challenged audiences and critics upon their original release, and they continue to do so today. Pasolini's legacy can be felt in the raw and energetic cinema of independent filmmakers such as Miike Takashi (whose Visitor Q is a re-interpretation of Theorem) and Abel Ferrara (whose latest film explores Pasolini's final days, with Willem Dafoe (The Last Temptation of Christ) playing the great director).
Grab your favourite munchies: Red and Meth, that dope-addled dynamic duo, are going to Harvard. And while it's not exactly demanding viewing, How High is destined to become a guilty pleasure of the cannabis crowd. The plot's a familiar one--take the basic selling points of any Cheech & Chong movie (a pair of shambolic protagonists who smoke lots of weed and drive funky 70s-style cars), graft them onto a generic "raising hell on campus" teen movie scenario and shake vigorously. The result is a prosaic effort that does contain some all-too-brief moments of genuine humour. Red and Meth, aka Redman and Method Man, may look like the world's oldest freshmen, but both offer genial performances, especially Method Man, who imbues the character of Silas with a dog-eared gentleness that raises him above the film's leaden script and plastic directing. --Rebecca Levine
Based on the bestselling exposé of the Neapolitan mafia by award-winning journalist Roberto Saviano Gomorrah is an unforgettable and compelling story of power money and blood. Five stories are woven together in modern day Naples set in a brutal world from which there is no escape and no mercy. Gomorrah is directed by acclaimed and multi award-winning director Matteo Garrone. It won the Grand Jury Prize at Cannes 2008 and was a multi prize winner at the European Film Academy awards with honours including Best European Film and Best European Director.
The most successful matchmaker in Ireland is about to hit a brick wall. Janeane Garofalo stars as Marcy Tizard an election campaigner sent to Ireland to trace the relatives of her charge Senator John McGlory in an effort to emphasize his Irishness to the voters. Marcy lands in a remote Irish town during its annual matchmaking festival. Men are at every corner but love is nowhere in sight. Until she meets a man even more cynical than herself!
A classic head-to-head showdown ignites in Assault On Precinct 13, an all-new update of the 1976 action thriller of the same name.
Swamp Thing follows Dr. Abby Arcane as she investigates what seems to be a deadly swamp-born virus in a small town in Louisiana but soon discovers that the swamp holds mystical and terrifying secrets. When a mysterious creature emerges from the murky marsh, she finds herself facing the nightmares of a supernatural world where no one is safe.
If you thought the Witchfinder General was a wrong 'un, wait until you meet The Bloody Judge!Charged by the king to sniff out witchcraft and treason, Judge Jeffries the legendary Christopher Lee is a man who enjoys his work, especially the opportunities it affords for torture and sexual violence. But his brand of legal sadism creates enemies: His Honour cannot escape justice forever... Filled with the sort of depravity you might reasonably expect from director Jesus Franco, the law-abiding lads at 88 Films are proud to present English language blu-ray premier of this classic of seventies Euro horror, beautifully restored and completely uncut. Extras High Definition (1080p) Blu-ray⢠presentation in 2.35:1 Aspect Ratio Lossless 2.0 English Mono Optional English Subtitles for the deaf and hard-of-hearing Audio Commentary with Kim Newman and Barry Forshaw Deleted and Alternative Scenes Theatrical Trailer More TBC
Miss Kobayashi's Dragon Maid contains anime episodes 1-13 of the anime directed by Yasuhiro Takemoto. What happens when a drunken promise leads to living with a dragon? That's Miss Kobayashi's new reality when Tohru, her new maid-slash-dragon appears in her life! And if one wasn't enough, in comes Kanna, a little dragon with a big attitude. Soon, Kobayashi has a house full of adorable dragons - one serving tail and the other serving serious moe.
Rome Open City: Roberto Rossellini's startling depiction of Nazi-occupied World War II Rome and one of the most prominent examples of his neorealist cinematic style is the story of a tenaciously held underground resistance against the Germans. When its leader Manfredi (Marcello Pagliero) and a priest Don Pietro (Aldo Fabrizi) are captured the resistance collapses with disastrous personal results to all. The film was nominated for an Oscar for Best Screenplay; Fellini collaborated with Rossellini in the writing of the script. 'Open City' is all the more remarkable in that it was made immediately following the liberation of Rome had been developed while Rossellini himself was in hiding and was filmed in the locations where the true events that the story are based on occurred. (Dir. Roberto Rossellini 1945) The Bicycle Thieves: After nearly two years of unemployment Antonio (Lamberto Maggiorani) finally finds work posting bills. But he needs a bicycle to do the job. Unfortunately he was forced to pawn his own bicycle long ago. In a humbling tragic scene Antonio exchanges his family's linen for his bicycle. But when the bike is stolen on his first day of work he must comb the streets of Rome in search of the bike: his family's only means to survival. Shot on location in Rome and using non-actors as a means of heightening the reality of the film Ladri Di Biciclette received the Honorary Award for Best Foreign Film at the 1950 Oscars. (Dir. Vittorio De Sica 1948) Miracle In Milan: Once upon a time an old woman discovered a young child in her cabbage patch. She cared for him until her death at which time the boy was placed into an orphanage. When the child is released from the orphanage he inspires shantytown squatters to improve their huts and enjoy the world. But as they begin to rebuild the squatters strike oil. The landowner evicts them wanting the oil for himself. But the old woman drops down from heaven to give Toto a magical dove which grants them whatever wish they want. Winner of the Grand Prize at the 1951 Cannes Film Festival - tied with Frken Julie. (Dir. Vittorio De Sica 1951) Umberto D: Retired civil servant Umberto struggles to survive on his rapidly dwindling pension in the harsh environment of post-World War II Rome a city plagued by its society's total disregard for the plight of the elderly the poor and the downtrodden. His only companions are his loyal dog Flag and a pregnant housemaid named Maria (Maria-Pia Casilio). Facing eviction from his humble home by his tyrannical landlady (Lina Gennari) Umberto's desperate failed attempts to raise money lead him to contemplate suicide. But first he must find a home for his little dog. Filmed on location in Rome with a totally non-professional cast Vittorio De Sica's compassionate but unsentimental handling of Umberto's tale devastatingly conveys the wretchedness of poverty and old age. 'Umberto D' is a deeply emotional and moving film that has quite rightly been hailed as a timeless classic of modern cinema. (Dir. Vittorio De Sica 1952) I Vitelloni: Five young men linger in post-adolescent limbo dreaming of adventure and escape from their small seacoast town. They while away their time spending the lira doled out by their indulgent families on drink women and nights at the local pool hall. Federico Fellini's second solo directorial effort is a semi-autobiographical masterpiece of sharply drawn character sketches. An international success and recipient of an Academy Award nomination for Best Original Screenplay I Vitelloni compassionately details a year in the life of small-town layabouts struggling to find meaning in their lives. (Dir. Federico Fellini 1953)
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