Sydney Pollack's 1985 multiple-Oscar winner is a sumptuous and emotionally satisfying film about the life of Danish writer Karen Blixen (Meryl Streep), better known as Isak Dinesen, who travels to Kenya to be with her German husband (Klaus Maria Brandauer) but falls for an English adventurer (Robert Redford). The film is slow in developing the relationship, but it is rich in beautiful images of Africa and in the romantic tone surrounding Blixen's gradual discovery of her life and voice. One downside: while we may all love Redford, he is as convincingly British as Kevin Costner is in Robin Hood: Prince of Thieves. --Tom Keogh
Russian master Alexander Sokurov has tapped into the very flow of history itself for the flabbergasting Russian Ark. Thanks to the miracles of digital video, Sokurov (and cinematographer Tilman Buttner) uses a single, unbroken, 90-minute shot to wind his way through the Hermitage in St Petersburg--the repository of Russian art and the former home to royalty. Gliding through time, we glimpse Catherine II, modern-day museumgoers, and the doomed family of Nicholas II. History collapses on itself, as the opulence of the past and the horrors of the 20th century collide, and each door that opens onto yet another breathtaking gallery is another century to be heard from. The movie climaxes with a grand ball and thousands of extras, prompting thoughts of just how crazy Sokurov had to be to try a technical challenge like this--and how far a distance we've travelled, both physically and spiritually, since the movie began. --Robert Horton
Sleaze epic in which three women are sent to a kind of 'Devil's Island' prison where aside from the sinister Governor Santos (Herbert Lom) the inhabitants are all either sex-crazed female prisoners or sex-crazed female guards (who also happen to be sadists...) Features copious amounts of lesbian torture and sex numerous displays of hot and sweaty semi-naked women - all wearing stockings and very little else.
One big splash of adventure after another the Rubbadubbers stories will take you off to fantastic lands of toothbrush trees bath-rack sailing ships and spongy desert islands. The Rubbadubbers are a group of bath toys with wild imaginations and their exploits will thrill every child who knows that the most exciting adventures are the ones inside your head. All you have to do is say ""if only"".... Scary Finbar - Finbar wants to be a Mighty Scary Shark but soon realises that it's not
One of the most emotional film experiences of any era, Carl Theodor Dreyer s 1928 The Passion of Joan of Arc [La Passion de Jeanne d Arc / Jeanne d Arc s lidelse og dod.] is a miracle of the cinema, an enigmatic and profoundly moving work that merges the worlds of the viewer and of saintly Joan herself into one shared experience of hushed delirium. Dreyer s film charts the final days of Joan of Arc as she undergoes the debasement that accompanies her trial for charges of heresy through her imprisonment and execution at the stake. The portrayal of Joan by Renée Maria Falconetti is frequently heralded as the all-time finest performance in the history of film, and Dreyer s unusual and virtuosic method, in seeming to render the very soul of his actress, vaulted the director decisively into the ranks of the art form s supreme geniuses. The Masters of Cinema Series is proud to present The Passion of Joan of Arc in an exclusively restored version, presented in both 20fps and 24fps playback speeds, and featuring Dreyer s own original Danish-language intertitles. DUAL FORMAT SPECIAL EDITION FEATURES: Special edition O-card (First pressing only) Exclusively restored high-definition master presented in the film s original aspect ratio, in 1080p on the Blu-ray Presented in both 20fps and 24fps playback speeds Optional audio tracks: a piano score performed by Japanese silent film composer Mie Yanashita (for the 20fps option), and a radical new accompaniment by esteemed American avant-garde musician Loren Connors (for the 24fps version) Newly translated optional English subtitles for Dreyer s original Danish intertitles The complete Lo Duca version of the film the version (featuring an alternate edit and soundtrack) that circulated in France and around the world for decades before the rediscovery of Dreyer s director s cut | Video demonstration of the restoration A collector s booklet featuring writing on the film, alongside rare archival production imagery
American horror comedy based on the 1968 Hanna-Barbera TV series. On his birthday, young Harley (Finlay Wojtak-Hissong) and his family attend a live recording of 'The Banana Splits' TV show. However, when it is announced that the show is going to be cancelled, the fun-filled afternoon turns to one of horror as the show's fuzzy robotic characters take over the studio and embark on a gruesome killing spree.
Predator wreaked havoc in the jungle and struck box-office gold, so Hollywood logic dictated that Predator 2 should raise hell in the big, bad city. Los Angeles, to be specific, and this near-future L.A. (circa 1997) is an ultra-violent playground for the invisibility-cloaked alien that hunted Arnold Schwarzenegger in the previous film. Scant explanation is given for the creature's return, and because Ah-nuld was busy making Total Recall, Danny Glover was awkwardly installed as the maverick cop (is there any other kind?) who defies a government goon (Gary Busey) to curtail the alien's inner-city killing spree. But why bother, when the victims are scummy Colombian drug lords? Don't look for intelligent answers; director Stephen Hopkins favors wall-to-wall action over sensible plotting, allowing Stan Winston's more prominently featured Predator to join the ranks of iconic movie monsters. And anticipating Alien vs. Predator, there's a familiar-looking skull in the Predator's trophy case! --Jeff Shannon
One of the best films from Italian genre master Sergio Sollima (The Big Gundown) Faccia a Faccia (Face to Face ) is a gangbusting western saga and a gripping parable of the rise of fascism. Upstanding history professor Brad Fletcher (played by the incomparable Gian Maria Volonte) is forced into retirement by his poor health and moves west for the warmer climate. Almost as soon as he arrives however he is taken hostage by famed bandit Solomon Bennett (the great Tomas Milian) in an accidental confrontation and by necessity is forced to take up with his cohorts. But the learned man's growing identification with the gang encourages him to stage a takeover from Bennett and a new crueller system of leadership is put into place. Produced by Sergio Leone's longtime partner Alberto Grimaldi featuring stunning Techniscope cinematography and a pounding score by il maestro Ennio Morricone.
Upon arriving in exotic Rio long-time friends Matthew (Michael Caine) and Victor (Joseph Bologna) and their teenage daughters (Demi Moore and Michelle Johnson) barely unpack before this infamous pleasure spot begins to cast its torrid spell. Matthew quickly succumbs to Cupid's arrow but when guilt gets the better of this married man he vows to end the affair and keep it a secret... even from Vicor. But as his white lies grow so does his libido and Matthew continues his indiscreti
The taut psychological thriller "Butterfly on a Wheel" asks the question; what happens when your daughter's kidnapper decides he doesn't want the ransom money?
The man with no name is back... The man in black is waiting... a walking arsenal - he uncoils strikes and kills! Clint Eastwood had proven so successful in his first foray into European Westerns with 'A Fistful Of Dollars' that a follow up sequel was inevitable. Superbly scripted by Luciano Vincenzoni featuring an unforgettable alliance between ruthless gun-slingers Eastwood and Lee Van Cleef. 'For A Few Dollars' More tells the tale of a ruthless quest to track down the no
SPECIAL BLU-RAY EDITION FEATURES: - Limited edition O-Card slipcase featuring new artwork by Darren Wheeling- Limited edition reversible poster featuring original poster artwork- 1080p HD presentation on Blu-ray from a 2K restoration of the rarely seen uncut Hong Kong theatrical release version of the film, making its home video debut in the UK / US (112 mins)- 1080p HD presentation on Blu-ray from a 2K restoration of the re-release version of the film (79 mins)- Original Mandarin and classic English dub audio options on both cuts of the film (original mono presentations)- Optional English subtitles, newly translated for this release- Brand new audio commentary on the Hong Kong version by East Asian film expert Frank Djeng (NY Asian Film Festival) and Michael Worth- Brand new audio commentary on the export version by action cinema experts Mike Leeder and Arne Venema- Cutting Tiger, Hidden Subtitles Brand new video essay by Brandon Bentley - Do You Know What Sadness Means? + Because I Have Your Love Music videos prepared exclusively for this release- Textless opening- Reversible sleeve featuring original poster artwork- Trailer- PLUS: A limited edition collector's booklet featuring new writing on the film by writer and critic James Oliver, and a short essay by Brandon Bentley about the versions of the film presented on this release
Based on the true story of violent gangsters in an underworld of drugs and organized crime, Black's Game is a shocking, full throttle thriller. When Stebbi, a student struggling through his fi nal days of college is arrested fora violent attack on a stranger an old friend offers his help. Stebbi quickly finds himself dragged into a violent underworld, where his eagerness to impress means involvement in bank robberies and the world of Ecstasy. As the body count rises and the stakes spiral out of control he seeks to start a new life and looks for his chance to escape the violence once and for all...
A Shaw Brothers co-production directed by Jeremy Summers (Five Golden Dragons) and co-starring Horst Frank (The Etruscan Kills Again) and Maria Rohm (Marquis de Sade: Justine), The Vengeance of Fu Manchu is the third in a cycle of five films reviving Sax Rohmer's Chinese crime lord, produced and written by Harry Alan Towers (Bullet to Beijing). The Sino-super villain Fu Manchu (Christopher Lee, The Gorgon) has retreated to his mountain lair to plan the destruction of his arch-nemesis Nayland Smith (Douglas Wilmer, Octopussy). This time, his demented plan employs plastic surgery to create a new race of killer doppelgängers and the first looks exactly like Scotland Yard's top policeman! Product Features Restoration from a 4K scan of the original negative Original mono audio Audio commentary with film historians Kevin Lyons and Jonathan Rigby (2020) The BEHP Interview with Jeremy Summers (2001, 72 mins): archival audio recording, made as part of the British Entertainment History Project, featuring Summers in conversation with Darrol Blake Vic Pratt Introduces The Vengeance of Fu Manchu' (2020, 7 mins): appreciation by the BFI curator Tall, Lean and Feline (2020, 50 mins): film historian Jonathan Rigby, author of English Gothic, on the early career of Christopher Lee The Cheque's in the Post (2020, 5 mins): first assistant director Anthony Waye remembers Harry Alan Towers and Fu Manchu The Ghost of Monk's Island (1966, 93 mins): Jeremy Summers directs this exciting mystery made for the Children's Film Foundation Alternative title sequence Original theatrical trailer Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing
The first showdown pairs Green Lantern and The Flash against Gorilla Grodd an evil genius primate with a mind-controlling device and a vendetta against humankind. Only the Justice League can save us from gorilla domination! Then Lex Luthor's reputation as a devious mastermind is finally exposed or is it? Luthor assembles a mighty evildoer team - Ultra-Humanite Cheetah Copperhead Solomon Grundy Star Sapphire The Shade and The Joker - to destroy the Justice League. This is the on
Picking up where Queer as Folk left off, QAF2: Same Men, New Tricks exists primarily to wrap up the series. Consisting of two one-hour episodes, it occasionally moves fast--but it won't leave anyone who watched the first series behind. Stuart is still, we're constantly reminded, "a twat", and it's around him that this sequel revolves. Trying to come to term with his place in the world, he finds young Nathan a formidable protege, his family needing him less, and his friends... well, Stuart never was much of one for relationships. Vince, his one friend, has started to take charge of his own life, leaving Stuart to grow less and less connected to anyone else's definition of responsible behaviour. It's maddening, but it's also what makes the show so much fun to watch. Then comes the ending: keeping in mind that QAF2 was done solely to ensure that there would be no conceivable way to do any further series, the fantastical final 15 minutes is extremely effective, if a bit incongruous with the rest of the show. Camp and way, way, way over the top, it's an ending that the guys in the show would probably relish. --Randy Silver
Oliver Stone's controversial movie about last two men who were pulled alive from the remains of the World Trade Center after September 11.
A journalist investigates a remote orphanage and discovers that it's inhabitants are child vampires led by the grandson of Count Dracula. As she bonds with the children she realises she must do whatever she can to protect this endangered species from a puritanical cult hell bent on destroying them. B19
The fifth season of Outlander sees a continuation of Claire and Jamie's fight to protect those they love, as they navigate the trials and tribulations of life in colonial America. Establishing a home in the New World is by no means an easy task, particularly in the wild backcountry of North Carolina and perhaps most significantly during a period of dramatic political upheaval. The Frasers strive to flourish within a society which, as Claire knows all too well, is unwittingly marching towards Revolution, as members of the elite ruling classes struggle to stifle an alarming undercurrent of unrest, trigged by the Regulator Movement, and to maintain order in the Province. Against this backdrop, which soon heralds the birth of the new American nation, Claire and Jamie have built a home together at Fraser's Ridge. Jamie must now defend this home established on land granted to him by the Crown despite the fact that this new mantle of responsibility sees him pitted against his godfather, Murtagh Fitzgibbons, a leader of the Regulator Rebellion. Jamie is forced to hide the true nature of his relationship with Murtagh from Governor Tryon, who has ordered Jamie to put an end to the unrest sweeping North Carolina. Claire, in turn, seeks to put her own skills and medical expertise to use in keeping her family together and safe from harm. Coupled with her knowledge of the future, she decides that she must be daring and have the courage to take risks, whatever the consequences may be Meanwhile, Brianna and Roger MacKenzie struggle to find their respective places in this world: striving to chase away the shadow cast over their lives by Stephen Bonnet, which continues to loom over them, as they raise their son in this brave new world. For the Frasers and their family, home is more than simply a site in which they live, it is the place in which they are laying the foundations for the rest of their lives.
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