Gian Maria Volonté (A Fistful of Dollars) stars in one of provocative filmmaker Elio (Investigation of a Citizen Above Suspicion) Petri's most politically charged films as factory worker Lulu: a man on the verge of a nervous breakdown, following an accident at work. Too tired to sleep with his girlfriend, cut out of his son's life by his ex, humiliated and disrespected, The Working Class Go to Heaven is an oftentimes surreal and darkly comic look at the life of an everyday Italian trying to find a sense of purpose in a world where he is only allowed to be a tool for industry. A savage takedown of capitalism and industrial corruption, the film was recipient of the prestigious Cannes Film Festival Palme d'Or and features a gloriously unhinged, award-winning performance from Volonté, accompanied by an exceptional score by Ennio Morricone and stunning cinematography by Luigi Kuveiller (Deep Red). Limited Edition Special Features 2K restoration of the film Original uncompressed mono PCM audio New and improved English subtitle translation Archival interview with Elio Petri from the Cannes Film Festival Career-encompassing archival interview with Gian Maria Volonté from French TV Archival interview with actor Corrado Solari Appreciation of Gian Maria Volonté and the film by filmmaker Alex Cox A visual essay by scholar Matthew Kowalski on Petri and politics The Working Class Goes to Heaven - Background to a Film Shot in Novara (2006), by Serena Checcucci and Enrico Omodeo Salé; an unconventional making-of documentary, exploring the real-life factory location where the film was shot and the story behind the film's production there, as told by the staff, film extras and crew Trailer
Spanish director Jésus Franco directs this controversial sado-masochistic drama regarded by many as his masterpiece. Based on the novel 'Philosophy in the Boudoir' by Marquis De Sade the film tells the story of an innocent young woman Eugenie (Marie Liljedahl) who is taken by her father (Franco regular Jack Taylor) to stay at an island paradise at the request of the elegant Madame de Saint Ange (Maria Rohm) with whom he is obsessed. There Eugenie becomes the unwitting pawn in a game of sexual debauchery and sadomasochistic pleasure as the enigmatic hostess and her stepbrother conspire to corrupt her transforming her from a virginal innocent into a sexually-charged drug-addicted sadist.
When a body is found on the bridge between Denmark and Sweden, right on the border, Danish inspector Martin Rohde and Swedish Saga Norén have to share jurisdiction and work together to find the killer.
With the etching onto glass of a single word - MABUSE - Berlin reawakens into a nightmare. Fritz Lang's electrifying Das Testament des Dr. Mabuse (The Testament of Dr. Mabuse) is the astonishing second instalment in the German master's legendary Mabuse series, a film that puts image and sound into an hypnotic arrangement unlike anything seen or heard in the cinema before - or since.It's been eleven years since the downfall of arch-criminal and master-of-disguise Dr. Mabuse (Rudolf Klein-Rogge), now sequestered in an asylum under the watchful eye of one Professor Baum (Oskar Beregi). Mabuse exists in a state of catatonic graphomania, his only action the irrepressible scribbling of blueprints that would realise a seemingly theoretical Empire of Crime. But when a series of violent events courses through the city, police and populace alike start asking themselves with increasing panic: Who is behind all this?! The answer borders on the realm of the impossible...
Alice Rohrwacher writes and directs this drama set in Italy. 12-year-old Gelsomina (Maria Alexandra Lungu) works as a beekeeper on her father Wolfgang (Sam Louwyck)'s farm while taking care of her younger sisters. Wolfgang, who is under pressure to improve the conditions of his honey lab in order to comply with new farming laws, hires teenager Martin (Luis Huilca) as a farmhand. Meanwhile, a TV presenter Milly Catena (Monica Bellucci) arrives with her crew who are there to film a competition in which the prize for the most traditional family is a sum of money and a cruise. Gelsomina wishes to take part and, despite her father's protests, seeks out Milly. When the summer comes to a close the young girl's life will be changed forever...
The classic cult film based on a story by John Milius (Apocalypse Now, Magnum Force) and directed by Walter Hill (Red Heat, The Driver), EXTREME PREJUDICE is a 1987 Neo-western action thriller punctuated with intense violence. Nick Nolte (Cape Fear, 48 Hrs.) stars as tough Texas Ranger Jack Benteen, on a bloody crusade as he fights to bring down his childhood friend Cash Bailey (Powers Boothe: Sin City, Tombstone), now a ruthless drug baron operating across the Mexican border. Jack is recruited by the CIA after his intervention in an attempted bank robbery to terminate Cash with extreme prejudice. He must also reckon with the clandestine Zombie Unit - an army of veterans officially killed-in-action but now on a top-secret assignment led by Major Paul Hackett (Michael Ironside: Total Recall, Top Gun) who are on his turf in pursuit of the narcotics kingpin, leading to an epic showdown. Also starring Maria Conchita Alonso (The Running Man, Vampire's Kiss) as Sarita, the lover caught between the two men and Rip Torn (Cross Creek, Men In Black) as the local Sheriff. Part of the STUDIOCANAL Cult Classics collection, featuring an exclusive set of art cards and available on Blu-ray for the first time in the UK. Product Features Audio Commentary with Film Historians C. Courtney Joyner and Henry Parke Isolated Score Selections with Audio Interview from Music Historian John Takis The Major's Agenda An Interview with Actor Michael Ironside The War Within An Interview with Actor Clancy Brown Capturing The Chaos An Interview with Director Of Photography Matthew F. Leonetti Original Trailers, Vintage EPK & Stills Gallery
When a group of rich 20-somethings plan a hurricane party at a remote family mansion, a party game goes awry in this fresh and funny look at backstabbing, fake friends, and one party gone very, very wrong.
Ex-maid of honour Eloise (Anna Kendrick) - having been relieved of her duties after being unceremoniously dumped by the best man via text - decides to hold her head up high and attend her oldest friend's wedding anyway.
Sumptuously photographed, the rural family drama from award-winning director Andrei Zvyagintsev. Set in an unnamed location and time, the story follows Alex (Konstantin Lavronenko), Vera (Maria Bonnevie), their young son and daughter, and Alex's brother Mark (Alexander Baluyev), as they relocate from the city to Alex and Mark's father's old house in the country. Once there, Vera tells Alex that she is pregnant by another man, causing Alex to face huge personal dilemmas, wondering whether to forgive her or exact revenge. Acting on advice from his malevolent brother, Alex demands that Vera terminate the pregnancy. But when complications suddenly arise, Alex's weakening grasp on reality threatens to place events beyond his control.Released on Blu-ray for the first time in the UK.
Penetrate the moody sensual world of Last Tango in Paris and prepare yourself for 'the most controversial film of its era'. Nominated for two Academy Awards and exuding a sexual energy unlike any film before or after this is the scintillating classic that shocked a nation and 'altered the face of an art form'. He (Brando) is a 45-year-old American living in Paris haunted by his wife's suicide. She (Maria Schneider) is 20 year old Parisian beauty engaged to a young filmmaker. Though nameless to each other these tortured souls come together to satisfy their sexual cravings in an apartment as bare as their dark tragic lives. Caught up in the frenzied beat of a carnal dance they cannot seem to stop these unlikely lovers take their passion to erotic heights - and depths - beyond anything they could ever have imagined.
The Pasolini collection brings together six controversial films by the legendary Italian filmmaker, including his bawdy 'Trilogy of Life' films (The Decameron, Canterbury Tales and Arabian Nights), all of which feature scores by the Academy Award winning composer Ennio Morricone. Also included is Pasolini's brutal adaptation of Euripedes' Medea, starring opera sensation Maria Callas in her only film role, the scandalous modern drama Theorem, featuring a youthful Terence Stamp, and Pasolini's final, shocking film, Salò, or the 120 Days of Sodom, based on the writings of the infamous Marquis De Sade. These intense, shocking and often extreme films challenged audiences and critics upon their original release, and they continue to do so today. Pasolini's legacy can be felt in the raw and energetic cinema of independent filmmakers such as Miike Takashi (whose Visitor Q is a re-interpretation of Theorem) and Abel Ferrara (whose latest film explores Pasolini's final days, with Willem Dafoe (The Last Temptation of Christ) playing the great director).
Seasonal drama based on the novel by Donna van Liere. Two stories intertwine: in the first, Rob Lowe stars as Robert Layton, a workaholic lawyer who is drifting away from his wife, Kate (Maria del Mar) and his family. In the second, a little boy, Nathan (Max Morrow), tries to raise the cash to buy a pair of red shoes for his mother, who is dying from a congenital heart defect. As Robert's path crosses with Nathan's, he is moved to learn the value of love, family and giving.
Grab your favourite munchies: Red and Meth, that dope-addled dynamic duo, are going to Harvard. And while it's not exactly demanding viewing, How High is destined to become a guilty pleasure of the cannabis crowd. The plot's a familiar one--take the basic selling points of any Cheech & Chong movie (a pair of shambolic protagonists who smoke lots of weed and drive funky 70s-style cars), graft them onto a generic "raising hell on campus" teen movie scenario and shake vigorously. The result is a prosaic effort that does contain some all-too-brief moments of genuine humour. Red and Meth, aka Redman and Method Man, may look like the world's oldest freshmen, but both offer genial performances, especially Method Man, who imbues the character of Silas with a dog-eared gentleness that raises him above the film's leaden script and plastic directing. --Rebecca Levine
Based on the bestselling exposé of the Neapolitan mafia by award-winning journalist Roberto Saviano Gomorrah is an unforgettable and compelling story of power money and blood. Five stories are woven together in modern day Naples set in a brutal world from which there is no escape and no mercy. Gomorrah is directed by acclaimed and multi award-winning director Matteo Garrone. It won the Grand Jury Prize at Cannes 2008 and was a multi prize winner at the European Film Academy awards with honours including Best European Film and Best European Director.
The most successful matchmaker in Ireland is about to hit a brick wall. Janeane Garofalo stars as Marcy Tizard an election campaigner sent to Ireland to trace the relatives of her charge Senator John McGlory in an effort to emphasize his Irishness to the voters. Marcy lands in a remote Irish town during its annual matchmaking festival. Men are at every corner but love is nowhere in sight. Until she meets a man even more cynical than herself!
A classic head-to-head showdown ignites in Assault On Precinct 13, an all-new update of the 1976 action thriller of the same name.
Musicians have long proven to be a well of inspiration for film makers, and so it proves again with director Anton Corbjns telling of the story of Ian Curtis and Joy Division, Control. Based on the book of the same name, the first of Control's many successes is to make prior knowledge of the subject matter unnecessary. And while music is an important part of the film, the movie ultimately focuses in on the relationship between Curtis and his wife, Deborah. Its a moving and emotional rollercoaster, and one realised with exceptional skill and grace by Sam Riley and the ever-astonishing Samantha Morton in the lead acting roles. The former is someone very much to watch, the latter is surely long overdue an Oscar. Credit too must go to director Corbjn, though, who builds up Control with diligence and discipline. He shapes a musical biopic that distinguishes itself from its numerous contemporaries, and while it perhaps doesnt spend enough time with the Joy Division side of the story, its a film thats otherwise hard to fault. Control, ultimately, not only managed to sidestep many of the contrivances of the genre, but it also offers a raw, electric and emotional experience, and proved to be one of 2007s finest films. Dont miss it. --Jon Foster
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