Martin Scorcese handles directing duties in this 1986 sequel to the classic 1961 film The Hustler, which marks the return of Paul Newman to the role of pool shark Fast Eddie Felson. Anxious to break into the big time again, Eddie finds a talented protégé (Tom Cruise) to groom; but with the addition of the latter's manipulative girlfriend (Mary Elizabeth Mastrantonio) and the wild streak in Cruise's character, the trio make for a fascinating portrait in group psychology. The cast is brilliant, the script by Richard Price (Clockers) is a paragon of tightly controlled character study and drama (at least in the film's first half), and Scorcese and cinematographer Michael Ballhaus make an ornate show of the collision and flight of pool balls through space--something of a metaphor for the dynamics among the three principals. The film is generally regarded as weaker in its second half, and rightly so, as everything that was interesting in the first place disappears. Still, Newman won a deserved Oscar for his performance. --Tom Keogh
Iconoclastic take-no-prisoners cop John McClane for the first time finds himself on foreign soil after traveling to Moscow to help his wayward son Jack. With the Russian underworld in pursuit and battling a countdown to war the two McClanes discover their opposing methods make them unstoppable heroes. Special Features: Feature – Theatrical and Extended Versions Deleted Scenes Making It Hard to Die Anatomy of a Car Chase Two of a Kind Back in Action The New Face of Evil Pre-Vis Segments VFX Sequences Storyboards Concept Art Galleries Theatrical Trailers Audio Commentary by Director John Moore and First Assistant Director Mark Cotone Maximum McClane
Captain Ray Holt (Andre Braugher) takes over Brooklyn's 99th precinct, which includes Detective Jake Peralta (Andy Samberg), a talented but carefree detective who's used to doing whatever he wants. The other employees of the 99th precinct include Detective Amy Santiago (Melissa Fumero), Jake's over achieving and competitive partner; Detective Rosa Diaz (Stephanie Beatriz), a tough and kept to herself coworker; Detective Charles Boyle (Joe Lo Truglio), Jake's best friend who also has crush on Rosa; Detective Sergeant Terry Jeffords (Terry Crews), was recently taken off the field after the birth of his twin girls; and Gina Linetti (Chelsea Peretti), the precinct's sarcastic administrator.
The exceptionally fine cast--Susan Sarandon, Tommy Lee Jones, J T Walsh, Mary-Louise Parker, Anthony Edwards, William H. Macy, Anthony LaPaglia, Ossie Davis and Brad Renfro--goes a long way toward making The Client one of the more solidly enjoyable screen adaptations of a John Grisham southern gothic legal thriller. Teen-hearthrob Renfro is a natural, playing a kid whose life is in jeopardy after he witnesses the death of a Mob lawyer. Susan Sarandon is the attorney who decides to look after the boy; nobody can match her when it comes to playing strong and protective maternal figures (Thelma and Louise, Lorenzo's Oil, Dead Man Walking). Sarandon won her fourth Oscar nomination as best actress for this role, before finally winning the following year for Dead Man Walking. Author Grisham was so impressed with former window dresser/fashion designer/screenwriter-turned-director Joel Schumacher's work on this movie that he later asked him to direct A Time to Kill. --Jim Emerson
A groundbreaking screwball caper, 1978's National Lampoon's Animal House was in its own way a rite of passage for Hollywood. Set in 1962 at Faber College, it follows the riotous carryings-on of the Delta Fraternity, into which are initiated freshmen Tom Hulce and Stephen Furst. Among the established house members are Tim Matheson, Peter Riegert and the late John Belushi as Bluto, a belching, lecherous, Jack Daniels guzzling maniac. A debauched house of pranksters (culminating in the famous Deathmobile sequence), Delta stands as a fun alternative to the more strait-laced, crew-cut, unpleasantly repressive norm personified by Omega House. As cowriter the late Doug Kenney puts it, "better to be an animal than a vegetable". Animal House is deliberately set in the pre-JFK assassination, pre-Vietnam era, something not made much of here, but which would have been implicitly understood by its American audience. The film was an enormous success, a rude, liberating catharsis for the latter-day frathousers who watched it. However, decades on, a lot of the humour seems broad, predictable, boorish, oafishly sexist and less witty than Airplane!, made two years later in the same anarchic spirit. Indeed, although it launched the Hollywood careers of several of its players and makers, including Kevin Bacon, director John Landis, Harold Ramis and Tom Hulce, who went on to do fine things, it might well have been inadvertently responsible for the infantilisation of much subsequent Hollywood comedy. Still, there's an undeniable energy that gusts throughout the film and Belushi, whether eating garbage or trying to reinvoke the spirit of America "After the Germans bombed Pearl Harbour" is a joy. On the DVD: Animal House comes to disc in a good transfer, presented in 1.85:1. The main extra is a featurette in which director John Landis, writer Chris Miller and some of the actors talk about the making of the movie. Interestingly, 23 years on, most of those interviewed look better than they did back in 1978, especially Stephen "Flounder" Furst. --David Stubbs
Meet charming and jobless Scott Pilgrim (Michael Cera). A bass guitarist for totally average garage band Sex Bob-omb the 22-year-old has just met the girl of his dreams... literally. The only catch to winning Ramona Flowers (Mary Elizabeth Winstead)? Her seven evil exes are coming to kill him. Genre-smashing filmmaker Edgar Wright (Hot Fuzz Shaun of the Dead) tells the amazing story of one romantic slacker's quest to power up with love in Scott Pilgrim vs. the World.
Pompeii: one of the most famous volcanic eruptions in history. We know how its victims died, but this film sets out to answer another question - how did they live? Gleaning evidence from an extraordinary find, Cambridge professor and Pompeii expert Mary Beard provides new insight into the lives of the people who lived in the shadow of Mount Vesuvius before its cataclysmic eruption. In a dark cellar in Oplontis, just three miles from the centre of Pompeii, 54 skeletons who didn't succumb to t...
Whoopi Goldberg returns in a gratuitous, poorly written sequel that contrives a reason to get her character back into Maggie Smith's convent. The "socially conscious" plot finds Goldberg being asked to relate to a bunch of street kids and pull them together into a choir. Since a bad guy is needed, the script grabs that old chestnut about a rich guy (James Coburn) preparing to close down the convent's school, and runs with it. The film is slow and unconvincing from start to finish, although co-stars Mary Wickes and Kathy Najimy get some good laughs, and the music is pretty spirited. --Tom Keogh
Archive footage, eye-popping movie clips, acid-crazed animation and some famous names collide to tell the story of London's infamous, influential Scala cinema. With its cracked marble floors, resident cats and mysterious, extrasensory rumblings, the Scala was magic and a refuge from the violence of Thatcher's Britain. Hilarious, irreverent, and ultimately heartbreaking with a fabulous original score by Barry Adamson, SCALA!!! is more than mere nostalgia, it's an X-rated love letter and a universal shout-out to the power of cinemas to inspire impressionable young minds and create a sense of community for outsiders. A place where everyone is welcome. Product Features Presented in High Definition Audio feature commentary by directors Jane Giles and Ali Catterall (2023) Best of the Rest (Jane Giles and Ali Catterall, 2023): essential outtakes from SCALA!!! Scala (Michael Clifford, 1990, 30 mins) an intimate portrait of the cinema in its later years, originally made for Cable London Scala (Ali Peck and Victor de Jesus, 1992, 3 mins): the Scala's projectionist at work The Incredibly Strange Film Show Sampler (tbc mins): essential Psychotronic interviews with some Scala-favourite filmmakers Osbert Parker's Animations (2023): animations from the film Davey Jones animations (2023): the Viz cartoonist creates a piece of artwork for the film Festival Introduction (2023, 13 mins) Jane Giles and Ali Catterall's London film Festival introduction Scala Programmes (2023) Jane Giles selects favourite Scala programmes Cabinet of Curiosities (2023): images, ephemera and true stories from the cinema's history Theatrical trailer Audio description for the blind and visually impaired **FIRST PRESSING ONLY** Illustrated booklet featuring a statement from the directors, new writing on the film and archive writing about the Scala
This wondrous fantasy comes out of the pages of ""A Thousand and One Nights."" When the nefarious Jaffar usurps the Sultan's throne the princess's beloved suitor Ahmad and the strong and handsome thief Abu use magic to help the king regain power. To defeat them Jaffar causes Ahmad to go blind and turns Abu into a dog. But the heroes overcome these adversities and conquer many other mortal dangers before reclaiming the kingdom. The Thief of Bagdad made quite an impact on the
Michael J. Fox and James Woods team up for hilarious action-adventure from director John Badham. Nick Lang (Fox) is a popular actor who seeks out obsessive detective Moss (Woods) in order to research a new part and break out of his 'nice guy' screen image. On the trail of a ruthless serial killer the last thing Moss needs is a pampered Hollywood sidekick...
Season One Welcome to Star Trek: Discovery Season One, an odyssey that unfolds a decade before the era of Star Trek: The Original Series . Sonequa Martin-Green stars as Michael Burnham formerly one of Starfleet's most respected first officers and now its first mutineer. A human raised as a Vulcan, Burnham learned early that all life is born from chaos. Her defiance of a direct order resulted in an all-out war with the Klingon Empire and she was sentenced to life in prison until Captain Gabriel Lorca (Jason Isaacs) recruits her aboard the U.S.S. Discovery . Joining her on this dramatic, epic journey are First Officer Saru (Doug Jones), Chief of Security Ash Tyler (Shazad Latif), Chief Engineer Paul Stamets (Anthony Rapp) and Cadet Sylvia Tilly (Mary Wiseman). Together, their powers of logic, science and compassion will meld on their quest for victory, survival and ultimately, peace in the universe. Season Two After answering a distress signal from the U.S.S. Enterprise, the U.S.S. Discovery welcomes aboard Captain Christopher Pike (Anson Mount) and begins a new mission to investigate the meaning behind seven mysterious red signals. Michael Burnham (Sonequa Martin-Green) grapples with her past growing up on Vulcan with her foster parents and brother Spock (Ethan Peck). Season Three Season 3: After following Commander Michael Burnham into a wormhole, the U.S.S. Discovery lands in an unrecognizable world 1,000 years in the future. With Starfleet and the Federation on the brink of collapse due to a catastrophic event known as The Burn, the Discovery crew, with the help of new and mysterious allies Book (David Ajala) and Adira (Blu del Barrio), must uncover what caused The Burn and restore hope to the galaxy.
Jennifer Lawrence is Dominika, a former ballerina forced to enter Sparrow School, a secret government program that trains young recruits to manipulate, seduce and kill. She emerges as a dangerous agent, but is trapped in a world she desperately wants to escape. With the lives of her loved ones at risk, Dominika must find a way to take back control and serve justice to those who betrayed her.
The stakes couldn't be higher for renowned medical examiner Dr. Megan Hunt (Dana Delany) in ABC Studios' sensational drama Body of Proof. Her uncanny ability for finding clues on victims' bodies helps solve the riddle of their demise but her unorthodox pursuit of justice for the dead causes friction with the living. Now when an old flame Detective Tommy Sullivan comes back into the picture Megan's personal and professional lives become increasingly entangled. But she'll need his help to make peace with the past embrace the future and solve the biggest mystery of her life. Relive all the drama passion and suspense from the very first episode through the spectacular series finale. Body Of Proof: Seasons 1-3 now more thrilling than ever in an exclusive DVD Box Set. Special Features: Seasons 1 and 2: Design of Body of Proof: Living Spaces Bodies of Body of Proof The fashion of Body of Proof Body of Goofs The stunt work of Body of Proof: Taking the plunge Prepping the stunt and collision course The effects of Body of Proof: Playing with fire Outbreak: Webisodes 1 to 5 Season 3: Getting the Shot VFX the Ultimate Makeover All Kinds of Props Creating the World Body of Goofs: Gag Reel
All the episodes from the first three series of the British drama which follows events at James Herriot (Christopher Timothy)'s rural veterinary practice in the Yorkshire Dales. Series 1 episodes are: 'Horse Sense', 'Dog Days', 'It Takes All Kinds', 'Calf Love', 'Out of Practice', 'Nothing Like Experience', 'Golden Lads and Girls', 'Advice and Consent', 'The Last Furlong', 'Sleeping Partners', 'Bulldog Breed', 'Practice Makes Perfect' and 'Breath of Life'. Series 2 episodes are: 'Cats and Dogs', 'Attendant Problems', 'Fair Means and Fowl', 'The Beauty of the Beast', 'Judgement Day', 'Faint Hearts', 'Tricks of the Trade', 'Pride of Possession', 'The Name of the Game', 'Puppy Love', 'Ways and Means', 'Pups, Pigs and Pickle', 'A Dog's Life' and 'Merry Gentlemen'. Series 3 episodes are: 'Plenty to Grouse About', 'Charity Begins at Home', 'Every Dog His Day...', 'Hair of the Dog', 'If Wishes Were Horses', 'Pig in the Middle', 'Be Prepared', 'A Dying Breed', 'Brink of Disaster', 'Home and Away', 'Alarms and Excursions', 'Matters of Life and Death', 'Will to Live' and 'Big Steps and Little 'Uns'.
Abraham Lincoln: Vampire Hunter explores the secret life of one of the greatest US presidents, and the untold story that shaped a nation.
When a spell is cast on a handsome, egocentric young man (Alex Pettyfer) that physically transforms him into everything he despises, he has one year to find a cure or risk destroying everything he has ever loved.
The first ever DVD release of THE DEFINITIVE 70's sex comedy starring Mary Millington Come Play With Me follows the saucy exploits of a bunch of nubile girls who start up a health farm that unbeknownst to them is harbouring master money forgers.
There have been many film and TV adaptations of Oliver Twist but this 1948 production from director David Lean remains the definitive screen interpretation of the Charles Dickens classic. From the ominous symbolism of its opening storm sequence (in which Oliver's pregnant, ill-fated mother struggles to reach shelter before childbirth) to the mob-scene climax that provokes Bill Sikes's dreadful comeuppance, this breathtaking black-and-white film remains loyal to Dickens while distilling the story into its purest cinematic essence.Every detail is perfect--Lean even includes a coffin-shaped snuffbox for the cruel Mr. Sowerberry--and as young Oliver, eight-year-old John Howard Davies (who would later produce Monty Python's Flying Circus for the BBC) perfectly expresses the orphan's boyish wonderment, stern determination and waifish vulnerability. Best of all is Alec Guinness as Fagin, so devious and yet so delightfully appealing under his beak-nosed (and, at the time, highly controversial) make-up. (Many complained that Fagin's huge nose and greedy demeanour presented an anti-Semitic stereotype, even though Lean never identifies Fagin as Jewish; for this reason, the film wasn't shown in the US until three years after its British release.) Likewise, young Anthony Newley is artfully dodgy as Fagin's loyal accomplice, the Artful Dodger. Guinness's performance would later provide strong inspiration for Ron Moody's equally splendid portrayal of Fagin in the Oscar-winning Oliver! and while that 1968 musical remains wonderfully entertaining, it is Lean's film that hews closest to Dickens' vision. The authentic recreation of 19th-century London is marvellous to behold; Guy Green's cinematography is so shadowy and stylised that it almost qualifies as Dickensian film noir. Lean is surprisingly blunt in conveying Dickens's theme of cruelty but his film never loses sight of the warmth and humanity that Oliver embodies. --Jeff Shannon
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