10 Cloverfield Lane Outside is dangerous inside is terrifying in the deliciously twisted* new thriller from producer J.J. Abrams that's big on chills.** After a catastrophic car crash, a young woman (Mary Elizabeth Winstead, A Good Day to Die Hard) wakes up in a survivalist's (John Goodman, Argo) underground bunker. He claims to have saved her from an apocalyptic attack that has left the outside world uninhabitable. But, as his increasingly suspicious actions lead her to question his motives, she'll have to escape in order to discover the truth. *Bill Zwecker, Chicago Sun-Times **Sara Stewart, NY POST BLU-RAY SPECIAL FEATURES: Commentary by Director Dan Trachtenberg and Producer J.J. Abrams Cloverfield Too Bunker Mentality Duck and Cover Spin-Off Kelvin Optical Fine Tuned End Of Story Cloverfield From visionary producer J.J. Abrams (Lost) and director Matt Reeves comes the worldwide sensation of nonstop terror and suspense. BLU-RAY SPECIAL FEATURES: Special Investigation Mode: Enhanced Viewing Mode with GPS Tracker, Creature Radar, Military Intelligence and more! HD Commentary by Director Matt Reeves Document 01.18.08: The Making of Cloverfield HD Cloverfield Visual Effects HD I Saw It! It's Alive! It's Huge! HD Clover Fun HD Deleted Scenes HD Alternate Endings HD
If Interiors was Woody Allen's Bergman movie, and Stardust Memories was his Fellini movie, then you could say that Sleeper is his Buster Keaton movie. Relying more on visual/conceptual/slapstick gags than his trademark verbal wit, Sleeper is probably the funniest of what would become known as Allen's "early, funny films" and a milestone in his development as a director. Allen plays Miles Monroe, cryogenically frozen in 1973 (he went into the hospital for an ulcer operation) and thawed 200 years later. Society has become a sterile, Big Brother-controlled dystopia, and Miles joins the underground resistance--joined by a pampered rich woman (Diane Keaton at her bubbliest). Among the most famous gags are Miles' attempt to impersonate a domestic-servant robot; the Orgasmatron, a futuristic home appliance that provides instant pleasure; a McDonald's sign boasting how many trillions the chain has served; and an inflatable suit that provides the means for a quick getaway. The kooky thawing scenes were later blatantly (and admittedly) ripped off by Mike Myers in Austin Powers: International Man of Mystery. --Jim Emerson
Although indisputably a film by Woody Allen, Interiors is about as far from "a Woody Allen film" as you can get--and maybe more people could have seen what a fine film it is if they hadn't been expecting what Allen himself called "one of his earlier, funnier movies." An entirely serious, rather too self-consciously Bergmanesque drama about a divorcing elderly couple and their grown daughters, it is slow, meditative and constructed with a brilliant, artistic eye. There is no music--a simple effect that Allen uses with extraordinary power. In fact, half the film is filled with silent faces staring out of windows, yet the mood is so engaging, hypnotic even, that you never feel the director is poking you in the ribs and saying, "sombre atmosphere". Diane Keaton, released for once from the ditzy stereotype, shines as the "successful" daughter. Some of the dialogue is stilted and it's hard to tell whether this is a deliberate effect or simply the way repressed upscale New Yorkers talk after too many years having their self-absorption sharpened on the therapist's couch. Fanatical, almost childish self-regard is the chief subject of Allen's comedy--it's remarkable that in this film he was able to remove the comedy but leave room for us to pity and care about these rather irritating people. --Richard Farr
Bauer is back and the countdown has begun. Set in New York City Day Eight unfolds amidst the shadows of the Statue of Liberty and the United Nations as President Allison Taylor (Jones) alongside new chief of staff Rob Weiss (Chris Diamantopoulos) negotiates international security with Omar Hassan (Anil Kapoor) a determined Middle Eastern leader visiting the U.S. on a peacemaking mission. As the new day begins an upgraded CTU operates under the command of M.B.A.-schooled razor-sharp head honcho Brian Hastings (Mykelti Williamson) who supervises quirky Chloe O'Brian (Mary Lynn Rajskub) expert data analyst Dana Walsh (Katee Sackhoff) and systems analyst Arlo Glass (John Boyd). COLE ORTIZ (Freddie Prinze Jr.) an ex-Marine who wants to follow in Bauer's footsteps leads field operations while Agent Renee Walker (Annie Wersching) returns with an agenda of her own. One of the most innovative and acclaimed dramas on television 24 has been nominated for a total of 68 Emmy awards winning for Outstanding Drama Series in 2006. Over the course of seven seasons Sutherland has garnered seven Emmy nominations and one win for Outstanding Lead Actor; while Season Seven co-star Cherry Jones earned an Emmy for her highly praised work as President Allison Taylor.
Steven Seagal gets killed during the first 20 minutes of this enjoyable thriller, so Executive Decision scores points for ingenuity because it immediately improves when you realise that Seagal's role is just a heroic cameo. That leaves Kurt Russell to star as an American intelligence expert who (due to Seagal's untimely demise) finds himself leading a strike force against Islamic terrorists who have seized in-flight control of a 747 jetliner with 400 passengers. It's not all that different from Air Force One, but the formula story perks right along with considerable suspense as Russell's cohorts (Oliver Platt, Joe Morton) try to defuse a chemical bomb that could wipe out (you guessed it) the entire Eastern seaboard. John Leguizamo plays one of the US commandos attempting to stop the violent hijackers and Halle Berry co-stars as a flight attendant who risks her life to assist Russell's rescue team. As action movies go, Executive Decision marked an impressive directorial debut for veteran film editor Stuart Baird. --Jeff Shannon
Three features. We're going to tell you not once, but twice. You can't cheat what fate has in store for you, particularly if it involves death. FINAL DESTINATION 1 and FINAL DESTINATION 2 are considered by fans and critics alike as the thinking persons' horror films, showing the usual group of teens put in the peculiar position of - could it be - having to use their smarts to outwit the grim reaper. This package of films is a roller coaster ride of funs and thrills. See individual titles for complete descriptions of this fabulously fun duo. Also includes 'Final Destination 3'.
From the producers of 'Robin Of Sherwood' and 'The Adventures Of Black Beauty' Richard O'Sullivan stars as the notorious highwayman in the complete second series of the 1978 London weekend television show. Episode titles: The Fox - Part One The Fox - Part Two Blood Money Deadlier Than the Male The Elixir of Life The Thief-Taker The Judge Sentence of Death - Part One Sentence of Death - Part Two The Godmother The Secret Folk The King's Shilling The Hanging.
Katie (a no-holds-barred performance by Jemma Dallender) has dreams of becoming a model in New York City. Unfortunately the photos that worked in her small mid-western town aren't cutting it in the Big Apple. Broke and in desperate need to update her book Katie calls a number from a tear-off flyer offering free photos. But this innocent attempt to update her portfolio quickly turns into an unthinkable kidnapping nightmare where she's ripped away from everyone and everything she knows. Beaten battered bruised and left for dead she miraculously survives to unleash a brand of brutal female-driven vengeance that has come to define the franchise.
A film by Mike Nichols of Carrie Fisher's semi-autobiographical novel, Postcards from the Edge is an intermittently hilarious, occasionally tear-stained account of an actress' struggle with addiction and with her competitive star mother. Meryl Streep turns in yet another flawlessly perfect performance as Suzanne, who is coping with cleaning up while making yet another idiot cop film. Shirley Maclaine is effective and overpowering as her hard-drinking Old Hollywood star mother perpetually trying to remould her daughter, singing Sondheim songs at parties, showing off her still-perfect legs and occasionally driving into trees. Among the many guest stars, Dennis Quaid is self-effacingly unpleasant as an unreliable boyfriend, Gene Hackman charismatic as a fatherly director and Annette Benning impressive in a cameo as a starlet rival. Nichols' standard slickness is very much on display here; this is perhaps too obviously manipulative a film in which the emotional detail is never quite as impressive as the central performances and script deserve. On the DVD: The DVD takes the rather subversive risk of giving the commentary role to Carrie Fisher, who discusses entertainingly how the screenplay evolved from her original novel, occasionally making clear that certain sentimentalisations of the characters were not her idea; she argues coherently that the film makes Meryl Streep's character a little too much the martyr. She also gives us a lot of faintly scurrilous Hollywood and family gossip. It also provides the theatrical trailer and filmographies for the director and major players. --Roz Kaveney
Produced by Stanley Kramer and based on an original screenplay by Dr Seuss, Roy Rowland's pioneering wild fantasy adventure is visually stunning and remains one of American cinema's most beloved and bizarre children's films. Special Features High Definition remaster Original mono audio Audio commentary with film historians Glenn Kenny and Nick Pinkerton Crazy Music (2017, 17 mins): interview with musician, singer and archivist Michael Feinstein on his obsession with The 5,000 Fingers of Dr. T Father Figure (2017, 19 mins): interview with Steve Rowland, son of director Roy Rowland Karen Kramer introduction (2007, 2 mins) Dr. T. on Screen (2007, 15 mins): Cathy Lind Hayes, George Chakiris and others talk about the film A Little Nightmare Music (2007, 12 mins): examination of the film's ground-breaking music score Original theatrical trailer Joe Dante trailer commentary (2013, 3 mins): a short critical appreciation Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing
Face-lifts, silicone implants, toyboys, money and sex are all the Hollywood wives know. This mini-series, based on Jackie Collins' book, shows you why.
The cafes and artists' studios of bohemian Chelsea provide the setting for this tightly plotted early-fifties Brit Noir thriller. Starring B-movie favourite Hy Hazell, noted character actor John Bailey and Ballard Berkely Fawlty Towers' much-loved Major Gowen in the type of detective role for which he was best known during his earlier career, The Night Won't Talk is featured here in a brand-new transfer from the original film elements in its original theatrical aspect ratio. London's riverside 'village' awakens to the news that a murder has been committed. The victim, discovered strangled in bed, is Stella Smith, a beautiful young artist's model. Stella, however, was a girl with many enemies a deceiver of men who was ruthless in the pursuit of money and her career. While there are many who may have had the motive to kill her, the suspicions of Scotland Yard's Inspector West are soon narrowed down to just three people...
The original series of the The Lakes brought writer Jimmy McGovern and actor John Simm a great deal of critical praise in 1997. Following a particularly dry period for British TV drama, the show's realistic characterisations and their painfully honest decisions hit audiences hard. Simm is a twentysomething trapped in a life of compulsive gambling, theft and being on the dole in Liverpool. On a whim he heads north to the Lake District. He expects to find the countryside quietude where his hidden poetical leanings might find a home, but instead gets caught up in a community like any other. Lies, temptation and tragedy beset every household just as much as the big city. In the second series, far longer than the first, an exploration of Danny's tortured soul might have been the obvious continuation to the story; instead an almost Hitchcockian murder scenario occupies far more screen time. But by stretching things out, this second series does not have the same self-contained impact of the original. Additional writers only served to drag out Danny's boy-to-man journey. Ultimately, lessons are learned, including the realistic conclusion that life is without a poetical status quo. Despite the tail-off in overall quality, you'd be hard pressed to identify a better British drama in the years since. --Paul Tonks
It all started one night at McCool's: three unsuspecting men and one woman with a dream are brought together by lust, mayhem, DVDs, and the finer points of home decorating. Starring Liv TYler, Matt Dillon, John Goodman and Paul Reiser.
Babe: Babe's enchanting adventure begins in Farmer Hoggett's barnyard. Under the care of Fly the sheep dog Babe figures he's a sheep dog too - and acts like it! But on a farm where outrageous antics and outrageous characters abound you'll come to believe it yourself - and root for the polite little pig as he competes in the National Sheepdog Championships. Babe is a hilarious heart-warming classic your family will love watching again and again. Nominated for seven Academy Awards including Best Picture and winner for Best Visual Effects Babe is the timeless tale of the young orphaned piglet. Through his own innocence sheer will and remarkable way with words he overcomes the odds to become a ""pig of destiny"". (Dir. Chris Noonan 1995) Babe 2 - Pig In The City: This sequel takes the three musketeers Babe Ferdy and Mrs. Hoggett on a crusade into the midst of a large city where despite incredible obstacles they're able to turn enemies into friends raise enough money to save the farm and combine the two worlds into one. Once again it's Babe's kind and steady heart that achieves the miracles. (Dir. George Miller 1998)
Novalee Nation (Natalie Portman), 17 and very pregnant, has never been part of a real home. When her boyfriend leaves her she sets up home in a branch of Wal-Mart.
Make way for spells witches wizards and adventure! It's Halloween the scariest funnest event of Fall. But for Lynn and Kelly Farmer (Mary-Kate & Ashley Olsen) something scarier could happen. A slump in the family business means the Farmers will lose their home - unless the spirited twins find a way to save it!
The Marx Brothers Chico, Groucho, Harpo and Zeppo are one of the cornerstones of American comedy. Starting out in vaudeville, they conquered Broadway and the big screen in their own inimitable style, at once innovative, irreverent, anarchic, physical, musical, ludicrous and hilarious.With the advent of the 'talkies', the Brothers signed to Paramount Pictures and brought their stage act to cinema audiences. They made five films in five years, all of which are collected here: The Cocoanuts (1929), Animal Crackers (1930), Monkey Business (1931), Horse Feathers (1932) and one of the greatest comedies of all time, Duck Soup (1933).The Paramount era represents the Marx Brothers at their absolute finest, retaining all of the energy and controlled chaos of their stage shows. Plots are unimportant it's the gags, set-pieces and one-liners that matter: Why a duck? , Hello, I Must Be Going , Hooray for Captain Spaulding , That's the bunk! , Horse Feathers' Swordfish scene and classic mirror sequence in Duck Soup.Special Features:High Definition Blu-ray (1080p) presentations of all five features, each scanned and restored in 4K from original film elements by UniversalOriginal 1.0 mono audioOptional English subtitles for the deaf and hard-of-hearingCommentary on The Cocoanuts by film scholar Anthony SlideCommentary on Animal Crackers by film historian Jeffrey VanceCommentary on Monkey Business by Marx Brothers historian Robert S Bader and Bill Marx, son of Harpo MarxCommentary on Horse Feathers by film critic FX FeeneyCommentary on Duck Soup by Bader and film critic Leonard MaltinThe Marx Brothers: Hollywood's Kings of Chaos, a feature-length documentary containing interviews with Leonard Maltin, Dick Cavett and others Three excerpts from NBC's The Today Show featuring interviews with Harpo Marx, Groucho Marx and Bill MarxSibling Revelry, an introduction to the Marx Brothers by critic David CairnsMONKEYNUTCRACKERDUCKFEATHERS, a video essay about the films by David Cairns
Rhythm On The River (Dir. Victor Schertzinger 1940): Bing Crosby and Mary Martin play a pair of star-crossed ghostwriters he of melody and she of lyrics who discover that the man they write for is a fake but their love for each other is real. Rhythm On The Range (Dir. Norman Taurog 1936): Bing plays a singing cowboy out where the b-b-b-buffalo roam in this lighthearted musical western.
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