From master of horror Dario Argento (Suspiria, The Bird with the Crystal Plumage) comes Phenomena one of his most eccentric and unique thrillers, featuring telepathic insects, maggots galore, and even a razorwielding chimp! Jennifer Corvino (Jennifer Connelly, Labyrinth), daughter of a worldrenowned movie star, arrives in the socalled Swiss Transylvania to attend an exclusive girls' school. However, a vicious killer is targeting the pupils, and sleepwalker Jennifer finds herself in the assassin's headlights when her nocturnal wanderings cause her to witness the death of a fellow pupil. Aided by paraplegic entomologist John McGregor (Donald Pleasence, Halloween) and her own uncanny ability to communicate telepathically with insects, Jennifer sets out to track down the killer before she herself becomes the latest victim Released in 1985, towards the end of Argento's decadelong golden age as a director, Phenomena costars Dalila Di Lazarro (The Pyjama Girl Case), Patrick Bauchau (Clear and Present Danger) and Daria Nicolodi (Tenebrae), and features lush cinematography by Romano Albani (Inferno) and a pounding prog rock score by Goblin (Deep Red, Suspiria). Presenting all three versions of the film including the radically different Creepers cut released in the US in a sumptuous new 4K restoration, this is the definitive release of Argento's creepy classic. Limited Edition Contents: New 4K restoration of the original 116minute Italian version, the 110minute international English version and the 83minute US Creepers version from the original camera negative by Arrow films 4K (2160p) UHD Bluray⢠presentations of all three versions in Dolby Vision (HDR10 compatible) Limited edition packaging with reversible sleeve featuring two original pieces of poster artwork Illustrated collector's booklet featuring writing on the film by Mikel J. Koven, Rachael Nisbet and Leonard Jacobs Foldout doublesided poster featuring two original pieces of artwork Six doublesided, postcardsized lobby card reproduction artcards Disc One - Italian Version: Lossless Italian DTSHD Master Audio 5.1 and PCM 2.0 stereo soundtracks, derived from the original 4channel Dolby Stereo elements Lossless hybrid English/Italian DTSHD Master Audio 5.1 soundtrack* English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the hybrid soundtrack Audio commentary by Troy Howarth, author of Murder by Design: The Unsane Cinema of Dario Argento Of Flies and Maggots, a featurelength 2017 documentary produced for Arrow Films, including interviews with cowriter/producer/director Dario Argento, actors Fiore Argento, Davide Marotta, Daria Nicolodi and Fiorenza Tessari, cowriter Franco Ferrini, cinematographer Romano Albani, production manager Angelo Iacono, special optical effects artist Luigi Cozzi, special makeup effects artist Sergio Stivaletti, makeup artist Pier Antonio Mecacci, underwater camera operator Gianlorenzo Battaglia, and composers Claudio Simonetti and Simon Boswell Original Italian and international theatrical trailers Jennifer music video, directed by Dario Argento Japanese pressbook gallery Disc Two: Lossless English DTSHD Master Audio 5.1 and PCM 2.0 stereo soundtracks on the international version, derived from the original 4channel Dolby Stereo elements Lossless English PCM soundtracks on Creepers, mastered from the original 3 track DME magnetic mix and presented in two variants: 1.0 mono and an alternate 2.0 mix with stereo music. Optional English subtitles for the deaf and hard of hearing Audio commentary on the international version by Argento scholar and author Derek Botelho and film historian, journalist and radio/television commentator David Del Valle The Three Sarcophagi, a visual essay by Arrow producer Michael Mackenzie comparing the different cuts of Phenomena Rare alternate 2.0 stereo mix on the international version, featuring different sound effects and music cues US theatrical trailer US radio spots * The 116minute Italian cut features approximately six minutes of footage for which English audio does not exist. In these instances, the hybrid track reverts to Italian audio with English subtitles
Federico Fellini's 8 1/2, his 1963 semi-autobiographical story about a worshipped filmmaker who has lost his inspiration, is still a mesmerising mystery tour that has been quoted (Woody Allen's Stardust Memories, Paul Mazursky's Alex in Wonderland) but never duplicated. Marcello Mastroianni plays Guido, a director trying to relax a bit in the wake of his latest hit. Besieged by people eager to work with him, however, he also struggles to find his next idea for a film. The combined pressures draw him within himself, where his recollections of significant events in his life and the many lovers he has left behind begin to haunt him. The marriage of Fellini's hyper real imagery, dreamy sidebars and the gravity of Guido's increasing guilt and self-awareness make this as much a deeply moving, soulful film as it is an electrifying spectacle. Mastroianni is wonderful in the lead, his woozy sensitivity to Guido's freefall both touching and charming--all the more so as the character becomes increasingly divorced from the celebrity hype that ultimately outpaces him. --Tom Keogh
Federico Fellini's epic 1980 fantasia introduced the start of the Maestro's delirious late period. A surrealist tour-de-force filmed on soundstages and locations alike, and overflowing with the same sensory (and sensual) invention heretofore found only in the classic movie-musicals (and Fellini's own oeuvre), La citta delle donne [City of Women] taps into the era's restless youth-culture, coalescing into nothing less than Fellini's post-punk opus. Marcello Mastroianni appears as Fellini's alter ego in a semi-reprise of his character from 8-1/2, Snaporaz. As though passing into a dream, the charismatic avatar finds himself initiated into a phantasmagoric world where women - or an idea of women - have taken power, and which is structured like an array of psychosexual set-pieces - culminating in a bravura hot-air balloon that decisively sticks the anti up into climax. A great adventure through the looking-glass, as it were, of Fellini's own phallic lens and life-long libidinal ruminations, La citta delle donne sharply divided critics at the 1980 Festival de Cannes, some of whom had merely anticipated a nostalgic retread of the earlier Mastroianni works. What they were greeted with, and what remains today, is, in the words of Serge Daney, a victory of cinema. The Masters of Cinema Series is proud to present La citta delle donne on Blu-ray and DVD in Gaumont's glorious new HD restoration. Special Features: HD Restoration of the Film, presented in 1080p on the Blu-ray Newly Translated Optional Subtitles Substantial Booklet Containing Writing on the Film, Vintage Exerpts and Rare Archival Imagery
At three brief hours, Fellini's cynical, engrossing social commentary, La Dolce Vita, stands as his timeless masterpiece. A rich, detailed panorama of Rome's modern decadence and sophisticated immorality, the film is episodic in structure but held tightly in focus by the wandering protagonist through whom we witness the sordid action. Marcello Rubini is a tabloid reporter trapped in a shallow high-society existence, as extraordinarily played by Marcello Mastroianni, a man of paradoxical, emotional juxtapositions: cool but tortured, sexy but impotent. He dreams about writing something important but remains seduced by the money and prestige that accompany his shallow position. He romanticises about finding true love but acts unfazed upon finding that his girlfriend has taken an overdose of sleeping pills. Instead, he engages in a ménage à trois, then frolics in a fountain with a giggling American starlet (bombshell Anita Ekberg), and in the film's unforgettably inspired finale, attends a wild orgy that ends, symbolically with its participants finding a rotting sea animal while wandering the beach at dawn. Fellini saw his film as life affirming (thus its title, "The Sweet Life"), but it's impossible to take him seriously. While Mastroianni drifts from one worldly pleasure to another, be it sex, drink, glamorous parties or rich foods, they are presented, through his detached eyes, as merely momentary distractions. His existence, an endless series of wild evenings and lonely mornings, is ultimately soulless and facile. Because he lacks the courage to change, Mastroianni is left with no alternative but to wearily accept and enjoy this "sweet" life. --Dave McCoy, Amazon.com
Join Gregg Araki director of 'The Living End' and 'The Doom Generation' on a trip through a bizarre netherworld of lust longing and alien resurrection. Dark Smith (James Duval) is looking for love in all the wrong places. He's besotted by Mel (Rachel True) but she can't commit to any one person - or gender. And cruising the local L.A. hang-out The Hole he finds everyone else is having the same extreme relationship problems. Then he meets Montgomery (Nathan Bexton) and things sta
Probably Fellini's most acclaimed work 8 ½ won two Oscars including Best Foreign Film and is one of the great films about moviemaking perhaps the reason it is filmmakers' and film buffs' ultimate film of all time. A film director (a magnificent Marcello Mastroianni) is struggling to find the creativity required to deliver his next movie and consequently is being hassled by industry figures as well as his wife (Anouk Aimée) and his mistress (Sandra Milo). In order to escape his tormentors the director retreats into a world of memories dreams and fantasies. The result is a dazzling array of themes and images which make 8 ½ the quintessential Fellini movie. Special Features: Exclusive 50 min documentary on the famously lost ending of 8 ½: Lost Sequence Interview with Assistant Director Lina Wertmuller and Theatrical Trailers
The Ladykiller of Rome. Released within months of Fellini's La Dolce Vita and Antonioni's La Notte Elio Petri's dazzling first feature L'Assassino also stars Marcello Mastroianni this time as dandyish thirtysomething antiques dealer Alfredo Martelli arrested on suspicion of murdering his older far wealthier lover Adalgisa (Micheline Presle). But as the increasingly Kafkaesque police investigation proceeds it becomes less and less important whether Martelli actually committed the crime as his entire lifestyle is effectively put on trial. Best known for Investigation of a Citizen Above Suspicion and The Tenth Victim Petri was one of the finest and yet most underrated Italian directors of the 1960s and 70s. Highly acclaimed on its original UK release but unjustly neglected since L'Assassino is a remarkably assured debut from one of the cinema's sharpest chroniclers of Italian social and political realities. Petri said that he wanted to reflect the changes wrought by the early sixties and to examine 'a new generation of upstarts who lacked any kind of moral scruple'. Arrow Academy is proud to present the first ever UK video release of L'Assassino in a gorgeous high-definition restoration created by the Cineteca di Bologna. Special Features: New 2K digital restoration from the Cineteca di Bologna Uncompressed Mono 2.0 PCM Audio Elio Petri and L'Assassino an introduction by Italian cinema expert Pasquale Iannone Tonino Guerra: A Poet in the Movies: Nicola Tranquillino's documentary about the great Italian screenwriter Theatrical Trailer Reversible sleeve featuring original and newly commissioned artwork by Jay Shaw Booklet featuring new writing on the film by Elio Petri expert Camilla Zamboni plus a selection of contemporary reviews
Shipping captain Marco (Vincent Lindon Anything For Her) receives a phone call from his sister urgently calling him back to Paris. Her husband has committed suicide her daughter is missing and the family business has gone under. She holds her husband's business partner Edouard Laporte accountable and Marco sets out to expose his treachery. But as he begins to scratch under the surface Marco discovers a dangerous underworld of violence corruption and exploitation that will culminate in a final shocking revelation. The new film from award-winning writer-director Claire Denis (White Material Beau Travail) Bastards is a disturbing yet mesmerizing examination of transgression a tour-de-force in atmospheric filmmaking and a thrilling highly modern take on film noir.
Beyond The Clouds was director Michelangelo Antonioni's first film in ten years and also his last. This much-anticipated comeback assisted by Wim Wenders did not disappoint and displayed all the hallmarks of one of cinema's greatest legends. Adapted from Antonioni's own short stories four tales of love and desire are linked by a director in pursuit of his next project. Infatuations infidelities encounters unresolved and unrequited are presented with stunning imagery and feature a remarkable cast led by Sophie Marceau Irene Jacob Fanny Ardant John Malkovich and Jean Reno. Erotic and enigmatic Beyond The Clouds is the final work of genius in the career of a true legend who became one of European cinema's most revered and respected figures.
Shipping captain Marco (Vincent Lindon Anything For Her) receives a phone call from his sister urgently calling him back to Paris. Her husband has committed suicide her daughter is missing and the family business has gone under. She holds her husband's business partner Edouard Laporte accountable and Marco sets out to expose his treachery. But as he begins to scratch under the surface Marco discovers a dangerous underworld of violence corruption and exploitation that will culminate in a final shocking revelation. The new film from award-winning writer-director Claire Denis (White Material Beau Travail) Bastards is a disturbing yet mesmerizing examination of transgression a tour-de-force in atmospheric filmmaking and a thrilling highly modern take on film noir.
At the world's hottest fashion show there's been a murder. Now everybody's a suspect including two guests (Julia Roberts and Tim Robbins) who end up sharing more than a hotel room! Sizzling Kim Basinger also stars as s hilariously inept TV reporter on the trail of her hottest interview yet. They're all caught up in the year's biggest see-and-be-seen event - where scintillating scandals and spectacular supermodels turn up the heat in a riotous show of high-fashion hilarity!
Roman Polanski described it as the ribald adventures of an innocent girl. Critics called it an amoral, depraved disaster. More than four decades after its controversial release, it remains the most butchered, debated and least-seen film of the Oscar-winning directors entire career. The succulent Sydne Rome stars as an oft-naked American girl lost inside a Mediterranean villa inhabited by priests, pianists, perverts and a syphilitic pimp (a deliciously bizarre performance by Marcello Mastroianni) while indulging in madcap acts of gang rape, sodomy and ping-pong. Hugh Griffith (Tom Jones), Romolo Valli (Boccaccio 70) and Polanski himself co-star in this surreal and sexy comedy, now finally restored to its original running time from a vault print reportedly stolen from the wine cellar of producer Carlo Ponti! Extras: Featurette: Sydne In Wonderland - Interview With Star Sydne Rome Featurette: Memories Of A Young Pianist - Interview With Composer Claudio Gizzi Featurette: A Surreal Pop Movie - Interview With Cinematographer Marcello Gatti plus Theatrical Trailer.
An odious architect is beaten to death and a high society wife (Jacqueline Bisset, Day for Night) and her gay friend (Jean-Louis Trintignant, The Conformist) are the key suspects with a discarded letter implicating them in the crime. Commissioner Santamaria (Marcello Mastroianni, Fellini's 8 ½) is assigned to the case and tries to uncover the murder suspect in upper-class Turin. With a murder mystery narrative worthy of Agatha Christie, The Sunday Woman is also a sharp critique of Turin's upper crust.The screenplay, by the celebrated duo Age & Scarpelli, famed for their masterpieces in the Commedia all'Italiana boom including Big Deal on Madonna Street and The Organizer, is a whip-smart adaptation of the best-selling novels by Carlo Fruttero and Franco Lucentini with the lead character of Santamaria inspired by the real-life head of the Flying Squad. The much-heralded director Luigi Comencini (Misunderstood) often worked in a combination of comedy and drama, finding humour in tragedy, and is only waiting to be rediscovered as a master of post-war Italian cinema. Product Features Blu-ray Limited Edition Special Features 2K restoration of the film from the original negative, presented in the original 1.33:1 and an alternate 1.85:1 widescreen presentation Original uncompressed mono PCM audio Newly filmed interview with academic and Italian cinema expert Richard Dyer, who looks at The Sunday Woman (2022, 18 mins) Archival interview with cinematographer Luciano Tovoli who discusses his work on the film (2008, 22 mins) Newly filmed interview with academic and screenwriter Giacomo Scarpelli, who discusses the life and work of his father, Furio Scarpelli and his writing partner Agenore Incrocci (2022, 36 mins) Archival French TV interview with Jean-Louis Trintignant in which the actor discusses The Sunday Woman (1976, 4 mins) Trailer Reversible sleeve featuring designs based on original posters Limited edition 24-page booklet featuring new writing on the film by Mariangela Sansone and a reprint of an archival piece on the film
Ursula Andress voted the greatest Bond Girl ever sports another iconic bikini and this time it literally kills! Set in the near future the film opens with Andress killing her penultimate victim in The Big Hunt a reality-TV style game show which selects both 'Hunter' and 'Victim' from participants; the two then chase one another around the globe: kill your 10th victim and you win millions! Andress' final victim is the cool sun-loving Italian Marcello (Mastroianni) who also needs to notch up another kill! Oscar Winning director Elio Petri's ground-breaking film heralded generations of films like 'Rollerball' or Schwarzenegger's 'Running Man' about gladiatorial-death shows and announced our age of increasingly outrageous reality-TV and the latest fascination with 'Hunger Games' dystopia. Its exquisite Pop-Art visuals and humorous visual observations have influenced countless films none more than the Austin Powers's sets and costumes. Sourced from HD master restored in original widescreen format this truly seminal cult film is released for the 1st time in UK in this numbered collector's edition. Special Features: Exclusive Interview with Kim Newman and Paola Petri English and Italian audio with optional English Subtitles Theatrical Trailer and Shameless Trailers Photo Gallery
Robert Altman's much-anticipated broadside at the world of fashion, Pret A Porter is a disappointment. The film's crazy-quilt Nashville-like narrative structure and ensemble casting (Julia Roberts, Tim Robbins, Lauren Bacall, Marcello Mastroianni, Sophia Loren) are a thing to behold, but the story's many interlocking pieces lack overall depth and resonating emotion. There is a grand, satiric statement about fashion and society at the end of the film, and there are hints of an aging, nostalgic filmmaker's scepticism about our post-modern world of short-lived attachments and meanings. But watching this film is a long, long uphill climb, with a lot of thin air to endure before arriving at a destination. --Tom Keogh, Amazon.com
Described by director Gregg Araki as 'a Beverly Hills 90210 episode on acid' Nowhere is the last in his 'Teen Apocalypse Trilogy' following Totally F***ed Up and The Doom Generation. Dark Smith is a tormented soul infatuated with his girlfriend Mel who's too much of a free spirit to be tied down. During one day in L.A they hook up with an eccentric array of friends each with their own issues and embark on a surreal orgy of drink drunk and polysexual encounters culminating in a hedonistic party and one hell of a climax. Special Features: Audio Commentary with Director Gregg Araki James Duval Rachel True and Jordan Ladd
Marcello Mastroianni (La Dolce Vita 8') stars in this classic Italian romp about Officer Andrea Rossi-Colombotti a dashing army office attached to NATO. Love and ladies are his sole pursuit as he blithely hops from bed to bed with Italy's most beautiful actresses; Virna Lisi Marisa Mell Liana Orfei and Michele Mercier. However he has an unusual libido where he can only perform when his life is in danger. With the element of danger always close this is Marcello's answer to James Bond 007 but with even more ravishing women and incredible landscapes of Italy France and the Swiss Alps. When he starts orchestrating his love life he has to avoid each of his lovers discovering the other thus he finds himself in some hilariously embarrassing scenarios.
Italian cinema s most iconic screen couple, Sophia Loren and Marcello Mastroianni here cast against glamorous type deliver the finest and most nuanced performances of their career in this rarely seen masterpiece finally presented, restored and remastered in 4K with striking desaturated colours as originally created by its multi-awarded director Ettore Scola.. On this special day in 1938, all of fascist Rome has been mustered to a parade for Hitler visiting Mussolini. Loren s working-class housewife, Antonietta, left alone to her chores, meets the only other person left in their block, Gabriele (Mastroianni), a persecuted homosexual radio announcer. The two, who are poles apart, forge an unexpectedly close friendship that will change their perceptions of love, politics and life itself....
Italian horror maestro Dario Argento made his name by turning homicide into modern art with a cinematic flourish, but with Phenomena he takes his stylish mayhem in new directions. The film opens with the dreamy grace of a fairy tale: a young girl wandering the green meadows of Switzerland and discovering a gingerbread house, wherein lives a monster more modern than mythic, a psychopathic maniac who plunges the picture into a lush nightmare. Jennifer (Jennifer Connelly in her first starring role), a gifted young girl at a Swiss school, has a psychic link to the insect world and develops a connection with the killer through midnight sleepwalks. With the help of a lonely, wheelchair-bound entomologist (genre stalwart Donald Pleasence, who inflects his sonorous tenor with a gentle Scottish burr) she turns telekinetic detective, which only draws her closer to the killer's lair. The densely plotted story becomes muddled at times (this is the busiest film in Argento's oeuvre) but the lyrical cinematography and gorgeous nocturnal imagery--dreamy sleepwalks, nightmarish murders, hideous horrors that emerge in the dark of night--take on a poetic elegance not seen in his previous work, providing the tale with a kind of dream logic. This is a slasher film reborn as an exquisitely grim fantasy: Jennifer in Argentoland. --Sean Axmaker
Sica's finest post 1950's movie with Italy's finest screen actors Sophia Loren and Marcello Mastroianni. Domenico (Marcello Mastroianni) first meets 17-year-old prostitute Filumena (Sophia Loren) in a Neapolitan brothel during WWII. After the war they become lovers on and off for 22 years. Domenico eventually rents an apartment for Filumena and even lets her run his shop but is always chasing other women. Finally on her deathbed Filumena asks Domenico to marry her (just before he had planned to marry his young cashier) and then admits she had his legitimate child. Dominico then uses different subterfuges in trying to discover which teenager might be his son.
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